【Calligraphy Museum at Taito Ward Project Exhibition】 The kanji’s narrative-world of ancient characters-coverage report

Calligraphy Museum at Taito Ward

Currently, at the calligraphy museum in Taito-ku, Tokyo, the formation of Kanji-World of ancient characters exhibition is being held. (Until ~ September 23 [Mon, Holiday])
This time, bother you in calligraphy museum, since the story came , it will be sent along with the appearance of the exhibition.

■ What is a Kanji exhibition?

This year, the year of Reiwa, is the year that marks the 120th anniversary of the discovery of “Karaboku”, the oldest existing kanji .
This exhibition is the oldest kanji character “Kokaku Letter”, and a letter written by the first emperor of the nephew, a letter written on the bronze, from the collection of Nakamura innocent, who is a calligrapher and Western painter. It is an easy-to-understand commentary for children for the books of the characters appearing in “Sangokushi”.

■ Contents of the exhibition

The first exhibition floor on the 1st floor of the Calligraphy Museum has two large corners.
The first is a corner called “Ancestor of Kanji” .
In this section, you can learn the history of kanji in an easy-to-understand manner from the beginning of kanji shaped by various animals from the ancestors of Chinese kanji kanji.
The other is the corner of the ancient Chinese world.

(Left) Sheep (Square Letters First Stage Turtle Belly) (Right) Tiger (Squall Letters First Stage Cattle Scapula)
Skeleton (Square Letters First Term Tortoise)
武氏祠石闕画像銘(Bushishisekketsukazoumei)

On the 2nd floor of the exhibition floor, there are legends where kanji was invented , and various divination , bronze , and corners of characters written during the Shun-Autumn War States period and the Zen period.

蒼頡書蒼頡(soketsusho soketsu)
Isn’t there? Zen period · 13th century BC (from various divination corners)

In addition, the 2nd floor has a special exhibition room displaying characters from the Chinese Zen period, and a Nakamura Uncertainty Memorial Room. In the Nakamura Uncertainty Commemorative Room, there is a manuscript of the era of Chinese Han Dynasty and the oldest “Sangokushi” manuscripts and characters from the time of the Three Kingdoms, as the Little Three Kingdoms Corner.
(※ Manuscript is a handwritten copy of the document.)

In this memorial room, there is another exhibition about Shiki Masaoka, a haiku poet who had a close relationship with Nakamura.

That is said to be the only book of Zhuge Liang Genpakucho<Zhuge Liang (181-234) brush / Sangoku period shǔ · third century>
[Important cultural property] < This is a valuable exhibit that can only be seen up to 8/4>the third remnant of the Three Kingdoms .
Shiki Masaoka image Nakamura inflection / Meiji-Showa era 20th century

You can enjoy learning about the history of kanji at each corner.

■ I asked about the highlight.

We talked to Nobuhiro Nakamura, Senior Researcher at the Calligraphy Museum, about the highlights of the exhibition.

What kind of place do you want your child to enjoy?

I would like you to see the raw material that shows the origin of kanji.
I think that it is of great value to actually look at the lines of kanji in the material that seems to be vital to life for 3500 years, not photos but actually.

The first thing you want to see is the character of animals.
The pattern is, “Is that figure?”, “Face?” “How, how is it?”

In addition, it is a great strength to be able to overlook the history of kanji formation in such a small museum.
This is an exhibition where parents who can bring their children can also enjoy it.

What is your favorite display item by Mr. Nakamura?

It is a historical place. In such a beautiful state, the bronzeware with which the character can be seen is rare.
As this bronze display is only for this exhibition, it is a valuable opportunity.

■ Finally

Mr. Nakamura, the chief researcher at the Calligraphy Museum, said that “it was hard work to shake the total ruby to explain the exhibits because I introduced the exhibits from the perspective of elementary school students.”
The interesting and informative explanations were filled with the desire to convey kanji more vividly and happily to your child.
Would you like to come to the Calligraphy Museum with your family to hear such Mr. Nakamura’s story?

Such fun sentences written on the exhibit are also attractive. ~ From the corner of the legendary legend Kane Kanji Kanji
Session Being held (until ~ September 23 (Monday, public holidays))
Opening time 9:30 am-4:30 pm (30 minutes before closing time for admission)
closing day Monday (Monday is a public holiday / next weekday on a holiday)
However, it will be open on August 12 (Mon., Holiday), September 16 (Mon., Holiday), and September 23 (Mon., Holiday).
Closed on August 13 (Tuesday) and September 17 (Tuesday).
Admission fee

General and university students: 500 yen (300 yen), high, middle and elementary school students: 250 yen (150 yen) ※ () is group rate of 20 or more people.

※ There is no charge for viewing small and middle school students in Taito-ku and junior high school students and their leaders every Saturday.
※ Those who have a disability certificate or a certificate of specific disease medical care and their carers are free of charge.

Official HP http://www.taitocity.net/zaidan/shodou/

※ A guided tour and workshop called Kids Seminar “Kan no Secret” is also scheduled on Sunday, August 4th.

■ Kids seminar “Kan no Secret”
Guided tours and workshops for children

(Pre-registration required)

Date and time Sunday, August 4, 2019
11:00-
Capacity Because the venue is small, it will be about 20 people each time by prior application system.
The start time may be adjusted depending on the number of applicants. please note that.
Application method Please specify the zip code, address, name, preferred date and time, postal code, address, name (furigana), phone number, age, desired date and time on the “back credit reverse side” of the round trip postcard, and apply to the following by specifying the zip code, address, name on the “reply surface” . One postcard is for one person and one application. Free audition. However, the viewing fee for the day is required.
Application destination 〒110-0003 Negishi 2-10-4 Taito-ku
Calligraphy Museum at Taito Ward Kids Seminar
deadline Must arrive by July 26, 2019

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【Tokyo National Museum】 Special Exhibition “Three Kingdoms” preview

Tokyo National Museum
Guan Yu Statue Ming Era 15th-16th Century Shinsato City Museum

Tokyo National Museum from July 9 (Tuesday) to September 16 (Mon./Holiday), 2019
Special exhibition “Three Kingdoms” is held.
A preview for the media was held, so this time we will tell you how.

Manga, puppet show, games … taken up in a wide range of fields, showing a variety of development “Three Kingdoms”. The point of departure is the Chinese history of “Three Kingdoms” and “Romance of the Three Kingdoms”, which continues to be loved by people in a long history, and its popularity in Japan still remains unnoticeable. Guan Yu, Zhao Yun, Lu Bu … There may be a lot of people who are passionate about the life of large-scale warlords.

The slogan for this exhibition is “Real Three Kingdoms” . In the case of the Sangoku period where there are few data and many of the facts are mysterious, the combination of selected artifacts and the latest research results is close to its true image, and construction of a new tribe of unique archeology beyond the past three kingdoms The goal is

What is the Three Kingdoms?

“Shanhe-Zhang Fei” Haru Yusaku Qing Dynasty-19th Century Tianjin Museum

Han Dynasty which lasted about 400 years before and after. However, the bribery and eunuchs became corrupt by holding an experiment, and social order began to be disrupted, with the outbreak of the yellow band (184). The Han Dynasty asked for the power of the powerful lords in an effort to settle the turmoil, and in response to this request, the Cao Cao, Liu Bei and Sun Quan were recruited. Soon they set up a mochi, a mochi and a mochi, and the shape of the world three minutes will be settled here.

“Three Kingdoms” is a story based on the Sangoku period in which they were active. The story of the Three Kingdoms now prevailing in the world is based on the reading “Romance of the Three Kingdoms” , which has been written in many of its main points later.

That famous scene revives! Heroes in the Legend

At the beginning of the exhibition, we introduce paintings and murals depicting familiar scenes
A scene from “Romance of the Three Kingdoms” (“The Three Kingdoms’ Historical Map”, Museum of the Tianjin Museum). Person who understands what scene is considerable Three Kingdoms
Zhao Yun statue Qing Dynasty · 17th and 18th centuries Jinzhou City Museum

At the beginning of the exhibition hall, we display works based on the story of “Three Kingdoms” familiar to us. The appearances of the British players who have been burned in their minds from an early age are restored. This special exhibition “Three Kingdoms” is an exhibition that I want all beginners to see by all means, but this way of enjoying is a privilege of mania.

The above “Zhao Yun statue” is based on an episode of Aoyun that runs in the enemy’s arm in a single mount to help the Lord’s son who is left behind in the battlefield. It is a great scene of the “three kingdoms” inevitable. Although this work is considered to be a part of the decoration of the building, the sculpture is simple, but the form of batting on a horse while holding a baby is vividly expressed.

Exhibited original drawings of Mitsuteru Yokoyama’s “Sangoku-shi”
Kawamoto Kihachiro’s doll used in the puppet show “Three Kingdoms”
Zhang Fei’s weapon “Jabo” that appeared in the game. The serpent itself existed, but it is unclear whether it existed in the Three Kingdoms era

At the venue, along with “real” artifacts, he exhibited original drawings of the cartoon “Three Kingdoms” by Mitsuteru Yokoyama, and dolls actually used in NHK ” Puppet Show Three Kingdoms” by Kiharou Kawamoto. In addition, the characters of the highly popular game series “Sangoku Muso(Dynasty Warriors)” will also participate in the war, and will decorate this exhibition. Not only deep Three Kingdoms enthusiasts, but also Three Kingdoms beginners interested in various media can enjoy it in an easy-to-understand manner.

Now, to “Real Three Kingdoms”

Chapter 3 room that reproduces the battlefield where arrows fly
More than a thousand arrows were used
A “don” that shoots an arrow. So-called crossbow

Speaking of “Three Kingdoms”, it can not be said without the attraction of the battle. In the third chapter, we will display weapons from the three countries from Han and tell us “Real on the battlefield”.

When you step into the hall, it is decorated as if arrows were flying around the battlefield, as if feeling like a Battle of Red Cliffs ?!
The total number of arrows used is more than a thousand. The people who are stuck in the hull are real. The main weapons at that time were swords, katana, sylves, bows and arrows, but among them, stalks, which have a bow attached to their handle and trigger them to fire, have a strong killing power and played an important role.

Reproduced in full size, “The Cao Cao Mausoleum”

One of the features of this exhibition is a powerful exhibition space. The fifth chapter reproduces The Cao Cao Mausoleum You can experience the space in the mysterious tomb.

The Cao Cao Mausoleum was excavated in Anyang City, Henan Province from 2008 to 2009, and was originally named as Nishi Takaana No. 2 Tomb, but the location is consistent with the location of the Cao Cao Mausoleum in the ancient records Furthermore, because there was a stone monument with “Gibuou” pointing to Cao Cao as a burial product, it became certain to be Cao Cao.

Ginseng Late Han Dynasty · 2-3 centuries Gansu Museum
“Golden Beast Bond Metal Fittings” Gohan Period / 2nd Century Kotobuki Prefectural Museum
“Five Layer Granary” 1973, Chorusaku City Museum
The “Tiger-shaped Scorpio” (The Three Kingdoms, The Third Century Nanjing City Museum) was used in the great tomb of the temple.

In addition, the exhibition will feature about 160 latest archaeological findings from China. With the latest academic achievements, we are approaching the true image of the unknown Three Kingdoms.


The stage of the Three Kingdoms was from the period of the 184th year’s yellow band to the reunification by the 280 years of the Xizi Dynasty. It is strange that the story of just a hundred years or so is transcended, transcending the country, and being told.

The exhibition will be held from July 9 (Tuesday) to September 16 (Mon./Holiday), 2019 .
It seems that everyone knows, “real” of the Three Kingdoms that nobody knows.
Whether you are a beginner or a Three Kingdoms fan, be sure to visit the venue!

It is a product sales corner that I want you to see personally by all means. A series of familiar characters such as Mitsuteru Yokoyama “Sangokushi” and the game “Sangoku Muso(Dynasty Warriors)”

Outline of the event

Exhibition name Celebrating the 40th Anniversary of the Japan–China Cultural Exchange Agreement Three Kingdoms Unveiling the Story”
Session July 9 (Tuesday) to September 16 (June, 2019) 2019
9:30 am-5 pm ※ Fri, Saturday until 9 pm (Admission is 30 minutes before closing)
closing day Monday, July 16 (Tuesday) * However, July 15th, August 12th, September 16th will be opened
Venue Tokyo National Museum Heisei Building (Ueno Park)
Fee for viewing General 1,600 yen (1,300 yen), university student 1,200 yen (900 yen), high school student 900 yen (600 yen)
Junior high school students and below free
※ ( ) in the group rate of 20 people or more
※ Person with disability certificate and one carer are free
Official site https: // sangokushi 2019. exhibit.jp/

Article Provided by:Kokosil Ueno


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Tokyo Metropolitan Art Museum A new frontier of painter Iiwa, who is on the lookout for now! First in 10 years at an art museum, the first solo exhibition at an art museum in Tokyo!

Tokyo Metropolitan Art Museum


From July 20th (Sat), "Iba Reiko Exhibition" will be held at Tokyo Metropolitan Art Museum.
<Period: July 20th (Sat)-October 9th (Wed), 2019: Tokyo Metropolitan Art Museum Gallery A, B, C>

Reiko Iba (1967-), fascinated by the artist's eyes and the world of motifs, has continued to express the scenery by drawing the texture and light that the motifs want to touch.
The style of making based on the photos taken by myself has not changed, but in recent years, the distance to the motif that has been approaching has gradually increased.
The interest in space and landscapes has increased, and the landscape around them has expanded, and the paintings of Iba have shown new developments. In this exhibition, we will present pictures as a new attempt, including paintings based on photographs taken at the Tokyo Metropolitan Art Museum.
The private exhibition by Iniwa will be held for the first time in 10 years at the art museum since 2009, “Iba Reiko-The Place of the Day-” (Kanagawa Prefectural Museum of Modern Art). By introducing recent works and new works as well as displaying the works before that time, we will approach the core of the unchanging interest of Iba Reiko as it has changed over the past 10 years. Prior to the opening ceremony, in addition to the video works that we have made our first challenge, we will introduce exhibition works and various events during the exhibition period.

【Highlight】
1, solo exhibition centered on new works
2, first challenge to video work!
A solo exhibition at an art museum that will be the first in three or ten years (the first solo show at an art museum in Tokyo!)
Details here https://www.tobikan.jp/en/exhibition/2019_yasukoiba.html
[Comment on the exhibition from Atsuko Iba]
I am very happy to receive a request for a new solo exhibition at the Tokyo Metropolitan Art Museum, just 10 years after the solo exhibition at the Kanagawa Prefectural Museum of Modern Art. On this occasion, I would like to try new things, and this time I am working on new works such as paintings, prints and videos.
The title says "Gaze", but we continue to produce while trying various "How to see". As I repeated the experiment, I could meet something beyond my imagination. By dismantling and reorganizing "seeing", you may come across new perspectives in everyday life. I hope you agree with that in this exhibition.

■ Main work introduction

【event information】
■ Interview Shimizu Shimizu × Iba Aiko
We invite the art critic, Akira Shimizu, who knows the works of Atsuko Iba from the beginning, and talk about the transition of production and the attractiveness of the works.
Date and time: July 20 (Sat) 14:00-15:00 (13:30)
Venue: Tokyo Metropolitan Art Museum Auditorium (capacity: 225 people)
※ Free to listen. However, a main exhibition ticket (stubs accepted) is required.
※ We distribute rearranging ticket in front of lecture hall on the day from 13:00 and finish reception desk as soon as we become capacity.

■ Artist ・ Talk
At the exhibition hall, I will talk about the state of production and works from Atsuko Iba.
Date and time: 1 August 3 (Sat) 11: 00-11: 45
2 August 24 (Sat) 11: 00-11: 45
※ Free to listen. However, this exhibition ticket is required. Please gather at the exhibition hall.

■ Gallery Talk
The curator in charge of this exhibition will introduce the highlight of the exhibition.
Date: 1 July 26 (Fri) 19:00 to 19:30
2 August 16 (Fri) 19: 00-19: 30
※ Free to listen. However, this exhibition ticket is required. Please gather at the exhibition hall.

■ Kids + U18 Day
A closed day is open specially free of charge for elementary and junior high school students and parents who bring their infants.
Date and time: August 13 (Tuesday) 9: 30-16: 00 (up to 15:30 for room entry)
Venue: Tokyo Metropolitan Art Museum Gallery A, B, C
Target: Children in high school third grade or less and their parents
※ Please enter the room accompanied by parents after the third grader.
※ You can not enter the room only for adults (over college students).
Participation fee: free

■ Dialogue Night "Aim for Good"
A participatory program that takes place Friday night to enjoy talking with the art communicator what you feel or think from the work.
Date: August 9 (Fri), August 23 (Fri), August 30 (Fri), September 6 (Fri), September 20 (Fri) Each time from 19:00 to 19:45
Capacity: About 20 arrivals each time
Participation fee: Free * However, a ticket for the day is required. Please gather at the exhibition hall.

■ Dance ・ well A program that works with the whole body
It is an art program through dance that spreads the mind with the body while watching the work. Anyone with a variety of physical inconveniences and their families, children and adults can attend, especially those who live with Parkinson's disease.
Date and time: July 30 (Tuesday) 10:30 to 12:00
2 August 6 (Tuesday) 10:30-12:00
Venue: Tokyo Metropolitan Art Museum Gallery (main exhibition hall), foyer (planning hall lobby floor)
Lecturer: Namura Kurumi (dancer, choreographer, representative of the Dance Well Ishikawa Executive Committee)
Target: Anyone can participate
Capacity: Each first-come-first-served basis 20 people (advance application required, June 18 (Tuesday) acceptance start) Participation fee: Free of charge ※ However, this exhibition ticket is necessary.
Application method: Apply from the exhibition special site. 【I reached the capacity】

● Overview of the exhibition

Exhibition Name: Atsuko Iba Exhibition
Organized by: Tokyo Metropolitan Art Museum (Tokyo Metropolitan Foundation for History and Culture)
Period: July 20 (Sat)-October 9 (Wed), 2019 (total of 70 days)
Closed days: Monday, August 13 (Tuesday), September 17 (Tuesday), September 24 (Tuesday)
※ Open on August 12th (Mon, Holiday), September 16th (Mon, Holiday), September 23rd (Mon, Holiday)
Opening hours: 9:30 to 17:30, Fridays from 9:30 to 20:00 (all entering until 30 minutes before closing the room)
※ However, July 26 (Fri), August 2 (Fri), 9 (Fri), 16 (Fri), 23 (Fri), and 30 (Fri) from 9:30 to 21:00
Venue: Tokyo Metropolitan Art Museum Gallery A, B, C
Reading fee: General 800 yen / group (more than 20 people) 600 yen / 65 years old or older 500 yen / university student / professional school student 400 yen
※ Free for high school students
※ "Family contact day" on July 20 (Saturday), 21 (Sun), August 17 (Saturday), 18 (Sun), September 21 (Sat), 22 (Sun) According to the parents who live with children under the age of 18 (resident in Tokyo, up to 2 people), half of the general rate on the day (please bring what you can prove)
※ Those who are over 65 are free of charge on August 21 (Wed), September 16 (Mon, Holiday) and 18 (Wed) due to “Silver Day”. Congestion is expected on the day. (Please bring something you can prove)
※ October 1 (Tuesday) is free for everyone by "Tomin's Day"
※ Persons with physical disability certificate, love notebook, nursing notebook, mental patient health welfare certificate, A-bomb survivors health certificate and those who accompany them (up to 1 person) are free (please bring something that can be proved)
※ Free for those who follow elementary school, junior high school and high school students in Tokyo and their instructors as school education activities (application required)
"Summer Night Museum Discount"
From 17:00 to 21:00 on July 26 (Fri), August 2 (Fri), 9 (Fri), 16 (Fri), 23 (Fri), and 30 (Fri) 600 yen, free for college students / professional school students

Official website: https://www.tobikan.jp/yasukoiba

Article Provided by:Kokosil Ueno


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