たいとう文化発信プログラムCMS

Tokyo Metropolitan Art Museum

At the Tokyo Metropolitan Art Museum in Ueno Park, Tokyo, “Van Gogh Exhibition: Resonating Souls Helene and Fincent” is being held from Saturday, September 18, 2021.

The museum’s special exhibitions (most recently, “Hiroshi Yoshida Exhibition 70 Years After Death” and “Isamu Noguchi’s Discovery Road”), which introduce domestic and foreign masterpieces, are very popular every time, but this “Van Gogh Exhibition” ] Is crowded with many visitors as usual.

We want people in wheelchairs and people with various disabilities such as visual and hearing disabilities to appreciate the special exhibition with peace of mind. With that in mind, every time during the special exhibition, “people with disabilities” A special appreciation event for wheelchairs is being held, and the “Van Gogh Exhibition” was also held on October 11th (Monday), which is a closed day.

* A separate article details the venue and exhibited works of “Van Gogh Exhibition: Resonating Souls Helene and Fincent”. ⇒ https://www.culture.city.taito.lg.jp/ja/reports/22665

Art communicators who support “special appreciation for people with disabilities”

The “Special Appreciation Party for Persons with Disabilities” (hereinafter referred to as “Special Appreciation Party”) is a program that started in 1999. Since 2012, an art communicator (nicknamed “Tobira”), who is active in the “Tobira Project” in collaboration with the museum, Tokyo University of the Arts, and citizens, has been involved from the preparatory stage, helping with the day’s appreciation and speaking out. I am doing.

About 40 people from Tobira, who are active for a three-year term, are recruited every year, and currently about 140 people of different ages and backgrounds, such as office workers, freelancers, housewives, retired people, and college students, are active. It seems that it has been done.

The activity is voluntary, but not a supporter given a role by the museum. He is an active player who proactively launches and realizes projects at museum sites while deepening his learning as an art communicator during his term. Until now, “Tobikan Yakan Kaikan Tour” where you can enjoy the charm of the architecture of the Tokyo Metropolitan Art Museum at night, and “Graduation Exhibition Tour” where you can talk with the artist about the graduation exhibition of Tokyo University of the Arts. Various programs utilizing the museum were carried out from a unique perspective.

The “special appreciation party” is also evolving into a better form while incorporating the ideas of “Tobira”. This time around 100 people, including “Tobira” and former “Tobira” who are active as independent art communicators in their respective communities after their term of office, welcomed the participants.

(* Hereafter, the situation on the day will be collectively referred to as “art communicator” because “Tobira” and former “Tobira” are involved in the “special appreciation party” as a whole.)

Time for people with disabilities to face the work without hesitation

About 400 people with disabilities and about 320 caregivers who have disability certificates, etc. participated in the “special appreciation event”.

The art communicators seemed to have been preparing for the “special appreciation party” many days before the event. For example, there are three types of pre-registration methods for the “Special Appreciation Party”: WEB form, email, and postcard. The participation certificate envelope sent by mail to those who applied for the postcard has the theme of the exhibition as a motif. I heard that he is pushing a handmade eraser stamp.

This is also an initiative devised by an art communicator with the desire to “make it a nice participation certificate.” I showed you the real thing, but it was a waste of quality to be used only here.

From the entrance to the reception, you will hear greetings to the participants such as “Hello” and “Please enjoy”.

Mr. Kumagai, a curator, said, “Is it okay to go? Maybe it will cause trouble?”

“It is important to create a welcome atmosphere that conveys the feeling of hospitality to the participants so that they will feel that the museum is a place where they can go.”

Wheelchairs for rent were prepared at the reception. I was wondering, “Isn’t the person who needs a wheelchair riding from the beginning?”, But there are many people with bad legs who want to use a wheelchair only when looking at the exhibition. I was surprised to see that a large number of wheelchairs were actually rented out in a blink of an eye.

As Mr. Kumagai said, such people may find it difficult to go to the usual exhibitions in consideration of their surroundings. Of course, it seems that wheelchairs are rented even on normal opening days, but if they are prepared in front of the entrance of the exhibition room like this, everyone seems to be comfortable and easy to use.

Here, I felt that I could get a glimpse of the reason why the repeat rate of the “special appreciation party” was so high.

Not only the exhibition room of the special exhibition, but also the entrance, escalators, elevators, etc., the art communicators will entertain you almost everywhere the participants pass. We kept in touch with each other in each position and saw them working closely together.

An unfamiliar sight is that a large elevator for luggage was in operation.

If many people in wheelchairs try to use the normal elevator for visitors at the same timing, the waiting time will inevitably occur. With the desire to enjoy the “special appreciation party” without stress, the art communicators at the site made suggestions for improvement, such as “If there are multiple wheelchairs, we will guide you to a large elevator.” It is impressive that we were discussing.

Since it is a viewing party that requires advance reservations, a very relaxing time will flow in the exhibition room. It seemed that all the participants were able to appreciate the work.

This is also in front of the main feature of this exhibition, “Country Road in Provence at Night”. At the time of normal opening, the front of popular works is often crowded, and wheelchair users tend to watch from behind. I could see that he was enjoying the time of one-on-one dialogue.

In the exhibition room, there is also an art communicator carrying a magnetic writing board for the hearing impaired. This is an initiative that started from this “special appreciation event” and is an attempt to create an environment where people with hearing impairments can easily talk to them when they have a problem in the exhibition room. While talking using the written conversation board, it is possible to have a sign language interpreter called from the reception if necessary.

I couldn’t see it at the time of the interview, but before the epidemic of the new coronavirus infection, the participants and the art communicator exchanged their impressions and opinions while watching the work, and each of them shared a good time.

Based on the idea of an art communicator, those who have difficulty seeing the work, such as those with low vision or wheelchairs, can see the work image at hand. He also carried out activities such as creating character display support so that the content can be conveyed to people with hearing impairments in the “One Point Talk” that explains the highlights of the meeting.

When asked about these various initiatives, Mr. Kumagai emphasized, “Art communicators are creating a community through art based in museums.” I will do something for people with disabilities. I am not in the place of this “special appreciation party” in the relationship between the supporter and the recipient. “

“What kind of place do you want to be in this space where people with and without disabilities spend time together? What kind of place do you want to be? Think about it, and communicate and act as necessary for that. Therefore, art communication There is no manual that summarizes what to do in Ta, “he said, which is often misunderstood as an art communicator.

Unfortunately, many efforts to avoid contact and closeness are not feasible nowadays. But it became painful feelings in the expression of the Art communicator lament the “I’m in great pains same space, is lonely not able to talk with everyone of the participants”, communication and way not to conversation, and even more real He is looking for a way to complement the dialogue outside of the space .

“Special appreciation party” under such circumstances. Participants who enjoyed Van Gogh’s world to their heart’s content for an hour or two left the museum with a very satisfying expression.

“I’m always looking forward to the next appreciation party.”

We also talked to the people who participated in the “special appreciation party”. What surprised me was that everyone I talked to had participated in the “special appreciation party” many times.

A woman in a wheelchair said, “This appreciation party is helpful because the number of people is limited. Normally, people are double, triple, or quadruple, but here you can see it in the forefront. I’m happy, “he smiled.

Another participant, who said he had been away from the museum he had visited because of his illness, said, “I’m always looking forward to the next event.” He shines his eyes and talks about his expectations.

A visually impaired woman participated at the timing when she read Maha Harada’s novel and was eager to see Van Gogh’s work, and she seemed to be happy. It seems that he watched the work while having a caregiving explain it.

“I think the audio guide was well done. I understood that Mr. Helene (* the collector of Van Gogh’s work featured in this exhibition) was such a person,” he said with satisfaction. While following the changes in his style, he was deeply moved, saying, “This is how Van Gogh arrived at <Sunflower>.”

“In an ordinary exhibition, even if a caregiving person walks with me, I get hit or kicked. On the contrary, even if I interrupt in front of a person, I feel sorry because I do not notice it. I’m grateful that you can see it with confidence if it’s so vacant. ”

Originally, the museum should be an open place for people with and without disabilities. Unfortunately, many people now hesitate to go to museums.

There may be more ingenuity in the “special appreciation event for people with disabilities”. However, I realized that the existence of such an appreciation party is a significant attempt to surely lower the hurdles for people with disabilities to go to the museum.

We will continue to pay attention to the movements of art communicators on how to create communication opportunities that have diminished in the Corona disaster.

In addition, in the special exhibition “Vermeer and 17th Century Dutch Painting Exhibition in the Dresden National Classical Painting Museum” to be held from January 22nd (Sat) to April 3rd (Sun), 2022 at the Tokyo Metropolitan Art Museum, “Obstacles” “Special viewing party for those who have” will be held.

400 people and their caregivers (up to 1 person) who have various notebooks such as the certificate of the physically disabled can apply. If there are many applications, it will be a lottery.
The application period is from January 5, 2022 (Wednesday) to January 24, 2022 (Monday).

If you are interested, please check the details. ⇒ https://www.tobikan.jp/learn/accessprogram.html

“Van Gogh Exhibition — Resonating Souls Helene and Vincent” Outline

See other reports

National Science Museum

Known as a cultural heritage hall of fame, the British Museum has led the world in the study of ancient Egyptian civilization. A special exhibition “British Museum Mummy Exhibition: Six Ancient Egyptian Stories” will be held at the National Museum of Nature and Science in Ueno, Tokyo, focusing on the six mummies carefully selected by the museum, based on the latest research results. It is being held.
* The session is from October 14, 2021 (Thursday) to January 12, 2022 (Wednesday).

We covered the press preview held on the day of the opening, so we will report on the situation at the venue.

* The photos shown are taken with special permission, and the general public is prohibited from taking them.
* The photo is often reflected on the glass due to the equipment. Please note that some parts may be difficult to see.

An ancient Egyptian figure unraveling from six mummies

Even if they die in this world, their existence does not end, and the ancient Egyptians, who had the view of life and death that they would be resurrected in the afterlife, developed the technique of making mummies in order to preserve the body necessary for regeneration. In the special exhibition “British Museum Mummy Exhibition: Six Stories of Ancient Egypt”, the mummies of six people who lived in ancient Egypt from about 800 BC to about 100 BC are exhibited.

“Amen Iri Ireto Thebes officials” “Nesper Ennebu Thebes priests” “Pen Amen Nebnes Uttaui lower Egyptian priests” “Takenemet Thebes married women” “Hawara children” “Young men of the Greco-Roman era” Six mummies with different positions, ages, and times of life.

The interior is restored with a high-precision 3D construction image created based on a large amount of CT scan images of about 7,000 images per body. Introducing life aspects such as health condition, medical history such as cancer and arteriosclerosis, and age of death that could not be understood from textual information such as inscriptions, along with about 250 abundant exhibits.

Of particular interest to the benefit of CT scans is the priest of the Karnak Temple, Nesperennebuu, which was the most important religious facility in Thebes (now Luxor) around 800 BC in the Third Intermediate Period, around 800 BC. It’s a mummy.

Various amulets and magical trinkets are placed on the mummy to protect the dead and help them gain eternal life. A CT scan revealed that the Nesper Ennebu mummies remained unopened, and their detailed layout and materials were revealed.

The video shows the location of the amulets and jewelry placed on the mummy, but I was surprised that they were placed not only on the skin and between the bandages, but also inside the body. It is said that amulets and accessories have important meaning not only in shape and letters but also in position, and it is a result of technological improvement that such inside information is known without damaging the relics.

Many of the items inside are 3D printed and displayed, so please compare them with the images and appreciate them.

Many relics showing the ancient Egyptian beliefs related to funerals, including mummification, are exhibited in this exhibition, but an example that clearly shows the form of one belief is the “Canopic jar”.

The perishable internal organs are removed when making mummies, but the liver, lungs, stomach, and intestines are considered to be particularly important for regeneration, and they are carefully protected by a container called the Canopic jar, which is modeled after the four sons of Horus. rice field.

Imagine that the brain is also stored somewhere on the premise of resurrection, but it seems that the brain was abandoned in the process of making a mummy because its function was not understood at that time. so…….

It is the heart that the ancient Egyptians believed to be the part that governs intelligence and memory. It is usually left in the body by a mummy craftsman as an indispensable item for regeneration.

We are also paying attention to the changes in the design of mummies from time to time.

A photorealistic portrait of a child’s mummy, which was drawn to cover his head, appeared in the mummy of a child from 40 to 55 years after the Roman rule. You can feel the influence of Greek and Roman art styles. In addition, it seems that mummification of children was rare until the time of Roman rule, and it was said that the tradition of burial customs was also affected.

Speaking of mummies, you can also appreciate familiar relics such as the statue of Osiris, the god of the underworld who has the power of regeneration, and the document “Book of the Dead” buried with the dead in the hope of the well-being of the afterlife. In addition, this exhibition features items that are close to the culture and daily life of ancient Egyptians, such as musical instruments, women’s makeup tools, children’s toys and accessories, and fossil bread, which are rarely seen in other exhibitions. The point is also the highlight.

How did they live and become mummified? While feeling mysterious from the view of life and death and magical relics, it seems to be familiar to somewhere. It can be said that this is a unique exhibition where you can see the life of ancient Egyptians.

Cute things you can meet at the venue

The charm of the ancient Egyptian world is that it is full of unique and adorable designs that attract Japanese people today, such as Egyptian gods such as Medjed, Anubis, and Bastet, and hieroglyphs.

Of course, you can meet them in this exhibition, so I will introduce some photos.

Anubis, the god of mummy making, is a lovely accessory with a figure lying down on the grave. Goods were also made at the special shop at the venue!

Amulet with a fish motif that symbolizes regeneration, with beautiful gold and blue feldspar. A stylish item with large dorsal fins and tail fins.

The creature (cow?) Drawn at the foot of “Takenemet’s inner casket”. Is the round head a corner? Or is it like a ball? I can’t say anything about the blurred expression.

Japan original exhibition: Archaeological excavation of Saqqara ruins

This exhibition is an international traveling exhibition, but in the latter half of the venue, you can also see a special exhibition original to Japan. It is a state-of-the-art excavation survey still being conducted at the Saqqara archaeological site in Egypt.

The actual size of the inside of the catacombs (underground mass grave) during the Roman rule, discovered in 2019 by the Japan-Egypt Joint North Saqqara Survey Team, headed by Professor Nozomi Kawai of Kanazawa University, who is the supervisor of this exhibition. Most of them will be introduced in models and videos. I couldn’t take a picture, but I was impressed by the attention to detail, such as the decayed atmosphere and the buried bones, that made me feel as if I was actually at the scene.

How were the six mummies that appeared in this exhibition unearthed so that we can appreciate them today? This exhibition should give you an idea of the big picture that wasn’t often introduced in the exhibition before.

If you want to hear the excitement and excavation romance that Mr. Nozomi Kawai felt and want to enhance the sense of reality, we recommend using the audio guide.

Let’s smell the mummy

At the second venue, under the theme of “Ancient Egyptian Civilization and the Japanese,” we will introduce how the Japanese learned about the existence of the ancient Egyptian civilization and continued their research. Here, the “Cat Mummy” obtained in Egypt by Masauji Hachisuka, the 18th head of the Awa and Tokushima Domains, is unveiled for the first time.

In connection with “Cat Mummy”, there is also a corner where you can smell the mummy at the time of making it, which was reproduced by Kao Corporation’s Sensory Science Research Institute! The chance to smell a mummy is unlikely for the average person, so it’s a valuable opportunity.

Special collaboration with “Kaiketsu Zorori”!

In addition, this exhibition attracts the attention of fans by collaborating with the reading series “Kaiketsu Zorori”, which is loved by a wide range of generations.

A quiz about the story of rescuing Zorori and others who have lost their way into the world of ancient Egypt and cannot return to the present day is posted on the official website. If you want to watch it with a small child, please try it by referring to the hints on the panel inside the venue. In addition, many “Kaiketsu Zorori” original goods were prepared at the special shop, so fans should not miss it.

 

Outline of the special exhibition “British Museum Mummy Exhibition 6 Stories of Ancient Egypt”

Session	October 14, 2021 (Thursday) -January 12, 2022 (Wednesday) * The session is subject to change.
venue	National Science Museum
Opening hours	9:00 to 17:00 (Admission is 30 minutes before closing time)
closing day	Monday, December 28th (Tuesday) -January 1st (Saturday / holiday) * However, the museum is open on December 27th (Monday), January 3rd (Monday), and January 10th (Monday / holiday).
Admission fee	General / university students 2,100 yen Elementary / junior high / high school students 600 yen (tax included) * Reservation by date and time is required. * Free for preschoolers. Free for persons with a disability certificate and one caregiver.
Organizer	National Science Museum, British Museum, Asahi Shimbun
inquiry	050–5541–8600 (Hello dial)
Exhibition official website	https://daiei-miira.exhibit.jp/

 

See other reports

Tokyo Metropolitan Art Museum

On Saturday, September 18, 2021, “Van Gogh Exhibition-Resonating Souls Helene and Fincent” opened at the Tokyo Metropolitan Art Museum in Ueno, Tokyo. The session is until December 12th (Sun).

An exhibition that highlights the collection of Helene Kröller-Muller (1869-1939), the largest individual collector of Van Gogh’s works. We will report on the venue where popular works such as “Country Road in Provence at Night” and “Yellow House (Street)” are lined up.

Van Gogh’s popular driving force Helene Kröller-Muller

Vincent van Gogh (1853-1890), who has fans all over the world and is one of the most beloved painters here in Japan.

It is said that he aspired to be a painter at the age of 27 and left about 2,000 works in the 10 years until his life ended at the age of 37. In my lifetime, I couldn’t get fame.

However, he is now positioned as a master of modern art, and his works can be priced in the hundreds of millions or billions. Behind this was the passion of those who recognized the value of his work, preserved it, and worked hard to preserve it for posterity.

One of the key players who played an important role was Helene Kröller-Muller, who was spotlighted in this “Van Gogh Exhibition-The Resonating Souls Helene and Fincent”.

Helene, one of the leading Dutch wealthy men, has built a huge collection of over 11,000 pieces with her husband Anton, focusing on the works of French and Dutch artists from the 19th to 20th centuries. She felt deep humanity and spirituality in Van Gogh’s work, and collected more than 90 oil paintings and about 180 drawings and prints from the beginning of the 20th century, when Van Gogh was not yet widely evaluated.

This exhibition introduces 48 selected works from Van Gogh’s early to late years’ paintings from the precious art collection of the Kroller-Muller Museum in the Netherlands (opened in 1938), where Helene was the first director. is.

Helene relied on Van Gogh, but Helene himself did not leave a clear word as to why she was so attracted. Mr. Ohashi, the curator in charge of this exhibition, said, “I can’t say for sure, but I felt a very high spirituality in Van Gogh’s art. Also, Van Gogh was born as the son of a minister, but he was on the path to becoming a priest. I think the main reason is the common background that Helene was suffering because she was frustrated and was not accustomed to Christian culture. ”

In addition to Van Gogh’s works, 20 modern Western paintings from the mid-19th century to the 1920s, such as Millet, Renoir, Surah, and Mondrian, which Helene collected particularly enthusiastically, are also exhibited in this exhibition. ..

From realism to impressionism, neo-impressionism, symbolism, and abstractionism. Not only does Van Gogh’s work follow the flow of modern painting, which has changed 180 degrees from the realism that depicts it as it is to the focus on the human spirit and emotions, but Van Gogh’s work is a bridge between the changes. It is an exhibition that you can see in.

From these Helene collections, in order to share the excitement she got with people, she systematically built a collection so that she could overlook the outline of Western art, with her lifelong mission to establish a museum from the early stages of collection activities. You can see that.

Visited Japan for the first time in 16 years! Masterpiece of the Itosugi series “Country road in Provence at night”

One of the highlights of this exhibition is “Country Road in Provence at Night”, which is the first time in 16 years to visit Japan.

Van Gogh’s masterpiece is a series of sunflowers, but for Van Gogh, who was fascinated by the dark green color and beauty of the cypresses standing in the sunny scenery of the Provence region of Southern France, the cypresses are ” I want to make it a work like <Sunflower> “, and it was an important motif that made me enthusiastic.

Among the dozens of cypresses that he drew while struggling to express the deep green tones, “Country Road in Provence at Night”, which was probably produced at the end of his stay in Southern France, is often called a masterpiece.

The cypress, which stands in the background of the starry night that swells boldly like ripples, is like a burning black flame. Van Gogh himself likens the beauty of the shape of the cypresses to an Egyptian obelisk, but he is overwhelmed by the majestic presence of an obelisk that exudes awe of nature.

A dramatically changing style of painting. From what we know to “Van Gogh”.

I think that many people cite “vivid colors,” “swells,” and “extremely thick coating” as the characteristics of Van Gogh’s work, but all of these characteristics have been exhibited since he moved his base from his native Netherlands to France. Born in the latter half of the year. This exhibition introduces Van Gogh’s painting industry, whose style of painting has changed dramatically, in chronological order.

Van Gogh spent five years in the Netherlands since he began his career as a painter in 1880. In the early days, painters called “Hague School” who liked the lives of farmers and fishermen and the landscape of the countryside using dull colors such as gray and brown, and Jean-Francois Millet, who is known as a peasant painter. While being influenced, I hurried to master drawing and eventually made an oil painting.

Through the painting industry, I continued to have a keen interest in the cycle of harvesting and the transition of the four seasons, from sowing, which I thought was a symbol of nature, especially infinity and eternity. From the exhibition, we can see that they carefully picked up themes such as the appearance of workers working in rural areas while being closely related to nature, the facial expressions of their poverty, and sadness and grief.

In 1886, Van Gogh headed to Paris, France, and was shocked by the Impressionists, Neo-Impressionists, and Japanese ukiyo-e prints he met there, and his style changed dramatically.

Subsequent works will be rich in color and the screen will become brighter. Please note that we have begun to adopt the pointillism technique by brush stroke division to prevent color turbidity by arranging small touches without mixing paints.

In Arles, southern France, where he moved from 1888, he was fascinated by the bright blue of the sky and yellow as the color of the blazing sun, and enthusiastically repeated experiments on color effects with the combination of complementary colors of blue and yellow. From this area, you can see the process of creating a “Van Gogh-like” expressionist style of painting that many people know, with a sculptural and thick brush stroke that imitates the shape of the object with the touch of a paintbrush.

In 1889, while admitted to Saint-Remy’s sanatorium due to illness, he worked on typical Provencal motifs such as the garden of the sanatorium and the surrounding countryside, as well as cypress and olive groves, and devised the expression of “swell”. , Produced masterpieces such as “Country Road in Provence at Night” and the famous “Starry Night”. After moving to Auvers-sur-Oise in northern France in 1890, he continued to produce one piece a day, inspired by the beautiful scenery of the village and its surroundings. It seems that he was also exploring the possibility of a new style of brush strokes.

Van Gogh has been constantly learning from new places and new encounters, and has spent his life holding the brush even if no one understands the work. From Helene’s collection, I was able to witness his belief and passion, “I want to express something soothing like music in a painting.”

In addition to the works in the Kroller-Muller Museum, this exhibition introduces another great museum in the Netherlands, including four fans from the Van Gogh Museum collection, such as “The Yellow House (Street)”.・ Van Gogh’s works are exhibited.

These works are permanently lent by the Vincent van Gogh Foundation, which was established by his wife Yo after the death of his younger brother Theo, who supported Van Gogh financially and mentally, to prevent the works from being dissipated. .. She was also one of the people who devoted her life to spreading Van Gogh’s art to the world.

The exhibition “Van Gogh Exhibition-The Resonating Souls Helene and Vincent” will be held until December 12, 2021 (Sun).

By all means at this exhibition, while thinking about the fact that many people today have made efforts to preserve and inherit the works of art in the past, we can evaluate and exchange opinions with each other. Immerse yourself in the charm of a rare collection.

“Van Gogh Exhibition — Resonating Souls Helene and Vincent” Outline

See other reports

Tokyo National Museum

An experimental exhibition will be held at the Tokyo National Museum this fall.
The exhibition, entitled “Four Seasons,” fuses the traditional Japanese sensibilities entrusted to the flowers of the four seasons with the modern pop icon Nogizaka46. How did the seven filmmakers who challenge this exciting theme bring out the essence of Japanese art through Nogizaka46? We will report on the state of the preview held in advance and introduce our efforts.

“Classic x modern” challenged by Nogizaka46

From Saturday, September 4, 2021 to Sunday, November 28, 2021, “Spring, Summer, Autumn and Winter / Four Seasons Nogizaka46” is being held at the Hyokeikan of the Tokyo National Museum.

The core of the theme of this exhibition is “classical x contemporary” of Japanese art.

When it comes to “Japanese art,” I think there are many people who feel that young people are somehow far away. However, the nature, seasons, and seasonal flowers depicted there still exist. I love nature and try to portray it in a way that is familiar to me.

The National Museum thought that Nogizaka46, which has gained tremendous support from a wide range of generations, would be a bridge between such ancient Japanese aesthetics and young people. This is because Nogizaka46 is the one who spreads the calm daily life and the nature around us as a visual starting from “songs” and entrusts hope there.

In this exhibition, 7 pieces of Japanese art (reproductions) depicting seasonal flowers will be exhibited. Seven filmmakers independently interpret the work that can be said to be the “essence” of Japanese art, and develop it as a large-scale installation.

For example, the opening “Perspective Expression of Japanese Painting” by Asuka Saito is a work based on Naganobu Kano’s “Hanashita Yuraku Folding Screen” , but it is taken up here and reinterpreted in the same painting. It is a perspective that can be seen.

The mechanism of “Hanashita Yuraku Folding Screen”, which creates the experience of watching the spring feast held outdoors through the curtain, is reproduced by projecting the image in layers through the slit curtain. It is a work positioned as “a reinterpretation of the classics” by the filmmaker Takuro Okubo. In this way, what is shown in the exhibited works is a little rule code necessary to understand Japanese art.

A flower named “everyday” expressed by Nogizaka46

However, the girls in Nogizaka are more than just a reflection of the creator’s intentions. When I actually appreciate the work, there are moments when it seems that their existence has a truth that goes beyond the expectations of the writers. It may be possible to realize it because it is an installation format.

Personally, I was impressed by Sakura Endo in “Mysterious Beauty” (written by Kazuma Ikeda). I’m not familiar with Nogizaka46, so I was honestly surprised if there was an idol who could create such a bewitching atmosphere. This is a work with the motif of “Flame”, which depicts the spirit of Lady Rokujo by Uemura Shoen, but the costumes and hair movements that occur every moment due to her butoh are truly youkai.

In addition, the lyrical nature of Haruka Kaki in “Hidden Landscape” is also wonderful, and one of the charms of this exhibition is that each Nogizaka member can fully enjoy the charm that is different from usual.

 

The exhibition will end on November 28, 2021 (Sun).
The moment when traditional Japanese art connects with us living in the present through a filter called Nogizaka46. It’s very exciting.
By all means, I would like to recommend that you actually experience it at the venue.

Outline of the event

Session	September 4, 2021 (Sat) -November 28, 2021 (Sun)
venue	Tokyo National Museum Hyokeikan
Opening hours	9: 30-17: 00 Friday and Saturday from 9:30 to 20:00 (Admission is 60 minutes before closing)
closing day	Monday (however, open on Monday, September 20th), Tuesday, September 21st
Admission fee	General / university students 1,800 yen High school students 1,000 yen Junior high school students and younger, persons with disabilities and one caregiver are free of charge. * To alleviate congestion, this exhibition requires advance reservations (reserved-seat tickets). All customers are required to reserve a reserved-seat ticket for admission. Please check the official exhibition website for details.
Organizer	Tokyo National Museum, Cultural Properties Utilization Center, Sony Music Entertainment, Agency for Cultural Affairs, Japan Arts Council
Exhibition official website	https://nogizaka-fourseasons.jp

 

Article provided by: Kokoshiru Ueno

---

See other reports