[Tokyo National Museum] Special Exhibition “Momoyama-100 Years of the World” Preview Report [10 / 6-11 / 29]

Tokyo National Museum

 

During the period from October 6th (Tuesday) to November 29th (Sunday), 2020, a special exhibition “Momoyama-100 Years of the World” is being held at the Tokyo National Museum Heiseikan in Ueno, Tokyo. ..

The other day, I participated in the press preview held earlier, so I will report on the exhibited works and the state of the venue.

The special exhibition “Momoyama-100 Years of the World” is such an exhibition

 

The Azuchi-Momoyama period lasted for 30 years from the fall of the Muromachi Shogunate in 1573 to the opening of the Edo Shogunate in 1603. It was a time of rapid change, when Japan changed from the time of turmoil with the rise of Sengoku warlords to the time of peace by the Edo Shogunate.

“Momoyama Art”, which is said to be the most magnificent and splendid in the history of Japanese art, has blossomed.

The special exhibition “Momoyama-100 Years of the Tenkajinrepresents the Japanese aesthetic sense that changed during the 100 years from the end of the Muromachi period to the beginning of the Edo period, centered on the Azuchi-Momoyama period. This is an exhibition where you can check out about 230 works of art.

 

National Treasure Eitoku Kano 《Rakuchu Rakugaizu Rakuchu (Uesugi Family Book)》 Muromachi period, 1565 Yamagata, Yonezawa City Uesugi Museum Early Exhibition Oda Nobunaga is said to have sent to Uesugi Kenshin

Exhibition points ① National treasures and important cultural properties are packed!

 

In this exhibition, more than 100 national treasures and important cultural properties are exhibited in the first and second semesters . Selected masterpieces, each of which can be the centerpiece of the exhibition, are gathered at this Tokyo National Museum from all over the country.

Famous works such as “Rakuchu Rakugaizu Rakufu (Uesugi Family Book)” and “St. Francis Xavier Statue” that you have seen in textbooks are lined up. In addition, items related to Nobunaga Oda and Ieyasu Tokugawa are lined up, and it may be said that this is an exhibition that Sengoku fans should see at least once.

Exhibition points ② Check it out! Exhibited works change in the first half and the second half

 

Please note that the exhibition period is divided into the first half and the second half, and a considerable number of works will be replaced .

・ The first half exhibition will be from October 6th (Tuesday) to November 1st (Sunday).
・ The second half of the exhibition will be from November 3rd (Tuesday / holiday) to November 29th (Sunday).

Some works will be exhibited for the entire period, some will be exhibited only in the first half, only in the second half, and some will be exhibited only for a specific period, so if you absolutely want to see some works, it is recommended to check the exhibition period in advance. is. Please check the official website for details on changing exhibits.

In this article, we will mainly introduce works that can be viewed in the previous term.

Exhibition work introduction

 

Exhibition scenery

 

From here, I will introduce some of the works that can be viewed during the exhibition period of the previous term with photos.

■ Pickup ① Obstacle painting

 

There is a wide variety of exhibits such as paintings, tea utensils, kimonos, swords, armor, and furniture such as suzuri-bako , but the most notable are the large-screen paintings such as obstacle paintings . With the impression that he is putting great effort into it, in both the first and second semesters, a large number of masterpieces by painters representing the Azuchi-Momoyama period, such as Eitoku Kano, Tohaku Hasegawa, and Chokuan Soga, are collected.

In an era when the momentum for unification of the world was increasing, economic activities and cultural exchanges in each region became active, and the world of people was further opened by coming and going overseas. Gorgeous and magnificent art born as if reflecting the spirit of the time. It can be said that disability painting is a genre where you can feel the size of the scale most frankly.

 

Important Cultural Property Tosa Mitsumochi 《Hiyoshi Sanno Gion Matsuri Ryofu》 Muromachi period, 16th century Tokyo Suntory Museum of Art Early exhibition
Den Kano Eitoku Brush << Four Seasons Bird-and-Flower Painting >> Azuchi-Momoyama Period, 1581 Hyogo, Hakutsuru Museum Exhibited from October 6th to 25th
Naoan Soga’s “Ryutorazu Ryofu” Azuchi-Momoyama-Edo period, 16th-17th century Tokyo National Museum Early exhibition

 

A dragon and a tiger drawn on one side of each of the six songs and one pair. “Ryutorazu Ryofu” by Soga Chokuan, who specializes in ink painting, is a Ryu-Tora-zu Ryofu painting that was so powerful that it competed for one or two in the exhibition in the previous term. It is fantastic and intimidating, and is full of magnificence typical of the Azuchi-Momoyama period.

 

National Treasure Eitoku Kano 《Cypress Trees》 Azuchi-Momoyama period, 1590 Tokyo National Museum Early exhibition

 

The trunk and branches, which are shaped by a speedy brush stroke and spread through the screen, are full of dynamic vitality despite being a plant, and are like a dragon. “Cypress Trees” by Eitoku, who established the large painting style, is rough and approaches the viewer with an overwhelming presence.

■ Pickup ② Armor armor

 

During the Azuchi-Momoyama era, when the battle continued, weapons and armor also developed significantly in order to win the battle. For example, the military commanders should actively use the practical sword “Uchigatana”, which was popular mainly among the people, with elaborate taste. It was also during this period that “Toseigusoku”, which makes the whole body armor uniform, appeared.

The warlords showed their status and personality by giving various decorations and ingenuity to their equipment while emphasizing practicality. At the exhibition, you can appreciate such works that you can feel the way of life of the warlords at that time.

 

《Konito Wei Five Toseigusoku》 Azuchi-Momoyama-Edo period, 16th-17th century Miyagi, Sendai City Museum full-term exhibition
Important Cultural Property 《Nonbando Nanbando Footwear》 Azuchi-Momoyama-Edo period, 16th-17th century Tokyo National Museum full-term exhibition
《Weiichi Shiraito’s Tanigata Helmet》 Azuchi-Momoyama-Edo period, 16th-17th century Tokyo National Museum full-term exhibition

 

The head that is said to represent the cliff of Ichi-no-Tani, which was the stage of the “Battle of Ichi-no-Tani”, which is especially famous in the Genpei War, and the large nail-shaped one that is over 90 cm in length and is inserted so as to rise toward the heavens. Back. “Tanigata Helmet of Weiichi Shiraito” is a strange helmet that is said to have been handed down from Ieyasu Tokugawa to the Mito Tokugawa family.

The large nail, which looks like a horn, is a motif favored by military commanders as it pierces the enemy. Originally, it is said that silver foil was pressed all over, and together with this menacing modeling, it is possible to imagine how inspiring the wearer’s heart.

 

National Treasure [Sword Blade] Masamitsu Nagafune << Tachi Name Shinko >> Kamakura Period, 13th Century [Sword] << Nashiji Itomaki Tachi >>
Important Cultural Property “Black Lacquer Uchigatana” Exhibited from October 6th to 25th in the Edo period, 17th century

 

This “black lacquer sword” is a sword made to accommodate the famous sword “Masamune Honjo”, which is said to have traveled the Tokugawa family for generations. This is the first time to exhibit at the exhibition!

“Uchigatana” was developed during the Azuchi-Momoyama period, but since the expression of this sword has been traditionally made since the Muromachi period, it is a transitional period of history where you can confirm the intersection of innovation and tradition. It is a gem reminiscent of.

The cool black lacquer of the scabbard and the elegant golden decorations such as chrysanthemums and paulownia decorated in three places made me feel elegance.

■ Pickup ③ Works related to Nanban art

 

Although it is not a genre of works such as paintings and armor, the existence of Nanban art is also indispensable for talking about the beauty of the Azuchi-Momoyama period.

From the Christian mission by Francis Xavier, the cultural and economic exchanges with foreign countries that flourished due to the traffic of Portuguese and Spanish ships, and the start of the isolation system. It was during this period that the situation changed drastically in relation to Western countries. Of course, it had a great influence on the world of art.

Nanban art refers to works of art that were established through encounters with the West and an interest in and longing for the West.

 

Important Cultural Property << Japanese Map / World Map Byobu >> Azuchi-Momoyama-Edo period, 16th-17th century early exhibition
Important Cultural Property << Statue of St. Francis Xavier >> Edo period, 17th century Hyogo, Kobe City Museum Exhibited from October 6th to 25th
Important Cultural Property 《Kacho Makie Raden Niche》 Azuchi-Momoyama period, 16th century Kyushu National Museum Early exhibition

 

The one that caught my eye was “Kacho Makie Raden Niche”. It is written as a niche and read as “seigan”. An icon is a niche that houses Christian iconic paintings, and is one of the Nanban arts exported overseas.

The roof, frame, and other areas that can be seen from the front are densely decorated with patterns, but the flower and bird patterns that are drawn to fill the double doors are so beautiful that words cannot be said. It is a work with endless highlights together with the tempera painting inside.

 

 

In addition to the genres we picked up, there are also pottery related to Sen no Rikyu, the master of the tea ceremony, such as “Gourd Flower Yan Hui” and “Kuroraku Tea Ceremony Kamuro” (both exhibited in the previous term). Clothes such as “Kosode Dyed Rinzu Rinzu Kotemari Matsukaede” (exhibited for the entire period), etc., where you can see the transitional designs that gradually change from a design that emphasizes steps and streaks to a pictorial design.

There were so many things to see, and time passed in a blink of an eye.

 

Important Cultural Property [Book] Hon’ami Koetsu [Picture] Tawaraya Sotatsu 《Tsurushita E36 Kasen Wakamaki》 Edo period, 17th century Kyoto National Museum Early exhibition A masterpiece of a picture scroll that expands the unique aesthetic world. It is gracefully drawn as if the calligraphy and the gold and silver mud crane correspond.
Important Cultural Property Hon’ami Koetsu 《Children’s Maki-e Shelf》 Edo period, 17th century Tokyo National Museum full-term exhibition A lacquer shelf with the motif of “Genji Monogatari”, whose bold design composition is eye-catching. The lacquer work on the side is like a star.

Extensive museum goods

 

Be sure to check out the museum goods section before you return home. A wide range of items such as interior goods, T-shirts, and daily necessities with the motif of the exhibited works were available.

 

Miniature Rakuchu Rakugai with motifs such as “Rakuchu Rakugai Zoufu” and “Hinozu Rakuchu”
A military commander’s mini memo set designed in an 8-bit style
T-shirts and tote bags designed with the tiger of “Dragon Tiger Figure”
Xavier bath salt, which is an exhibition original goods (What is Xavier bath salt …?)

 

The special exhibition “Momoyama-100 Years of the World” will be held until November 29th (Sun).

Please note that due to the new coronavirus infection countermeasures, it is a complete advance reservation and time designation system.

A valuable exhibition of famous gems from all over the country. Please come visit us in the fall of art.

 

Outline of the event * Complete advance reservation system / time designation system

Exhibition name Special exhibition “Momoyama-100 years of the world”
Session October 6th (Tuesday) -November 29th (Sunday), 2020
◇ First half exhibition: October 6th (Tuesday) -November 1st (Sunday)
◇ Late exhibition: November 3 (Tuesday / holiday) -November 29 (Sunday)
closing day Monday (However, the museum is open on November 23 (Monday / holiday)), November 24 (Tuesday)
Opening hours 9:30 am to 6:00 pm * Open until 9:00 pm on Fridays and Saturdays
Venue Tokyo National Museum Heiseikan
Admission fee General 2,400 yen University student 1,400 yen High school student 1,000 yen * All tax included
Organizer Tokyo National Museum, Yomiuri Shimbun, Agency for Cultural Affairs
Official site https://tsumugu.yomiuri.co.jp/momoyama2020/

<Reference Material> Yomiuri Shimbun “Special Exhibition” Momoyama-100 Years of the World “”

 

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Evil incarnation, Queen of Reversals … An exhibition that unravels the “person” of the royal family. [Ueno Royal Museum] (~ 2021/1/11) “KING & QUEEN Exhibition” Press Preview Report

Ueno Royal Museum

 

The “KING & GUEEN Exhibition” is being held at the Ueno Royal Museum from Saturday, October 10, 2020 to Monday, January 11, 2021. A special preview for the media was held the day before the release, so this time we will tell you about it.

The story of the British royal family, traced in portraiture.

 

Exhibition hall entrance. The front is a portrait of Queen Elizabeth II
Portrait of Elizabeth I (author unknown). Lay the foundation of the British Empire and wield power
The venue is divided into five areas, and portraits are exhibited for each dynasty. This is the Stuart morning area
There are many very large portraits, which are spectacular. This is Queen Anne, who marked the end of the Stuart dynasty
Exhibition of works with beautiful marble statues in Queen Victoria’s area
Today, the medium of photography has replaced portraits. In the foreground are Prince Harry and Princess Megan.

 

Like Japan, Britain is a country that has a royal family as a nation and continues to maintain its history.
Habsburg, Omanov, Ottoman Turkey … While many dynasties have collapsed after the First World War, the British dynasty has inherited its bloodline for more than 500 years while changing its name and form in the times …

The “KING & QUEEN Exhibition” is an exhibition that traces the history of the British royal family, which continues to attract attention from all over the world. The collection of the National Portrait Gallery in London, one of the world’s leading museums of portraiture, will showcase about 90 precious portraits and photographs from the Tudor dynasty to the present Windsor dynasty.

Mrs. Devi, a supporter of this exhibition, has also appeared!

 

 

In addition, Mrs. Devi, who became a supporter of this exhibition, appeared at the press preview.
Mrs. Devi, who was formerly called a “genius” in painting, once thought about pursuing that path. While showing solid insight into painting and royal fashion, there were many “celebrity” stories that only Mrs. Dewi could tell, such as the episode she met at a horse racing festival with Princess Diana.

Finally, when asked, “What is the point of wanting you to see here in the exhibition?”
“British history, the background of the event, and what the fate of the person was. It may be little known to the Japanese, but portraits really appeal to the depths. By all means, I hope that you will deepen your understanding by watching the captions while reading them carefully. “
As a supporter, he talked about how to enjoy this exhibition.

A portrait is a story.

 

 

Britain is also famous as the birthplace of the great playwright Shakespeare. In other words, the British people are naturally fond of people, history, and stories.

One of the ways to enjoy painting is to enjoy the colors and composition involuntarily, but the changes in style and fashion sense with the times, the allegations in the details of the screen, and the “story” in the background of the painting .. .. .By tasting such things, there may be a moment when the painting in front of you comes to life.

Here, the editorial department picks up three points from the exhibited portraits. I will introduce a little “story” that flows in the background!

 

《Henry VIII》 Author unknown (based on the original work of Hans Holbein)[child] ) 17th century?

 

Love or faith? The cruelest king in British history.

A portrait of Henry VIII, allegedly based on what Hans Holbein[child] painted in 1536. The traditional royal representation, adorned with gorgeous clothing and jewelery, shows the dignity of Henry VIII at the very top of his power.

What is surprising about him is that he has married six wives throughout his life, divorced and expelled them, and even executed them. He even turned the divorced Roman Church into an enemy to marry his second wife, Anne Boleyn, and finally founded the Anglican Church. This is exactly the beginning, and the storm of religious reform will blow in the world.

It may be said that he is a man who is crazy about love and changed history because of love.

 

《Lady Jane Gray》 Author unknown Around 1590-1600

 

A 16-year-old ephemeral life scattered on the decapitation stand.

Kyoko Nakano ” Lady Jane Gray’s Execution” by Paul Delaroche, who was featured in “Scary Picture” and became famous. This is a panel painting drawn to mourn Lady Jane Gray after death, not before life. Scratched scars remain on both eyes and mouth, indicating that they have been attacked to destroy the icon in its history.

Her reign, the granddaughter of Henry VIII, lasted only nine days, being robbed of the throne by Mary, a Roman Catholic, and dying her young life on a decapitation stand at the age of only 16. ..

 

“George IV” Thomas Lawrence circa 1814

 

Pretty handsome. But is the nickname “Prince Whale”?

George IV, who was handsome and well-educated from a young age and was also called “England’s most gentleman”. He ruled the country on behalf of George III, who suffered from a mental illness, and was crowned by the death of his father . In particular, he is known to the world for his excellent artistic support activities.

A beautiful figure that is not ashamed of the name of “Gentleman”. This fascinating sculpture was made for medals, but in the end the medals were never cast. Why.
That’s because he got fat without the shadow he saw … He was constantly wasting money and prodigal, and he didn’t seem to be good at complimenting him, so his nickname was “Prince Whale . Well, sorry!

 

Outline of the event

Exhibition name Collection of the National Portrait Gallery, London
KING & QUEEN Exhibition-British Royal Story to Read with Masterpieces-
Session October 10, 2020 (Sat) -January 11, 2021 (Mon / holiday)
10: 00-17: 00 Fridays 10: 00-20: 00
* Last admission is 30 minutes before closing * Open all year round
Admission fee Weekdays General ¥ 1.800 High school / university students ¥ 1,600 Elementary / junior high school students ¥ 1,000
Saturdays, Sundays, and holidays General ¥ 2,000 High school / university students ¥ 1,800 Elementary / junior high school students ¥ 1,200
We have introduced a date and time designation system.
Please check here for admission methods and ticket purchases .
Venue Ueno Royal Museum
Official site https://www.kingandqueen.jp/

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[Tokyo Metropolitan Art Museum] Archives material exhibition “Knowing the Old Building” held

Tokyo Metropolitan Art Museum

 

No advance reservation required ・ Free viewing

 

Archives Exhibition 2020 Remembering the Tokyo Metropolitan Art Museum’s Original Building

 

The Tokyo Metropolitan Art Museum was built by a businessman from Kitakyushu, Keitaro Sato, who donated 1 million yen (currently equivalent to about 3.2 billion yen) and opened on May 1, 1926 (Taisho 15).

 

The building, which was called the “Tokyo Metropolitan Art Museum” at that time, was designed by Shinichiro Okada and built in the modern classical style. Befitting the “Beauty Hall of Fame”, the majestic building with colonnades became the setting for numerous exhibitions and a place for people’s creative activities and exchanges.

Exterior of the old building Taken in 1960

 

In this exhibition, through the archives materials held by the museum, Japan was born in Ueno, following the steps from the construction of the old building to the end of its role with the construction of the new building (currently the Tokyo Metropolitan Art Museum) in 1975. I would like to take this opportunity to think about the appearance of the first public museum.

Old building construction scene 1924-26 photographed

 

Date: October 6th (Tuesday) -December 6th (Sunday), 2020 No advance reservation required ・ Free viewing <br /> Venue: Tokyo Metropolitan Art Museum Keitaro Sato Memorial Art Lounge (Central Building 1st floor)
Closed days: 1st and 3rd Mondays Opening hours: 9: 30-17: 30
Organizer: Tokyo Metropolitan Foundation for History and Culture Tokyo Metropolitan Art Museum

 

Held until 10/25! “Tokyo University of the Arts Collection Exhibition 2020-Chronicle of the Arts” coverage report

Tokyo University of the Arts University Museum

 

I went to the “Gaidai Collection Exhibition 2020-Chronicle” which is being held at the University Art Museum, Tokyo University of the Arts in Ueno, Tokyo from September 26, 2020!

Have you all been there yet?

In this article, we will report on the contents and highlights of this exhibition.

 

What was particularly wonderful was the self-portraits of the former students, which were lined up all around the exhibition room, and more than 100 of them!

Those who were active in the art world in later years, those who died at a young age despite their talent. It was a very spectacular exhibition where you can compare and enjoy the self-portraits that were projected in various ways, such as the self-consciousness and hobby interests of each student at the time.

What kind of exhibition is the “Tokyo University of the Arts Collection Exhibition”?

 

Tokyo University of the Arts (hereinafter referred to as “University of the Arts”) has a history of more than 130 years from its predecessor, Tokyo Fine Arts School (hereinafter referred to as “Beauty School”) to the present. Tokyo University of the Arts has collected various art materials throughout its history.

Approximately 30,000 collections are stored in the University of the Arts Museum, including works purchased by people as educational and research materials for students, works by Kiyoteru Kuroda, Taikan Yokoyama, and successive faculty members, current students, and graduates. It goes up to the point.

The “Tokyo University of the Arts Collection Exhibition” is held regularly by the University of the Arts Museum. As the name suggests, this is a valuable opportunity to worship carefully selected works from the huge collection of arts that are normally closed to the public!

“Tokyo University of the Arts Collection 2020-Chronicle of the Arts” consists of two parts. The theme of Part 1 is “Creating” Japanese Art “” and the theme of Part 2 is “Adventures over Self-Portrait”.

With the theme of tracing the history of Tokyo University of the Arts from a variety of art works like a chronicle, more than 150 works centered on paintings are exhibited.

 

This time, in order to enjoy the exhibition more deeply, I visited with Mr. Nagatomo, a curator researcher, explaining. Mr. Nagatomo, thank you for your cooperation in your busy schedule.

Introducing the contents and exhibited works of Part 1 “Creating” Japanese Art “”

 

In the first part, the important times in the collection formation during the school days were introduced along with the year when the works were collected.

By clarifying the year in which the works were collected, we can see the tendency of “what kind of things the school wanted to collect as art materials from time to time” -in other words, what kind of works the students of each period wanted to collect “. Did you learn the technology with reference to? “

 

(From left) Naojiro Harada “Shoemaker’s Relatives” 1886 Important Cultural Property / Yuichi Takahashi “Salmon” Around 1877 Important Cultural Property / Seiki Kuroda “Women’s Image (Kitchen)” 1892

 

For example, welcoming visitors at the entrance,

Naojiro Harada << Shoemaker’s Relatives >>
Yuichi Takahashi “Salmon”
Kuroda Seiki << Women’s Image (Kitchen) >>

These three famous oil paintings. (The tension soared with “Oh!” When it appeared immediately!)

It is one of the most popular paintings in the Tokyo University of the Arts collection, and it is a masterpiece that symbolizes the times, so many of you may know it.

At that time, Harada and Takahashi, who used traditional Western painting techniques, were distinguished as so-called “old school” painters, and Kuroda, who adopted impressionist-style external light expression, was distinguished as a “new school” painter. It seems that the world of Western-style painters was in a complicated situation, as journalists fueled the conflict and the Shinpa gradually became dominant.

However, there are records that all three of these items were collected at about the same time (1896-1897), when the Western Painting Department was newly established at the beauty school . You can see the teachers at that time wanting students to learn the old and new techniques and expressions of Western painting without distinction.

In this way, Part 1 gives you a glimpse into the history of schools and teachers .

From the opening of the school to the establishment of the Western Painting Department-a copy of a classical painting that supported learning

 

(Den) Eitoku Kano “Matsutaka Folding Screen” (16th-17th centuries)

 

It was 1889 that was first taken up as an important age after proceeding through the entrance of the exhibition room. This is the earliest collection area where the collection was recorded in the year when the school opened.

At the time of opening the school, antique art from a wide range of eras from the Hakuho era to the Edo era, such as the national treasure “Illustrated Sutra of Causes and Effects and (Den) Eitoku Kano’s “Matsutaka Folding Screen” , was collected as reference art.

 

(From left) Original: Bernardino Luini Copy: Keiichiro Kume “Children and Grape” 1892 / Keiichiro Kume “Dead Leaf Kanbayashi” 1891 / Yoshisui Yamamoto “Portrait of Western Woman” 1882 / Saburosuke Okada “Upstream Seine” Scenery >> 1899

 

Moving to the next area, in 1896, when the Western Painting Department and the Design Department were newly established , Western paintings collected by Seiki Kuroda and Keiichiro Kume, who were invited as instructors, were exhibited.

Not only the original paintings, but also “Children and Grape” , which Kume copied a part of Bernardino Luini’s frescoes while studying in France.

It seems that these reproductions were very important to the Western painting department at that time.

 

Original: Jean-Francois Millet Copy: Eisaku Wada “The Gleaners” 1903

 

At that time, students couldn’t easily go abroad to see paintings. Still, Kuroda and his colleagues, who wanted to get in touch with the excellent Western masterpieces, recommended copying classical paintings. In addition, it seems that the Ministry of Education’s stipend international students were asked to submit a copy of the masterpiece to the beauty school.

As an example, what was exhibited in the same area was “The Gleaners” based on Jean-Francois Millet’s masterpiece, which was copied by Wada Eisaku at the Louvre Museum in France. The color has become darker over time, but it faithfully reproduces the depiction and atmosphere of the original.

How many students did this work teach and inspire a new world? It was a painting that conveys the urgent circumstances of the time and at the same time feels a magnificent story.

 

Think of a phantom celestial maiden

 

Antonio Fontanesi “Tennin” 1876-1878

 

In the middle of the first part, there was an area where drawings related to the Technical Fine Arts School, which is positioned as the predecessor of the predecessor of Tokyo University of the Arts, were collected.

Antonio Fontanesi , an Italian painter invited as a teacher, drew small drawings such as architecture and landscape paintings for teaching materials, and among them, a huge drawing called “Tennin” that stands out. A realistic woman with a mysterious expression that looks like she is smiling, thinking, and thinking.

This is not a teaching material, but a story that “the new palace of the imperial family, which was planned to be built at that time, was drawn as a conceptual sketch for use in the mural painting.” Unfortunately, the plan seems to have failed, but it stimulated my imagination how beautiful the “Tennin” would have been if it had been built.

 

There are also works exhibited at the Paris Expo, which all the schools participated in!

 

(From left) Takeji Fujishima << Ryo Ikebe >> 1898 / Katsuhei Hirose << Iso >> Around 1898 / Yuuki Somei << Soldier line >> 1897 / Moriyoshi Naganuma << Old man >> 1898 / Yoshiaki Shimada << Tokugawa style interior decoration 》 Around 1894

 

Going further into the exhibition room, in the area at the end of Part 1,

・ Works exhibited at the 1900 World’s Fair in Paris, in which many teachers from beautiful schools participated.
・ In the 1930s, after receiving high praise at the so-called “public exhibition” represented by the Ministry of Education art exhibition, the work was purchased by the government and transferred to a beauty school.

I was able to appreciate it.

 

Yoshiaki Shimada << Tokugawa style interior decoration >> Around 1894

 

Among the works exhibited at the Paris Expo is Yoshiaki Shimada’s “Tokugawa-style interior decoration” .

The interior space of the fantasy castle is depicted in detail in the style of the Edo period, but how to decorate crafts, how to hang a hanging shaft, the existence of bran, a designed family crest, a crane as a congratulatory motif … … It seems that the design proposal was made to introduce such things to people overseas who were becoming more interested in Japanese interior decoration.

To the last, it was conservative, but the charm of each prop and decoration was drawn in a very detailed and attractive manner, and I was impressed.

It is said that these exhibited works are very important as a record of how Japan responded to the Expo, which was one of the most important cultural phenomena in the 19th century.

 

Kano Hogai << Sad Mother Kannon >> 1888 Important Cultural Property
Uemura Shoen “Introduction Dance” 1936 Important Cultural Property

 

Uemura Shoen’s “Introduction Dance” , which is an important cultural property, and Kano Hogai’s “Sorrowful Mother Kannon”, which was specially exhibited, were also displayed in this area. Both are quite large and truly powerful.

As for “Sorrowful Mother Kannon,” which can be said to be the treasure of the University of the Arts Museum, it is said that many people visit the “Tokyo University of the Arts Collection Exhibition” just to see it. I visited there in the morning on weekdays, so I was fortunate enough to be able to appreciate it in front of my eyes.

 

Introducing the contents and exhibited works of Part 2 “Adventures over self-portraits”

 

 

If you turn to the other exhibition room on the opposite side of the exhibition room of Part 1, you will see the exhibition of Part 2 “Adventures over self-portraits”.

If the first part is school and teacher records, the second part is student records.

In the Western painting department, self-portrait production is traditionally included in the curriculum, and even now all graduates are supposed to pay self-portraits to school. Here, the self-portrait and the work purchased as a graduation work are displayed.

 

(Lower left) Original: Rembrandt van Rain Copy: Seiki Kuroda << Self-Portrait with a Feather Hat >> 1889

 

Not only in Japan, but also in overseas art schools, there is probably no school that always pays self-portraits, and it is a culture unique to art schools and Tokyo University of the Arts. It’s a little interesting story, isn’t it?

 

 

It was too spectacular to see more than 100 self-portraits decorating the exhibition room …!

Shigeru Aoki, Tetsugoro Mantetsu, Tsujiharu Fujita, Yuzo Saeki, Junji Yoshii, Toshio Nakanishi, and other people who have made a name for themselves in the history of modern Japanese art are gathered together in their youth. Isn’t it just a coveted sight for fans?

It is decorated according to age, but in the Meiji era, there were many people who wore kimono and who were dignified. However, after the Taisho era and entering the Showa era, there are people who have strong personality, such as not wearing clothes or writing facial parts. During the war, there was an “era” that could be seen by arranging them side by side, with a heavy atmosphere.

When drawing a self-portrait, he often puts not only his own figure but also his favorite things and props that convey his character.

So, I wonder if this person liked Gauguin when he was a student, or maybe he liked the ukiyo-e drawn behind him … Imagine each person’s background and hobbies, and there are new discoveries. maybe.

 

Self-portrait of Ding Itakura March 1924

 

What I liked the most was the self-portrait of Ding Itakura . While there were many self-portraits with dark and calm colors, the white skin and canvas were dazzling, and I was healed by the soft brush strokes and gentle appearance.

 

Eisaku Wada “Yugure of Watanabe” 1897

 

In the exhibition of the graduation work, 11 items such as Yokoyama Taikan’s “Murado Kansaruoh” and Wada Eisaku’s “Watashi no Yugure” were lined up.

“Murado Kansaru-Oh” is a wonderful work that is different from the later years, and I think that it is a landscape where children are playing with a smile, but the expression is strange and a little scary. “Yugure of Watanabe” is realistic, but the colors of the sky and the river are fantastic and drawn in like a dream.

 

I’m sorry that there is no image, but what was interesting was the multiple design drawings of Yoji Kanazawa’s “Utopia Club” . It is said that it is a picture of a fantasy plan to create a leisure facility for each island, but the design is still very novel even now, and the strangeness that puts the curve as the main is addictive. It’s not flashy, but it has a cute atmosphere that makes you want to decorate the walls of your house.

Please pay attention when you visit.

At the end

 

The venue was only the exhibition room on the 2nd basement floor of the University of the Arts Museum, so it was a relatively small exhibition, but I was satisfied that the general admission fee of 440 yen was too cheap.

By the way, recently, the number of exhibitions that require advance reservations to prevent infection with the new coronavirus is increasing, but you can drop in at this exhibition when you think of it.

 

The “Tokyo University of the Arts Collection Exhibition” is held once or twice a year. It seems that some famous works are on display, but the number of collections is over 30,000. There must be a work that will be released for the first time this time, and a work that will not appear for decades if this time is missed.

It will be held until October 25th (Sun), so please do not miss this opportunity.

 

 

 

Outline of “Tokyo University of the Arts Collection Exhibition 2020-Chronicle of the Arts”

Date: September 26th (Sat) -October 25th (Sun), 2020

Hours: 10 am-5pm (admission until 4:30 pm)

* This exhibition does not require advance reservations, but you may have to wait for admission depending on the congestion situation to prevent the spread of the new coronavirus infection.

Closed: Monday

Venue: Tokyo University of the Arts, University Art Museum, Main Building, Exhibition Rooms 1, 2

Admission fee: General 440 yen (330 yen), university students 110 yen (60 yen), high school students and younger and under 18 years old are free

* () Is a group fee for 20 or more people * One leader is free for every 20 group viewers * Free for those who have a disability certificate (including one caregiver)

Organizer: Tokyo University of the Arts

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[Tokyo Metropolitan Art Museum] Special exhibition “70 years after death Hiroshi Yoshida exhibition” will be held!

Hiroshi Yoshida, a painter who fascinated the world. Introducing woodblock prints that delicately depict famous peaks and Japanese landscapes!

 

The Tokyo Metropolitan Art Museum (Ueno Park, Tokyo) will hold the “70 Years After Death Hiroshi Yoshida Exhibition” from January 26th (Tuesday) to March 28th (Sunday), 2021.

 

 

Born in Kurume City, Fukuoka Prefecture, Hiroshi Yoshida (1876-1950) worked on Western-style painting from a young age and established his own expression and technique while experiencing East and West art through many overseas experiences.

Yoshida, who demonstrated his talent as a painter, will challenge woodblock prints for the first time in the latter half of the painting industry and break new ground. With the view of nature that he learned by entering the Miyama Yuya and the high technology that surprised Western experts, he delicately portrayed the flow of water and the transition of light.

This exhibition, which will be held at the 70th anniversary of the painter’s death, will bring together representative woodblock prints from the earliest days, as well as display woodblock prints and sketchbooks. Introducing the whole picture of Hiroshi Yoshida’s woodblock prints, which aimed at integrating print techniques. Please take this opportunity to enjoy the work of Hiroshi Yoshida, a painter who challenged the world and was loved by Princess Diana and Freud.

 

[Main exhibited works]

《Twelve titles of the Japanese Alps, Mt. Tsurugi Morning》 Taisho 15 (1926) woodcut, paper
《Seto Inland Sea Sailing Ship Morning》 Taisho 15 (1926) Woodcut, Paper

 

[Overview]
Exhibition name: 70 years after his death Hiroshi Yoshida Exhibition
Yoshida Hiroshi: Commemorating the 70th Anniversary of His Death
Dates: January 26th (Tuesday) -March 28th (Sunday), 2021
Venue: Tokyo Metropolitan Art Museum Special Exhibition Room Closed: Monday Opening Hours: 9: 30-17: 30
Admission fee: Details will be announced on the special website as soon as they are decided.
Organizer: Tokyo Metropolitan Art Museum, Mainichi Newspaper, Nihon Keizai Shimbun Co., Ltd .: New color photo printing special website: https://yoshida-exhn.jp
Inquiries: 03-5777-8600 (Hello dial)