This is a valuable opportunity once a year to appreciate a collection that is a mixture of various fields unique to Tokyo University of the Arts.
Tokyo University of the Arts has been collecting works and materials for 135 years since the establishment of its predecessor, Tokyo Fine Arts School. The content ranges from antique art to current student productions. The Tokyo University of the Arts holds an exhibition of the Tokyo University of the Arts every year as an opportunity to open this diverse collection to the public.
In 2022, the exhibition will focus on the masterpieces selected from the approximately 30,000 collections, entitled “Exploring Spring Masterpieces”. In addition, this time, a special exhibition that reminds us of Tenpei’s art is also a highlight.
The “Moonlight Bodhisattva sitting statue”, which conveys the dignity while suffering significant damage, is one of the representative Buddha statues of Tenpyo sculpture. In addition, this exhibition sheds new light on the fragments of the dry lacquer Buddha statues and the remnants of the Todaiji Hokkedo canopy. The latest research results will reveal the techniques of Nanto Buddhist masters.
And the special feature is “Joruri-ji Kisshoten Kitchen Painting” (Important Cultural Property). In this exhibition, we will try a three-dimensional exhibition of the kitchen and all seven sides drawn on the inside of the kitchen, as well as the auspicious heavenly statue (imitation). You can also see the remnants of Tenpei in this masterpiece made in the Kamakura period.
◆ Highlight ◆
1. Expanding Joruri-ji Temple Kisshoten Kitchen
“Joruri-ji Kisshoten Kitchen Painting” (Important Cultural Property) was originally a kitchen door and back plate containing a wooden Kisshoten statue of Joruri-ji Temple in Kyoto, and was owned by the Tokyo Art School in 1889. have become. In this exhibition, all 7 pages will be exhibited at once, including the kitchen (imitation) and the auspicious heavenly statue (imitation) that were initially fitted. We will try a three-dimensional exhibition where you can see the image of stepping into the kitchen that is open in front of you.
2. A round of masterpieces
From the approximately 30,000 works and materials held by the university, masterpieces from antique art to contemporary art will be displayed so as to surround the exhibition space. Beginning with antique art such as “Yukimi Ono Emaki” (Important Cultural Property) and Tsunenobu Kano “Phoenix Figure”, Kotaro Nagahara “Irimichiun”, which will be exhibited for the first time in about 10 years, and Ichiro Shirakawa “Fu” You can see gems of modern Western paintings such as “Kannon” and masterpieces of modern Japanese paintings such as “Kanou Hōgai” (important cultural property) and Masakuni Hashimoto “Kouju Hakuun” (important cultural property).
3. The quest for modern Tenpei
Hōgai Kano, who accompanied Fenollosa and Tenshin Okakura to the Nara ancient shrines and temples, drew sketches of the collections and buildings surveyed at the 31 shrines and temples. The “Nara Kan Yuchitori” exhibited in this exhibition is a 12-volume scroll of this sketch. The Tenpyo art rediscovered in the investigation at that time is copied there. According to the testimony of Hogai’s disciples, the study of antique art at that time led to the facial expression of Hogai’s writing “Sorrowful Mother Kannon.” By exhibiting at the same time as “Nara Kannon Yuchitori”, we will guide you on a journey that reminds you of the source of “Sorrowful Mother Kannon”.
◆ Event information ◆
Session: April 2nd (Sat) -May 8th (Sun), 2022
Closed: Monday (however, open on May 2nd)
Opening hours: 10 am to 5 pm (admission is until 4:30 pm)
* This exhibition does not require advance reservations, but may change or restrict admission depending on future circumstances.
Venue: Tokyo University of the Arts, University Art Museum, Main Building, Exhibition Room 1
(12-8 Ueno Park, Taito-ku, Tokyo 110-8714)
Transportation: 10 minutes walk from JR Ueno Station (park exit), Tokyo Metro Chiyoda Line Nezu Station (Exit 1) Keisei Ueno Station (Main Exit), Tokyo Metro Hibiya Line / Ginza Line Ueno Station (Exit 7) 15 minutes There is no parking lot at the hotel.
Admission fee: General 440 (330) yen, University student: 110 (60) yen * Free for high school students and younger and under 18 years old * Group fee for 20 or more people in () * Free for 1 leader for every 20 group viewers * Free for those who have a disability certificate (including one caregiver)
At the National Museum of Nature and Science, the 9th HITNET Mini Exhibition “Sound Temptation-Japanese Industry” will be held from March 23 (Wednesday) to May 8 (Sunday), 2022. Technology- “will be held. [Detailed URL:https://www.kahaku.go.jp/event/2022/03hitnet/ ]
The National Museum of Nature and Science has built and released a common database (HITNET) that allows you to search for materials from Japanese industrial museums. In order to introduce that there are many industrial museums in various parts of Japan that hold and display materials related to industrial technology, from the 161 museums registered on Hitnet, 4 related to “music” We will hold a mini exhibition to introduce the museum. Please enjoy the episodes about the sounds exhibited in each building. While looking at the panels and exhibits, we hope that you will feel the fun of industrial technology that has supported daily life and nurtured a rich culture, and the joy of seeing the history of technology.
・ Outline of the 9th HITNET Mini Exhibition “Temptation of Sound-Japanese Industrial Technology-“
[Venue] National Museum of Nature and Science, 2nd floor, Ueno Park, Taito-ku, Tokyo (7-20, Ueno Park, Taito-ku, Tokyo) [Holding period] March 23 (Wednesday) -May 8 (Sunday) 47 days, 2022 (Reiwa 4) [Fee] You can see it only with the admission fee for the permanent exhibition. [Closed] Every Monday (Tuesday if Monday is a holiday) * However, the museum will be temporarily open on March 28 (Monday) and May 2 (Monday). [Opening hours] 9: 00-17: 00 * Currently, reservations are required for admission hours. [Organizer] National Museum of Nature and Science [Co-sponsored] Niikappu Town Hearing Experience Cultural Exchange Center Record Plaza (Niikappu Town, Hokkaido), Tsugaru Shamisen Hall (Goshogawara City, Aomori Prefecture)
Hamamatsu City Musical Instrument Museum (Hamamatsu City, Shizuoka Prefecture), Brother Museum (Nagoya City, Aichi Prefecture)
In [HITNET], you can search and browse the materials stored and exhibited by registered industrial museums all over Japan. From the home page ( http://sts.kahaku.go.jp/hitnet/ ), enter the keyword you are interested in and the corresponding information in the database will be displayed. You can see the roots of industrial technology that has enriched our lives and the traces of the ingenuity of engineers and craftsmen.
・ National Museum of Nature and Science
* Online advance reservation is required for admission. Please be sure to check the official website before visiting.
[Location] 7-20 Ueno Park, Taito-ku, Tokyo 110-8718 [Opening hours] 9:00 to 17:00 [Closed] Every Monday (Tuesday if Monday is a national holiday) * However, the museum will be temporarily open on March 28th (Monday) and May 2nd (Monday) during the exhibition period. [Admission fee] General / university students 630 yen, high school students (including college students) and younger, and 65 years old and over free [Inquiries] Hello dial: 03-5777-8600
A special exhibition "Jewelry Earth Creates Kiseki" is being held at the National Museum of Nature and Science (Ueno, Tokyo), which is a collection of a wide variety of jewelery and gorgeous jewelery made from them. The session is from February 19th (Sat) to June 19th (Sun).
I have participated in the news gathering and the press preview held prior to the event, so I will report on the situation at the venue.
Kazureza is also curious! An exhibition where you can see all about gems
Most gems are minerals formed inside the earth. Through the combination of various geological processes, minerals that meet all the requirements of gemstones such as beauty, durability and moderate size are rarely produced and have long been revered because of their rarity.
In ancient times, it was used as a talisman, amulet, and a symbol of status and power. Now as a jewelery. The jewels, which shine beautifully and have mystery and strength in their undying appearance, have fascinated people all over the world over time.
The special exhibition "Gemstones of the Earth" will showcase about 200 types of gemstones, including rough (raw stone) and loose (polished stone), as well as jewelry from the world-famous jewelry collection, including Albion art. It is a content that comprehensively introduces "gems" from a scientific and cultural perspective while showing the real thing, such as the mechanism of birth of gemstones, history, properties, diversity, processing technology, etc.
Kazureza, a talent who was the official ambassador of the exhibition and was also in charge of the audio guide navigator, appeared at the interview.
Mr. Kazureza says that there is so much to learn about this exhibition. "Every gem has its own characteristics, and if you look at how it changes color when exposed to light, how hard it is, how it cracks, etc., you can find out more about various things by derivation. I think it's okay, "and suggests how to enjoy it.
At the end of the interview, he said, "I don't say anything about gems and minerals, but it was interesting that human perception of them changed with history. Please come and visit us." rice field.
In addition, Ritsuro Miyawaki, director of the Department of Earth Sciences, National Museum of Nature and Science, who is the supervisor of this exhibition, talks about his thoughts on this exhibition as follows.
"Jewelry has been close to our lives since ancient times as an entity that enriches and enhances people's lives and enriches our lives not only as a practical product in real life, but rather as a presence that enriches our lives. I hope that you will make use of this exhibition to deepen your perspective on the background and the knowledge that you can fully enjoy the secret of its beauty while looking back at. "
Chapter 1 Birth of rough stone
I will take up some specific exhibition contents.
In "Chapter 1 Birth of Gemstones", four types of occurrence (igneous rocks, lodes, pegmatites, metamorphic rocks) are presented with large specimens of various rocks including gemstones. ) Is introduced separately.
For example, the rough stones found in "igneous rocks" formed by the cooling and solidification of magma are diamonds and peridots. Amethyst and rock crystals are said to be the rough stones found in the "lode", which is the trace of hot hot water that exists deep underground and has risen through cracks in the bedrock.
The visuals of the rough stones are unique, such as tourmaline, which looks like an artificial object with some energy, and malachite, which is crystallized like a round mycelium. In addition, a pallasite meteorite containing peridot was also exhibited as an extraterrestrial rough stone.
In Chapter 1, you can also see the huge amethyst dome with a height of about 2.5 m, which was excavated from the lava plateau in Brazil, which was glimpsed in the photo earlier. It is spectacular to see a large number of amethyst shining so much that you can hear the sound. This is the highlight of this exhibition.
Chapter 2 From rough stones to gems
"Chapter 2 From Gemstones to Gemstones" introduces the processing technology from rough stone mining to cutting (molding and polishing processes). For example, we display a process sample of a round brilliant cut (58-sided cut) designed as a cut that maximizes the charm of diamonds, and explain in an easy-to-understand manner how rough stones become beautiful gems.
Of the jewelry of the "Hashimoto Collection" collected by antique collector Nuki Hashimoto (1924-2018) at auctions around the world over 15 years, about 200 rings with jewels set were produced. Exhibitions arranged in order. You can trace the history of gem cutting for about 4000 years.
If you are an antique jewelery enthusiast, the lineup is so varied and diverse that you can watch it for hours on its own. You should be aware of various things by watching along with the times, such as "Until the 16th century, hemispherical smooth cuts (cabochon cuts) were the mainstream."
Chapter 3 Gem Characteristics and Diversity
In "Chapter 3 Characteristics and Diversity of Gemstones", rough (raw stone) and loose (polishing) are explained while scientifically explaining the characteristics that are the value standards of gemstones such as "brilliance", "glitter", "color" and "strength". Introducing more than 200 kinds of gems at once, centering on stones).
You can learn about the characteristics and variety of each gem, from the four major gems of diamond, sapphire, ruby, and emerald to rare stones such as phosphophyllite, and biological gems such as pearls and corals. ..
At the exhibition, I was surprised at the surprising abundance of color variations of garnet with a red image, but it seems that garnet is actually a group name rather than a single mineral species. The difference in color is also related to the difference in mineral species.
Tourmaline, which is also a group name, is not only bicolor (2 colors) and tricolor (3 colors), which have different colors depending on the part of one crystal, but also pleochroism and light source, which have different colors depending on the viewing direction. A jewel that is fun to look at and may have discoloration that changes color depending on the color.
I also found a rough opal with a psychedelic and cool visual. Ruth had an elegant impression and was attracted to the gap. It is the real pleasure of this exhibition that you can see the difference between the impressions of rough and loose as well as opal with your own eyes.
What you should check in Chapter 3 is the "Jewel that glows with ultraviolet rays (fluorescence)" corner. In a small dark room, you can enjoy the co-starring of fantastic light emitted by various stones, including fluorite (fluorite), which is typical of fluorescent materials. The dark brown amber glows light blue, while the ruby has a stronger red color, which makes it exciting.
There is also a "Japanese jewel" corner. I knew that Japanese gems could be pearls and jade, but you can also find topaz, garnet, rubies, sapphires, amethyst, and road crosite. I heard many voices of visitors who were surprised at the variety of types.
The one that had an impact was the "Giant Jewels" corner. At the exhibition, which is the largest collection of 20 kinds of gemstones, the largest rock crystal is "21290.00ct", which is a carat number that I have never seen or heard, and I laughed unintentionally. I don't think I can lift it with both hands … With such a large size, I am grateful that I can firmly recognize the beauty of fine cuts.
Chapter 4 Jewelery Techniques
Beautifully shining loose becomes jewelry for the first time when it is housed in a precious metal bezel (pedestal) such as gold or platinum, which also plays a role of enhancing the loose while shining on its own.
In "Chapter 4 Jewelery Techniques", we focus on jewelry setting (tailoring) techniques. To show that excellent settings add more value to jewelery, the artistic design gems of the high jewelery maison "Van Cleef & Arpels", which has its head office in Paris, and the jewelery brand "Gimmel" from Ashiya City, Hyogo Prefecture. Introducing many.
Especially eye-catching in terms of setting is Van Cleef & Arpels's "Grape Leaf Clip", a work using rubies and diamonds. Do you see that you can't see the precious metal that holds the fine rubies in a mosaic style?
It is said that the "mystery set", a patented technology of the same brand that fixes the claws and protrusions that support the loose so that they cannot be seen from the outside, is used for this. There was only technology that required extremely high expertise, and no matter how much I looked around, I couldn't understand how the stones were set … It is a wonderful design that you can enjoy the harmony of the pure colors of ruby.
Chapter 5 The Extreme of Jewels
In ancient times, it was processed into rings and pendants as a talisman and amulet, and in the era of the Renaissance, which transitioned from the Middle Ages to the early modern period, it became a brooch or necklace that was easily noticed by people as a symbol of the "pride" and power of the royal aristocrats. A jewel that has been tailored.
It is said that jewels that existed only for a limited number of people, changing their roles depending on the times, have been handed down as historical works of art and cultural properties that transcend the boundaries of ornaments.
In "Chapter 5 Jewelery Extremities", about 60 selected works of art are exhibited, from the Albion Art Collection, a global jewelry collection, to works made in ancient Mesopotamia and Egypt, to 20th century jewelery. You can appreciate the history of supreme beauty that is a fusion of nature and culture.
What caught my eye was the chest decoration that Alphonse Mucha, a painter who was very popular with Japanese people, co-produced with Georges Bouquet, who aspired to revolutionize jewelry. This work is said to be a monumental work at the height of Art Nouveau, but it has a romantic design such as a flower pattern surrounding a maiden statue reminiscent of a muse, an arrow reminiscent of Cupid, and a pearl connected by a chain. It's very adorable.
At the second venue, which is the last of this exhibition, the top three works of the "JJA Jewelry Design Award", a competition aimed at developing Japanese jewelry and disseminating the talents of creators and craftsmen, are on display. The line of sight is glued to the design.
Among them, "Twinkle ~ Memories of the Stars ~" by Mr. Yasushi Uekubo, who won the Grand Prix, is the most fascinating piece of jewelry that I personally exhibited. This work is based on the meteor shower that the creator saw as a child, and uses diamonds, platinum, white gold, and yellow gold to express the twinkling of star shadows shining in the night sky and the trajectory and afterglow of the brilliance left by the meteors. It seems to be. A necklace with a very unique yet sophisticated elegance.
When I was very satisfied with the antique jewelry full of gems that remain in the history of beauty, I was presented with a brilliant masterpiece that said, "Modern designers are not defeated!" It was a unique exhibition.
In this exhibition, the characters from "Nanatsuya Shinobu no Jewel Box" serialized in "Kiss" (Kodansha) by manga artist Tomoko Ninomiya will show you around the venue, as well as illustrations drawn at the second venue. Also on display are three works drawn by a colored pencil writer, Mr. Neko wearing boots, so fans shouldn't miss it.
Ritsuro Miyawaki of the National Museum of Nature and Science said in the PR of this exhibition as follows.
“The most important thing to see in the museum exhibition is the“ real thing ”. I don't have many chances to see the real thing, but this venue collects and concentrates them. Come to the venue and see the real thing. Please find your favorite stone. "
This exhibition, which is full of dazzling brilliance, made me feel "I want you to see the real thing, not photos and videos!" While learning the reasons for the beauty of gemstones, please take a look at the history of beauty that humankind has accumulated.
Outline of the special exhibition "Jewelry of the Earth"
Legislative session
February 19th (Sat) -June 19th (Sun), 2022
* The session is subject to change.
venue
National Science Museum Earth Pavilion B1F Special Exhibition Room
Opening hours
9:00 to 17:00 (admission is until 16:30)
closing day
Monday (closed on the following Tuesday if it is a national holiday)
* However, it will be open on March 28th, May 2nd, and June 13th.
Admission (tax included)
General / university students 2,000 yen, elementary / middle / high school students 600 yen
* Reservation required by date and time
* Please check the official website of the exhibition for details.
Organizer
National Museum of Nature and Science, TBS, Yomiuri Shimbun
Kuya was one of the first to spread the Amida faith to the people in the middle of the Heian period.
A special exhibition "Sora and other superiors and Rokuharamitsuji" is held at Tokyo National Museum, where famous treasures of Kamakura sculptures such as the statue of a superior who is handed down to Rokuharamitsuji Temple built by Kuya Shonin and the statue of the four heavenly kings built under him are gathered. The curtain opened at the museum.
At the Tokyo National Museum, a special exhibition "Kuya Jonin and Rokuharamitsuji"is being held, focusing on the famous treasures of Kuya Shonin and Rokuharamitsuji.
As you know, Kuya Shonin is a monk who spread the Amida belief that if you sing Namu Amida Buddhism, the paradise Pure Land will come true.
The time when this Kuya superior lived was in the middle of the Heian period. This era was also a time when society was hit by great turmoil, such as the loosening of the Ritsuryo system itself and the resulting turmoil in Johei and Tengyo.
Many people were sick due to the pandemic that spread to the capital of Kyoto in the 5th year of the Tenryaku era (951). He showed the way of salvation.
And time has passed, and this year marks the 150th anniversary of the death of the sky and others. Curiously, the world is in the midst of an unprecedented pandemic called the Corona Sorrow.
I'm not the only one who feels the sign of a mysterious era and the timing of this exhibition.
In this exhibition, the statue of Kuya Kamito was exhibited in Tokyo for the first time in half a century, and the statues of the four heavenly kings produced under Kuya Kamito, the Jizo Bodhisattva statue by Jocho, and Unkei's work. Masterpieces of sculptures from Heian to Kamakura, such as the sitting statue of Jizo Bodhisattva, are gathered together.
The exhibition venue is 5 special rooms in the main building of the Tokyo National Museum. Since it is an exhibition space with only one room, the site area is not so large, but the space where masterpiece sculptures from the Kamakura period gather is just a masterpiece. In addition, depending on the exhibited works, including Kuya Kamito, the statue can be viewed from 360 ° in all directions, so there are many things to see.
In particular, you can take a closer look at the halo part (a visual expression of the light emitted from the gods and Buddha), which you rarely see on a daily basis, so please try to find your own "pushing angle".
When you step into the venue, the Jizo Bodhisattva statue , which sits in front of you, is a masterpiece of Heian sculpture with graceful coloring, and the well-balanced body balance and the three-dimensional composition of the gentle curved surface shine. The clothes are decorated with pretty chrysanthemum flowers, which makes you feel the skill of the Great Buddha Jocho.
Rokuharamitsuji Temple was located outside Heiankyo at that time, and is the entrance to Toribeno, the place of funeral procession in Kyoto. For this reason, it is a special place that has been regarded as the boundary between "that world" and "this world", but Rokuharamitsuji has been hit by many disasters and wars since its construction.
What is exhibited in this exhibition are miraculous items that have been passed down to the present day after overcoming those disasters. It may be good to think not only of its artistic value but also of the depth of faith at that time through the work.
The sitting statue of Taira no Kiyomori is believed to have been created by a Buddhist priest of the Kei school, and although there is no evidence, it is said to be a statue of Taira no Kiyomori. It is a mysterious statue.
Kiyomori sits in the form of a shaved monk, holding a scroll in both hands and crossing his legs as if looking at it. According to one theory, it was made to prevent Kiyomori's grudges, but while looking at the books, a meditative expression is impressive. What was Kiyomori, who once enjoyed the world, thinking at this time?
The statue of Kuya Kamito , owned by Rokuharamitsuji Temple, made in the early 13th century is one of the most famous portrait sculptures in Japan.
It is a work that is well known to the younger generation who do not know the achievements of Kuya Shonin and the official name of this statue because the unique modeling that the Buddha appears from the mouth is eye-catching.
The author is believed to be Kosho, the fourth son of Unkei, a Buddhist priest who represents the Kamakura period. It is said that this statue was created about 250 years after the death of Kuya, but it is characterized by its realism as if it had been created by witnessing him. The figure of a slim priest who beats a shoko, chanting a Buddhist priest, and walks while sticking a deer wand. The creativity that shaped the intangible voice is nothing but a hat.
This exhibition can be viewed from 360 ° in all directions. The shins and calves trained by walking around the city, the expression as if listening to the voice asking for help … I would like you to appreciate the work while remembering the appearance of Kuya's superiors. ..
Outline of the special exhibition "Kuya Kamito and Rokuharamitsuji"
Legislative session
March 1st (Tuesday) -May 8th (Sunday), 2022
venue
Tokyo National Museum Main Building Special 5 Rooms
Opening hours
9: 30-17: 00
closing day
Monday, 3/22 (Tue) * However, 3/21, 3/28, 5/2 are open
Organizer
Tokyo National Museum, Rokuharamitsuji Temple, Asahi Shimbun, TV Asahi, BS Asahi