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National Museum of Western Art

The National Museum of Western Art was reopened in April this year after being closed for about a year and a half.

This exhibition, which commemorates the reopening, will be a joint project with the Volkwang Museum in Germany, which is celebrating its 100th anniversary.

It is an attempt to trace the development of art born from dialogue between nature and people through more than 100 masterpieces that both museums are proud of.

This time, I will tell you about the state of the press preview held the day before the event.

This exhibition "National Museum of Western Art Reopening Memorial Nature and People's Dialogue Friedrich, Monet, Van Gogh, Richter" will be held with the cooperation of the Volkwang Museum in Germany.

The Volkwang Museum is centered around works of art collected from the 19th century by Karl Ernst Osthaus (1874-1921), who was born in a banker's house in Hagen, Germany, while the National Museum of Western Art is also Kojiro Matsukata (1874-1921). 1866-1950) is a museum based on Western art collected in Europe.

In other words, both buildings have in common that they are based on a collection of individuals who lived at about the same time.
The Osthouse opened the collection to the people of the local Ruhr region, known for its coal mining areas, and Kojiro Matsukata also conceived the "Kyoraku Museum" to provide the common people with the opportunity to enjoy Western culture.

It can be said that the ambitions of the two businessmen met at this exhibition after a long time.

Nature and people resonate through dialogue

The theme of this exhibition is "Nature and People".
Various landscapes and natural motifs cut out in the frame of the collections of the two museums resonate with each other in the composition of all four chapters. Van Gogh, Signac, Courbet … The painters of these works are unmistakable "masters" of Western art.

Regarding the contents of the exhibition, Megumi Jingaoka, a researcher in charge of this exhibition (Senior Researcher of the National Museum of Western Art), says, "This exhibition is not in chronological order, but in a structure that repeatedly adds variations to nature." ..

For example, Chapter 1 "Time Flowing in the Sky" shows the constantly changing aspects of nature, and Chapter 2 "Journey to <Beyond>" exhibits an invisible mental landscape linked to the artist's own five senses. In the following Chapter 3, "Architecture of Light," we extract permanent elements in nature such as order and law, and in the final chapter, "Circular Time Between Heaven and Earth," we link the permanent cycle of nature with human life. You can find a work that seems to have made you.

The gaze toward nature, which begins with the expression of "sky," descends into the depths of our own spirit as we move forward at the venue, and eventually changes into the expression of light and the universe. It's like a magnificent journey around nature itself.

Introducing natural expressions in Europe with over 100 works

This exhibition introduces European natural expressions with more than 100 works, from German Romanticism to Impressionism, Post-Impressionism, and 20th century paintings.
In addition to being able to enjoy the various expressions of nature through the competition of Western painting masters such as Van Gogh, Manet, Monet, Cezanne, Gauguin, Signac, Nolde, Hodler, and Ernst, the works of the same painter in each of the two buildings. It is also a point that you can compare them.

Among such works, the one that can be said to be the white eye is the landscape painting "Pruning (the wheat field behind Saint-Paul Hospital where there are people who cut)" that Vincent van Gogh worked on in his later years. This is one of the representative landscape paintings in which Van Gogh, who was suffering from mental illness in his later years, portrayed "the image of death told by the great book of nature", and this is his first visit to Japan.

Gustave Courbet's Wave , exhibited in Chapter 2, also shows us the harsh nature of nature, which goes beyond mere objective events.
The sea, which has long been an unknown world for Courbet, who grew up in the mountains of France. He is said to have been working on this magnificent motif in earnest since the late 1860s. The color contrast between the black turquoise sea and the grayish madder sky, and the distinction of the texture with a paintbrush and a painting knife … It is a work that shows the writer's excellent skill in a simple composition.

In the final chapter, Claude Monet 's "Waterlilies, Reflections of Willows" and "Waterlilies" , as well as photographs taken by German female photographer Enne Biaman, are exhibited at the same time. Is.

Monet's "Waterlilies and Reflections of Willows" (1916), which was discovered in France in recent years and was first released in 2019 after restoration work, and the famous "Waterlilies" resonate in the same space, and it is a mysterious impression to our hearts. To evoke. The nature presented here is from a very close, micro-perspective, giving the impression that this journey, which began with a magnificent "sky" exhibition, is nearing its end.

In this exhibition, which Mr. Chenoka says, "the work was the starting point," each work must be the main character, but the walls are studded with the words of poets and artists who lived in the same era. In addition, it is said that various parts of the exhibition space were also adventurous.
At the opening of the exhibition, Mr. Chenoka

"I tried to create a structure in which each work interacts with each other. The work, the text, and the space. I hope you can enjoy the exhibition in the overall resonance."

I summarized the highlights of this exhibition.
I hope you will come to the venue and feel the sound of nature and people.

Outline of the event

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At the gallery shop “Geidai Art Plaza” on the Ueno Campus of Tokyo University of the Arts, a special exhibition “Art Jungle ~ Geidai Zoo ~” by more than 50 artists related to Geidai is being held. Admission is free, and the session is from April 23 (Sat) to June 26 (Sun), 2022.

This exhibition where you can meet creatures with various charms, such as adorable and a little creepy. Since I have actually watched it, I would like to introduce some of the exhibited works.

An art zoo appears in Ueno! “Art Jungle ~ Tokyo University of the Arts ~”

Geidai Art Plaza is a 10-minute walk from JR Ueno Station. Here, works of various genres by artists related to Tokyo University of the Arts, such as students, graduates, and faculty members of Tokyo University of the Arts, are exhibited and sold.

There are many paintings and three-dimensional works that are easy to decorate at home, and the price range is mainly tens of thousands to hundreds of thousands, but there are also accessories and containers that can be used daily for thousands of yen. It is a spot where anyone can feel free to experience “buying art”.

The special exhibition “Art Jungle ~ Geidai Zoo ~”, which started on April 23, has 57 artists with Japanese paintings, oil paintings, sculptures, crafts, etc. under the slogan “Making Geidai Art Plaza an art jungle!” Exhibits the flora and fauna that you created in your own way. Right next to Ueno Zoo, “another zoo made of art = Tokyo University of the Arts” is appearing.

I want to take it home! Cute creatures

In this exhibition, you can meet many cute creatures.

Oh OH DEAR……! A work called “Waiting for Spring” by Akiko Tojo, who suddenly smiled at her loveliness. This is my recommendation.

I expected it to be cloth or clay from a distance, but I was surprised at the wood carving. The fluffy feeling of the fur is beautifully expressed by the carved marks. I feel the warmth unique to wood carving. The toes are irresistible when you peek out from the loose shape of the lower abdomen.

It’s cute from any angle, but I’m really happy to notice that I have a blanket and a doll (?) In my left hand. It’s too cute …

It wraps around your body like a gentle spring breeze. Solitude is always there. The child who keeps waiting is dignified and dear. (Akiko Tojo)

Many of the works in this exhibition have the above artist comments, so you can know the intention of the production and the feelings put into the work. Is this penguin waiting for his parents? Perhaps it was intended, because this child was exhibited in a rather poppy place at the venue, I wanted to hug him tightly.

Many fictitious creatures such as Sawako Kobayashi’s “Hane Usagi” have appeared. The eyebrows that point upwards and the tsundere mouth are cheeky and really cute. It’s nice that the body shape balance that becomes slender as you go to your feet emphasizes the fluffy feeling of the chest hair.

“Hane Usagi” and “Hane Hitsuji” are fictitious animals that want to live together. Although it is a mammal, it wears feathers and cannot fly, but it jumps. It stores red heart feathers on its chest and gives people a nostalgic, sweet scent. Body temperature is higher than humans and is useful on cold days. The feathers are spread and warmed in winter, so they are round and slim in summer (Sawako Kobayashi).

When I read the comments that made me feel the artist’s love, the reality suddenly increased and I wanted to try it. If this child actually exists, many people will welcome him to his family.

Wataru Uchida’s “Sleeping Bird” and “Eat” are attractive with their loose form and weak expression. These are the animals that you definitely want to decorate at your bedside, where you can relax your shoulders. I especially liked the “sweet potato feeling” in the shape of “sleeping bird”.

Kaoru Sugiyama boldly extracts the characteristics of Asian black bears and owls with crayons and simply deforms them. It seems that mineral pigments are used for the painted part. Perhaps it is a fairly thick coat, the rough matte texture with a fluffy presence gives the simple design a personality. It was a nice style that seemed to match both Western and Japanese rooms.

Seika Mori’s “Dara Dara Natural Glaze Fugu Piggy Bank” looks like a piggy bank. You will be healed by your plump and glossy stomach. The irregular pattern unique to natural glaze was delicious, and there was an atmosphere that made me want to pick it up and look at it at the moment.

Ken Matsuda’s “Sirigro Frog” is a palm-sized work, with legs that stretch out from a flat, oval body, and eyes that can’t be said whether they are observing their prey or just being chilly. Is cute. If you look closely, the pattern on your back is fine! The glossy gray color creates an amphibian-like appearance. It seems to move slimy.

Keep an eye on Kumiko Negami’s unique view of the world

What stood out in this exhibition was the work of Kumiko Negami. Especially, “Supercar” had a great impact. A pervert suddenly appeared while I was crazy about the cute animals in the zoo. When I read the artist’s comment while being confused, “What do you mean !?”

I made it based on the concept that if you can move the whole thing, you will be invincible. It is said that the time spent in the bathroom in a lifetime is three years. This solves a big problem in life. The classic potty chair is a duck, but I want to ride a tapirus with a slightly sloppy face. (Kumiko Negami)

is what they said. I see, i see?)

By taking off the upper body of a person who is totally refreshed, it makes us feel even more open.

The potty chair isn’t sloppy, it feels like it’s crazy. It seems that humans are also smiling in shape, but they have a little emotion, a mysterious expression that I do not know which emotion they are. When I watched it together with Negami-san’s other works, I realized that he was good at creating exquisite facial expressions that could be received by the viewer.

“Leather-style dog” is so lively that it seems to start talking at any moment. It looks like a stupid expression, but I also felt that I couldn’t trust it if I wasn’t careful.

I wonder if the “kudu buran” and “deer buran” exhibited on the wall were made by stuffing the deer’s head, which is often found in rich houses, with the front legs sticking out. I was imagining. However, when I read the artist’s comments, it looks like a two-legged animal from the beginning. As soon as you know it, you will find the feeling of encounter with the unknown and the eerieness in your smile. It’s a mass of sense … I’ve become a fan of Negami-san.

Beautiful works that forget time and are drawn in

Mei Suzawa’s “Brilliance” and “Glimmer” drawn in pale pastel colors are exceptionally beautiful and gorgeous in this exhibition.

Ms. Mei Suzawa, who has studied the technique of making peacock drawings by Maruyama Okyo, a painter from the Edo period. Feel the graceful appearance of peacocks and birds while reliveing the attitude of responding to try to express the beauty of peacocks, which is the ultimate in the decorative beauty of the natural world, using traditional materials of Japanese painting. It seems to have been expressed. The unrealistic colors further enhance the fantasy of the peacock.

Generally, Japanese paintings are dignified or unfamiliar, but this one has a warmth that comforts the viewer and overturns the image of Japanese paintings. The appearance of burying her beak in her feathers is lovely, and I feel a love-filled look for parakeets.

Hirohiro Iwasaki’s novel and fashionable work of printing a landscape photograph of the land where the insects were on the body of the insect is also eye-catching. First of all, I was surprised at the fact that it can be printed on insect specimens!

The individual was taken in Indonesia. The slightly blurred landscape has the effect of making you feel as if you are looking at the landscape seen by this butterfly through its wings. If you see such a wonderful work while traveling, you will probably buy it reflexively. I forgot the time and looked at it.

Only a few are introduced. There are many other fascinating creatures at the venue! Shooting is possible and admission is free, so when you visit Ueno Zoo, why not visit another zoo at Geidai Art Plaza?

Outline of the special exhibition “Art Jungle ~ Tokyo University of the Arts ~”

* The content of the article is as of May 15, 2022. Please check the official website for the latest information.

Article provided by: Kokoshiru Ueno

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Tokyo National Museum

In the 4th year of Reiwa (2022), Okinawa Prefecture will celebrate the 50th anniversary of its return to the mainland.

When Okinawa was once the Ryukyu Kingdom, it aimed to become a bridge to the world by engaging in trade and diplomacy with other countries in the seas of Asia.

The famous word “Bridge of Nations” contains such a noble ideal of Ryukyu.

The road that the Ryukyu Kingdom has taken since then has not been flat, but the sparkle of its own culture nurtured in the soil still captures our hearts.

A special exhibition “Ryukyu” focusing on the establishment and significance of Ryukyu culture and its aesthetic sense has opened at the Tokyo National Museum.

The skill and beauty of the Ryukyu Kingdom revived here.

The venue consists of five chapters: “Bridge of Nations Bell in Asia,” “Pride of the Kingship, Diplomacy and Culture,” “Prehistoric Culture of the Ryukyu Islands,” “Prayers with the People of the Islands,” and “To the Future.” The venue is divided into the first venue and the second venue, each of which has enough volume to compose one exhibition.

In this exhibition, various cultural assets such as archaeological relics and folk works will be gathered together in addition to historical materials and craft works from the Kingdom era and treasures handed down to the King Naoya. In addition, at the end of the exhibition, we will introduce the Ryukyu Kingdom Cultural Heritage Accumulation and Reconstruction Project, which has been undertaken since 2015, and display the cultural properties restored by the project.

I can feel the desire of the organizer to hand over the precious Ryukyu culture from the past to the future to the next generation.

The “Copper Bell” (in front of the former Engakuji Buddhist temple), which sits in the first venue, is a temple bell engraved with the words “Bridge of Nations”, which shows the spirit of the Ryukyu Kingdom as a bridge of the world.

In the 15th and 16th centuries, the Ryukyu Kingdom flew into the seas of Asia and prospered as a base for relay trade connecting various parts of the country. Its existence is also emphasized by European countries that entered Asia in the 16th century, and the name “Ryukyu” became known to the world.
It is an idea that is similar to modern globalization, but it can be said that the scale of human beings and the size of their ambitions are isolated from the modern Japanese.

At the first venue, a number of valuable historical materials that trace the history of the Ryukyu Kingdom are exhibited.

At the venue, the treasures of Ryukyu culture such as Ryukyu lacquering, tea ware, and paintings by master craftsmen will be gathered. 73 national treasures, 20 important cultural properties, 38 prefectural and city designated important cultural properties, and about one-third are designated cultural properties, and it can be said that the quality and quantity of the exhibitions on the theme of Ryukyu and Okinawa are the largest. Let’s go.

Among them, the release of the three treasure swords that have been handed down to the Sho family, including the Aogai Raden sword sword fitting , is attracting attention. Not only the beauty of the blade and decoration, but also the three treasure swords were taken up in the blockbuster online game “Touken Ranbu” , and the appeal to the younger generation is increasing. Collaboration products with “Touken Ranbu -ONLINE-” are also on sale at the exhibition goods corner, so if you are interested, please stop by.

Looking around the venue, Ryukyu dyeing and weaving with a wide variety of materials and techniques, such as the formal wear of the King of Ryukyu, costumes using Chinese chintz, and floating fabrics woven in Ryukyu, are eye-catching. The exhibition in which Ryukyu dyeing and weaving is widely exhibited so far is a very valuable opportunity as far as I can remember.

“Scarlet ground wave cherry tree pattern Bingata cotton costume” is characterized by a landscape painting-like design with a large wave rising over the entire back. The mystery of the design, which combines the Toyama Sakura pattern from Japan and the Habuyama water pattern from China, strongly reflects the characteristics of Ryukyu culture, which has a rich international flavor.

Many people associate Okinawa with the image of a ritual represented by “Noro”. The characteristic of women in charge of rituals is similar to the “Onarigami belief” that sisters protect their brothers spiritually, and Ryukyu has nurtured such aesthetic sense and religious views in abundant nature.

At the end of the exhibition, we will focus on the “faith” aspect of Ryukyu culture and evoke the prayers of the people of Okinawa in our hearts. Yes, Okinawa has always been an island of prayer.

The vivid red lacquer lacquer peony peony peony rice offering was used in the royal government as a ritual tool for the Ryukyu royal family. It is an important ritual vessel in the history of Ryukyu lacquering, which is a collection of lacquering techniques such as woodworking and lacquering, and is considered to be a valuable work when considering the culture of the Ryukyu Kingdom.

Outline of the event

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Tokyo Metropolitan Art Museum

"Scottish National Gallery THE GREATS Beauty Masters" , which introduces the works of masters who colored the history of Western painting from the Renaissance period to the latter half of the 19th century, is being held at the Tokyo Metropolitan Art Museum from April 22 (Friday). The session is until July 3rd (Sun).

Since I participated in the press preview held prior to the opening, I will report on the state of the venue and the exhibited works.

The treasure of beauty that the Scottish National Gallery is proud of comes to Japan at once.

The Scottish National Gallery, opened in 1859 in Edinburgh, Scotland. It is known as one of the world's leading museums with many collections of works by important painters in the history of Western painting, such as Raphael, El Greco, Rubens, Velázquez, Rembrandt, Boucher, Corot and Renoir.

"Scottish National Gallery THE GREATS Beauty Masters" introduces the works of such masters (THE GREATS) in chronological order.

In addition, the museum's collection is full of charm from England-born painters such as Gainsborough, Reynolds, and Miley, as well as outstanding Scottish painters such as Rayburn, Ramsey, Grant, and Wilkey, which are hard to find in Japan. Many masterpieces are also exhibited.

Through about 90 oil paintings, watercolors, and drawings , you can learn about the history of the trends and transitions of British painting in the flow of Western painting from the Renaissance period to the latter half of the 19th century.

prologue

This exhibition consists of four chapters, "Renaissance," "Baroque," "Grand Tour Era," and "Pioneers of the 19th Century," and a prologue + epilogue.

First, in the prologue, we will introduce the Scottish National Gallery.

There are many exhibitions that introduce the museums that rent out their works with photographs and movies, but in the prologue of this exhibition, the state of the museum where the museum's collection is still exhibited and its neoclassical architecture are wonderful. It is interesting to see the impressive cityscape of Edinburgh surrounding the museum with paintings.

If you think "Is it a temple?", This is a museum … An elaborate and romantic watercolor painting with the Edinburgh Castle in the back, which is full of extraordinary feeling like a fantasy world. The museum information that I usually throw away in "Hmm" is completely burned into my memory.

Chapter 1. Renaissance

Next, go to the exhibition area of "Chapter 1. Renaissance". Exhibits creative paintings and drawings from the Renaissance, which flourished around Florence, Venice and Rome.

Leonardo da Vinci's teacher, Verrocchio, depicts the ruined temple in "The Virgin of Worship of the Infant Christ (" Our Lady of Ruskin ")", which is unusual for the background of the Madonna and Child of this era. .. It can be said that it is an important example showing the characteristics of the Renaissance of "rediscovery and analysis of the ancient world" in religious paintings.

On the other hand, there are also unprecedented secular works such as Bordone's "Venice Women in Makeup", which refined the sensual theme of a high-class whore showing skin with mythical and allegorical metaphors. Taking up what has come to be drawn, it introduces the expansion of activity opportunities for artists of this era and the variety of interests and tastes of clients.

There is also an exhibition of beautiful drawings of Raphael and Titian, and an unfinished work "Allegory of Virtue (Unfinished)", which is said to be by Correggio and is more valuable than the finished product (?). It is a fascinating work that makes you imagine the completed "Mottainai" at the same time as you feel sorry for seeing the three-dimensional effect of a woman on the right side of the screen like CG. Although the number of works was small at 12 points, it was impressive.

Chapter 2. Baroque

"Chapter 2. Baroque" features works by innovative 17th-century European painters such as Velázquez and Rembrandt who tried to overturn the traditional worldview.

The early masterpiece of the Spanish painter Velázquez, who created unprecedented realism paintings by raising the small subjects of everyday life to the realm of great art, is the first visit to Japan at this exhibition.

The skin and clothes of the boy and the old woman, as well as the texture of the tableware and ingredients in the foreground are skillfully drawn, and the dramatic light and dark depiction creates a solemn atmosphere with the ordinary motifs of the common people. It's amazing because this is a work I drew when I was 18 or 19 years old …

Also noteworthy is the mysterious work "Woman in Bed" by Rembrandt, the greatest artist of the 17th century Holland, who gave the characters of the Bible and myth a deep humanity and struck a chord with the viewer.

Although the subject-specific elements are avoided, it seems that Sarah, whose groom was killed by the devil seven times on the first night of marriage, is watching the battle between her new husband Tobia and the devil in the Old Testament. It is said that. The complex facial expressions that cast shadows on the face, anticipation and anxiety, and above all, convey the urgency, make me feel like Rembrandt's skillful emotional expression.

Van Dyck's "Portrait of Marquis Ambrogio Spinola (1569-1630)", which had a great influence on later British art in the field of portraiture, was also impressive, but what was particularly interesting in this "Baroque" area was. It was the Italian painter Leni's "Crown of Moses and Pharaoh".

The work of Reni, who has a graceful human body, clear outlines, and a balanced composition, has been described as "a painter next to Raphael" in academism and "a genius like a god" by Goethe. It's a strange finish, or something strange, saying, "Women's skin is too green, isn't it? Women are generally blurry compared to men …". I opened the official catalog, thinking that there must be some intention.

Then, it was written that "Leni in his later years was making a work with a technique that seems to be rough and unfinished, but this work may be really unfinished", and it was a little ridiculous. The misunderstanding makes researchers cry. The person who wrote Leni's biography said that he was bitterly describing it as "a messy technique that seems to have been drawn in a hurry." I didn't know that he was the type who polluted the late evening. But this is nice with a mysterious atmosphere.

Chapter 3. The Age of Grand Tour

The 18th century was an era of explosive artistic talent in cities such as Paris, London and Venice. It was also a time when British collectors made a large-scale trip to Europe called the "Grand Tour" with the aim of purchasing art and deepening their cultural culture. "Chapter 3. The Age of the Grand Tour" introduces works from these two perspectives.

Immediately after entering the exhibition area, he established the genre of "Bird's Nest" and was filled with the charm of the innovator Watteau, who imagined a fantastic utopia. Exhibits three idyllic and romantic masterpieces by. You will be drawn into the gorgeous Rococo world that symbolizes Paris in the 18th century.

On the other hand, as the expression of portraits developed in Britain around this time, Ramsey, Reynolds, and Gainsborough, who are called the three major portrait painters in Britain, are introduced in this exhibition as well.

Of particular note is Reynolds from England, who was the first president of the Royal Academy.

The masterpiece "Waldegrave Ladies" is a work that is difficult to understand at first glance because it does not face the front like a normal portrait. Three women are doing handicrafts, but they are as elegant as a salon. The composition of the three women lined up is likened to the traditional theme of classical art, "Three Goddesses," and thanks to that, it has a timeless beauty. This is a work that symbolizes Reynolds who tried to raise the status of portraits by incorporating "Grand Manners (style of historical painting)".

Also, Gainsborough's "Portrait of Serena Thistleswaite on Norman Court", a rival of Reynolds and a respectful relationship with each other, is a must-see for the very bold and quick brushstrokes around the skirt. .. Even though it seems to be a little rough finish, when you look at it from a distance, the glossy texture is beautifully expressed, and it should feel like magic.

Gainsborough succeeded in portraiture, but he actually wanted to be a landscape painter. Does a high level of interest in landscapes create a unique atmosphere on the screen? His work, which fuses people and landscapes, is somewhat lyrical.

Italy is a place visited by British collectors enthusiastically on the "Grand Tour", and by one of the most famous painters in Venice in the 18th century, Guardi, a "landscape map (Veduta)" depicting the cityscape in detail. Was also very popular.

I can't leave memories of a fun trip in the photos like in the present age, so I feel a sense of familiarity when I think that everyone bought them as souvenirs. The charm is the quick brush strokes reminiscent of the Impressionists and the style that consciously incorporates the feeling of light and air, which is different from the geographic landscape paintings that have been accurately contoured up to that point.

The Road to Camaldoli, created by the English painter Cousins from a sketch of a trip to Italy, was also an unobtrusive but beautiful work. It is a watercolor painting of the bay of Pozzuoli in Naples, and the scenery is different between the sketch and the finished product.

The subdued tones of soft green and bluish grey create a melancholy atmosphere, but the distant sea and sky are fantastic with a hint of rosy light. This landscape is not just a record, but a poetic reconstruction within the painter. For the artists, it seemed to convey how special the land of Italy at this time was.

Chapter 4. Pioneers of the 19th Century

Britain and France in the 19th century continued to favor portraits and landscape paintings, while revolutionary painters such as the Barbizon school, who were active in the middle of the century, and the subsequent Impressionists and Post-Impressionists made a big difference. "Chapter 4. Pioneers of the 19th Century" to introduce that.

As an example of a brilliant and traditional "Grand Manor" portrait, the highlights are the masterpieces of Scottish painters Rayburn and Grant, who are rarely seen in Japan.

Inspired by Reynolds and Gainsborough, which I introduced earlier, the English-born painter Miley's "" Sweet eyes unparalleled in ancient times "" is impressive with clear eyes that look at the harsh reality that will come in a wistful manner. .. While there were many portraits dressed up perfectly, the clothes and hairstyles were plain and simple, and on the contrary, they looked fresh.

It is a work with a very sentimental atmosphere, based on keen observation, and the title is taken from the poem of the female poet Elizabeth Barrett Browning. It is said to express the innocence and fragility of a growing girl along with the picked violet flowers. Thus, the major painters of this era tended to personally interpret the themes of literature and stories.

Don't miss The Vale of Dedham, a master of 19th-century English landscape painting, Constable. This work depicts the rural landscape of his hometown, which he loved, and how the latest attention is paid to the shadows cast by clouds and the plants that seem to convey the feel and coldness of touching them. It is a masterpiece that he described as "probably my masterpiece", feeling the wonderful naturalism unique to him.

In France, painters have emerged who directly copy the subject and praise the color and light. In this exhibition, follow the transition of the expressions of the revolutionary painters who created the era while being controversial and were widely loved, with works centered on masters such as Corot, Sisley, Renoir, Manet, and Gauguin. increase.

epilogue

In the epilogue, there is only one work, the masterpiece of the American painter Church, "Niagara Falls seen from the American side".

If you don't look closely, you won't notice it, but there is an observatory on the cliff on the left side of the screen, and there is a small figure looking into the waterfall. In contrast to this figure, this is the largest work in this exhibition, which beautifully expresses the wonders of Niagara Falls, the sublime and dramatic scale. (257.5 x 227.3 cm)

It is a masterpiece suitable for decorating the last, but despite having consciously taken up English and Scottish painters so far, I wonder why the works of American painters who painted American nature suddenly appeared. and. Yasuyuki Takashiro, curator of the Tokyo Metropolitan Art Museum, explained the reason as follows.

"It's a work donated to the Scottish National Gallery for his hometown by a successful, fortune-making businessman born in a poor Scottish family. The Scottish National Gallery was initially funded to buy paintings. The reason why we were able to form such a high quality and wonderful collection now is that we have a history of receiving donations from local celebrities and citizens and purchasing works with donations. The work symbolizes the history of the Scottish National Gallery's collection formation and marks the end of this exhibition as a monumental work. "

"Scottish National Gallery THE GREATS Beauty Masters" highlights the masterpieces of Scottish and English painters while introducing the works of Western painting masters from the Renaissance to the latter half of the 19th century. It will be held until July 3, 2022 (Sun).

Overview of "Scottish National Gallery THE GREATS Beauty Masters"

Article provided by: Kokoshiru Ueno

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National Museum of Western Art

The National Museum of Western Art (Ueno, Tokyo), which had been closed for about a year and a half due to facility maintenance, was reopened on April 9, 2022!

In this article, the front yard, designed by French architect Le Corbusier (1887-1965), who is called the "father of modern architecture", has been restored to its original appearance in 1959, and is open to the public for free. A detailed report on changes after the renewal, such as "Century Hall" .

At the same time, we will also introduce the newly opened small exhibitions "Toward Harmony: The Second Machine Age of Le Corbusier Art-From the Taisei Collection" and "New Collection Print Collection Exhibition".

The National Museum of Western Art, which is closer to what it was when it opened

At the press conference and renewal preview held the day before the reopening, I quickly visited the National Museum of Western Art after construction.

In the construction work that started in October 2020, the air conditioning and waterproof equipment of the exhibition hall were renewed, but the appearance of the front yard is what you can see and feel the renewal.

The front yard of the museum has undergone various modifications since its opening in 1959. This was to improve the function and convenience of the museum, but when the entire site including the main building and the front yard was registered as a UNESCO World Cultural Heritage site in 2016, the original design intention of the front yard was partially lost. It seems that he was pointed out that he was being damaged.

Therefore, in order to convey the intention designed by Le Corbusier correctly and to increase the value of the building, the museum decided to return the front yard to the original appearance as much as possible in accordance with the facility maintenance .

The first thing I noticed when I visited the museum after the renewal was that the plants on the southwest side were almost removed and that the site of the museum was clearly visible from the garden road of Ueno Park. ..

If you have seen the appearance before the renewal, please remember the scene at that time.

The photo above is the place where there was a planting area with a path before the renewal. It was a lot refreshing!

The front yard had a slightly closed atmosphere due to the planting and the fence surrounding the site, but this time it has been restored to the appearance of an open open space at the time of opening. In order to maintain continuity with Ueno Park, the fence was made transparent as it was at the time of opening, so that the line of sight can be seen from both the garden road side and the museum side.

The approach to the main building and the arrangement of the sculptures, which Le Corbusier had in mind, were as close as possible to the original appearance of the museum.

First, the entrance on the west side (fountain square side), which was once treated as the main gate, has a shape close to the original state. At the same time, the floor line drawn to guide visitors from this western entrance has also been restored.

The floor line extends straight to the east towards the Gate of Hell. Along the line, while watching Rodin's "The Thinker (enlarged work)" on the right and "Citizen of Curry" on the left, the line branches to the left and invites people into the main building.

At the time of design, Le Corbusier envisioned an "infinite growth museum" in which a core room was first created in the center, and as the collection increased, the exhibition space was expanded in a spiral shape on the outside.

Kyo Fukuda, an expert at the museum, said, "The flow continues from the front yard to the piloti (a space with a colonnade consisting of only pillars), which is the concept of the Museum of Infinite Growth, and then to the central hall. However, as you shift your gaze, the scene changes one after another, and Le Corbusier often uses the technique of inviting people to move in a natural direction without using signs such as arrows. "

Also, on the floor of the vestibule, you will notice that in addition to the flow lines, fine joints spread out like a ghost leg.

This is assigned by "Modulor" , a scale devised by Le Corbusier based on the dimensions and golden ratio of the human body. Although it was before the renewal, it was difficult to understand the design because the joints as the original design and the joints that divide the concrete panel were mixed. Also, it seems that the position of some of the joints as a design has changed from when it opened.

With this renewal, the joints of the concrete panels have also been allocated with Modulor so as not to spoil the aesthetics, and the details have been restored.

By the way, it is the joint of the floor of this front yard, but it seems that the layout, width and position of the sash of the window of the Tokyo Bunka Kaikan opposite is completely compatible!

The design of the Tokyo Bunka Kaikan was done by Kunio Maekawa, a disciple of Le Corbusier who was also involved in the design of the National Museum of Western Art, so is it a homage to his master? Please compare them when you visit.

The atrium space "19th Century Hall" in the main building is open for free!

Upon reopening, the atrium space "19th Century Hall" in the center of the main building, which used to be a paid area, will be open for free for the time being! (A viewing ticket is required from the slope leading to the exhibition room on the 2nd floor)

The "19th Century Hall", where the appearance of soft natural light entering from the triangular skylight is impressive, is a place where the space itself is like a sculpture. It is the starting point of the permanent exhibition, and if you go up the slope to the second floor, you can see the exhibition rooms arranged in a corridor shape so as to surround the hall.

The spiral flow line starting from the "19th Century Hall" reflects the idea of Le Corbusier's "Museum of Infinite Growth". If you climb the gently sloping slope, you can see the paintings on the second floor behind the pillars … Again, you can enjoy the scenery that changes while you move. Experience the world of Le Corbusier in the "19th Century Hall" along with the renewed front yard.

There is a new mechanism in the permanent exhibition!

There is also a change in the permanent exhibition where you can appreciate Western paintings and modern French sculptures from the Middle Ages to the 20th century, centered on the "Matsukata Collection" built by businessman Kojiro Matsukata.

The permanent exhibition is full of works by masters representing the times, such as Monet of "Water Lily", Delacroix, Rubens, Cezanne, Renoir, Van Gogh, Picasso and so on. It is an exhibition full of incredible highlights that you can put in for 500 yen.

According to Director Masayuki Tanaka, the exhibition method of the permanent exhibition has been reconsidered in line with the renewal, and the works are arranged in a slightly different way.

"It's a secret exhibition, with modern works mixed in with old-age paintings. Look at why modern works are mixed there and what you're trying to show. I would appreciate it. " There is also a new pickup introduction section for the work "Collection in FOCUS", so please check it out.

I would like to introduce some of the works that may be new faces of the permanent exhibition, such as new collection works and first exhibition works.

Since it was a big deal, I took a leisurely tour of the permanent exhibition. Personally, the exhibition room of this permanent exhibition is a fun place to have a moment when I feel like I'm lost in a forest without an exit, "Where am I now?" Does the fact that the walls are installed like blindfolds in some places give an unpredictable feeling and a maze feeling? I felt the essence of "Infinite Growth Museum" even in such a place.

Two types of small exhibitions will open at the same time!

A small exhibition "Towards Harmony: The Second Machine Age of Le Corbusier Art-From the Taisei Collection", which introduces paintings and drawings produced by Le Corbusier in his later years from April 9th, in line with the reopening. Is being held.

Approximately 20 works (about 30 including replacement) will be exhibited, centered on the works deposited by Taisei Corporation, which holds the world's leading collection of Le Corbusier.

A lineup of works that have changed direction from the early Purist style and aimed at the fusion of natural figures and strict geometric compositions, and the harmony between humans and machines, emotions and rationality, and art and science. It seems to be a thing, but at my level, I didn't really understand that. (I was watching the pictures of animals while thinking that they were charming and cute)

The images do not overlap so much between the building and the painting. However, when I watched this small exhibition after going around the National Museum of Western Art, I was wondering, "Oh, I wonder if this building and the creator of the work are the same."

I heard that the dimensions of "Modulor" mentioned earlier are used not only in the front yard but also in various parts of the main building. For that reason, I feel that a unique rhythm and harmony is born in the space. Is there an overlap between the architecture where regularity and unexpectedness coexist and the painting which seems to be unordered and harmonious as a whole? It was an exhibition that I thought.

At the "New Collection Print Collection Exhibition" that opened at the same time, we will introduce works that have been newly collected since 2015 from the print collection of the museum, which has more than 4,500 items. From the end of the 15th century to the beginning of the 20th century, you can enjoy a variety of print expressions, including works by masters such as Durer and Rembrandt.

From June 4th, "National Museum of Western Art Renewal Opening Memorial Nature and People Dialogue Friedrich, Monet, Van Gogh to Richter" will be held

At the press conference, a special exhibition "National Museum of Western Art Renewal Opening Memorial", which is scheduled to be held from June 4, 2022, was born from a joint project with the Volkwang Museum in Germany. From Friedrich, Monet, Goch to Richter. Also introduced.

From the collections of both buildings, more than 100 paintings, drawings, prints and photographs from German Romanticism to 20th century paintings are exhibited, centered on Impressionists and Post-Impressionists. It introduces the development of sensibility and artistic expression for nature in modern times, which was born from the dialogue between nature and people (dialog).

Van Gogh's masterpiece of landscape painting, "Pruning (Wheat field behind Saint-Paul Hospital, where there are pruners)" is coming to Japan for the first time , and the Finnish painter Gallen, who is attracting worldwide attention. Carrera's work is also released for the first time in Japan. You can enjoy a variety of natural expressions by co-starring masters such as Manet, Signac, Munch, Hodler, and Ernst.

The National Museum of Western Art has made a fresh start. Before viewing, please enjoy the front yard where you can feel the thought of Le Corbusier.

■ National Museum of Western Art Information

Location: 7-7 Ueno Park, Taito-ku, Tokyo
Opening hours: 9: 30-17: 30 (until 20:00 on Fridays and Saturdays) * Admission is 30 minutes before closing
Official site: https://www.nmwa.go.jp/jp/

・ Small exhibition "Toward Harmony: The Second Machine Age of Le Corbusier Art-From the Taisei Collection"
Session: April 9th (Sat) -September 19th (Monday / holiday), 2022
Venue: National Museum of Western Art, New Building, 1st floor, 1st exhibition room

・ Small exhibition "New Collection Print Collection Exhibition"
Session: April 9th (Sat) -May 22nd (Sun), 2022
Venue: National Museum of Western Art New Building 2nd Floor Print Drawing Exhibition Room

・ Special exhibition "National Museum of Western Art Reopening Memorial Nature and People Dialogue Friedrich, Monet, Van Gogh to Richter"
Session: June 4th (Sat) -September 11th (Sun), 2022
Venue: National Museum of Western Art

* Please check the official website for closed days and admission fees.

Article provided by: Kokoshiru Ueno

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