[Over 200,000 visitors!] Night Museum events will be held on Friday, September 19th and Friday, September 26th at the special exhibition “Ice Age: The World as Seen by Humanity 40,000 Years Ago”

National Museum of Nature and Science

[Over 200,000 visitors!] Night Museum events will be held on Friday, September 19th and Friday, September 26th at the special exhibition "Ice Age: The World as Seen by Humanity 40,000 Years Ago"

The special exhibition "Ice Age: The World as Seen by Humanity 40,000 Years Ago" currently being held at the National Museum of Nature and Science has attracted over 200,000 visitors. Additionally, a "Night at the Museum" event will be held on Friday, September 19th and Friday, September 26th.

Mr. Ohara's family and museum director Kenichi Shinoda (left) appeared at the commemorative ceremony.

The special exhibition "Ice Age: The World as Seen by Humankind 40,000 Years Ago," currently being held at the National Museum of Nature and Science (Ueno, Tokyo), has surpassed 200,000 visitors. To commemorate this milestone, a ceremony was held on Thursday, September 11th to celebrate the milestone. Kenichi Shinoda, Director of the National Museum of Nature and Science, who served as the overall supervisor of the exhibition, presented the Ohara family, who attended the ceremony, with original merchandise exclusive to this exhibition and an exhibition catalog.
Ohara, who had followed the Ice Age exhibition on social media, commented, "I was looking forward to seeing the Neanderthals and Cro-Magnons, the ancestors of mankind." In response, Director Shinoda encouraged the two visitors, saying, "I hope you will enjoy the exhibition while thinking about the fact that these people once lived."
The "Night at the Museum" event will be held on Friday, September 19th and Friday, September 26th. During the Night at the Museum, visitors will navigate the dark exhibition hall using flashlights and lanterns to illuminate their feet. The event will also include an explanation and talk session by the special exhibition curator.

[Ice Age Exhibition Night at the Museum Overview]
Event name: Special Exhibition "Ice Age Exhibition – The World as Seen by Humanity 40,000 Years Ago" Night Museum
Dates: Friday, September 19th and Friday, September 26th, 6:00 PM to 8:00 PM (last entrance at 7:30 PM)

Speakers:
Wataru Morita (Researcher, Human History Research Group, Department of Life History Research, National Museum of Nature and Science)
Jun Yabe (Head of the Evolutionary Paleontology Research Group, Department of Life History Research, National Museum of Nature and Science)
Yoshinori Murai (Senior Researcher, Biodiversity Analysis and Conservation Group, Department of Plant Research, National Museum of Nature and Science)

Commentary and talk session:
September 19th (Friday) Wataru Morita, Yoshinori Murai
September 26th (Friday) Wataru Morita, Jun Yabe
Capacity: 250 people per day

Night at the Museum Ticket Information [Only a few tickets left!]
Sales period:
September 19th (Friday) Night at the Museum Ticket: Until September 19th (Friday), 2025, 4:30 PM *First come, first served, while supplies last
September 26th (Friday) Night at the Museum Ticket: Until September 26th (Friday), 2025, 4:30 PM *First come, first served, while supplies last
Sales method: Available on the official ticket site and TBS ticket site
Admission fee: Adults and university students: 2,300 yen, elementary, middle and high school students: 600 yen
*Advance tickets, same-day tickets, free admission tickets, etc. cannot be used.
*Please be sure to check the notes on the ticket purchase page.

▼Ticket purchase page
Official online ticket : https://www.e-tix.jp/hyogakiten/
TBS Tickets https://tickets.tbs.co.jp/hyogakiten/

Special Exhibition "Ice Age" Night Museum Image
Special Exhibition "Ice Age" Night Museum Image

[Midomos Greeting Event, Midori City, Gunma Prefecture]

Midomos, the official mascot character of Midori City, Gunma Prefecture,
He will be visiting the Ice Age Exhibition on Saturday, September 13, 2025. "Midomos" is a character created in the image of a mammoth, and is named after the Iwajuku ruins in the city.

[Event Overview]
Date and time: Saturday, September 13, 2025
①10:00-10:30 ②11:30-12:00 ③14:30-15:00
Location: National Museum of Nature and Science, Global Gallery, Special Exhibition Hall, Connecting Corridor
・To participate in the greeting event, you will need a ticket for the special exhibition "Ice Age: The World as Seen by Humanity 40,000 Years Ago."

Mido Moss

■ Ice Age Exhibition Overview
Exhibition name: Special Exhibition "Ice Age Exhibition – The World as Seen by Humanity 40,000 Years Ago"
Date: July 12, 2025 (Sat) – October 13, 2025 (Monday/holiday)
Opening hours: 9:00-17:00 (last admission at 16:30)
Nighttime opening hours: October 10th (Friday) to 13th (Monday, national holiday) closes at 7:00 PM (admission until 6:30 PM)
Closed: September 16th (Tue), 22nd (Mon), 29th (Mon)
*Exhibition dates, opening hours, and closing days are subject to change.

Exhibition composition:
Chapter 1: Animals of Ice Age Europe
During the Ice Age, northern Europe was covered by ice sheets, and dry grasslands spread across the central part of the country, dominated by large animals known as the "Ice Age Megafauna."
What kind of creatures were these giant animals that lived in such harsh environments? Which of them became extinct and which survived to the present day?

Chapter 2: Neanderthals and Cro-Magnons
Neanderthals and Cro-Magnons (Homo sapiens) lived during the Ice Age.
This is the first time that an actual skull has landed in Japan. Neanderthals had a sturdy build and strong muscles, while Cro-Magnons had a relatively slender build and long limbs. Both lived in the same era, but by 40,000 years ago, Neanderthals had disappeared.
What on earth was the difference between the two fates?

Chapter 3: The Japanese Archipelago in the Ice Age
The Japanese archipelago stretches from north to south and is home to a diverse range of environments.
It is believed that humans arrived in Japan by the time of the last ice age, approximately 38,000 years ago. What were the animals that lived at that time, including Japan's three most extinct animals (the Naumann's elephant, the Yabe giant deer, and the Japanese long-eared tiger), and what was life like for humans on the Japanese archipelago during the ice age?

[Overall Supervision]
Kenichi Shinoda: Director of the National Museum of Nature and Science
[Supervision]
Wataru Morita: Researcher, Human History Research Group, Department of Life History Research, National Museum of Nature and Science
Jun Yabe: Head of the Evolutionary Paleontology Research Group, Department of Life History Research, National Museum of Nature and Science
Yoshinori Murai: Senior Researcher, Biodiversity Analysis and Conservation Group, Department of Plant Research, National Museum of Nature and Science
Kazutaka Morisaki: Associate Professor, Graduate School of Humanities and Sociology, The University of Tokyo
Yuichiro Nishioka: Associate Professor, Museum of Earth and Environmental History, Fujinokuni

Venue: National Museum of Nature and Science (Ueno Park, Tokyo)
7-20 Ueno Park, Taito-ku, Tokyo 110-8718

access:
■ 5 minutes walk from JR Ueno Station (Park Exit)
■ 10 minutes walk from Ueno Station (Exit 7) on the Tokyo Metro Ginza Line or Hibiya Line
■ 10 minutes walk from Keisei Ueno Station (main exit) on the Keisei Line
*There is no parking or bicycle parking on the premises.

Organizers: National Museum of Nature and Science, TBS, TBS Gloudia, Tokyo Shimbun
Sponsors: TOPPAN, Bic Camera
Sponsored by: BS-TBS, TBS Radio

Official website: https://hyogakiten.jp/
Official X: https://x.com/hyogakiten

■Special tickets (limited quantity)
Sales period: Until 16:30 on Monday, October 13th (national holiday)
*Only official online tickets are available
・Same-day ticket with BE@RBRICK: 5,200 yen (tax included)

■ Same-day tickets
Sales period: Electronic tickets are available until 16:30 on Monday, October 13th (national holiday)
*Other ticket agencies will be open until 3:00 PM on Monday, October 13th (national holiday).
・General admission, university students: 2,300 yen (tax included)
・Elementary, junior high and high school students: 600 yen (tax included)
*Free for preschool children.
* Free admission for those with a disability certificate and one caregiver.
*If you have a student ID or other certificate, please present it upon entry.

Ticket sales locations: National Museum of Nature and Science (except closed days), official website (online tickets), TBS Ticket, Asoview, Seven Ticket, e+, Lawson Ticket, Ticket Pia, CN Play Guide, Rakuten Ticket, Ikoyo

[TBS Gloudia] Press Release


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[Additional seats planned] Ticket applications for the stage production “Don’t be silent, move, breathe” where deaf and hearing people meet will begin on Monday, September 1st at 10:00 AM!

Tokyo Bunka Kaikan

General supervision by Katsuhiko Hibino, President of Tokyo University of the Arts
Deaf and hearing artists interact with each other, and this process is the basis for
An original story is created and performed.

We are pleased to announce that ticket applications for the stage production "Don't be silent, move, breathe," in which deaf and hearing people encounter each other, will begin at 10:00 on Monday, September 1st .
"Don't be silent, move, breathe" is being created in collaboration with deaf and hearing people since 2023 as part of the cultural program for the IAAF World Athletics Championships, which will be held in Tokyo this autumn.
This production features two towns: "Mist Town," where sign language is the language of the town, and "One Hundred Layers," where Japanese is the language of the town. The residents of the two towns do not understand each other's languages. Just like the characters, the audience can enjoy the process from their seats as they start out in a state of "not understanding" and gradually begin to communicate as they try to get to know each other.

Performance details

【title】
TOKYO FORWARD 2025 Cultural Program
"Don't be silent, move, breathe" is a stage production where deaf and hearing people meet.

[Performance Date and Time]
Saturday, November 29, 2025, 15:00 Doors open 14:00 (Pre-talk from 14:45)

【venue】
Tokyo Bunka Kaikan Large Hall (5-45 Ueno Park, Taito-ku, Tokyo)

[Cast]

Abe Aiko, Iizuka Daishu, Ikeda Momoka, Ishida Michiko, Itabashi Renpei, Ueda Ai, Utoda Chiharu, Ohashi Yuta, Okumura Yasuto, Ono Kanon, Onosato Mitsuko, Kikuchi Ken, Kurashima Satoshi, Kondo Tatsuya, Sato Moe, Sano Kazumi, Takayanagi Ayumi, Tsunoda Risa, Narutsuka Motoka, Hayashi Daigo, Honma Chiemi, Mitsuhashi Raku, Murata Yuko, Moe Fumi, Yaotani Rie, Nicholas Yuyama, Yoshida Miyuki, Leo, Nishiwaki Masago.

【staff】
General Supervision: Hibino Katsuhiko Composition and Direction: Makihara Eri Direction: Shimaji Yasutake Dramaturg: Shizukukyo, Nagashima Kaku
Staging Director: Yo Nakamura Music Creation Staff: Masago Nishiwaki
Music Supervision: Fuyuko Fukunaka Set Design: Ai Harada Lighting: Ayumi Kido Music: Ryuichi Ono, Tan Igawa Sound: Raku Nakahara Stage Visuals: Satoshi Kuriyama Costumes: Kumiko Takeda Hair & Makeup: Ruu Assistant Directors: Hidetada Tashiro, Miki Nakamura, Tomoka Yamada Stage Director: Hidemine Yamaguchi

【story】
In a town surrounded by fog, a ceremony to celebrate the founding of the nation is taking place, when a man wanders into the town.
He had come through the fog from another town.
This "Mist Town" is a floating, moving town. In a world without the concept of sound, language is physical.
It has developed its own unique culture, and everything is designed to be convenient for the town's residents.
Over the years, they periodically approach the "other town," but are obscured by fog and remain unaware of each other.
A man who has wandered in is captivated by the ceremony, which is accompanied by music.
He eventually becomes friends with the three residents and begins living in the town.
Two years later, the man invites the three to "another town."
The city's name is "Hyakusō." It is a megalopolis with high-rise buildings and a highly centralized urban area. It has a developed culture of sound and its language is also phonetic.
On the other hand, noise problems have become serious due to overpopulation, and there is a demand for extreme silence.
The man returns after two years and shows the three around the town.
Through their encounters with various residents of the Hundred Floors, the four eventually end up participating in a concert…

Official website: https://duk-tokyoforward2025.jp/
Official YouTube: https://www.youtube.com/@duk-tokyoforward2025/
Official Instagram: https://www.instagram.com/duk_tokyoforward2025/

[Organizer]
Tokyo Metropolitan Government, Tokyo Metropolitan Foundation for History and Culture, Arts Council Tokyo, Tokyo University of the Arts

Ticket application

【ticket】
All seats reserved, free (advance registration required, first come first served)
After your application is received, we will contact you by email or postcard with your seat number at least one week before the performance.

[How to apply]
Please apply from 10:00 on Monday, September 1st using one of the following methods.
①Application form https://pro.form-mailer.jp/fms/6b38097f334471
②Return postcard application deadline: October 31st (Friday) postmark valid
Please fill in your address, name, contact information (e.g., phone number), and desired viewing support (deaf theater area, subtitles, hearing loop, audio guide), and send it to the address below.
Send to: Sumitomo Fudosan Azabu-Juban Building 4F, 1-4-1 Mita, Minato-ku, Tokyo 108-0073
Lights Apartment Co., Ltd. "Don't be silent, move, breathe" performance office
If you would like to attend the performance as a group (10 or more people), please contact the performance office.

*Due to popular demand, tickets are sold out.
They are considering increasing the number of seats and will announce on their official website by early October when applications will resume, so please wait for the announcement.

*Preschool children are not allowed to enter.
*The front seats on the first floor are a viewing area for deaf people where the sign language on stage can be easily seen.
* Loud sounds will be heard in some scenes. Earplugs will be provided at the venue if you wish.
Please check the official website for details .

[Viewing support]
Subtitles (Spoken dialogue is displayed as subtitles. Sign language dialogue is not supported.)
For this performance, subtitle support will be available using the free app "HELLO! Theater."
For more information, please visit the following URL: https://www.hellotheater.info/
Hearing group (reservations required, first come first served, limited seating area)
Audio guide (reservation required, first come first served, limited availability)
Visual information such as the state of the stage and the movements of the performers will be conveyed through audio.
Free area
There are free areas within the auditorium where you can sit if you want to move seats temporarily or if it is difficult to return to your seat during the performance.
Lobby rest area
If you need a break during the show, you can take one in the lobby.
Childcare service (reservations required, fees apply, limited availability)
Event Childcare/Mothers: (0120-788-222) Deadline: 5:00 PM, Friday, November 21st.
*If you are coming with a wheelchair, assistance dog, or require other assistance, please contact the event office in advance.

[Venue map and access]
Tokyo Bunka Kaikan (5-45 Ueno Park, Taito-ku, Tokyo)
Approximately 1 minute walk from the Park Gate of JR Ueno Station
Approximately 5 minutes' walk from Exit 7 of Tokyo Metro Ueno Station
Approximately 7 minutes walk from the main ticket gate of Keisei Ueno Station
*Tokyo Bunka Kaikan does not have a dedicated parking lot for customers. Please use a nearby paid parking lot.

[Tokyo Metropolitan Foundation for History and Culture] Press release


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Tokyo’s Ueno Park – Over 200 dahlias of 100 varieties will adorn the autumn gardens at the “Ueno Toshogu Peony Garden Special Festival: Dahlias in the Autumn Garden” from Saturday, September 20 to Monday, November 3, 2025.

Ueno Toshogu Shrine

Dahlias with a variety of flower shapes blooming under the shade of a Japanese umbrella.

Ueno Toshogu Shrine (located in Ueno Park, Taito Ward, Tokyo), which was built as a shrine dedicated to Tokugawa Ieyasu, Tokugawa Yoshimune, and Tokugawa Yoshinobu, will be holding the “Ueno Toshogu Peony Garden Special Festival: Autumn Dahlia Garden” from Saturday, September 20th to Monday, November 3rd, 2025, where over 200 dahlias of 100 varieties will decorate the garden in autumn. The best viewing time is expected to be around mid-October, when the heat subsides.
This event, which began in 2016, will be held for the 10th time this year.

During the event, daily flowering information will be posted on Instagram.
Official Instagram: https://www.instagram.com/utbotanen_official/

 

■More than 200 dahlias of 100 species with a wide variety of flower colors and appearances Dahlias are bulbous plants of the Asteraceae family native to Mexico. They were introduced to Japan during the Edo period and are given the Japanese name “Tenjikubotan” (Indian peony) because they resemble peonies.
Please take your time to enjoy the vibrantly blooming dahlia flowers, which come in a variety of shapes and sizes.

Cheating

・A rare variety with a whimsical mix of deep red, peach, and white flowers

 

Black Butterfly

– A variety that sparked the popularity of dahlias with its deep red color tinged with black.

 

Mary Evelyn

– A variety in which smaller petals overlap inside the evenly arranged petals.

 

■Authentic Edo architecture and peonies, including the “Five-story Pagoda of the Former Kan’ei-ji Temple” Within the garden, you can enjoy dahlias blooming under Japanese umbrellas, surrounded by an Edo-style atmosphere, combined with the five-story pagoda of the Former Kan’ei-ji Temple and the stone lanterns lining the approach to Toshogu Shrine.

Last year’s situation
Dahlias and five-story pagoda


■There are plenty of other photo spots!
Along with flowers such as dahlias, we also offer seasonal displays, mixed plantings, bonsai, and more.

Seasonal arrangements
Dahlia floating in water

 

■Flowers that bloom along with the dahlias <br />In addition to dahlias, seasonal flowers such as burnet, Japanese laurel, and cosmos bloom in the garden, and there are many other things to see.

Burntwood
Fujibakama
Cosmos

 

Ueno Toshogu Shrine Peony Garden Special Festival: Dahlias in the Autumn Garden Event Details Period: Saturday, September 20, 2025 to Monday, November 3, 2025 (national holiday) *Open daily during the period Opening hours: 9:30am – 4:30pm (last entry)
Admission fee: Adults (junior high school students and above) 800 yen, admission ticket for the event period 2,000 yen, free for elementary school students and younger Organizer: Ueno Tourism Federation General Incorporated Association Supporter: Taito Ward Address: 9-88 Ueno Park, Taito Ward, Tokyo 110-0007
TEL: 03-3822-3575 (Peony Garden)
Access: 5-minute walk from the Park Exit of JR Ueno Station, 5-minute walk from the Ikenohata Exit of Keisei Electric Railway Keisei Ueno Station, 10-minute walk from Exit 2 of Tokyo Metro Nezu Station

____________________________________________________________________

■Ueno Toshogu Peony Garden <br />The Ueno Toshogu Peony Garden was opened in April 1980 to commemorate friendship between Japan and China, on the grounds of Ueno Toshogu Shrine, which enshrines Tokugawa Ieyasu as its deity. Currently, 500 peonies of 110 varieties are cultivated in the strolling Japanese garden in spring, and 160 peonies of 40 varieties are cultivated in winter.
Located in the heart of Tokyo, Ueno is lush with greenery, so you can enjoy the peonies at your leisure while immersing yourself in the Edo atmosphere.

Address: 9-88 Ueno Park, Taito-ku, Tokyo 110-0007
TEL: 03-3822-3575 (Peony Garden)
Access: 5-minute walk from the Park Exit of JR Ueno Station; 5-minute walk from the Ikenohata Exit of Keisei Electric Railway Keisei Ueno Station; 10-minute walk from Exit 2 of Tokyo Metro Nezu Station. Official website: https://uenobotanen.com/
Official Instagram: https://www.instagram.com/utbotanen_official/

 

[Toshogu Shrine] Press release


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[Tokyo Metropolitan Art Museum] Report on “The Joy of Making: DIY for Living.” A chance to develop your own DIY spirit.

Tokyo Metropolitan Art Museum
Installation view, Dunhill & O’Brien “Means and Devices for Appreciating the ABCs – Mata Iroha” 2025

The Tokyo Metropolitan Art Museum is currently hosting an exhibition titled “The Joy of Making: DIY for Living,” which focuses on the creativity that everyone possesses and encourages people to think about how to “live better” in their own way. The exhibition is themed around DIY (Do It Yourself) and will run from Thursday, July 24, 2025 to Wednesday, October 8, 2025.

Here is a report on the press preview where the exhibiting artists gave lectures.

■ Exhibiting artists (in order of exhibition/titles omitted): Wakaki Kurumi, Seo Natsumi, Noguchi Kengo, Dunhill & O’Brien, Hisamura Taku, Ito Akihiro Design and Architectural Design Office, Studio Megane Architectural Design Office

Exhibition view

 

DIY is an approach that involves using one’s own ingenuity to solve the problems at hand. This exhibition sees DIY as both a way to live better and a means to overcome inconveniences and difficulties, focusing on the “joy of making” such as the realizations and sense of accomplishment that come along with the process. Presenting works by five contemporary artists and two architects who are interested in DIY methods and ideas, the exhibition encourages reflection on the nature of DIY, which relies on one’s own methods and sensibilities, and the existence of art, which is closely connected to life.

The venue is divided into four chapters. Chapter 1, “DIY that starts with seeing,” displays the works of printmaker Kurumi Wakaki (1985-), who finds creative impetus in “seeing,” the very beginning of DIY, and reuses everyday items such as stationery, kitchen utensils, empty cans, and furniture as engravings.

Exhibition view
Exhibition view, on the left is Wakaki Kurumi’s “CAN Bell Soup” (2024)

The “Tube Opening” series , which uses raw lacquer tubes to create the shape of fish fillets, was inspired by the way artisans open tubes of expensive raw lacquer to use up every last bit. The unique texture of the tubes expresses their unevenness and shine, giving the “fish print” a mysterious charm. Through such experimental acts, the artist is able to inject new images and meanings into ordinary everyday items, while also presenting the joy of creativity in a humorous way that is accessible to everyone.

From left: Wakaki Kurumi “Nodoguro”, “Filled Horse Mackerel”, “Filled Flounder” 2024
Wakagi Kurumi (High-rise Apartment) 2025

The ceiling-reaching “High-Street Mansion” (2025) is a work made from a refrigerator that Wakagi has been using for over 20 years since he first began living alone. As the refrigerator was nearing the end of its life, he “decided to put an end to it myself by making a print,” and so he used it for this exhibition.

The idea for the piece came from a ticket to an exhibition of German painter Paul Klee that was taped to a refrigerator. The ticket itself is incorporated into the piece, creating a Cubist-style tower apartment building reminiscent of Klee’s work, which is captivating with its musical sensibility and poetic, colorful world.

Wakaki Kurumi “The Last Printer” 2025
From left: Wakaki Kurumi, “My Meta Print by Me” 2025, “Face Print” 2018

 

Chapter 2, “DIY: Rebuilding After Loss,” features works by Seo Natsumi and Noguchi Kengo , which focus on the efforts of people who have lost much due to natural disasters or economic hardship to rebuild their lives anew.

Natsumi Seo (1988-), a Tokyo native, moved to Tohoku after the Great East Japan Earthquake and is an artist who creates a wide variety of works while recording the words of people living with the disaster and the changes in the landscape.The space in this exhibition is centered around drawings and paintings.

The opening piece , Ring (2011), was painted on the night of the disaster, but he couldn’t understand why “it turned out to be the same lines as yesterday.” From there, he said, he went to the actual site and thought about what he should paint with sincerity while interacting with local people.

Natsumi Seo “Ring” 2011
Exhibition view
Exhibition view, on the left is Natsumi Seo’s “Beautiful Place” (2015)

In 2015, Seo witnessed the process of raising the ground as part of the reconstruction of Rikuzentakata, Iwate Prefecture, and the familiar mountains being cut down and the remains of the town being filled in, which made him realize the need for a story. This chapter also features a number of drawings related to “The Double Town,” a story about Rikuzentakata in 2031, where the people of the old town and the people of the new town, who live underground, are connected.

Natsumi Seo “Double Town” 2015
From left: Natsumi Seo, “Blooming Underground” and “Continuing to the Faraway” 2015

This image of a “double town” has inspired him whenever he travels to various places that have experienced disaster, including areas affected by the Noto Peninsula earthquake, and has led to unexpected connections with people and places, creating opportunities for dialogue in which they can share their experiences and thoughts. Amid irreversible change, a place is created for memories and thoughts that are no longer spoken, and these are then picked up by someone else and used to support their lives. With words that empathize with loneliness, he conveys to viewers the potential of the activities that connect people in small communities.

Exhibition view

Photographer Kengo Noguchi (1984-) is exhibiting his “Hermitage People” series , which he photographed while visiting people who have built their own unique living spaces along riverbanks and in parks. These “hermitages,” created from a bricolage of recycled materials and blue tarps, are diverse in design and appearance, with some people living there for economic reasons and others continuing to live there of their own choosing. However, each one reveals a variety of ingenuity and creativity, conveying a straightforward yet earnest “DIY for survival” spirit and the resilience of the people involved.

Kengo Noguchi, “People of the Hermitage, Toride City, Ibaraki Prefecture,” 2014

Noguchi has visited the same place many times over the course of his 10 years of research, and one series in the exhibition focuses on a single man and his “hermitage” using the same composition, documenting their changes.

Kengo Noguchi, “People of the Hermitage, Shibuya Ward, Tokyo” 2011, 2013, 2014, 2015

“Some people may not have changed at all when you visit next, while others may look like they’ve aged. Or, even in the same hut, people may change residences like hermit crabs. Or, someone may have built their own home with DIY, only to have it blown away in an instant by a typhoon. These are the kinds of people who go about their daily lives in the corners of the city. The huts are, ultimately, temporary accommodations, living from day to day. I hope that people who look at the artwork will also think about what it means to live.” (Noguchi)

From top: Kengo Noguchi, “People of the Hermitage, Yodogawa Ward, Osaka City, Osaka Prefecture” 2016, “People of the Hermitage, Yodogawa Ward, Osaka City, Osaka Prefecture, After Typhoon No. 21” 2018

 

Chapter 3, “DIY Forms and Relationships,” introduces Dunhill & O’Brien and Taku Hisamura, who are engaged in a variety of expressive activities based on a sculptural approach , emphasizing the process by which the “forms” they create give rise to new “relationships” with people and society.

London-based artist duo Dunhill & O’Brien are inspired by the challenges and possibilities of collaboration, creating original installations and incorporating performances and collaborative work. All of the works on display are new creations prepared specifically for this exhibition. The starting point for this new project was their encounter with Mogami Toshiyuki’s Iroha Ni Ho He Tochirinuru Wowaka Yotare Sotsune….n, an outdoor sculpture based on the Iroha song and housed in the Tokyo Metropolitan Art Museum, where they were impressed by the relationship between form and words. (The work can be viewed free of charge.)

From there, we gathered over 100 participants from a variety of backgrounds, including artists, scientists, musicians, and writers, in the UK and Japan, and held workshops where they created clay sculptures based on texts describing outdoor sculpture. All of the clay works created through remote “dialogue” were digitized and 3D printed, and then launched as a “library of shapes” at the venue.

“Library of Forms” Exhibition, Dunhill & O’Brien “Means and Devices for Appreciating the ABCs – Mata Iroha” 2025
“Library of Forms” Exhibition, Dunhill & O’Brien “Means and Devices for Appreciating the ABCs – Mata Iroha” 2025

Furthermore, by mashing up these data sets, he created a 3D maquette (model) as a whole. He then installed a pantograph, a device used in the 19th century to enlarge sculptures, and enlarged the 3D maquette to roughly the same size as the outdoor sculpture, completing the large-scale installation “Means and Devices for Appreciating the ABCs – Mata Iroha” (2025).

Dunhill & O’Brien, “Means and Devices for Appreciating the ABCs – Mata Iroha,” 2025

What appears to be a pedestal is a full-scale replica of Dunhill & O’Brien’s studio in London. The pair describe it as a “raft for practice,” serving as a pedestal, a place of production, and a home-like space. In the exhibition, a pantograph is placed on top of the studio-style “raft,” which functions as a complex tool for creating sculptures.

Taku Hisamura (1977-), a graduate of the Sculpture Department at Tama Art University, is an artist who questions the ever-changing value of art, moving back and forth between institutional frameworks. There are no sculptures in the exhibition that could be called typical sculptures. Hisamura’s search for ways to distance himself from academic sculpture, which he describes as “strict and athletic,” led him to adopt materials that emphasize lightness and ease of strain on the body and mind, as well as DIY and handicraft techniques that are on the fringes of art.

Hisamura mainly works on parergon (structural elements that make a work of art possible), such as pedestals, frames, and exhibition spaces.

Taku Hisamura “PLUS_Ralph Lauren_yellow striped shirts” 2025

For example, the “wearable sculpture” PLUS_Ralph Lauren_yellow striped shirts (2025) is a work made from secondhand Ralph Lauren clothing. The base is embroidered onto the logo on the chest, creating a sculpture, but Hisamura felt that this alone would not take it beyond the realm of handicraft, so he framed the embroidery to create a painterly effect. In addition, he created a mandrel on a rotating platform, placed the shirt on it, and installed a stepped base made from recycled waste materials, emphasizing its artistic quality through a four-layered construction.

Taku Hisamura “PLUS_Ralph Lauren_yellow striped shirts” 2025

The “One Point Structure” series , made from hurdles donated from a closed school and A-type barricades used at construction sites, has bench-like bases that encourage visitors to sit down without realizing they are sculptures. This is a way to resolve the dilemma faced by art museums, which want visitors to enjoy the art they see, but tend to have few places to sit and rest.

Exhibition view, in the foreground is Taku Hisamura’s “One Point Structure 7” 2022-2024

The bar counter-like space , Textile Bar at Tokyo Metropolitan Art Museum (2025), was created as a place to generate communication and encourage longer stays at the museum. Every Friday, an event is held here where visitors can order their favorite weaving yarn and fabric, just like choosing a drink at a bar, and create their own original textile. (Advance reservations required.)

Takashi Hisamura《Textile Bar at Tokyo Metropolitan Art Museum》2025

The threads used are a variety of items, including those provided by craft thread manufacturers and pieces made from shredded old clothes. It is said that some of the threads were curtains from an exhibition previously held at the Tokyo Metropolitan Art Museum. Weaving these threads with the artist’s own hands while recalling the memories they bring to life promises to be a rich experience, typical of this exhibition.

 

Chapter 4, “DIY Station – Try it yourself!” , is a platform for visitors to reflect on the exhibits and think about DIY anew, using the diverse approaches and ingenuity seen in Chapters 1 through 3 as reference points.

Exhibition view

The space was designed by two teams of architects , Ito Akihiro Design and Studio Megane Architects , and has a theme of “observation and contemplation.” As a symbol of this, a “DIY Timeline” has been displayed in the center of the space, which summarizes historical activities from the perspective of the DIY spirit, starting with the Arts and Crafts movement that emerged as a counter to the Industrial Revolution.

DIY timeline

Around the exhibition, there are corners where you can experience the creative techniques and approaches of the exhibiting artists, as well as displays of materials related to DIY and the artists. For example, Dunhill & O’Brien has created a device that allows visitors to reach into a box and observe the sculpture inside with their hands, in response to their desire to “touch and feel” the sculpture.

Exhibition view

Following the guidance of “Tsukurun,” the exhibition facilitators, who were members of the public, participants took turns explaining the characteristics of the sculpture inside the box, while the other created a picture based on the explanation.It was a lot of fun to see how the same sculpture could produce completely different pictures depending on the texture, shape, and words each participant focused on.

There are also a number of other exhibits that encourage making, talking, and thinking, such as a corner where Wakaki Kurumi carves a block out of discarded pillar wood, and visitors can turn it into a work of art using frottage (a technique in which paper is placed on a textured surface and then rubbed with a pencil or similar to transfer a pattern).Through this exhibition, visitors may encounter various impulses and emotions, such as things they want to try, things that are bothering them, things they want to solve, and this may lead to the birth of original DIY projects.

Overview of “The Joy of Making: DIY for Living”

Dates July 24th (Thursday) – October 8th (Wednesday), 2025
venue Tokyo Metropolitan Art Museum, Gallery A, B, C
Opening hours 9:30-17:30, 9:30-20:00 on Fridays *Entry is until 30 minutes before closing
Closed days Monday, September 16th (Tuesday)
*However, the office will be open on Monday, August 11th (national holiday), Monday, September 15th (national holiday), and Monday, September 22nd.
Admission fee (tax included) Adults: 1,100 yen / University and vocational school students: 700 yen / 65 years and older: 800 yen / Free for those under 18 and high school students

* Free admission for those who have a Physical Disability Certificate, Love Certificate, Rehabilitation Certificate, Mental Disability Health and Welfare Certificate, or Atomic Bomb Survivor Health Certificate, and their accompanying person (up to one person).
*Those under 18 years old, high school, university, or vocational school students, those over 65 years old, and those with various types of certificates must present proof of their identity.
*No advance reservations are required. However, admission may be restricted during peak hours.
For further details, please check the official exhibition website.

Organizer Tokyo Metropolitan Art Museum (Tokyo Metropolitan Foundation for History and Culture)
inquiry 03-3823-6921
Exhibition official website https://www.tobikan.jp/diy/

*The content of this article is current as of the time of coverage. Please check the official exhibition website for the latest information.


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