{"id":20685,"date":"2021-04-20T09:40:23","date_gmt":"2021-04-20T00:40:23","guid":{"rendered":"https:\/\/cms.culture.city.taito.lg.jp\/archives\/20685"},"modified":"2021-04-20T09:57:16","modified_gmt":"2021-04-20T00:57:16","slug":"%e7%89%b9%e5%88%a5%e5%b1%95%e3%80%8c%e5%9b%bd%e5%ae%9d-%e9%b3%a5%e7%8d%a3%e6%88%af%e7%94%bb%e3%81%ae%e3%81%99%e3%81%b9%e3%81%a6%e3%80%8d%e4%bc%9a%e5%a0%b4%e3%83%ac%e3%83%9d%e3%83%bc%e3%83%88%e3%80%80","status":"publish","type":"post","link":"https:\/\/cms.culture.city.taito.lg.jp\/en\/archives\/20685","title":{"rendered":"[Tokyo National Museum] Special Exhibition “All about Choju-Giga, a National Treasure” Venue Report | Enjoy the world of Choju-Giga! All volumes and scenes are released for the first time in the history of the exhibition"},"content":{"rendered":"
Tokyo National Museum<\/a><\/h6>\n

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From April 13th to May 30th, 2021, a special exhibition “All about National Treasure Birds and Beasts Caricature”<\/strong> is being held at the Tokyo National Museum in Ueno, Tokyo.<\/p>\n

One of the best masterpieces in the history of Japanese painting, “Choju-Giga,”<\/strong> which vividly depicts anthropomorphic animals and people’s activities, and continues to capture people’s hearts over time. We covered this exhibition, which attracted a lot of attention in the first attempt in the history of the exhibition to release all four volumes and all scenes at once, so we will report on the contents and highlights of the exhibition.<\/strong><\/p>\n

* The session is divided into the first half (April 13th to May 9th) and the second half (May 11th to 30th). Regarding the works introduced with photographs in this article, all the works that do not have a period notation in the information column at the bottom are exhibited for the entire period.<\/span><\/p>\n

Don’t you know it? The mysterious world of “Choju-Giga”<\/h2>\n

Along with “Genji Monogatari Emaki”, “Ban Dainagon Ekomaki”, and “Shigisan Engi”, it is one of the four major picture scrolls in Japan, and is a national treasure “Choju-Giga” that has been protected and handed down by Kozanji Temple, an old temple in Kyoto.<\/p>\n

It boasts an outstanding reputation among Japanese paintings, but “Choju-Giga” is also known as “Choju-Giga”, and not only animals but also people are drawn, and there is not one painter involved in the production. I think there are surprisingly few people who have a complete picture of what is presumed to be.<\/p>\n

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National Treasure “Choju-Giga Komaki” (Part) Heian Period Kozanji Temple, Kyoto \/ The anthropomorphic animals we often see are just a few characters (animals?) In “Choju-Giga”.<\/figcaption><\/figure>\n

About 800 years ago, this work is said to have been drawn in stages from the end of the Heian period to the beginning of the Kamakura period, but in reality most of the detailed background, such as the author, the purpose of production, and the history of collection at Kozanji Temple, is It is a mysterious work that has not been clarified yet.<\/strong><\/p>\n

\u00a0<\/strong>It is said that each of the four volumes is related, but it seems that it was not conceived as a series from the beginning …<\/p>\n

There is no textual information called a word book written in a general picture scroll, and I don’t even know if there is a common theme …<\/p>\n

In other words, compared to the timeless sense of painting that you will never forget once you see it, the other information is a work that does not show its substance vaguely.<\/p>\n

The only way to understand the work is to face the work itself seriously. There is no doubt that the unfamiliarity of the bottom is a factor that arouses the inquisitive mind of researchers and attracts us.<\/p>\n

This exhibition is a unique opportunity to overlook the mysterious world of “Choju-Giga”.<\/p>\n

The state of the venue and the contents of the special exhibition “All about National Treasure Choju-Giga”<\/h2>\n
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At the entrance, there is also a movie that moves the illustration of “Choju-Giga”.<\/figcaption><\/figure>\n
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There are animals all over the venue and you can relax.<\/figcaption><\/figure>\n
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Venue scenery<\/figcaption><\/figure>\n
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Venue scenery<\/figcaption><\/figure>\n

This exhibition, which uses the space of two venues luxuriously, consists of three chapters. From here, we will introduce the contents of each chapter’s exhibition.<\/p>\n

[Chapter 1] All of the national treasure Choju-Giga<\/h3>\n
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National Treasure “Choju-Giga Komaki” (Part) Heian period Kyoto, Kozanji Temple \/ Frogs, rabbits, monkeys, and many other 11 types of animals are anthropomorphized and depicted lively.<\/figcaption><\/figure>\n
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National Treasure “Choju-Giga Otomaki” (part) Heian period Kozanji Temple, Kyoto \/ Otomaki like an animal pictorial book with 16 kinds of real and fantasy animals. Unlike the instep, the animals are not anthropomorphic.<\/figcaption><\/figure>\n
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National Treasure “Choju-Giga” (Part) Heian-Kamakura Period Kyoto Kozanji-zo \/ Choju-Maki is a portrait of people enjoying betting and competition in the first half, and animals enjoying festivals and kemari in the second half. It is composed of animal caricatures depicting. The skillful writing of facial expressions of people is excellent.<\/figcaption><\/figure>\n
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National Treasure “Choju-Giga Chomaki” (part) Kamakura period Kozanji Temple, Kyoto \/ Chomaki is mainly composed of people, and has a thicker line drawing than the other three volumes, and is characterized by a generous brush stroke. There are many screens based on the motifs of the instep and the Hinoe, and it is a fun volume to compare across volumes.<\/figcaption><\/figure>\n

The main feature of Chapter 1 is the effort to display all four volumes of A, Otsu, Hei, and Ding, all of which are about 44 meters (!) In total, all at once throughout the session.<\/strong> It will be an irresistible point for fans to be able to make a cross-sectional comparison of each volume, such as differences in brush strokes and expressions, which was not possible in the previous exhibitions where rewinding was carried out during the exhibition period.<\/p>\n

Also, in Chapter 1, you can’t miss the unprecedented challenge of setting up a moving walkway and letting you appreciate “Choju-Giga”.<\/strong><\/p>\n

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A moving walkway is installed in front of the instep.<\/figcaption><\/figure>\n

I think that the one installed in front of the instep, which is probably the most popular, was designed to prevent new coronavirus infections, but it does not push against people and moves very slowly, so it is “too fast”. There was no inconvenience such as “I couldn’t see it!” … I felt that it was an epoch-making facility where everyone could take a closer look at the work in the front row.<\/p>\n

In the first place, picture scrolls are enjoyed in a dynamic way of viewing, from right to left, unfolding, rolling up, and unfolding again. This attempt can be taken as a smart measure by the organizer, who wants you to feel as if you are unraveling the picture scroll yourself.<\/p>\n

[Chapter 2] A short cut and a model of a bird and beast caricature-recovery of a lost scene<\/h3>\n

In Chapter 2, Duncan<\/strong> and that was the one screen of the partially missing picture scroll to the hanging scroll, is Reproductions<\/strong> that hold copies of the lost screen in the original are exhibited.<\/p>\n

Actually, the original “Choju-Giga” that has been handed down to date has some missing screens, and it is said that the current Komaki is complicated (the order of the screens is changed). Therefore, in this exhibition, originals, sketches, and models will be gathered from home and abroad. I am trying to get a bird’s-eye view of “all of the bird and beast caricatures” that once existed.<\/p>\n

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Important Cultural Property << Choju-Gigasho (Higashi Hiromoto) >> (Part) Heian Period Tokyo National Museum Collection<\/figcaption><\/figure>\n

For example, on the left side of “Choju-Giga-Kansho (Tokyo National Museum)”, you can see black dots under the lotus umbrella of the frog, which is connected to the Hagi flower drawn on the 16th paper of the current Komaki. Therefore, it turns out that this syllabary was originally located in front of the 16th paper.<\/p>\n

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“Wildlife caricature Reproductions (Nagao, who formerly Kuramoto)” (partial) Den Mitsunobu Tosa brush Muromachi era America, there exhibition replacement in late before<\/span><\/strong> Honolulu Museum of Art \/ humor of the high jump scene.<\/figcaption><\/figure>\n

The contents of the screen correspond to the current Komaki 11th paper and later, “Choju-Giga Model (Nagao Family Old Collection)”, which is said to be a copy of the state before Komaki became complicated. In addition, it is a very useful material to know the former instep, such as holding screens that can not be confirmed at present, such as rabbits and monkeys jumping high.<\/p>\n

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There is also a reference exhibition that introduces the appearance of the former Komaki in an easy-to-understand manner based on information on the sketches and samples.<\/figcaption><\/figure>\n

Many people may be thrilled by the act of gathering various hints in this way and revealing the whole picture as if solving a mystery. If you go back to the original of Chapter 1 from here, it seems that you can enjoy it differently from the first viewing.<\/p>\n

[Chapter 3] Myoe Shonin and Kozanji Temple<\/h3>\n

Kozanji Temple in Kyoto, which was founded in the Nara period and was revived in the Kamakura period by a scholar, Myoe, has many cultural assets in addition to “Choju-Giga”.<\/p>\n

Chapter 3 summarizes the important cultural property “Myoe Shonin Sitting Statue”, which will be exhibited outside the temple for the first time in 28 years, the dream record “Yume no Ki” written by Myoe Shonin throughout his life, and the Japanese poems of Myoe Shonin. Works related to Kozanji Temple, such as Myoe Shonin Kashu, which show the personality of Myoe Shonin, who was loved by many people, are on display.<\/p>\n

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Important Cultural Property “Myoe Jojin Sitting Statue” Kamakura Period Kozanji Temple, Kyoto<\/figcaption><\/figure>\n
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Important Cultural Property “Myoe Jojin sitting statue” Kamakura period Kozanji Temple, Kyoto \/ A life-like wooden statue that looks like a living copy. The right ear amputated for quest is also reproduced. The look that rigor and kindness coexist is impressive.<\/figcaption><\/figure>\n
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Important Cultural Property “Yumeki” Akie over the brush 1220 years Kyoto Kozan-ji Temple built the previous year exhibition<\/span><\/strong> \/ saw a dream of about 40 years the contents, that was wrote in words and pictures that do not decorated Akie saint autograph book. It is a valuable existence that allows you to know the raw emotions of medieval religions.<\/figcaption><\/figure>\n
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Important Cultural Property “Puppies” Kamakura period Kozanji Temple, Kyoto \/ At the end of the exhibition, the statue of a puppy with a cute squinting gesture that sees off visitors is a must-see. It is said that Myoe Shonin kept it at hand and loved it.<\/figcaption><\/figure>\n

As I look at the items related to it, I feel somehow familiar with Myoe. Apparently, during the lifetime of Myoe Shonin, “Choju-Giga” was stored in a different place, but it is because Myoe Shonin laid the foundation for his love for small animals and vegetation. I imagined that “Caricature” had been carefully protected.<\/p>\n

The more you see it, the more interesting it is! Comparison of 4 volumes of “Choju-Giga”<\/h2>\n

As mentioned above, the way to enjoy the whole volume and all scenes is a cross-sectional comparison. Here are some interesting things.<\/p>\n

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National Treasure “Choju-Giga Komaki” (part) Heian period Kozanji Temple, Kyoto<\/figcaption><\/figure>\n
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National Treasure “Choju-Giga Chomaki” (Part) Kamakura Period Kozanji Temple, Kyoto<\/figcaption><\/figure>\n

It is a scene of the Komaki and Chomaki Hokai. A very interesting composition in which the crying monkey and the rabbit with a fan drawn in the instep volume are arranged as human beings who have similar appearances and movements in the chomaki, and the motif parodyed by animals is further parodyed by human beings. It has become.<\/p>\n

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National Treasure “Choju-Giga Komaki” (part) Heian period Kozanji Temple, Kyoto<\/figcaption><\/figure>\n
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National Treasure “Choju-Giga-Maki” (part) Heian-Kamakura period Kyoto, Kozanji warehouse<\/figcaption><\/figure>\n

The animal caricatures are drawn in the second half of the Komaki and Hei-maki, and while the animals in the Komaki wear eboshi, the animals in Hei-maki wear leaves that look like eboshi.<\/p>\n

What is the intent of the animals in the instep to behave more humanly and the animals in the Hinoe to remain somewhat animal-like, using the same anthropomorphic technique? The mystery is only deepening.<\/p>\n

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National Treasure “Choju-Giga Otomaki” (part) Heian period Kozanji Temple, Kyoto<\/figcaption><\/figure>\n
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National Treasure “Choju-Giga Otomaki” (part) Heian period Kozanji Temple, Kyoto<\/figcaption><\/figure>\n

Otomaki, whose motif is different from Japanese animals in the first half and foreign animals and fantasy animals in the second half, is also interesting because of the subtle differences in brush strokes.<\/p>\n

The exotic and fantasy animals are a little cautious and have a solid brush stroke, but it is thought that this is not due to the difference between the painters, but because the painters drew with reference to the model. It’s the result of faithfully drawing an example so as not to misrepresent an unknown animal.<\/p>\n

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National Treasure “Choju-Giga Chomaki” (Part) Kamakura Period Kozanji Temple, Kyoto<\/figcaption><\/figure>\n

It’s not a comparison across volumes and screens, but here’s what you should check. At first glance, it is easy to think that it was written by a painter with a childish skill, but when you look at the face of a Kuge-style man looking back on the left side of the screen, it is very easy to understand compared to the men making noise on the right side. You should be able to convey that you are “good”.<\/p>\n

The easy-going style of painting is a must-see because it is a point that a painter with a certain skill can understand that he dares to draw like that.<\/p>\n

At the end<\/h2>\n
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Museum shop<\/figcaption><\/figure>\n
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There are also many original goods limited to the venue.<\/figcaption><\/figure>\n

At the museum shop, there are a lot of cute items such as T-shirts and masking tapes featuring the animals that appear in “Choju-Giga”, but the most notable item is the almost full-scale whole volume and various articles. It will be an official catalog. It’s a huge volume with over 400 pages and it’s a definitive edition, so fans should check it out.<\/p>\n

By the way, popular voice actors Koichi Yamadera and Ayumi Tsunematsu are in charge of the audio guide navigator for this exhibition. It is explained in plain language that even children can enjoy listening to with a light narrative, so please come along with the appreciation.<\/p>\n

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The world of “Choju-Giga” that grabs our hearts with a truly rich expression, even though it is a monochromatic line drawing with ink. It may be fun to visit this exhibition, read the work in your own way, and try to “solve the mystery”.<\/p>\n

 <\/p>\n

Outline of the special exhibition “All about National Treasure Choju-Giga”<\/strong><\/p>\n

* Advance reservations are required for this exhibition. You need to reserve a reserved-seat ticket online. Please check the official website of the exhibition for details. In addition, you can see the national treasure “Choju-Giga Komaki” on the moving walkway.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Session<\/td>\nApril 13th (Tuesday) -May 30th (Sunday), 2021<\/p>\n

* Some works may be changed and scenes may be changed during the exhibition period, but the 4th volume of the national treasure “Choju-Giga” will be exhibited throughout the exhibition period without changing the scenes.<\/td>\n<\/tr>\n

Venue<\/td>\nTokyo National Museum Heiseikan<\/td>\n<\/tr>\n
Opening hours<\/td>\n9 am-7pm (last admission is 6pm)<\/td>\n<\/tr>\n
closing day<\/td>\nClosed on Mondays * However, it will be open on May 3 (Monday \/ holiday)<\/td>\n<\/tr>\n
Admission fee<\/td>\nGeneral 2,000 yen, university \/ vocational school students 1,200 yen, high school students 900 yen<\/p>\n

* Junior high school students and younger, persons with disabilities and one caregiver are free of charge, but it is necessary to make a reservation for a “reserved-seat ticket” and present a student ID card, disability certificate, etc. Please check here for details.
\nhttps:\/\/chojugiga2020.exhibit.jp\/ticket.html<\/a><\/td>\n<\/tr>\n

Organizer<\/td>\nTokyo National Museum, Kozanji Temple, NHK, NHK Promotion, Asahi Shimbun<\/td>\n<\/tr>\n
Sponsorship<\/td>\nKajima Construction, Sompo Japan, Toppan Printing, Mitsui & Co.<\/td>\n<\/tr>\n
Official page<\/td>\nhttps:\/\/chojugiga2020.exhibit.jp\/<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Reference: “Special Exhibition” All about National Treasure Choju-Giga “Catalog”<\/p>\n

 <\/p>\n

See other reports<\/a><\/p>\n

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