【Tokyo Metropolitan Art Museum】Munch: A Retrospective  Exhibition report

Tokyo Metropolitan Art Museum


At the Tokyo Metropolitan Art Museum, Munch: A Retrospective is being held from Saturday, October 27, 2018 to Sunday, January 20, 2019.

Since I participated in a press coverage held before the event, I will tell you how that situation is.


Speaking of Munch’s The Scream is one of the most famous painting in the world. Actually, The Scream is drawn in multiple stages, and 4 points are present besides prints.

The first visit to Japan this time is tempela / oil paintings collection of the Munch museum in Oslo, Norway, home of Munch. Because it uses delicate materials, it is not permanently displayed at the Munch Museum.

It is rare that this work is exhibited outside the Munch Museum, and this exhibition is a very valuable opportunity to see the real thing in Japan.

エドヴァルド・ムンク《叫び》1910年? テンペラ・油彩、厚紙

However, the charm of Munch is not only The Scream.

This exhibition will be a great retrospective exhibition of Munch that displays about 60 oil paintings and about 100 prints combined with Oslo City Munch Museum collection.

I will introduce some of them below.

The life of Munch seen in self-portrait

Munch is working on about 80 self-portrait in his life, and the expressions and backgrounds drawn are reading out his feeling of those days.

Work as a painter as he started out. His beautiful face expresses full of confidence.

エドヴァルド・ムンク《自画像》1882年 油彩、紙(厚紙に貼付)

Munch that was bothered by delusions caused by troubles with lovers, alcohol dependence, and wandering life at this time.

エドヴァルド・ムンク《地獄の自画像》1903年 油彩、カンヴァス

Munch's depression of the time seems to be projected on the background hell flames and surprising shadows.

One piece drawn in the year when it became turning point of Munch's life.

エドヴァルド・ムンク《青空を背にした自画像》1908年 油彩、カンヴァス

Munch hospitalized in Copenhagen's clinic for several months due to nerve weakness this year. After that he finally decided to finish the wandering in Europe for many years and return to his home country Norway the following year. Bright color makes us feel his peaceful life after that.

Rich internal portrayal

As a characteristic of Munch's work, there are in-depth internal depictions with bold strokes.

This work entitled Melancholy.

エドヴァルド・ムンク《メランコリー》1894年-96年 油彩、カンヴァス

It seems as if the depressed feeling of a person is not only in his face expression but also in the background.

This is produced using the same composition as The Scream.

エドヴァルド・ムンク《絶望》1894年 油彩、カンヴァス

The Scream and Despair are both backdrops to the sunset in Oslo's fjord, but in contrast to & The Scream seems to be mutually responsive to the background, on the other hand, the person of Despair is deeply in despair and isolated from the surroundings.

A dark indoor contrasting with the brightness outside the window that glimpses the background. The strong love destroyed the contours between the man and
the woman, and the two united.

エドヴァルド・ムンク《接吻》1897年 油彩、カンヴァス

Although Munch drew many works extruding negative emotions such as solitude, melancholy, jealousy, many works with the relationsip between men and women as a motif are also left.

Special commentary

At the exhibition there was a special commentary by Mr. Jon-Ave-Staihaug, who is the director of the exhibition and collection at the Oslo city munch art museum.

ヨン=オーヴェ・スタイハウグ氏(ムンク美術館 展覧会およびコレクション部長)

"120 years ago there were some people who said The scream were ridiculous, ugly, there was no class, but I think that it is very interesting now that his works attract a lot of people worldwide. I think that Munch is extremely radical and at the same time experimenting with The scream. To convey the emotions such as anxiety and despair based on his own experiences, materials that are not normally used ( Pastel, tempela, cardboard and pencil) is used to create it. "

"Though it is common to many works of Munch, it gives the impression that munch are confronted with those who are watching his works through the faces painted, and on the other hand, through the perspective method his works draw attention of the watcher. Munch dramatically expresses his emotions. "

He also suggest one of his favorites Munch’s work.

エドヴァルド・ムンク《赤い蔦》1898-1900年 油彩、カンヴァス

" Red ivy, which is displayed in the same room as The scream, is as strong as The scream, conveying intense emotions, a wonderful and powerful work. "


Munch: A Retrospective that consists only of Munch's works, is being held until January 20, 2019 at the Tokyo Metropolitan Art Museum.

Why do not you immerse yourself in the world of Munch.

※All Photographs ⓒMunchmuseet

Information

Exhibition name Munch: A Retrospective
Period October 27 (Sat), 2018 – January 20 (Sun), 2019

Closed Mondays, December 25, January 1, 15 (Open the Monday of November 26, December 10, 24, January 14)

Hours 9:30 – 17:30 (Last admission 17:00)

Days of Extended Hours Fridays, November 1, 3 9:30 – 20:00 (Last admission 19:30)

Venue Tokyo Metropolitan Art Museum Exhibition Rooms

Admission Tickets at the door |
General ¥1,600 / College students ¥1,300 / HS students ¥800 / Seniors 65+ ¥1,000

Group tickets |
General ¥1,400 / College students ¥1,100 / HS students ¥600 / Seniors 65+ ¥800
※Group rates – 20 or more people

※Admission free for visitors junior high school age or younger
※Admission free for visitors (and one accompanying person) with a Physical Disability Certificate, Intellectual Disability Certificate, Rehabilitation Certificate, Mental Disability Certificate or Atomic Bomb Survivor’s Certificate
※In each case, please show identification

Official site https://munch2018.jp/

Telephone Inquiry 03-5777-8600(Hello dial)

Article Provided by:Kokosil Ueno


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Taito Ward Sogakudo of the Former Tokyo Music School Music Palace Renewal Open report

Taito Ward Sogakudo of the Former Tokyo Music School

Taito Ward Sogakudo of the Former Tokyo Music School is placed in a corner of Ueno Park.

This is the oldest western style music hall in Japan,built as a facility of the Tokyo Music School (present · Tokyo College of Music Faculty) in Meiji 23. Later Taito Ward was handed over from Tokyo National University of the Arts, transferred to and restored to the present place in 1986, and designated important cultural property the following year.

Due to the advancement of aging, it was closed from April, 2013, in addition to earthquake resistant reinforcement and preservation repair of the building, repair of the pipe organ in front of the stage was carried out.

On November 2, after closing for about five and a half years, the old renovation house was renewed.

I will tell you the state of the commemorative ceremony held along with it.


Inauguration ceremony held in wonderful autumnal weather. Prior to opening, there were performances by the students of Tokyo University of the Arts's Music Faculty.

Many guests were present. Mr. Hattori, pesident of taito ward gave his speech.

Kazuki Sawa ; Director of Tokyo University of Arts also gave his speech.

Mr. Sawa who graduated from Tokyo National University of Arts, also is a witness to the history of the old Music Palace.

Mr. Sawa "When I was in college, there was a Music Palace in the campus, but as the aging progressed, when 300 people entered it was so heavy that the door on the first floor would not open due to the weight.The organ did not produce any sound. At the time of my 4th grader I took a graduation exam at this grand temple, but at the end the main hall was not used.

After that, we also talked about relocating to Meiji-mura, but there were lots of voices to leave in Ueno, which was relocated to Ueno Park here in 1987 by Taito Ward. I am also participating in the commemorative performances held at that time. It is an honor to be able to participate in the commemorative performances again this time. "

Following the tape cut by the guests, the old concerto was completed.


A mini concert of string ensemble centered on Mr. Sawa was held in the hall of the old old music entertainer just completed.

Program
Wagner
From "Nürnberg's My Staginger" to the first act "Prelude"
(Organ Solo)
· JS Bach
Concerto for two violins Two minor BWV 1043
(First violin Mr. Seiji Okamoto, second violin Mr. Kazuki Sawa )
· Albinoni
Adagio for organ and string music in g minor
(Jazzt edition)

The pipe organ in front of the stage after the repair was also played by Mr. Rie Hiroe who is a professor of the University of Music and a professor of the same department of music at the same time after completing the graduate school organ of Tokyo University of the Arts. While being a relatively small organ, it features a powerful sound.

Mr. Seiji Okamoto who served as the first violin in the second song is a graduate of the Tokyo National University of Fine Arts and is now brushing up his skills in Berlin.

At the end of the mini concert, he performed an encore playing "Flower" written by Rentaro Taki who also played the piano at the Old Music Palace. It is a song that is related to Taito-ku.

The state of "flower" performance can be seen with the following movie.


After the mini concert we were able to visit the hall.

Hall where mini concert was held
The audience seating from the stage
Stairs to the concert hall on the second floor
Exhibit reproducing the structure of the pipe organ
Rentaro Taki beside the entrance on the first floor

Old Music palace which renewed for the first time in five and a half years. You can enjoy not only historical buildings but also live cultural assets such as concerts and music materials.

Since the building has been open since November 2, how about visiting Ueno?

Facility information

release date Sunday, Tuesday, Wednesday (Thursday, Friday, Saturday if there is no use of the hole)

Opening time 9: 30 ~ 16: 30 (last entry 16:00)

closing day Every Monday (If Monday is a celebration holiday, next weekday after that)
New Year's Holiday (December 29 – January 3 of the following year)
Special arrangement period

Admission fee General 300 yen (200 yen)
Elementary, junior high and high school students 100 yen (50 yen)
※() group fee of 20 people or more
※ Persons with Disabilities, Recipient Handbook, Welfare Diet for Mentally Disabled Persons, Certified Medical Recipient Certificate of Persons with Certain Disease and Caregiver Free

Street address Ueno Park in Taito-ku 8-43

TEL 03-3824-1988

Official website http://www.taitocity.net/zaidan/sougakudou/


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【The National Museum of Western Art】Rubens and the Birth of the Baroque Exhibition Report

The National Museum of Western Art


Rubens and the Birth of the Baroque will be held at the National Museum of Western Art, Tokyo from October 16 (Tue) 2018 to January 20 (Sun) of 2019. Since the media exhibition was held on 15th October, I will tell you the situation.

Peter Paul Rubens (1577-1640), a painter representing 17th century baroque art.
Dramatic composition with a lot of movement, brilliant color, abundant and fascinating nudity expression. Rubens, who was sent with the highest compliment of "King of Painters as King's Painter" by those who were fascinated by the style, was able to bring its name to other countries.

Although Rubens set up the workshop in Antwerpenand,Belgium,and made the base of its activities as the base of its activities, but it is not well known in Japan that he spent in Italy for 8 years immediately after being independent as a painter. Rubens absorbed various expressions in Venice and Mantova, especially in Rome, and established a style of painting, and developed it after returning home.

This exhibition focuses on the relationship between Rubens and Italy and attempts to unravel the secret of its creation. We exhibited a total of 71 works by Rubens and ancient art, Italian artists, and we will explore how Rubens got inspiration and gave it from Italian works.

Chapter 1 The World of Rubens

This exhibition consists of seven parts. Works are displayed by theme, not time series, and Rubens and Italy, we will explore the source of that idea from bidirectional exchanges. In this chapter which will be the introduction, his representative portrait works are exhibited, you can see the features of the technique greedily absorbing the Italian style and the love affection to the family.

This is a work "Portrait of Clara Serena Rubens" . It depicts the eldest daughter Clara Serena born with the first wife Isabella Brant. Although the background and the collar part are roughly caught, the expression is drawn very carefully and the composition taking the face of the model directly in front is also impressive.
Clara was about 5 years old at this time, but then died at the young age of 12 years old. Rubens loved Clara and seems to have portrayed her portraits many times even after she died.

Chapter 2 Past traditions


In the second chapter, entitled "Past tradition", we introduce Rubens' works, as well as replications of Venetians by ancient sculptures and Rubens.

"Death of Seneca" is a work depicting the end of Seneca, a philosopher who was ordered to commit suicide under suspicion of a conspiracy to the emperor Nero, as the subject said. Seneca in the picture is based on the famous ancient sculpture in the Louvre museum, and Rubens which saw this sculpture in Rome has left six drawings. It can be said to be a good example of the results of classical learning by Rubens.

Chapter 3 Saints as Heroes – Religious Painting and Baroque

During his stay in Italy, Rubens painted religious paintings in Mantua, Genoa and Rome. Rubens&#39. His religious painting, which showed an ideal body image like ancient sculpture, fascinated the young generation and showed the greatest innovation in Rome after Caravaggio.

In chapter 3, Rubens' religious paintings are displayed together with the works that influenced him and the works he influenced .

Rubens' masterpiece "Martyrdom of St. Andrew" first came to Japan. This work was donated to the chapel of the Royal Hospital of Santandres de los Flamencos in Madrid and it seems to be very valuable thing to appreciate rarely.

"Martyrdom of Saint Andere" depicts the martyrdom of Saint Andrew, described in the "Golden Legend" of Jacobos de Worragine. Saint Andrew, cruised by the Roman governor, taught to the crowd of 20 thousands who surround him. The crowd threatened to angrily thrust the governor down from the cross, but Andrew declined to descend from the cross as he lived, and ascended by casting pray as it was.

Saint Andrew looking up to the heavens above which one light shines, angels flying to Andrew from the dark sky, people crying something and appealing. It is extremely dramatic, and the depiction of realism with dynamic feeling approaches to my heart.

Chapter 4 The Power of Myths 1 – Hercules and Male Nude

Rubens who was fascinated by famous sculpture "Hercules of Farnese" and learned its shaping deeply. His imagination was demonstrated most vividly, especially when drawing a mythical world. In this chapter, a lot of male nude by Rubens and Italian painters after Rubens are exhibited.

Chapter 5 The Power of Myths 2 Venus and Female Nude

On the other hand, this chapter features a nude that depicts the ideal woman beauty symbolized by Venus. When drawing Venus it was also Rubens who took the form of ancient sculpture, but in the later years it began to draw a plump woman that symbolizes more realistic and fertile.

Chapter 6 Pencil Frenzy

Brilliant colors and quick brush usage that gives it to the screen. The 17th century artist theorist Bellori explained Rubens' paintings with the word "painter's enthusiasm" . In Chapter 6, we take up paintings such as battle scenes in which the character of such Rubens art was expressed in the most obvious way, and focus on its characteristics.

"The Fall of Phaeton" painted around 1605 during my stay in Italy. The sun of Apollo, the sun god, a painting capturing the moment when Paeton’s tanks receive lightning from the supreme god Jupiter and Paeton is about to fall. The cloaking cloak, the mane of the standing horse, the lightning running in the sky enhance the violent dynamism of the whole screen.

Chapter 7 Allegorical and Allegorical Tales

Rubens was a succeeded highly educated diplomat . Rubens took advantage of its cultural knowledge and knowledge and often painted allegorical figures that used a combination of symbols. In the final chapter, Rubens' mythological theme with alleged gimmicks is displayed along with ancient sculptures.

"Mars and Rare Sylwia" depicting scenes where Military God Mars looks at the shrine maiden Rae Sirwia who protects the fire of the West Temple. It is famous that twins born between Rare Sylwia and Mars grew and became Romulus and Romulus with Rome.

Rubens usually makes a bold change to the traditional interpretation, as the stage of this work is a temple, whereas Rare Sylwia who went to draw water usually is fucked by Mars in the forest. At the same time, however, Rubens also shows that it is very precisely taken into account the ancient literature on this myth, such as Cupid and Mars' weapons and feet clouds that cloak the cloak's hem.


Anna lo Bianco

"I think that Rubens' work is reflected very well in his work, generous, loving and great, I feel that his figure is also bleeding out of paintings A biographer described him as "Maestoso Umano (dignified person) and at the same time it is full of humanity", but in fact Rubens expressed a very deep affection for family members and friends He was a pouring person. "

That is what I talked about, as an art historian and Mr. Anna bio Bianco, supervisor of this exhibition.

"In addition, when Rubens was asked" What are you from? ", He said that" I am a world citizen. "Well these words have come to be used now, but in the 17th century Rubens thought so that at the point of time.Though it was the owner of the idea he advanced and I understood the wonderfulness of fraternity, it can be understood from this remark.In this exhibition, I hope to focus on human nature and enjoy it. "

Called "King of painters", I will unravel the painting and humanity of the master who built one era in relation to Italy.
"Rubens exhibition – the birth of baroque" is held until January 20, 2019 (Sunday).
Why do not you visit this opportunity?

In the museum shop, also selling original goods that collaborated with ‘Dog of Flanders’

Summary

Exhibition name Rubens and the Birth of the Baroque
Dates October 16 (Tuesday) 2018 to January 20 (Sunday) 2019
9: 30 ~ 17: 30
Every Friday and Saturday: 9: 30-20: 00
(9: 30 ~ 17: 30 on 17th November)
※ Admission ends 30 minutes before closing time
closing day Mondays (Except 24 December and 14 January) and 28 December-1 January, 15 January
Venue The National Museum of Western Art
The National Museum of Western Art, Tokyo
7-7 Ueno-Koen, Taito-ku, Tokyo, 110-0007 JAPAN
Admission fee General: Adults 1,600 yen,college students,1,200 yen, high school students 800 yen
Group: Adults 1,400 yen, college students 1,000 yen, high school students 600 yen
※Junior high school and younger children admitted free of charge.
※Visitors with physical disabilities admitted free with one accompanying adult (ID required).
※Group purchase: more than 20 people.
Official site http://www.tbs.co.jp/rubens2018/english/

Article Provided by: Kokosil Ueno


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【The Ueno Royal Museum】Making the Difference : Vermeer and Dutch Art

Johannes Vermeer (1632-75), the Dutch painter who represents the Dutch Golden Age. There are scarcity style and rareness that the existing works are said to be only 35 points, boasting immovable popularity both in Japan and abroad.

Making the Difference : Vermeer and Dutch Art; which is held at the Ueno Royal Museum from October 5, 2018 (Friday) to February 3, 2019 (Sunday) is a project in which nine of his works come to Japan. this is the largest Vermeer exhibition in the history of japanese art exhibition (during terms some works would be replaced).

Since I participated in the press exhibition , I will tell you how that was.


Audio guide and booklet

In this exhibition, audio guides are provided for free of charge to all visitors.

In addition, this booklet is also provided for free, commentary on all 49 exhibited works of this exhibition is included.


These items help us understanding the backgrounds of the paintings.

A masterpiece of the 17th century Dutch painting

This exhibition consists of six chapters, and chapters 1 to 5 are exhibited with works of the 17th century’s Dutch painters.

From quiet religious paintings to the paintings capturing the daily lives of the people of the Dutch city at that time, works of a wide range of genres are exhibited. Although each theme is different, each work closely depicts the target object.

The building in the painting does not exist in real, but when standing in front of this painting, I feel like to be drawn into the building.

エマニュエル・デ・ウィッテ《ゴシック様式のプロテスタントの教会》1680-1685年頃 油彩・カンヴァス アムステルダム国立美術館

On the left of the picture is Old Woman Reading. In this painting, we colud see the writings on the pages which the old lady reading.

左 ヘラルト・ダウ《本を読む老女》1631-1632頃 油彩・板 アムステルダム国立美術館、右 ユーディト・レイステル《陽気な酒飲み》1629年 油彩・カンヴァス アムステルダム国立美術館

These two works are paired. A woman is reading a letter written by a man .

左 ハブリエル・メツー《手紙を書く男》、右《手紙を読む女》 ともに1664-1666年頃 油彩・板 アイルランド・ナショナル・ギャラリー

Although it seems like happy lovers in the first sight, knowing the meanings put in the gestures and underlying paintings of the works, the relationship between the two people emerges. Please listen and read voice guide and brochure.

It is also known that this work is fully influenced by Vermeer. You can find many things in common with Vermeer’s works such as the room that is the backgrounds of these works and the yellow jacket of a woman.

Vermeer room

Chapter 6 is developed in Vermeer room; where only Vermeer’s works are exhibited.

It is a luxurious space where you can view works of Vermeer, which are usually held in main museums of Europe and the United States.

Among them, the remarkable work is The Milkmaid ; which is known as one of the representative works of Vermeer. In this exhibition it is possible to appreciate at a very close distance.

《牛乳を注ぐ女》1658-1660年頃 油彩・カンヴァス アムステルダム国立美術館 ・解説をする千足伸行氏(本展日本側監修、成城大学名誉教授・広島県立美術館館長)

Although we tends to pay attention to the person who stands in the center, when look at the details, it shows the particles of light by stipple drawing, draws dirt and stains on the wall one by one, Vermeer observes the target in a fine detail then put it on the canvas.

The Wine Glass is first public in Japan.

ヨハネス・フェルメール《ワイングラス》1661-1662年頃 油彩・カンヴァス ベルリン国立美術館

Women’s images on the walls and stained glass suggest the man’s temptation for the lady, and urge women to pay attention.

Like this, in the Dutch painting of this era, there seems to be a lot of things in the picture showing moral meaning and admonition.

Attention to limited-time exhibition

Among the work of Vermeer, Girl with the Red Hat is displayed from October 5th to December 20th, 2018, The Procuress will be displayed from January 9th to February 3, 2019. Please check the work you wanted see beforehand and be careful not to miss it.

I can feel the bright light in the dark room in this work. Although this work is much smaller in size than other works, red and vermeer blue take our attentiion. First public in Japan.

ヨハネス・フェルメール《赤い帽子の娘》1665-1666年頃 油彩・板 ワシントン・ナショナル・ギャラリー National Gallery of Art, Washington, Andrew W. Mellon Collection, 1937.1.53 ※12月20日(木)まで展示

The Procuress is one of the earliest works of Vermeer and is the first genre painting he drawn. First public in Japan.

ヨハネス・フェルメール《取り持ち女》 1656年 油彩・カンヴァス ドレスデン国立古典絵画館 bpk / Staatliche Kunstsammlungen Dresden / Herbert Boswank / distributed by AMF

Check out! Souvenirs

A German-born toy · Playmobil reproduces The Milkmaid!

プレイモービル 1,800円(税込)

In the museum shop, there are many other items unique to this exhibition, so please check every corner.


Although a large number of visitors are expected to visit, this exhibition introduces a specified date admission system to relieve waiting time. Please have a look at the largest Vermeer exhibition in the history of the Japanese art exhibition.

Outline of the exhibition

Exhibition name Making the Difference : Vermeer and Dutch Art

Term October 5, 2018 (Friday) to February 3 (Sunday) 2019
※ Closed on December 13 (Thursday).

Venue The Ueno Royal Museum (Ueno Park 1-2, Taito-ku, Tokyo)

Opening hours 9: 30 ~ 20: 30 (Admission is 30 minutes before closing, there are days when opening and closing hours are different)

Specified date admission system We are sorry to tell you that the tickets for Vermeer exhibition cannot be purchased outside of Japan.While “Multi-copy machines” in Seven-Eleven stores in Japan sell the tickets, with your date/time of your visited selected, all these services are only available in Japanese.Meanwhile, the tickets will be available at the box office at the venue during the exhibition term. Please note that walk-up ticket are available, only if there’s any left.

advance ticket
General 2500 yen, university · high school student 1,800 yen, middle school · elementary school student 1000 yen, preschool children are free.

walk-up ticket
advance ticket +200 japanese yen

Official website http://www.ueno-mori.org/informations/article?category=topics&id=887853

Information dial 0570 – 008 – 035 (9: 00 – 20: 00)

Article provision: Kokosil Ueno https://home.ueno.kokosil.net/en/

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【Tokyo National Museum】 The Buddhist Sculptures of Daiho’onji, Kyoto: Masterpieces by Kaikei and Jokei Exhibition Report

重要文化財 如意輪観音菩薩坐像(六観音菩薩像のうち) 肥後定慶作 鎌倉時代・貞応3年(1224) 大報恩寺蔵

From Tuesday, October 2, 2018 to Sunday, December 9, 2018, the Tokyo National Museum holds a The Buddhist Sculptures of Daiho’onji, Kyoto: Masterpieces by Kaikei and Jokei . Since the exhibition was held on October 1st, I will tell you the situation.

During the Kamakura period, the ancient temple of Shingon Buddhist school called Daiho’onji,, which was requested by Giku Shonin in 1220. As there is Senbon Street crossing Kyoto to the north and south, it is familiar to the name of "Senbon Shakado" and has gathered a wide range of faiths from aristocrats to common people as the center of Buddha faith.
It is designated as a national treasure and its main hall, which has escaped numerous warfare including Onin’s turbulence, and also known as having a married couple and hypocrites such as husband and wife as birthplace of "Okame".

The principal image is the Seated Shaka Nyorai (Sakyamuni Buddha) created by the Gyokai that is one of the pupil of Kaikei. And, it is the ten great disciple statues, which is the work of the last years of Kaikei , who stands in that Buddha's Buddha Seated. In this exhibition, a lot of masterpieces of 'Kei party' transmitted to Daiho’onji are gatherd.

Exhibition landscape

The exhibition is held at the Tokyo National Museum Heiseikan Special 3-4 rooms. A special exhibition "Marcel · Duchamp and Japanese art" (10/2 ~ 12/9) is held in the 1st and 2nd room of the same building, and the fact that two exhibitions are performed adjacently at the same time . Unlike Dushan's exhibition hall where contemporary art works line up, this place is filled with a serene atmosphere where Buddha statue releases, and its contrast is also interesting.

重要文化財 傅大士坐像および二童士立像 院隆作 室町時代・応永25年(1418) 大報恩寺蔵
北野経王堂図扇面 室町時代・16世紀

The Buddhist Sculptures of Daiho’onji, Kyoto: Masterpieces by Kaikei and Jokei is composed of three parts,in the first part; The History and Treasures of Daiho’onji —Daiho’onji Temple and Kitano Kyo’odo Hall , the main temple designated as a national treasure as the oldest wooden building in Kyoto (Kyoto city) and its history are introduced.

Kitano Kyo’odo Hall is a Buddhist temple built by Ashikaga Yoshimitsu near Daiho’onji, then was the largest monument in Kyoto City. In the wooden temple it was quite lively such as the Kitano Manbukyokai, led by successive generals Muromachi was done, but the cultural properties and sutra etc. which had been dismantled under the influence of the separation of God and Buddha, It was transferred.

In the first chapter, items of Kitano Kyo’odo Hall, including the Buddha statue of the Heian period, are displayed, and the appearance of the past day is notified as it is now.

(中央)重要文化財 舎利弗立像(十大弟子立像のうち) 快慶作 鎌倉時代・13世紀 大報恩寺蔵

Following Creation of a Sacred Place —The Flourishing of Belief in Sakyamuni Buddha , The principal image; Seated Shaka Nyorai (Sakyamuni Buddha); and Ten major disciples of Buddha, which are now set separately in the temple, are displayed in the same space. It is the first time that Seated Shaka Nyorai (Sakyamuni Buddha) and ten great disciple statues, which are open to the public several times a year, are released outside the temple.

In the first half of the thirteenth century when Daiho’onji was built, the revelations of "the last law" (era when enlightenment ceased) were felt strongly due to repeated war. Giku Shonin tried to create a place to save people living the world of the last law by building a Buddha who always lives in this world and tells people how to preach.

重要文化財 十一面観音菩薩立像(六観音菩薩像のうち) 肥後定慶作 鎌倉時代・貞応3年(1224) 大報恩寺蔵

The center of the third chapter Roku Kannon Bosatsu (Six manifestations of Avalokitesvara) and Higo Jokei
is the Roku Kannon Bosatsu (Six manifestations of Avalokitesvara); made by Higo Jokei. The appearance of six-sounding lined with dark, burning crimson backgrounds is a spectacular one. Roku Kannon is a Buddha who rescues people from the Roku-do(six way) such as hell roads and hungry roads.

The vivid real existence that this statue has makes us feel the desperate idea and wish that people requested from Buddha in the world of the last law.

Exhibition work introduction

重要文化財 千手観音菩薩立像 平安時代・10世紀 大報恩寺蔵

Daiho’onji is in the center of Kyoto but escaped from the war. To that end, many cultural properties that were contained in the surrounding old temples were gathered in Daiho’onji. Among them, this is a masterpiece of the Heian period "Senju Kannon Bodhisattva Statue". Representation of clothing called transverse wave clothing under the knee was prevalent in the early Heian period, which also shows that this work is before the establishment of Daiho’onji.

重要文化財 釈迦如来坐像 行快作 鎌倉時代・13世紀 大報恩寺蔵

Seated Shaka Nyorai (Sakyamuni Buddha) is the secret Buddha of the Daiho’onji. The image height is 89.3 centimeters (about 3 scale), below the back seen the signature “Hogan Gyokai”, and I know that this work was made when the Gyokai was in the priesthood named “Hogan”.

The appearance likeness appears in the cheek flushing sideways, the eyed tail rising crisply, etc. In its powerful expression, I feel that I started exploring my style after the death of his master, Kaiun.

重要文化財 准胝観音菩薩立像(六観音菩薩像のうち) 肥後定慶作 鎌倉時代・貞応3年(1224) 大報恩寺蔵

In the Roku Kannon Bosatsu, there are relatively few examples Jundei Kannon. It is a statue of a woman embodying the heart of mercy. It was revealed that the signature of “Higo Bettou Jyokei” was found in the statue, and it is a masterpiece of Jyokei, a skillful a sculptor of Buddhist images of the next generation. In addition, Roku Kannon Bosatsu are made of Kaya (one kinds of the conifer), this is because he is conscious of the “Danzo”; originally made of sandalwood.

I am amazed by the expression of very detailed details, such as the soft texture of the tied hair and the depiction of the clothes that scratch the air. Please come to the venue and enjoy the sculpture!

It is also a big feature that the backlight and the pedestal are left as they are at the beginning of the image. Especially light hunting (one that embodies the light emitted by Buddha) is fragile because it is brittle, and it is very rare that things at the beginning of the image are completely left.

Also, Roku Kannon Bosatsu are displayed with a backlight till until October 28 (Sunday), from October 30 (Tue) of the late period, the backlight would be removed, and you can appreciate its appearance as close as possible. It is an opportunity to enjoy the charm of Kannon from an angle different from usual, such as gently curved back and patterns of garment of elegant back.


 

Outline of the exhibition

Exhibition name The Buddhist Sculptures of Daiho’onji, Kyoto: Masterpieces by Kaikei and Jokei
Term October 2 (Tue) – December 9 (Sun) in 2018
Venue Tokyo National Museum (Ueno Park 13-9, Taito-ku) Heiseikan Special 3rd and 4th rooms
Opening hours 9: 30 ~ 17: 00
※ Friday · Saturday, October 31 (Wednesday), November 1 (Thu) until 21:00
※ Admission until 30 minutes before closing
closed day Monday
※However, October 8 (Monday · congratulation) is open, closed on October 9 (Tue) closed
Admission fee General day 1400 yen group 1200 yen
College Student Day 1000 yen Group 800 yen
High school student day 800 yen group 600 yen
※ Free from junior high school students
※Groups of 20 or more
※ Persons with disabilities and their carers are free (Presentation of handicapped persons with disabilities when entering)

TEL 03-5777-8600

Exhibition official website https://artexhibition.jp/kaikei-jokei2018/outline-en/

Article provision: Kokosil Ueno https://home.ueno.kokosil.net/en/

View other reports: https://www.culture.city.taito.lg.jp/en/reports

UENOYES Balloon DAYS 2018 report

The art project "UENOYES " which imaged social comprehension is "UENOYES Balloon DAYS 2018" set at >Takenodai Plaza of Ueno Onshi Park (Fountain plaza) for three days from September 28 (Fri) to Sunday 30 (Sun) "It will be held.

In the title "UENOYES", "NO" and "YES" are included. It means that there are no obstacles, and from children to adults, "NO" and "YES" of everything across races and countries are included. "UENOYES" is a project that develops a variety of programs throughout the year and sends it to the world from Ueno, but this time "UENOYES balloon DAYS 2018" will be held as a kick event.

I participated in the opening guide tour for the press concerned that was held on the 28th of the first day, so I will report on that.



A guided tour that started in the fine weather. Mr. Katsuhiko Hibino Kenji Hibino (right picture) of UENOYES General Producer will introduce the program as a guide. Mr. Ryohei Miyata of the Agency for Cultural Affairs (photo left) was also attended. Participants wear small radio, balloon which is the motif of this event, respectively. According to Ms. Hibino, "It is a symbol that the balloon will take you somewhere, and you can take the balloon somewhere. And with those who wore the balloon at this event, There must be something to feel ".

Sketching “statues” event

People heading to easel surrounding Statue. It is a familiar scenery in usual Ueno Park. Besides, when you look closely, Statue is moving. Street performers imitate sculpture.

Graduates advising participants as instructors at Tokyo National University of Fine Arts and Music. Advance reservation is required for the morning department (10: 00-12: 00) for children, but any afternoon department (13: 00-17: 00) can participate in sketches at any vacant seat .

Drawing paper, containers, easels, picture boards and chairs are free to borrow, so you can stop by while you are coming by hand.

It becomes the ears of the whole body, it becomes the eye of the whole body

A lively sound reverberates in the square. Performance & workshop by sound artist Takashi Nishihara and painter Fujiwara Ryuhei. Dialogue with artists who have disabilities in their eyes and ears, workshops are held in which participants who previously invited public attention looking at eyes, ears, limbs and how to use their bodies. During the balloon day, we will showcase the performance with the participants of the workshop.

It is a thing that remodeled the wheelbarrow for adults. When you press it, you hear a sound.

Families from overseas are also curious. It seems that he enjoys Ueno who visited for the first time.

This instrument is made based on the sound of the speaker which was swept at the office of Minami Sanriku-cho in Miyagi prefecture during the Great East Japan Earthquake.

Then I ran up a stick connecting the balloon inside the park, drawing a picture in the sky. The shape changes according to the flow of wind. It is a painting that can only be enjoyed at this moment.

FIVE LEGS Factory

Under this tent set in one corner of the square, a mobile stall is built how awesome.

In the first place FIVE LEGS comes from Indonesian mobile stand "KAKI LIMA (Kakirima)". "Indonesian" KAKI "stands as a stand," LIMA "means legs. FIVE LEGS by adding three fulcrums attached to a stall and two legs of the person who draws it. "KAKI LIMA" will be created on March 3 by Mr. Jun Kitazawa in an attempt to translate foreign cultures as daily lives of Ueno city. On the last day I will be moving KAKI LIMA completed by pulling in Ueno Park.

Sing · Park · Harmonia

Playing beautiful harmony is a participatory choral performance centering on artist unit · torus village led by Kaya Sato. Harmony is made by repeating a simple melody. Anyone can join in the event on the day of the event while watching the scores distributed on the spot.

Those who are participating in the preliminary workshop lead the artist, so you can become a member of the performer by just copying and melding the melody. There is no special stage, it seems to be carried out in various places in the park. Why do not you participate if you hear harmony somewhere?

Plaza · U

In a slightly sweaty sunny day, once you step into the shade of trees, you will feel cool and cool. Some people are lying on the ground like that.

Everyone of the dance group "Newcomer H Sokelissa!" Consisting of experienced people on the street. It is the artist Hiroki Aoki led by him. Mr. Aoki pursued "dance born from the body that lives now" since he encountered terrorism while studying in NY in 2001. I will come into contact with experienced people on the street that seriously faces living everyday and will work together to create physical expression works. Following a public practice at the fountain front square for two and a half months, we will show off new performances during Balloon Days. This time I saw a place I happened to be relaxed, but I heard that you will show a dance with a break in performance.

Tohoku and Ueno, El Instante Hoshikuzu Yatai

Spanish-born artist José Maria · Sicilia continued interchanging with the victims in Tohoku from the Great East Japan Earthquake 2011 until today, through art.

This "stardust stand" introduced Mr. Tohoku's activities, talked about people involved in the activities and people who experienced the earthquake disaster and works, and was created with the aim of creating a place of encounter It was. Activities such as making Japanese sweets with paper clay with image of 3.11 and providing Japanese sweets made by Japanese sweet craftsmen in disaster area.

Also, at the International Library of Children’s Literature, National Diet Library will hold an exhibition "Mr. Sissyria 's exhibition" Country named "Accident" until February 24, 2019 (Sun)

In recent years, Mr. Miyauchi has published a number of works that analyze sounds to form two- and three-dimensional shapes, but in this exhibition, works created based on the roar of the sound of the tsunami during the Great East Japan Earthquake, and Miyagi We are introducing the voice of Maki Endo who died alerting residents at prefecture Sanriku-cho and a series of thoughts inspired from that death "My thoughts towards Millennium Endo for thousands of years".

“Kikimimi Radio”: Public radio talk by Toru KOYAMADA

Mr. Toru Koyamada, an artist who walks around the park with guests, develops talks on regional disaster prevention and foods on the theme of "disaster prevention". Participants will also wear a radio and talk with them while taking a walk in the park.

Ueno Park attracts a lot of people every day as a place for relaxation, but has a water storage tank in the premises, it becomes a shelter in the event of a disaster. This program will give us a chance to talk about Ueno Park from a viewpoint as a shelter, to talk about what happens and how to survive.


In addition to the programs introduced above, there are plenty of projects that you can feel free to participate in the art experience. While enjoying the art, it seems that some kind of awareness about the earthquake disaster and connection with people can be obtained.

"UENOYES Balloon DAYS 2018" is being held until September 30, 2018 (Sunday). Please do come and see.

UENOYES balloon DAYS 2018 Outline

A session September 28 (Fri) – 30 th (Sun) in 2018

time 10: 00 ~ 17: 00

Venue Takenodai Plaza of Ueno Onshi Park (Fountain plaza) , International Library of Children’s Literature, National Diet Library

Entry fee free

Official website https://uenoyes.ueno-bunka.jp/en/


View other reports: https://www.culture.city.taito.lg.jp/en/reports

The opening event of Edo Machi Taito Arts Festival

Takenodai Plaza of Ueno Onshi Park (Fountain plaza)

The birthplace of public performance · Taito Ward. In this district I wish for the further development of entertainment and culture which has been cultivated by my predecessors from Saturday, August 4, 2018, Saturday, February 16, 2019 (Saturday), “Edo Machi Taito Arts Festival” is held.

Honorary advisor is Takeshi Kitano who has started his carrer in Taito.

This festival is divided into two parts-the summer part and winter part and a variety of programs are held in each parts.

This time, I came to celebrate the opening of the entertainment festival and interviewed the opening event which took place on Saturday, August 4, so we will deliver that state.

Mikiyo & Putyarin feat. Toraichiro Kuruma

This event started at 16 o’clock. The day is still high and the temperature is 34 degrees, but people gather around the stage.

A singer-song writer Mikiyo from Asakusa, whose glittering kimono is eye-catching.

Toraichiro Kuruma. It looks exactly like Tora-san from the movie “It’s tough being a man” .

Puttarinn who plays a pantomime according to the song ‘I want to be a big tree’. While being humorous, he performed with plenty of emotions looked somewhat melancholy.

Singing guide

These guides usually sing songs from showa-era on the bus while take customers around Tokyo. Today they appeard on the stage and sang! sang!!

Everyone moved the body according to the music ‘YOUNG MAN’.

Piyo Piyo Revolution

Later days have fallen so much that I can feel the coolness. The way to stop your feet in front of the stage starts to increase further.

Piyo Piyo Revolution is a theater company that embodies a powerful live style theater that combines songs, dance and play, as if you can enjoy a story as if you were watching a music live.

Today challenged the attempt to build a play based on the keywords recruited from the customer on the spot. I am excited about what kind of story I am watching. As if it was really a music live, it was a play that involves customers and develops.

Asakusa Yasugi Yamato Ichiza

Yasugi is a folk song of Shimane prefecture familiar with scoops but it became a big boom in Asakusa and Osaka during Taisho era.

Taito ward headman Yukuo Hattori and the parliamentary chair of Taito-ku Junnosuke Kono

Yukuo Hattori, Taito ward headman said ;This year 150 years renamed from Edo to Tokyo.The first year of the Edo Renaissance, I would like to widely tell culture unique to Taito-ku, which is rich in taste and richness with various attempts.

Junnosuke Kono, the parliamentary chair of Taito-ku, said ;Taito-ku is the birthplace of popular entertainment and culture.There have been many entertainers and cultural people who have been born in this area.In order to further develop as a cultural center, We held a festival for the entertainment this time, I want to raise up not only in Ueno but in Asakusa, Yanaka etc. throughout Taito Ward.

Special Guests (Ms. Kayoko Kishimoto, Mr. Al Kitagou)

At the end of the today’S event it supposed to air the movie ‘Kikujiro’, whichi is directed by this “Edo Machi Taito Arts Festival” ‘s Honorary advisor Takeshi Kitano.

Actress Kayoko Kishimoto who played Kikujiro’s wife in the movie and Al Kitago who served as Takeshi Kitano’s assistant for many years have appeared.

‘Kikujiro’ is a road movie where a boy who is separated from his mother and a middle-aged man Kikujiro (played by Takeshi Kitano) go on a journey to search for his mother. As Taito Ward / Asakusa was the departure place of the trip, the screening at the opening event was decided.

This movie was released in 1999 and was told in comparison with’HANA-BI’, which won the Golden Lion award at the Venice International Film Festival in 1997.

Ms. Kishimoto says;’HANA-BI’ has a lot of violence expressions and Kitano’s scary aspect is out, but in ‘Kikujiro’, we can see Kitano’s gentle part, weak part .

Asakusa is the place where Takeshi started taking a step as an entertainer, and this movie is the only one that Asakusa is the stage in Kitano’s work. ‘Kikujiro’ is the name of Kitano’s father, and in this movie Kikujiro’s wife has something in common with Kitano’s mother Saki. From these episodes, I felt that this work is a memorable work for Kitano.

Screening is starting when the expectation of the customer for the movie has reached the climax with numerous other storytelling. Enjoy the movie while hitting the night wind in the spacious outdoors, today’s event is over.


A variety of programs will be held in the fields of entertainment, movies, and theater in various places in Taito Ward, “Edo Machi Taito Arts Festival” started on August 4 (Saturday). Since most of them can participate for free, feel free to look into them. For details, please see the official website below.

Edo Macho Town Douai Art Festival Outline

Society Saturday, August 4, 2018 – Saturday, February 16, 2019

Official website http://www.taitogeirakusai.com/en/

【Tokyo Metropolitan Art Museum】 ”BENTO ー Eating / Collecting / Connecting Design”Exhibition Report

Tokyo Metropolitan Art Museum

"BENTO Gento Exhibition – Eating / Collecting · Connecting Design" is held at the Tokyo Metropolitan Art Museum from Saturday, July 21, 2018 to October 8 (Monday, congratulation). We participated in the press coverage on July 20th, so we will report on its contents this time!

"The lazy boku" which we normally use is said. What kind of feeling do you always eat?
While talking with friends who always eat buddies together? Or do you imagine the person who made it?

From the parlor bento to the lunch for every day, "lazulth" is deeply rooted in our lives. The lunch boxes that someone made made are "gifts" handed down from people to people and have played an important role since ancient times as a social tool to deepen the connection between people and people.

"Person who makes a lazy birthday" stuffs lunch boxes with ingredients considering nutritional balance and overall color and placement. This is something you can not do without thinking about the person who really eats it. There is a story between the person who eats and the person who makes it. In other words, the laptop is also a communication tool for "eating".

This exhibition is an attempt to grasp "Japan's unique culture" "senpa" from the aspect of communication and design. At the venue, unique playful lunch boxes and contemporary artists' participatory works are exhibited, which makes it a space where you can experience the charm of a lumpy body throughout the body and gain a new viewpoint.

"Senpu" which can sing and dance? !

The exhibition starts with a fun new animation work produced by Hiraku Ogura of "Fermentation Designer" <Dinosaur>. Works that make it easy to sing with melancholy patterns of "Yuru" and lyrics, lyrics, choreography, sing and dance to naturally understand dozens of things.

"The feeling that can not be said is the hakushi taste. Let's stick around, as I thought"

<Literally DAYS> is impressive not only for the young characters, but also the scenery of the rich four seasons and the lyrics that seems simple and deeply understandable. Dance, sing. A new "festival experience" in which a movement using the body opens. Please join us at the venue!

Fun communication created by "BENTO"

At the underground gallery, a number of artists' works focused on communication produced by Kentaro are exhibited.

In response to a letter from the reader that "I want to make such a box lunch to everyone", Mr. Ayumi Oosu made a box lunch and delivers recipes and lunch to readers, "Ayumi cafeteria's lunch box" actually Displayed photographs taken by Hirano Taro on the boxed lunch produced. In addition, at the corner of the hall, there is also a corner where you decide the theme and your opponent with roulette and try to try Ayumi Shokudo.

The work "Hiruzu" by Mr. Saeki Abe copied the figure that various people eat silent lunch silently. "What kind of person made it?" "How do you feel?" Just watching the photos can inspire imagination.

Also introduces exhibits that you can think over about relationships between you and the surrounding world around yourself starting from lunch boxes.

Toru Oyamada 's work is "Oda bento" which the eldest daughter devised a lunch box and draws his daily work that Mr. Oyamada who is his father makes lunch boxes based on the picture. There are also lunch boxes for ideas that I can not think of making very much for adults, and I think it is fun to think that Mr. Oyamada might have faced this "unbeliever" with any feelings.

Mr. Yasuhiro Moriuchi holds a workshop where children will make documentary images of how junior high school students make lunch boxes themselves without borrowing from their parents. The project is displayed as an image work. If you open the lunch box on the table, there is also a unique production that the images of junior high school students who participated in the box flow.

Rediscover "Gensen". Participation experience type "Intangible bento"

Marije Vogelzang , an "eating designer" that designs to eat. Her exhibition expresses the aspect of "no touching or viewing" aspect of the lunch box as an animated story with "Intangible bento" exhibition, inviting us inside.

It is a space where visitors themselves can think carefully and rediscover their lunches through works that capture our familiarized vegetables from a different viewpoint than usual.

Marije Vogelzang

At the venue, you can listen to the voices of the spirits using "spirit phone". What they speak to is a laptop's "future possibility" such as invisible memories and stories with producers, bioplastic lunchboxes and insect foods.

Bento is not only a person who eats from the person who makes it but it may be a gift from you who lives in the future to you in the future.

FRAGMENTS PASSAGE – OSUSOWAKE Alley

OSUSOWAKE means giving someone a part of something you have.

The pleasure of eating someone with a buddy is "dishes exchange." There are many people like that. Mr. Jun Kitazawa paid attention to the element of this "OSUSOWAKE", and built "OSUSOWAKE Yokocho" to think about the feelings and culture in the museum.

In this street reminiscent of the landscape of the traditional market in Southeast Asia, there is a space where you can freely talk about what you brought. Bring something from the house or spread rugs in the plaza. At a corner of the venue, a workshop using 'OSUSOWAKE' gathered at the sideways was also held. There is no air like 'teach' anything to someone there. To the end this is also 'OSUSOWAKE', so everyone was tackled in an atmosphere that was very free and relaxing.

In addition to the luncheon box of a beautiful and unique shape used at the party in the Edo period at the venue, various lunch boxes of the world are introduced. Focusing on ingenuity and design for "eating" in our culture, think about communication between people and people that occurs through the act of "eating lunches".

Also, on August 20, "Kids Day" will be held on Monday of the closed holiday. We can enjoy relaxing with parents and children with enjoyable participation type program, as well as collaboration planning and workshop with Tokyo Metropolitan Symphony Orchestra during the exhibition.

Looking, listening, touching and having fun "BENTO Greetings Exhibition – Eating / Collecting / Connecting Design".
The hall is full of lovely "hospitality" and playfulness.
Why do not you feel the connection with your important person through everyone's favorite meals?

Summary

Exhibition name "BENTO Greetings Exhibition – Eating / Collecting / Connecting Design"
Term Saturday, July 21, 2018 – October 8 (Monday, congratulation)
From 9: 30 to 17: 30 (entrance is until 30 minutes before closing)
* Friday, July 27, Friday, August 3, Friday, Friday, Friday, Friday, Friday, Friday, Thursday, Friday, Thursday, Friday, Thursday, Friday, until 21:00
Closed days Monday, September 18 (Tue), 25 (Tue) * However, August 13 (Monday), September 17 (Monday · Holiday), 24 (Monday · Holiday), October 1 (Mon ), Opening on 8th (Monday · public holiday)
Venue Tokyo Metropolitan Art Museum Gallery A · B · C
Admission fee General 800 yen / college student / vocational school student 400 yen / over 65 years old 500 yen
Group (more than 20 people) 600 yen / Visitors who are under high school students will be admitted free.
※Disabled persons (along with the one assistant) will be admitted for free upon presenting the Disabled Person’s Booklet or an equivalent form of government issued ID.
※ On October 1 (Monday), "anyone's day" free, anyone is free
Official site https://www.tobikan.jp/en/exhibition/2018_obento.html

Information provided: Kokosil Ueno
https://home.ueno.kokosil.net/en/

【National Science Museum】 Special exhibition INSECT exhibition report

National Museum of Nature and Science

A special exhibition INSECT is being held at the National Science Museum from Friday, July 13, 2018 to October 8 (Monday, congratulation). Since I participated in the media exhibition for media, I will tell you the state of the exhibition!

Speaking of summer, blue sky, straw hat, and insects collected!
So, the theme of this special exhibition of National Museum of Nature and Science ​​is INSECT.

This exhibition is the first large-scale special exhibition that the National Science Museum surprisingly holds on the theme INSECT. Its origin is said to be 480 million years ago and insects with a much longer history than us human beings have achieved remarkable diversification compared with other creatures while adapting to various environments. About 1,000,000 species of that species are currently named.

INSECT exhibition that introduces knowledge unique to the National Science Museum through specimens, CGs, experience-type exhibits, etc. about its structure, ability, ecology, it is good to go around seeing with family, it is exciting to say "cute" with a partner.

We will introduce the highlight ahead!


Giant insect model of powerful force

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When entering the venue, it is a huge model with a total length of 2 meters that is outstanding. Stag beetle, Oomura saki, Japanese honey bee · · ·. It is a work of the entrance telling that supervisor "totally reproduced to the number of tactile clauses and leg length."
Although it is the body of an insect which is not particularly noticed usually, when you look at the model of a huge scale again, you will be surprised by its complexity, diversity and make you realize that wonder.

Tens of thousands of insects and "specimen corridor"

A magnificent "specimen corridor" with collections of about 50,000 points

Also, it is a specimen of an insect which is very substantial at this exhibition. Insects who have been fascinated by many people with a variety of shapes and colors for a long time. Because there are so many specimens that can not be seen at the venue, everyone should surely be able to meet insects that "see for the first time".

Particularly, the fifth chapter is filled with masterpieces, where walls are filled with collections of various research institutes, researchers, and enthusiasts. These collections are the foundation of insect research, but the collection policy differs depending on researchers, some people have made huge collections of tens of thousands or hundreds of thousands.

How did this happen? Beautiful insects, annoying insects

This exhibition introduces the diversity of insect ecology along keywords such as eating, living in and fighting, and you can see various ecology acquired by insects to survive. I am watching the unique forms of it and I am not interested and it stimulates curiosity as "How did it become like this?"

By all means, please try looking for your "favorite" insect!

Fear! "Room of G"

A corner of 'G' that is particularly distinctive in the venue. This insect has been given a codename "G" because there are too many people who dislike it, but originally it is close to the line of a mantis and it is not a thing that never hurts human beings.

That's why I thoroughly saw through the glass. I felt as if I was "cute" in the way I was eating food "munching muggets …" all the while. So why do we hate G so much? Again, it seems that our developed hygiene idea and "imprinting" since childhood are great. For those who can not be helped by hating G, this section is recommended!

Insect world of the masterpiece

In addition, there are 4-frame manga by Izumori · · like Mr. Mr. Mr. Mr. Izumori, 3D insect that can observe small insect by turning 360-degree image, corner showing "Horotype specimen" of only one point in the world at the venue There are lots of attractive exhibits everywhere.

Furthermore, there is also a corner where you can learn "correct insect extraction" at the venue, so it is perfect for your child's summer vacation homework.

Some people love insects, others do not.
Why not try experiencing "insect world" full of unknown and romance this summer?

Summary

Exhibition name Special exhibition INSECT
Term Friday, July 13, 2018 – October 8 (Monday, congratulation)
9 am – 5 pm (Admission is 30 minutes before each closing time)
※ Friday · Saturday until 8 PM, August 12 (Sun) ~ 16 (Thu), 19 (Sunday) until 6 PM
※ There is a possibility to change about the hall hours and closed days
Closing day July 17 (Tue), September 3 (Monday), September 10 (Monday), September 18 (Monday), September 25 (Monday)
Venue National Science Museum
Admission fee General · University students 1,600 yen
Elementary, junior high and high school students 600 yen ※ Friday · Saturday only pairs Night tickets are 2 people 1 pair of 2,000 yen (2 people at 5 p.m. after the time of simultaneous admission, regardless of gender, only on the day of the venue)
※ Free when you are not in school
※ Person who has disabled note book and one carer is free
Official site http://www.kahaku.go.jp/english/exhibitions/ueno/special/2018/konchu/

Article Provided by: Kokosil Ueno
https://home.ueno.kokosil.net/en/

Shitamachi Museum at Taito Ward exhibition ”Edo’s summer food, clothing and shelter + play”

Shitamachi Museum at Taito Ward

Shitamachi Museum at Taito Ward located on the bank of Shinobazu Pond.

On October 1, 1980, it was opened to tell the culture of old good town being lost to future generations. About 90% of the exhibits in the hall are based on donation items from inside and outside of Taito Ward, which makes it possible to feel the lives of the people of Meiji, Taisho and Showa familiar with the Edo era from the daily items etc. actually used I will.

During the period from 3rd July(Tue) to 2nd September (Sun) in 2018, as the museum hold the event to tell us about the “Living in summer in a downtown” with a theme “Edo’s summer food, clothing and shelter + play “, We visited the museum.


The moment you step in the hall, another world spreads out there.

In the permanent venue of the first floor, the streets of Tokyo and downtown Taisho era have been elaborately reproduced and caught by the illusion as if time slipped.

Especially with commitment The period setting before the Kanto Great Earthquake is because the earthquake severely damaged the scenery so far.

It was built with the desire to convey to the future generations the cityscape that can feel the taste of Edo before the earthquake.

Manufacture wholesaler of Hanao. The right is the banknote, the left is the workshop.
Workplace

The greatest feature of this museum is not only that it can actually go up to such a reproduction house, but also to be able to touch its furnishings. Please take it and feel the life at the time.

Well · Washboard

"Well end meeting" was a place of important communication for housewife of those days.

Mom-and-pop candy store

Meanwhile, a cheap sweet shop, which is a social gathering place for children.
Immediately behind you, the room is connected, but you can see the way you live while you run a store at home.

What surprised me is that people's settings of residents are also done.
As I can go up to the cabin and look into the chest drawer, I can see what kind of person is from clothing.

Exhibits will change according to the season at stores.
Shaked ice for the current time. It used to be flattening icy officials in the past.

Copper pot (where) A house that also serves as a workplace for craftsmen. It is setting of 4 people's living

Then, the exhibition “Edo’s summer food, clothing and shelter + play ” held at the 2nd floor.

Honda of this researcher who explained this time

Tools related to everyday life such as clothing, food and living, and materials related to play to enjoy summer are displayed on the theme of “Summer Living in Downtown”.

Let's take a peek into the lives of the people living in the Taisho, Showa, and Heisei downtown from the Meiji era which keeps the remnant of Edo.

Wooden ice refrigerator [Showa 30 's] Ice purchased at Iceberry was put in the upper part, and its cold air cooled the lower food.

Fans and fans, the predecessor of the cooler "cold wind ventilation fan" line up in front of the muzzled folding screen

Especially eye-catching was the mosquito net hanging in the center of the exhibition hall.
It was generally used until about the end of the Showa 30 's. Since hemp and cotton used for weaving mosquito nets have the function of escaping the muffled heat, the interior is felt cool.

In the era when there was no air conditioner, people tried to incorporate coolness from the ears from the eyes. Wind chimes is a summer tradition that is also transmitted to the present age, but in addition to that, directing light bulbs from incandescent lamps to blue to produce coolness.

Changing incandescent lights to blue light bulbs to produce coolness
It is a firefighter hanging outside. I enjoyed lighting by emitting fireflies in the mosquito net
Summer attire, food culture
Manga that prevailed before the Showa era. Valuable material that you can know the wisdom of life at the time
A cabin box. The character part is decorated with a screw (hand made with shells)

Also, “monouri” which was thriving in Edo is taken up. A monouri is a merchant who sells goods while carrying it. Products sold were essential items such as foods, clothing, miscellaneous goods, medicines, etc. The items sold by time and season changed.
The merchant shouting the good’s name on the street. And with this voice, the residents learned about the change of the season.

While the era will change from Edo to Meiji, the items to be treated will gradually change, but one of the ones that were handed over from Edo as it is “Jyosai-ya”. It was a merchant who sold medicines for a suffering from summer heat and the box he was carrying was called a “Jyosai-bako”.

Every time a Jyosai-ya waiks, metal fittings attached to the box make a sound like a clatter, so this sound is a signal that the merchant came. In addition, the Jyosai-ya without wearing a shade under the scorching sun, this meant that he appealed the efficacy of the medicine with his own body.



"Life under wartime" permanently exhibited on the second floor. You can see the lives of the people of downtown at that time from postcards and circulation materials of the time. Those postcards handled by Mr. Junichi Nakahara known for girl painting.


It reproduced the room around the 1950s. You can go up to the room and enjoy the atmosphere.


The series which was used in the public bath in Taito Ward has been relocated as it is. You can enjoy the scenery from the series.


Although the exhibited items are valuable materials that convey history, they can be touched in practice, so it was a valuable opportunity to feel the breath of the people of those days.

During the period, mosquito nets are suspended in the copper pot builder on the first floor, and there are also events that can actually enter, so please feel and experience the summer scenery that has been lost now.
※ This event will be held between Saturdays, Sundays, and holidays during the period and during the Ueno Summer Festival (July 14 – August 12) from around 4 pm

Summary

A session July 3 (Tue) – September 2 (Sun) of 2018
location Shitamachi Museum at Taito Ward (2-1 Ueno Park, Taito-ku)
Opening hours 9: 30 am – 5: 30 pm (Admission is until 5 o’clock)
closing day Monday
(Next weekday if Monday is a holiday)
Admission fee General 300 yen (200 yen)
Small, medium, high school students 100 yen (50 yen)
* In parentheses, group fee of 20 people or more
※ Persons who have a handicapped Person with disability or medical care beneficiary certificate for medical treatment for the disabled and their carers are free (proof of necessity at entry)
※ Every Saturday, small and junior high school students living and staying in Taito-ku and their leaders are free
inquiry 03-3823-7451
URL http://www.taitocity.net/zaidan/shitamachi/

Gallery Talk

There is a commentary on the highlight of this exhibition by the curator in charge.
Date and time Saturday, July 7th, Saturday 21st Saturday August 4th Saturday 11th Saturday 18th Saturday September 1 Saturday 2pm
From about 20 to 30 minutes
2nd floor planning exhibition hall
※ No reservation required. Everyone who entered can participate.
※ For details please visit the Shimomachi Museum official website http://www.taitocity.net/zaidan/shitamachi/ · facebook 【Shitamachi Museum】 · Twitter 【Shitamachi Museum】or confirm with the telephone.