【Tokyo Metropolitan Art Museum】 “A Look to the Children” + Chikara Matsumoto “Remember the Memorandum” Report Preview Report

Tokyo Metropolitan Art Museum


A Mother and Child’s Story 2013

From November 16, 2019 (Sat) to January 5, 2020 (Sun), at the Tokyo Metropolitan Art Museum in Ueno , the Ueno Artist Project 2019 “A Look to the Children” and Riki Matsumoto “Remember Memories” It is held.
The other day there was a joint press preview of these exhibitions, so I will report on the situation.
The highlights, composition, and featured works of each exhibition are featured.


What is “a look toward children”?

The Tokyo Metropolitan Art Museum is popular as a place for the presentation of works by many publicly-recruited organizations, and is called the “Hometown of Public-Exhibited Exhibitions”.
From 2017, the “Ueno Artist Project” series, which introduces contemporary artists who are active in open recruitment groups, has decided the theme every year.
This year, the third edition, will be held under the theme of “A look toward children”.
Introducing a multi-layered image that is temporarily entrusted to children drawn through the works of six artists from young to veterans who are currently affiliated with art recruitment organizations.

Composition and featured works

The “Gaze to the Child” is roughly divided into 3 chapters.

Chapter 1 Being Beloved

Chapter 1 introduces the works of Shinsei Kana (Japan Art Academy) and Ayako Okubo (Ichiyokai) on the theme of beloved beings.

・ SHINJO Kana

Shina Kana draws a delicate human figure with a soft touch using warm colors and a female motif.
The work exhibited this time is a pure girl image that does not know the world’s dirt, and a warm mother and child image that touches an important part of the heart.
Through the existence of children and mothers and children, the rebirth that wants to draw the preciousness, beauty, and love of life is re-recognizing the kindness that I received from my surroundings when I was a child. Says.

(Comments from newborn)

I want to express the inside of a girl spreading like a universe, and I’m drawing a work”.

A Mother and Child’s Story 2013

 

・ Ayako Okubo 

Ayako Okubo, an artist who consistently draws mother-child images.
The work exhibited this time is a mother-child image that gives a sense of the dynamics of moving children and a sense of unity between mother and child.
A large and generous mother gently wraps the babies and energetic children that are to be protected like the earth.

(Comment by Okubo)

With the theme of “spin life”, I have been making works for the last 10 years.
I hope I can express the energy of life through the children who fly around. “

 

Life-Sound of the Sea 2002

Chapter 2 Growth and Conflict

Chapter 2 introduces the works of Tsubasa Shida (Independent Art Association) and Megumi Toyozawa (New Production Association) on the theme of growth and conflict.

・ Shida Tsubasa

While teaching at high school, Tsubasa Shida keeps drawing on the motif of modern junior and senior high school students.
The works on display this time are self-portraits depicting the inner faces of pure children who are looking at the inside of the aggression while struggling with the society created by adults, as well as the inner faces of society.
Unleash the real situation faced by today’s adolescent children.

(Comment by Shida)

“I want to express my child’s various psychology with my own paintings and connect with various people.”

Mato Target 2012

 

・ Toyosawa Megumi 

Megumi Toyosawa keeps drawing high school girls who have projected themselves in the work.
Toyosawa draws about the feelings that she had in her adolescence that she wanted to deny herself, and that she continued to shake because of the influence of her surroundings.
It expresses the aching pains of the youth’s heart and evokes the emotions of the past that would have been felt when you were young.

(Comment by Toyosawa)

“There was a time when I made my work into a mold, but I reset it once to break that manner, and I drew the work with new feelings. I’m making ingenuity, so please enjoy it too. “

 

I hate you 2017

Chapter 3 Life Connection

Chapter 3 introduces the works of Akihisa Yamamoto (Main Art Association) and Masanori Kihara (Nikikai) on the theme of life’s connection.

 

・ Yamamoto Yasuhisa

We are the modern people who are covered with materials and information and want to destroy nature, but humans cannot live without symbiosis with nature.
Akihisa Yamamoto who continues to draw works as an antithesis to such a modern age.
The work exhibited this time is a human symposium centered on children and families who spend a calm time in abundant nature.
By touching the work, you should sympathize with the fundamental memory of human life.

(Comment from Mr. Yamamoto)

“I have consistently drawn works on the theme of abundance. This time I received the theme of an eye for children and made a new work based on that theme.

 

Spirit of the Tree-Under the Linden Tree 2019

 

・ KIHARA Masanori

Masanori Kihara continues to draw a world in which the changing nature and the original nature of human beings with a rich sense of mass are intertwined.
The work on display this time is a world where nature and humans coexist without any boundaries and life circulates.
Using a unique color sensation and a sense of rhythm, we create a screen that is glossy and transparent, and asks viewers about the true richness.

(Comment by Kihara)

“I don’t draw the children directly, but through the richness of the colors, I’m making a work that I want to entrust with my life. Is an ugly work of my father who died two years ago.
My father passed away and my son and his wife had children, but through this work, it is a work that symbolically shows that life returns to the earth and a new life is born. “

Form of the Human, Form of the Field-Return to the Earth- 2017

Held at the same time Chikara Matsumoto “Remembering the Record”-Focusing on the Tokyo Metropolitan Museum of Photography

As a joint project with the “Look for Children”, Chikara Matsumoto “Remember Me” is held at the same time.

・ Matsumoto Chikara 

Matsumoto Chikara (1967 ~) is an artist who is active both in Japan and abroad as a painter / animation artist.
Draw drawings one frame at a time, without tracing, and produce video works by adding transmitted light to shoot video.
As video installations, three-dimensional works, live performances using audio, and original workshops using hand-made video equipment are held in schools, museums, and areas where you stay.

This exhibition will show you the works held at the Tokyo Metropolitan Museum of Photography along with a new installation.

Composition and exhibits

Introducing the composition of the exhibition and the exhibits.

■ Six installation animation works

At the venue, six installation animations will be projected on the screen.
Six independent films will be screened one by one.

The 6 titles are as follows.

① A day on Mount Owari

② Electric Snow

③Follow Me / Meeting Beauty / Gaze

④ Calm warm

⑤ Singing voice across the mountain

⑥ To the mountain

 

(About the work)

The story of Oiwari from one day to the mountain is being developed with connections.
In the middle of the venue is a pyramid lookout.
Climbing to this vantage point, watching the video of the day of Mt. Owari over the mountain, it is made to be aware that the viewpoint will change and the field of view will change.

Lookout stand at the venue

 

There are also 6 original installation works and multiple totem pole videos.

 

The video work SA YONA RA is also being screened.
This work is based on a picture of a continuation of an incomplete picture book written by Matsumoto-san’s dead father, with only one page left unwritten.
The character depicted in the work has a motif of an inexperienced person who doesn’t know anything about ghosts.

 

A cinema-type device has also been installed so that you can watch videos with different versions of SAYONARA’s music on headphones.
Please enjoy it freely.

Summary

 

I have reported the report preview report of “A look to the children” + Tsutomu Matsumoto “Remembering”.

In “A look at children”, I was able to touch on the memories of childhood that apply to me, the days when I was shining in adolescence, and the fundamental questions of life.
In Matsumoto Tsutomu’s “Remember Memories”, I was able to confirm myself in a nostalgic day of childhood that makes me feel a little sad and sad.
Why do not you come to look for your past memories and hope for the future through these two exhibitions?

We are waiting for you at the Tokyo Metropolitan Art Museum.

 

Outline

 

Ueno Artist Project 2019 “ Gaze to the Children ”

■ Date: November 16, 2019 (Sat)-January 5, 2020 (Sun)
■ Venue: Tokyo Metropolitan Art Museum Gallery A ・ C
■ Opening hours: 9: 30-17: 30 (Last entry 30 minutes before closing)
■ Opening at night:
Friday, November 30 (Saturday),
December 7 (Sat) 9: 30-20: 00
(Last entry 30 minutes before closing)
■ Closed days: November 18 (Monday), December 2 (Monday),
16th (Mon), 26th (Thurs)-3rd 2020 (Fri)
■ Admission fee: Same-day tickets: General 500 yen / 65 years old and over 300 yen Group ticket: General 400 yen
* Group discounts for 20 people or more
* Free for students and younger
* Free for those with physical disability certificate, love certificate, nursing certificate, mental health care welfare certificate, and A-bomb victim health certificate (up to 1 person)
* Please bring something that you can prove.
* “Coultrede Museum Exhibition fascinating impressionist” held at the same time
Admission is free by presenting a ticket (stub)
■ Organizer: Tokyo Metropolitan Foundation for History and Culture, Tokyo Metropolitan Art Museum
■ Contact: Tokyo Metropolitan Art Museum
TEL: 03-3823-6921 (representative)
■ Event information: Please check the Tokyo Metropolitan Art Museum website “Gaze to the Children” page.
https://www.tobikan.jp/en/exhibition/2019_uenoartistproject.html

 

Tsutomu Matsumoto “Remembering the Record”-Focusing on the Tokyo Metropolitan Museum of Photography

■ Date: November 16, 2019 (Sat)-January 5, 2020 (Sun)
■ Venue: Tokyo Metropolitan Art Museum Gallery B
■ Opening hours: 9: 30-17: 30 (Last entry 30 minutes before closing)
■ Opening at night: Friday, November 30th (Saturday),
December 7 (Sat) 9: 30-20: 00
(Last entry 30 minutes before closing)
■ Closed days: November 18 (Monday), December 2 (Monday),
16th (Mon), 26th (Thurs)-3rd January 2020 (Fri)
■ Admission fee: Free
■ Organizer: Tokyo Metropolitan Government, Tokyo Metropolitan Foundation for History and Culture, Tokyo Metropolitan Art Museum
■ Contact: Tokyo Metropolitan Art Museum, Exchange TEL: 03-3823-6921 (Representative)
■ Event Information: Tokyo Metropolitan Art Museum HP Riki Matsumoto
Please check the page.
https://www.tobikan.jp/en/exhibition/2019_collection.html

Article Provided by:Kokosil Ueno


View other reports

【The National Museum of Western Art】 Hapsburg Exhibition Press Report

The National Museum of Western Art
Martin van Meytens (child) << Portrait of Princess Maria Theresia >> circa 1745-50 Oil on canvas Vienna Art History Museum

From October 19th (Sat), 2019, at the National Museum of Western Art, Tokyo Ueno,
The 150th anniversary of the friendship between Japan and Austria, “Hapsburg Exhibition: 600 Years of Imperial Collection History” is held. (Until January 26, 2020)
The other day, prior to the event, a press preview was held.


About the Habsburg family

The Hapsburg family emerged as an Australian in the upper reaches of the Rhine, and expanded to Austria at the end of the 13th century.
One of Europe’s most prestigious families, who ruled a wide range of empires over hundreds of years until the end of World War I (1918).
Specifically, the Holy Roman Empire monopolized after the 15th century, and when the Habsburgs split into Austrian and Spanish in the 16th and 17th centuries, the Spanish expanded to South America, Africa and Asia.It became an empire without the sun setting.
After the dismantling of the Holy Roman Empire, triggered by the Napoleonic Wars, he later ruled the Austrian Empire.
During this long reign, he possessed treasures such as the world’s finest arts, decorations, crafts, weapons and historical memorabilia, utilizing his wealth and personal connections.
The “Hapsburg Exhibition” is an exhibition that introduces about 100 items, including paintings, weapons, crafts, tapestry, and prints, in cooperation with the Vienna Art History Museum, which was built by a family and opened in 1891.

Composition of the Hapsburg exhibition

The composition of the Hapsburg exhibition is as follows.

Chapter 1
The beginning of the Habsburg family collection

In Chapter 1, we will introduce 12 collections of paintings, armor, and crafts from the time when full-scale collection of the Hapsburg family art from the late XV to the 16th century began.
The attention of the Habsburgs in this period was Maximilian I (1459-1519).
Famous for his skillful marriage and expansion of his territory, Maximilian himself married Marie’s successor Marie, Flemish Burgundy, and created an opportunity to enrich the Habsburg family collection.

Chapter 2
Rudolf II and Prague Palace

Chapter 2 extends on Holy Roman Empire Rudolf II (1853-1612), a famous collector, and introduces 30 items including tapestry, armor, paintings, and sculptures.
Rudolf had no sense of governance, but the depth of art and academic knowledge was extraordinary, and when he moved the court from Vienna to Prague in 1583, paintings, weapons, small sculptures and crafts, Owned a diverse collection of natural objects specimens and watches .

Chapter 3
Chapter 3 is divided into three sections.

Chapter 3 1 The Spanish Habsburgs and Leopold I

In Chapter 3, section 1, we will introduce seven collections, including portraits that became a tool of the era when the Habsburgs were split into two systems of Austrian and Spanish and kept in touch.
The center of this era is King Philip IV of Spain (1602-1644).
He was young and thriving, passionate about art and culture, hired young Velázquez as a court painter and treated him.

Chapter 3-2
Ferdinand Carl and Tirol collection

Chapter 3-2 introduces six paintings including a collection of Ferdinand Karl, one of the Grand Duchy of Austria and an important collector, belonging to the Habsburg family.

Chapter 3-3

Chapter 3-3 introduces 24 paintings, including the collection of Leopold Wilhelm (1614–1662), one of the most important collectors of the Habsburg family.

Chapter 4 The Habsburgs and Imperial Gallery in the 18th Century

Chapter 4 introduces the people of the Habsburgs who survived the turbulent 18th century in a collection of 15 items, mainly portraits.
The attention of this era was Maria Theresia (1717-1780).
She is the “emtress” who showed her natural wisdom, political skills, and led the people through national difficulties.
Another note is Marie Antoinette (1755-1793), the youngest daughter of Maria Theresia.Married to the later French king Louis XVI, but the queen of Guillotine disappeared in the French Revolution.
Chapter 4 revolves around these people.

Chapter 5 The long reign of Franz Josef I and the end of the Austrian-Hungarian double empire

The New Holy Roman Empire was dismantled after the Napoleonic Wars, and the Austrian Empire was born in 1804. (From 1867, Austria = Hungary Double Empire)
However, the Austrian Empire collapsed due to the defeat of World War I. At the same time, the Habsburgs will end.
Chapter 5 introduces six works related to Franz Josef I (1830-1916), who decorated the endless beauty as the actual last emperor of the Habsburg family.

Editorial department attention work

Margarita Teresa, Princess of Blue Dress

Margarita Teresa’s latest work by Velázquez depicting the age of 8.
Wearing a gorgeous silk blue dress and looking at you with straight eyes, this figure is so calm that you can’t imagine it was eight years old.
Velázquez also describes Margarita Teresa, 3 and 5 years old.

Diego Velázquez, Princess of the Blue Dress Margarita Teresa, 1659 Oil on canvas Vienna Art History Museum

Portrait of Princess Maria Theresia

A portrait of Theresia, drawn by Martin van Metens, a child who was heavily used in the early reign of Maria Theresia.
From the work, you can feel the confident expression of “The Emperor” Maria Theresia who led the people and the openness of 16 children.

Martin van Meytens (child) “Portrait of the Queen Maria Theresia” circa 1745-50 Oil on canvas Vienna Art History Museum

Portrait of French Queen Marie Antoinette

A work by Marie-Louise Elisabeth Vigere-LeBlanc, who was used by Marie Antoinette as a court painter.
The work depicts a young Marie Antoinette who was married to France in a political marriage.
Marie Antoinette wearing a gorgeous satin dress and a pink rose flower is shining, and from this work you can’t even imagine a tragic death in the French Revolution.

Marie-Louise Elizabeth Vige-LeBlanc 《Portrait of Queen Marie Antoinette of France】 1778 Oil on canvas Vienna Art History Museum

Elizabeth in a pale blue dress

Portrait of Josef Horacek, depicting Elizat (nicknamed Sissi), the wife of the Austrian Emperor, who was spotted by the Hapsburg family’s last imperial emperor Franz Josef I. Because of her death, she seems to be sucked into her aura who was later deified .
The story of Elizabeth wearing a corset and imposing dietary restrictions on a daily basis to maintain the system is famous.

Josef Horacek 《Elizabeth in a pale blue dress》 1858 Oil on canvas Vienna Art History Museum

Rebeka and Eliezer at the well end

This is a masterpiece of Ottavio Vannini, depicting a scene related to the marriage of Isaac and Rebekah in the Old Testament.In the middle of the painting, Rebeka is pouring water on the reeds of his follower Eliezer and the camel behind it And the women who hold the meeting at the well end are also drawn lively.

Ottavio Vannini 《Rebeka and Eliezer at the well edge》 circa 1626/27 oil on canvas Vienna Art History Museum

Virgin and Child

A work depicting the infant Christ standing on the lap of the Virgin Mary.
The expression of Christ’s limbs that stand up in balance is delicately depicted.And the expression of Virgin Mary, who supports Christ, is calm and still seems to spill.

Carlo Dolci 《Virgin and Child》 circa 1660-70 Oil on canvas / Vienna Museum of Art History

Holy Roman Emperor Leopold I (1640-1705) and Princess Margarita Teresa (1651-1673)

This painting was drawn by Jan Thomas, one of the most important painters during the celebration of the Imperial Palace of the Holy Roman Emperor Leopold I (1640-1705) and Margarita Teresa (1651-1673).
At the banquet, people dressed in costumes for the costume party enjoy the party with the emperor and his wife sitting in the back left.
If you listen carefully, you will hear the cheers of the banquet and you will feel like you are participating in the party.

Jan Tomas, Imperial Palace of the Holy Roman Emperor Leopold I and Queen Margarita Teresa, 1666 Oil on canvas, Vienna Museum of Art History

Summary

We have reported on a press preview of the “Hapsburg Exhibition 150 Years of Friendship between Japan and Austria”

Many people attended the venue, not to miss one of the 100 collections of the Hapsburg family.Some of them spent several tens of minutes on the work.There were also women who were eager to watch without being able to leave, and women who wore costumes reminiscent of Marie Antoinette.

All the works at the venue are gorgeous for the royal collection.
In addition to the works introduced, there are countless exhibits such as paintings, weapons, crafts, tapestry and prints.

Currently held “Histsburg 150th Anniversary of Japan-Austria Friendship History of Empire Collection over 600 years”.
Please come to see the gorgeous items at the National Museum of Western Art.

I was watching the work so that everyone could eat it.

 

Outline

 

Exhibition name 150 Years Friendship Austria – Japan
“The Habsburg Dynasty: 600 Years of Imperial Collections”
Dates October 19, 2019 (Sat) -January 26, 2020 (Sun)
Venue The National Museum of Western Art (Ueno Park, Tokyo)
Opening hours 9: 30-17: 30 (Friday and Saturday until 20:00. November 30 (Saturday) until 17:30) * Admission is 30 minutes before closing
Closed Every Monday (but open on November 4 (Monday / holiday), January 13 (Monday / holiday)), November 5 (Tue), December 28 (Sat) -January 1 Sunday (Wednesday / Holiday), January 14 ( Tue)
Admission fee (on the day) General 1,700 yen University student 1,100 yen High school student 700 yen
(Advance / Group) General 1,400 yen University student 1,000 yen High school student 600 yen
* Group fee is 20 people or more.
* Free for junior high school students and younger.
* Free for the physically and mentally handicapped and one accompanying person (please present the handicapped person’s handbook when entering the building).
Official website https://habsburg2019.jp/en/#/

View other reports

【National Museum of Nature and Science】 Special supporter Takeshi Takeshi also appears! Special Exhibition “Mummy In Search of Eternal Life” Preview Report

National Museum of Nature and Science


From November 2, 2019 (Saturday) to February 24, 2020 (Monday, National Holiday), the National Museum of Nature and Science is holding a special exhibition “In Search of Eternal Life” . I participated in a media preview, and this time I will tell you about it!

The largest in Japan! "Science" mummy exhibition

Precious mummy gathers from all over the world
Exhibiting children's mummy from about 5,200 years ago with elaborate CG
One of the highlights is the bowl that holds the mummy. Egyptian gods are painted in vivid colors
Cat mummy. The cat was an incarnation of the love goddess Bastet in Egypt and was respected
Oceania's “Portrait Skull”. Meat the skull with clay or resin to reproduce the face before life
An unusual Japanese mummy is also on display. This is a brother mummy from the Edo period

"Scared" "Uncomfortable" … Some people might look at the mummy and grin unexpectedly.
But at least many of the readers of this article have a fundamental “curiosity” beyond a certain interest, likes and dislikes about mummy.

Why did people make mummy? There is a deep connection with the environment surrounding the people who lived at that time, the view of life and death, and the view of religion.

Mummy has not attracted much academic interest for a long time due to its scarcity, but the information that can be extracted by the recent science and technology has increased dramatically, and the mummy has been re-investigated and the development of storage methods has been renewed. It is broken.
In this exhibition, we will explain the mummy from all over the world, various cultures and views of life and death, and the actual image of the mummy that has been revealed scientifically. South America, Egypt, Oceania, Japan … Through the 43 mummy gathered from all over the world, we introduce the various views of life and body that human beings have.

Mummy from all over the world gathers in “Kahaku”!

《Mummy of men crossing arms》 Egypt, details unknown Unknown 410 BC-c. 250 BC

Mummy with genitals attached? !

Greco-Roman era, ruled by Gilshas and Romans. Even after the ancient Egyptian religion was considered heresy, mummies were made in a simpler way. This is a male mummy with a distinct pose that crosses arms, which has been a trend since the New Kingdom. The state of preservation is good, and if you look up close, you can feel the freshness of the facial expression.

According to a CT scan survey, this mummy is a 35-40 year old man. The brain is removed from the nose, the internal organs are removed by incising the left flank, and the body is filled with bags containing linen and natron. Characteristically, the male genitalia made of linen is attached, which is based on the myth of Osiris and is related to the concept of regeneration and resurrection.

Wemeringen, Drenthe, Bourtang Wetlands 40 BC-circa 50

First public release in Japan! Mysterious two mummy

European culture has little custom of preserving bodies as mummies, and most of the discovered mummies are “natural mummies”. Here are two wetland bodies found in the Bortung Marshland in the Netherlands in 1904.

Two mummy that seems to hold hands. In an extreme state, I can imagine that it is a couple who died while staying close together, but it turns out that both are actually men. Unfortunately, it seems that the relationship between the two has not been elucidated due to poor DNA preservation, and there are still many mysteries.

"Mummy of herbologists" Japan circa 1832

National scholar who made himself an “experimental table”

A Japanese mummy that keeps its original appearance from appearance, body shape and skin texture. This person is a herbologist of the Edo period (modern natural history and pharmacology). In order to confirm his research results, he devised a method for preserving his body and said, “If you have a chance in future generations, dig out.” It seems to have been told. In other words, you have become a mummy with your own will (!) From an academic pursuit.

The skin has a reddish brown color, but this may have been due to the effects of tannins in the seeds of cocoons because it was found that they had consumed a large amount of "seed seeds" just before their death. How did he succeed in mummyizing himself? Unfortunately, no specific method has been reported.

Special supporter Beat Takeshi also appears!

In addition, Beat Takeshi, a special supporter of this exhibition, also appeared at the preview. Takeshi who visited the exhibition hall with the curator

“When I became a mummy, I saw a mummy (the herbologist's mummy) and trembled. It ’s a great spiritual world. Is unknown and something that can't be done "

And enthusiastic about the cultural value of the mummy, which retains clues from the ancient times. In addition, he mentioned that there was an era of burning mummies in the past, appealed for the importance of spreading education that valued cultural heritage early,

“After all, I want the children to see it. It ’s important to be interested in something and want to know more. In the current era, there are searches such as Google, but the real thing is still photos No, there are strange gears. "

He talked about the significance of this exhibition.


Real image of the mummy revealed by the latest science. Mummy is a “traveler from the past” that tells us the culture and history of people who lived in the past and various “feelings”.

“Mummy seeking for eternal life” will be held until February 24, 2020 (Monday / Holiday). Please come to the venue and listen to the words spoken by mummy from all ages and regions.

Outline

Exhibition name Special Exhibition “In Search of Eternal Life”
Session From Saturday, November 2, 2019 to Monday, February 24, 2020
9am-5pm (Friday and Saturday until 8pm)
Until November 3 (Sunday / Holiday) 8:00 pm
November 4th (Mon / Close) Until 6pm
* Admission until 30 minutes before each closing time
closing day Monday (Tuesday if Monday is a public holiday)
And December 28 (Sat)-January 1 (Wednesday / Holiday)
However, it is open on February 17 (Monday)
* Opening hours and closed days are subject to change.
Venue National Museum of Nature and Science
Admission fee General / university students Advance 1,500 yen On the day 1,700 yen
Group Advance 500 yen 600 yen on the day
・ Free for preschoolers. Free for those who have a disability certificate and one caregiver.
・ This exhibition will not be available on Friday / Saturday limited pair tickets.
・ Persons viewing this exhibition with this ticket can also see permanent exhibitions (Ground Hall and Japan Hall) on the same day.
Official site http://www.tbs.co.jp/miira2019/

View other reports

2nd Edo Town Taito Performing Arts Festival ~ Summer Team ~
Beat Takeshi ~ Talking Asakusa ~ Experience Report

Taito Ward Asakusa Public Hall

 

From August 18th (Sun) to October 26th (Saturday), the 2nd Edo Machitaito Geiraku Festival ~ Summer no Jin ~ is held. It is a festival where you can enjoy the various performing arts and art culture that have been nurtured, protected, and inherited to the present age, such as enterprising spirit.
On October 15th, “Beat Takeshi ~ Talking about Asakusa ~” was held.
This event was attended by Beat Takeshi, honorary adviser to the executive committee of the performing arts festival.
What does Takeshi talk about?
This time we interviewed you, so please have a look.


This event is part 1 in comics, comedy, Wandering song, rakugo,
In the second part, Takeshi’s talk show and two parts.

Part 1 Top Batter is Shooting Star who has won the THE MANZAI Takeshi Award for the second consecutive year of 2017 and 2018.
The audience’s grab is OK with the calmness of Chuei’s gag and Shinichiro Takiue, who intrudes into the audience seats and makes unexpected movements. I ended up.

Shooting star Chuei (left), Makigami (right)

 

Next is the appearance of Hiroshi (Comedy), a pin entertainer who made a big break in 2004.
Mr. Hiroshi who is obsessed with his masochism.
The sad and humorous story is unrivaled.
The venue will be heated to every word.

Mr. Hiroshi

 

The third is Tamagawa Daifuku’s Wandering song.
When Daifuku went up on the stage, a loud shout “Daifu-ku!” Came from the venue.
After explaining to the customers how to enjoy and excite the Wandering song, they showed off the Wandering song that were arranged in a modern style. A sense of unity and applause wrapped up the venue.

Daifuku Tamagawa

 

Lastly, it is a rakugo story of Kokontei Kikunojo.
After grabbing the heart of the customer with a sarcastic pillow, the classic rakugo “Turnover” was performed. The conversation between the drunk man and his wife was heard in sophisticated narratives. In the Taiga drama “Idaten”, Rakugo is being taught by Shinsho Kokontei and other actors that Takeshi plays.

Mr. Kokontei Kikunojo

Part 2

Finally, it ’s Beat Takeshi.
In the opening MC talk, Takeshi-san was recording a TV program and had not yet arrived at the venue, so the talk show itself was in danger, but in fact it was a story. Takeshi-san.
Asakusa has become familiar and has become an entertainer since his childhood. For the unique people he met in this area, he used his own Poisonous tongue and talked with his Attendant, Al Kitago, at a good pace. You
It was impressive that the customers continued to laugh at Takeshi-san’s unstoppable Poisonous tongue.

Mr.Beat Takeshi (left), Mr.Al Kitago (right)

 

The ending gathered with Takeshi and the performers gathered on the stage.
Takeshi’s Poisonous tongue doesn’t stop there.
Both the customers and the performers were laughing at Mr.Takeshi’s good tempo.

Summary

 

We reported on the experience report of the 2nd Edo Machi Taito Geiraku Festival-Summer Team-“Beat Takeshi-Talking about Asakusa”.
The laughter of stage performance created by both performers and customers, which cannot be felt on the TV screen, created a sense of unity throughout the venue and a fun time.
The summer team of the 2nd Edo Town Taito Geiraku Festival ended on Saturday, October 26, but the winter team will be held from January 2020, next year.
Edo-machi Taito Performing Arts Festival with a wide variety of events such as movies, performing arts, and theater. Keep an eye on the future.

Outline of Edo Town Taito Performing Arts Festival

Session August 18, 2019 (Sun)-February 15, 2020 (Sat)
Venue ○ Ueno district Takenodai Plaza of Ueno Onshi Park (Fountain plaza) -Okachi the town south exit station square addition ○ Yanaka district disaster prevention Square Hatsune of forest ○ the Northern District of Sanya moat Square other ○ Southern District Kuramae elementary school ○ Asakusa district Higashi Honganji Temple, Taito Ward Asakusa Public Hall Other
Official website http://www.taitogeirakusai.com/

View other reports

 

We hold special art event expressing inclusiveness! “UENOYES2019“ FLOATING NOMAD ””

Takenodai Plaza of Ueno Onshi Park (Fountain plaza)


Ueno Incubation Committee and Public Interest Foundation Law Tokyo Metropolitan History Incubation Foundation Arts Council Tokyo is a theme of social inclusion in Ueno Park and its surrounding areas, which are the accumulation of Japan We have developed the “UENOYES” hatching arts business and are sending Ueno’s charm to the world.
On November 9th (⽇) and 10th (⽇) in 2019, we will welcome a fashion designer Kazuhiko Sora as a director under the general producer of Katsuhiko Sugano, special on the stage at Ueno Onshi Park Kashiwadai Square The art event “UENOYES2019“ FLOATINGNOMAD ”” will be held. The theme of “FLOATING NOMAD” is the open space of Ueno Onshi Park, where people from various countries and regions gathered from various countries and regions to feel as if they were moving. The idea is to become an inclusive art event that expresses diversity through gathering, expression and action, and forms a place for interaction and learning.

At this event, the “cardboard object site”, the landmark and workshop space of the venue, will be fashioned under the supervision and supervision of Satoshi Sugano and attended by the Tokyo Art School DOOR project. A mixed team of private school “coconogacco” will be produced and set up as a lieutenant.

In addition, Nara is the starting point for the Nobuyoshi Shinobu “Silk Road” photo exhibition, which traveled from Beijing to Urumqi, Persepolis, Palmyra to the Vatican (Rome), and the live streaming studio “DOMMUNE” was gathered as far as this space. We plan to develop content in line with themes, such as “DOMMUNE UENOYES”, which distributes special programs from Germany, and a photo exhibition by French photographer Charles Freget. In particular, the latest collection of Samurai Labels, which will be presented in a fashion show format using the fountain pond at the venue, is a unique content of the event and is one of the highlights.

Yoshikazu Yamagata

Yoshikazu Yamagata
1980, Tottori Prefecture. In 2005, graduated from Central Saint Martins Arts in England. During his time at school, he served as a design assistant for John Galliano. After returning to Japan, in 2007 he started the song “writtenafterwards”. In 2015, he was nominated for LVMH Prize for the first time at Kei Enomoto. It presides over “coconogacco” as an essential and fashion education venue and produces many creators.

【UENOYES2019 “FLOATING NOMAD”】

Main content artists

“writtenafterwards” fashion show 》* November 9 (Sat) 17: 00-
-Main content that embodies the theme “FLOATING NOMAD”-
The label “writtenafterwards”, which continues to announce the possibilities of fashion expression in various forms, holds the first fashion show in two years. The collection will be a collection of trilogy with the theme of “modern magic” that has been announced since last year. At the fountain in the foothills of Ueno Onshi Park, the venue, various costumes appear as if they were floating, and an inclusive fashion show embodies the theme.

Cardboard Object Site
―Katsuhiko Sugano supervised and supervised by the general producer.
Under the supervision and general supervision of Katsuhiko Kanno (UENOYES General Producer / Contemporary Artist), Tokyo Art School’s DOOR project (*) attended by a fashion private school “coconogacco” The hybrid team will produce an art monument that will become the landmark of the venue using corrugated cardboard, symbolizing the theme of the event “FLOATING NOMAD”. The completed site will be a workshop venue and a resting place (oasis) for visitors. * DOOR Project: Tokyo University of Arts Course Certification Program “Diversity on the Arts Project”

《Cardboard object site》 image

《”coconogacco” outdoor workshop 》
-Last year’s popular outdoor photo shoot-up version appeared-
Last year’s well-received outdoor photo-shooting party, which was well received last year, will be upgraded in collaboration with “coconogacco”. Models such as street performers (statues) dressed like outdoor sculptures can be sketched while receiving advice from “coconogacco” instructors and graduates of Tokyo Art School. Advance reservation is not required. Anyone can participate in the event.

Kinobu Shinobu “Silk Road” Photo Exhibition
―Special exhibition where the theme “FLOATING NOMAD” overlaps with the images of people who trade on the trade route−
The “Silk Road” by photographer Nobuno Shinozaki, published in 1980, is a Eurasian shore along the “silk road” that starts from Nara and travels from Beijing to Urumqi to Persepolis to Palmyra to Vatican (Rome). A large-scale project that captures the scenery, customs, and face of each region. The photo book compiled in all eight publications was reorganized last year as a volume of Louis Vuitton’s “Fashion Eye” collection. Carefully selected prints will be displayed at the “Gel” (pao / nomadic tent) set up for this event.

From Shinobu Shinobu “Silk Road”

DOMMUNE UENOYES
-“DOMMUNE” will be distributing live special programs of this event alone-
The live streaming studio “DOMMUNE” presided by Naohiro Ukawa (contemporary artist and video artist), who evolves as “SUPERDOMMUNE” with the redevelopment of Shibuto Ward, will appear at this event following the Setouchi International Art Festival. These gatherings are gathered for as long as possible, and current progressive content is disseminated every moment. “DOMMUNE UENOYES” will also be distributed on its own special program.

* Details on content and talk shows will be announced on the website.

Purpleroom Preparatory School
“Purpleroom” is an artist community led by artist Umezu Kaoru. Demonstrations and talk events will be held by artists gathering at the “Purpleroom Preparatory School”.

FLOATING NOMAD ANONYMOUS 》 ※Sunday, November 10 around 16:30
Hiroshi Suzuhiro (Saxophone player / composer), a former leader of classical chin-don punk performance group Chanchikitorunedo, who is currently active in the special big band of Tomohide Tomoyo, It will produce an anonymous and chaotic parade with a mix of images such as Goze-san, Samurai, Circus, Chindon, Samulnori, Eastern European brass music, Vulcan brass, and Central Asian sounds.

<< FLOATING NOMAD ANONYMOUS >> image

《” Charles Freje” Parade “Photo Exhibition ” 》
Photographer Charles Freget, whose theme was the “YÔKAÏNOSHIMA” exhibition (2016 / Ginza Maison Hermès Forum), which clearly captured the sights of Tatsumoto’s unique temporary gods and samurai. In this photo exhibition featuring elaborately decorated elephants, we will be exhibiting a new series unveiled in Japan, covering the Elephant Festival in Jaipur, North India.

Tsuno Saga Arashi and Gel of Beer
After graduating from Nursing Science, after working at a psychiatric hospital, he studied at Ryoka’s fashion private school “coconogacco”, and was selected as the fashion designer ITS finalist in Europe ’s best fashion competition ITS. I started working at “Beteru no Ie” (Urakawa-cho, Hokkaido), the research base. Display and report on the cutting edge of research on parties using cross-disciplinary thinking.
* Participant research: Research and practice focusing on assistance and acupuncture (acupuncture and acupuncture) based on the accumulated experience of the people involved in mental disorders such as schizophrenia.

Silk Road Warehouse
This year, “Silk Road Warehouse” was founded in “PAO COMPOUND” (Higashi-Nakano), a transmission base of Yumika hatchery produced by Takumi Annaka. It is the creation of a place where domestic and foreign famous Silk Road researchers can prevent the collection of collections and materials, which are the foundation of their achievements, and at the same time gather people who are widely involved in the Silk Road. In addition to displaying the Silk Road artifacts and visual materials on a special “Gel” (Tempo of Yumaki Pass) at this event, Takumi Annaka (Representative of Silk Road Warehouse), in front of Asian hatchery researchers There will also be talks by Kosaku Kosaku (visiting professor of Tokyo arts), and historian and art historian Toru Matsueda (professor of the Faculty of Expression in Wako).

Talk show
* Details will be posted on the website later.
* Numbered tickets may be distributed at the venue.
● “FLOATING NOMAD-Diversity of hatching from the sea road”
Yosuke Kaibe (National Museum of Science, Department of Natural History, Department of Natural History) × Katsuhiko Kanno (UENOYES General Producer / Contemporary Artist) × Yoshikazu Kaji (UENOYES2019 “FLOATING NOMAD” Director / Fashion Designer)

Message from Sugano Producer
We are all supposed to make the earth a family. “FLOATING NOMAD” is the one that allows each person to move forward without being restricted. Why don’t you join “UENOYES” and become “FLOATING NOMAD”?

【About the project “UENOYES”, a project for creating a social inclusion and artistic creation base】

―Developing a hatching art project based on the theme of social inclusion in Ueno Park and surrounding areas, and disseminating information to the world―

Concept
It is UENOYES that allows you to make sure that you can make sure that you have one of the many unique features. It doesn’t mean you won’t know what your cocoon is. It ’s not the same habits that people are alleged to be in the same habit, and that ’s not the case. It is UENOYES that accepts the fact that your niece is still in that niece. ~ Katsuhiko Kanno ~

General Producer: Katsuhiko Ogino
In 1958, Gifu City was born. Completed Tokyo University of the Arts in 1984. Won the 1982 Kakimoto Graphic Exhibition Award. 1995 46th Venice Biennale. 2015 Art Selection Award for Science Award (Art Promotion Department). Develop art activities that take advantage of locality. Currently, he is a professor at the Department of Advanced Art Expression in Tokyo.

International Department Director: Aomi Okabe
Born in Taito-ku, Tokyo, raised in Sakai. Art critic and curator. Lecturer and visiting professor at the National School of National Arts, Paris, and visiting researcher at the New York School of Arts. After serving as chief curator for the Mercian Karuizawa Museum of Art for 5 years and as a professor of Musashino Art for 12 years, he is now an artistic director at the exhibition section of the Kakimoto Kaika Kaikan exhibition in Paris.

【Overview】

name “UENOYES2019“ FLOATING NOMAD ””
URL https://uenoyes.ueno-bunka.jp/2019/
Drought Saturday, November 9, 2019, Sunday, November 10, 2019,11: 00〜18: 00
* The start time of the Isobe program is different.
Venue Ueno Onshi Park Tomonodai Square
* Participation is free.
* No prior application required.
* The Isobe program may be distributed as a numbered ticket.
* In the case of rainy weather and stormy weather, the event may be changed or moderate.
In addition, program contents may be changed for convenience.
Sponsor Ueno Incubation Plan Implementation Committee

Public Interest Foundation Hokuto Tokyo Metropolitan Incubation Foundation Arts Council Tokyo

Special cooperation Louis Vuitton Japan K.K.
Cooperation Rengo Corporation, Pioneer DJ Corporation

* This project is a project to form an international dispatch center for hatching arts.

Article Provided by:Kokosil Ueno


See other exhibition information

【The Ueno Royal Museum】 “Vincent Van Gogh Exhibition” Preview Report

The Ueno Royal Museum
(Foreground) Vincent van Gogh 《Pine Trees at Sunset》 December 1889 Clerer-Muller Museum

From October 11, 2019 (Friday) to January 13, 2020 (Monday / holiday), the Van Gogh exhibition is held at the the Ueno Royal Museum. I participated in a media preview held prior to the event.

Two encounters that gave birth to Van Gogh

Venue scenery
(Foreground) Joseph Israels “Young woman sewing” circa 1880 The Hague Museum of Art
Introducing Van Gogh’s words along with his work
Vincent van Gogh 《Garden of Saint-Remy Sanctuary》 May 1889 Clerer-Müller Museum

The painter Vincent van Gogh (1853-90) , who established a strong style and lived intensely and densely .
Of the short life of 37 years, only 10 years lived as a painter. Why did Van Gogh get a unique expression in spite of his short art work?
This exhibition focuses on the relationship between the two encounters behind this, “The Hague” and “Impressionism” and Van Gogh, and approaches the secret of Van Gogh ’s unique creation.

In this exhibition, in addition to Van Gogh’s work, works of masters representing the Hague and Impressionists such as Maufé, Monet and Renoir will be exhibited. An easy-to-understand introduction to the process until Van Gogh arrives at his original style.

“Hague” naturalistic look

(Foreground) Alberto Nuheis 《In Drenthe’s House》 1894 The Hague Museum of Art
Vincent van Gogh 《Still Life with Vessel and Pear》 1885 Utrecht Museum of Art

In the first half of the exhibition, the works were introduced focusing on the “The Hague School” who led Van Gogh.
Many people may not be familiar with the Hague school, but the painters gathered in the seaside town of The Hague in the southwestern Netherlands, whose naturalistic landscapes and genre paintings are the forerunners of modern European paintings. The

Van Gogh, who loved Millet, sympathized with the Hague who described peaceful daily life on the stage of nature, and asked Maufe , the central figure, to teach and interact. It can be said that Van Gogh’s first step as a “peasant painter” began here.

Encounter with “Impressionism”

Claude Monet 《Eskis Monte Carlo from Roquebrune》 1884 Monaco Royal Palace Collection

In the exhibition hall, a number of delicious words left by Van Gogh are introduced.
There is a passage that says “Oh, Claude Monet has to draw a person like a landscape” . Van Gogh deeply respected Monet’s paintings and was fascinated by the dynamic colors of the Impressionists.
Until then, Van Gogh used to depict the daily life and inner side of the farmers in dark colors, but meeting the Impressionism in Paris will bring up bright colors and various brushstrokes to open up a unique style. is.

In the second half of the exhibition, the works of Impressionist masters will be introduced in comparison with Van Gogh’s paintings, and the trajectory of the painting will be traced.

About 40 Van Gogh works gather!

(Foreground) Vincent van Gogh 《Farmer’s Head》 1885 Scottish National Gallery
Incent van Gogh <Rose> May 1890 Washington National Gallery
Vincent van Gogh 《Hitosugi》 June 1889 Metropolitan Museum of Art

There are about 40 Van Gogh works on display at this exhibition. From the early stage to the late years, including the masterpiece “Hitosugi” and “Rose” , Van Gogh’s important works are gathered from 27 places in 10 countries around the world.

In the last exhibition room, “Hitosugi”, which can be said to be the white eyebrows of this exhibition, is displayed. Van Gogh was fascinated by the beautiful lines and balance of cypresses like the Egyptian obelisk” and the splendor of the green color. An ideal “beauty” glimpsed by Van Gogh ’s tired spirit. Please enjoy this work with its overwhelming texture at the venue.


Vincent van Gogh <Self-portrait of pipes and straw hats> September-October 1887 Van Gogh Museum (Fincent van Gogh Foundation)

Intense colors and undulating brushes, as symbolized by Cypress. Van Gogh, sometimes referred to as the “Flame Painter” because of his style, devoted himself to painting as if he burned himself.

This exhibition conveys the “passion” and presents the overall picture of his painting work. The Hague School and Impression School. Why don’t you go deeper into Van Gogh’s world through each work?

Also pay attention to the unique product sales corner! This is an original goods by popular illustrator Izumi Shiokawa
Van Gogh exhibition limited goods using Snoopy dressed as Van Gogh also appeared

Outline

Exhibition name
“Gogh Exhibition
Session From October 11, 2019 (Friday) to January 13, 2020 (Monday, National Holiday)
9:30 to 17:00 (Open until 20:00 on Fridays and Saturdays)
* Last admission 30 minutes before closing
closing day December 31 (Tue), January 1 (Wed)
Venue The Ueno Royal Museum (Ueno Park 1-2, Taito-ku, Tokyo)
Official site go-go-gogh.jp

View other reports

Tokyo National Museum Special Exhibition “People, God, Nature -An Ancient World Talked about the Masterpieces of The Earl Sarii Collection”!

Tokyo National Museum


In the 3rd room of the Tokyo National Museum Toyokan in Ueno, the special exhibition “People, God, Nature-The Art of Sarii Collection” will be held from Wednesday, November 6, 2019 to Sunday, February 9, 2020. An ancient world told by a masterpiece ”will be held.
The Toyokan of the Tokyo National Museum, renewed in 2013, displays art and cultural assets from all over Asia based on the concept of travel.
Going around the hall makes you feel like you’re on a “trip” across space and time around Asia.
This exhibition introduces 117 items selected from the masterpieces of the Earl Sani Collection, allowing you to view works from the ancient societies of the Mediterranean region, Asia, Africa, and Latin America at once. It will be a valuable opportunity.
Please travel to Toyokan where time and space have expanded.

■ Exhibition structure and main exhibits

 

◇ Chapter 1 People

In Chapter 1, we will focus on crafts related to kings and influential people who ruled ancient societies in various places.
The king statue, the gorgeous accessory, and the items specially made for funerals, all of which are precious materials processed with high technology.
If you compare the displayed works, you can see that each culture has different tastes and designs.
On the other hand, in the ancient hierarchical society, the rulers had to actively show their authority, and that every ancient society had a relationship with the dead and the afterlife under a unique view of death and life. You can see the behavior that is common to the ancient cultures.

 

★ Idealized Pharaoh

 

《Head of the King》 Sekihekigyoku Egypt 1473-1129 B ⓒ”The AI Thani Collection”

 

Jagged eyebrows representing the sun in the underworld

《Masked》 翡翠, Shellfish Guatemala 3-6th Century ⓒ“The Al Thani Collection”

 

★ Standing noble woman

《Character Image “Princess of Bactria” Electrum, stone, shellfish Central Asia c. 2300-1800 B. ⓒ“The Al Thani Collection”

 

◇ Chapter 2 God

People have performed rituals and prayed to please the gods.
Chapter 2 introduces works related to sacred rituals and gods and spirits created by ancient cultures in various regions.
It was not easy for ancient people to run a stable society.
A bit of bad weather leads to serious famines, and wars against conflicting cities and other ethnic groups occur frequently. It must have been extremely important.
This is the background behind the exhibition work of Chapter 2.
There were a variety of religions and beliefs in the ancient world, but every member of society was devoted to their survival and social stability, asking about their relationship with the gods.

 

★ Hello from the megalithic

《Relief》 Alabasta, Gold, Precious Stone, Bronze, etc. Southern Arabian Peninsula c. 100 ⓒ“The AI Thani Collection”

 

★ A goddess staring at the stars?

《Women’s statue “ Stargazer ”》 Marble, etc. Western Anatolia Peninsula Around 3300 to 2500 BC ⓒ“The Al Thani Collection”

 

★ Musicians looking into religious rituals

《Tambarine player image》 Alabasta, Carnelian, Cryolith Mesopotamia circa 2500 ⓒ”The Al Thani Collection”

 

◇ Chapter 3 Nature

How have people recognized the natural world?
In Chapter 3, we will focus on this theme and display crafts that mainly resemble animals.
The people of all ancient societies used nature and the power of gods by using animal-like vessels and accessories.
For example, wild animals with large horns such as goats are said to symbolize the strength of nature.
The sacred animal statue associated with the gods was believed to have sacred power.
When comparing the displayed works, various appearances and expressions of animals are cut out for each work.
The diverse works tell us that there were different natural environments in each place and that people’s interests differed depending on the culture.

 

★ I embody the strength of nature

《Ibex》 Bronze Southern Arabian Peninsula The second half of the first millennium B ⓒ”The Al Thani Collection”

★ Threatening on the battlefield!

 《Nose ornament》 Gold, lapis lazuli / soda stone, etc. Peru 2-4 centuries
ⓒ“The Al Thani Collection”

 

★ A little bit of a loose bear

《Bears》 Gold and Copper China 206 ~ 25 years later ⓒ“The Al Thani Collection”

[Summary]

■ Exhibition Name: Special Exhibition “People, God, Nature -An Ancient World Talked about the Masterpieces of The Earl Sani Collection”
Dates: November 6, 2019 (Wednesday) to February 9, 2020 (Sunday)
■ Venue: Tokyo National Museum, Toyokan, Room 3 (Tokyo / Ueno Park)
■ Opening hours: 9: 30 ~ 17: 00 Fridays and Saturdays until 21:00 * Last entry 30 minutes before closing ■ Closed days: Monday, December 26 (Thursday) to January 1, 2020 (Wednesday)・ Holiday), January 14 (Tue)
* However, it will be open on January 13 (Monday / Holiday) ■ Admission: General 620 yen (520 yen), University student 410 yen (310 yen)
* Free for high school students and younger, under 18 years old and over 70 years old.
Please show your age when you enter.
* () Is a group charge for 20 people or more.
* You can see the general cultural exhibition fee and the special exhibition ticket (limited to the day of viewing).
* A separate viewing fee is required for the special exhibition “World of Shosoin” (10 / 14-11 / 24) and the special exhibition “Izumo and Yamato” (2020/1 / 15-3 / 8).
■ Organizer: Tokyo National Museum, The Earl Sani Collection Foundation, NHK
Inquiries: 03-5777-8600 (Hello Dial)
■ Website: https://www.tnm.jp/

 

Article provided by Kokosil Ueno


See other exhibition information

 

Tokyo Metropolitan Art Museum “Looking At The Children” -November 16, 2019 (Sat) -January 5, 2020 (Sun)

Tokyo Metropolitan Art Museum

From November 16, 2019 (Saturday) to January 5, 2020 (Sunday), the Ueno Artist Project 2019 “A Look for Children” will be held at the Tokyo Metropolitan Art Museum in Ueno .

The Tokyo Metropolitan Art Museum is called the “Hometown for Public Exhibitions” and is popular as a place for the presentation of works by many public organizations.
Since 2017, the “Ueno Artist Project Series” has been developed, which introduces contemporary artists who are active in public recruitment organizations by setting a theme every year.
This year, the third edition, will be held under the theme of “A look toward children”.
Children have captured the hearts of many writers as an attractive motif.
In childhood, everyone experiences, and artists create works with their own thoughts.
Various images of children are layered there, which leads to the “feelings for children” in the audience.
Please enjoy the diverse world of children expressed by 6 artists, from young to veteran.

Work introduction

■ Being loved

 

Kana Shinsei «Girls and the Universe» 2016 Collection of the artist Photo: Ichiro Otani
Ayako Okubo «Spin life» 2014 Collection of the artist

■ Growth and conflict

Tsubasa Shida «Many» 2018 Collection of the artist Photo: Ichiro Otani

Megumi Toyosawa «The Birthday» 2015 Collection of the artist Photo: Ichiro Otani

■ Life connection

Yasuhisa Yamamoto «Soft Prediction» 2015 Collection of the artist
Masanori Kihara «Shape of people’s shape-Return to the ground-» 2017 Collection of the artist

event information

○ Artist talk by exhibiting artists
The artist talks about the works exhibited in this exhibition.

Date: November 24, 2019 (Sunday) 14: 00-15: 30
Writer: Ayako Okubo, Megumi Toyosawa, Masanori Kihara
Venue: Tokyo Metropolitan Art Museum Gallery A and C


Date: December 1, 2019 (Sunday) 14: 00-15: 30
Writer: Kana Shinsei, Tsubasa Shida, Akihisa Yamamoto
Venue: Tokyo Metropolitan Art Museum Gallery A and C


* Participation is free.However, this exhibition ticket is required.
* Please gather at the venue directly.The artist may be changed for convenience.

○ Gallery talk by curator in charge (with sequential interpretation in English)
The curator in charge of this exhibition will introduce the highlights of the exhibition.

Date: December 8, 2019 (Sunday) 14: 00-15: 00
Lecturer: Tokyo Metropolitan Art Museum Curator
Venue: Tokyo Metropolitan Art Museum Gallery A and C

* Participation is free.However, this exhibition ticket is required.
* Please gather at the venue directly.


○ Gallery talk by the curator
The curator in charge of this exhibition will introduce the highlights of the exhibition.

Date: Friday, December 20, 2019 ①14: 00-14: 30, ②19: 00-19: 30
Lecturer: Tokyo Metropolitan Art Museum Curator
Venue: Tokyo Metropolitan Art Museum Gallery A and C

* Participation is free.However, this exhibition ticket is required.
* Please gather at the venue directly.


○ School program
Museum Start Aieno “Ueno Welcome Course”
* Advance application system

On weekdays during the “Children’s Eyes” exhibition, we will implement a program corresponding to the school curriculum.
We will have a meeting with the teachers in advance so that the children can independently appreciate.
On the day of the event, you will enjoy the exhibition works with curators and art communicators, and then make a museum book using special tools.

Duration: 1 hour 30 minutes to 2 hours
Target: Elementary, middle, high and special support schools (accepted from club activities and class units, including special support classes)
If you would like to participate, please apply from the application form on the “Museum Start Aieno” website.

■ Exhibition Outline

Exhibition name: Ueno Artist Project 2019 “A Look for Children”

Organizer: Tokyo Metropolitan Art Museum (Tokyo Metropolitan Foundation for History and Culture)

Dates: November 16, 2019 (Saturday) to January 5, 2020 (Sunday)

Closed days: November 18 (Mon), December 2 (Mon), 16 (Mon), 26 (Thu) -January 3, 2020 (Fri)

Opening time: 9: 30 ~ 17: 30 (Last entry 30 minutes before closing)

Open at night: Every Friday, November 30th (Sat), December 7th (Sat) 9: 30-20: 00 (Last entry 30 minutes before closing)

Venue: Tokyo Metropolitan Art Museum Gallery A and C

Admission fee: General 500 yen / Group (20 people or more) 400 yen / 65 years old and over 300 yen
* Free for students and younger
* Free for those with physical disability certificate, love certificate, nursing certificate, mental health care welfare certificate, and A-bomb victim health certificate (up to 1 person)
* Please bring something that you can prove.
* Free admission with a ticket (stub) available for the Courtauld Museum Exhibition
* November 16 (Sat), 17 (Sun), December 21 (Sat), and 22 (Sun) are parents who are accompanied by children under the age of 18 (Family Friendship Day) Residents (up to 2 people) are half the general fee (please bring proof)
* November 20 (Wednesday) and December 18 (Wednesday) are free of charge for those aged 65 and over due to Silver Day.
(Please bring something you can prove)
* Free for school elementary school students, elementary school, junior high school, and high school students who are equivalent to elementary school / junior high school students.

Article provided by: Kokosil Ueno


See other exhibition information

Ueno Royal Museum of Art 50th Anniversary Commemorative Nagai GO Exhibition! September 14 (Sat)-29 (Sun) 2019

The Ueno Royal Museum

The Ueno Royal Museum will hold a 50-year “breakthrough” Nagai GO exhibition from September 14th (Sat) to September 29th (Sun), 2019.

■ Purpose and highlight

© 1967-2019 Go Nagai / Dynamic Production.
All rights reserved. [/caption]

A large exhibition to commemorate the breakthrough of the 50th year of painting by the manga genius Go Nagai!

The manga genius Go Nagai has a variety of genres such as “Harenchi Gakuen”, which has caused social phenomena, “Devilman” who leaves the name in the history of the manga world, and “Mazinger Z”, a monumental monument of the giant robot manga. Has been sent to the world.
The number of works that have been announced so far exceeds 350, and the infinite imagination is still unknown.
This exhibition, which will be held in commemoration of the 50th year of the painting industry, will display more than 600 valuable handwritten manga manuscripts and color illustrations, from debut to the latest.
Exhibits are introduced by genre: “Devil / Devil”, “Robot”, “Gag”, and “Charming Hero Heroine”.
In addition, you can see treasured materials that cannot be seen in the area, and areas that are based on the world view of “Mazinger Z” and “Devilman”.
In addition, new works including illustrations and works that have made the way to Go Nagai’s debut as comics.
It will be shown for the first time at this exhibition.
Please enjoy the imagination world created by Go Nagai.

* This exhibition will be held in Osaka last year from September 8th to 24th (Osaka Bunkakan / Tempozan) and Ishikawa exhibition from July 20th to August 25th this year (Ishikawa Prefectural History) The museum will visit the Tokyo exhibition.

■ Go Nagai Profile

Born September 6, 1945 in Wajima City, Ishikawa Prefecture.
From an early age, he became familiar with manga, movies, rakugo, and adventure novels, and made his debut in 1967 with “Memeshi Polykichi” after being assisted by Shotaro Ishinomori.
The following year, “Harenchi Gakuen” will be serialized and will soon become a big boom.
Since then, he has continued to present works in a wide range of genres.
Representative works include “Devilman”, “Mazinger Z”, “Violence Jack”, “Cutie Honey” and many others.
In 1980, he received the 4th Kodansha Manga Award (Shonen category) for “Dragon King”.
In 2009, the Nagai Go Memorial Hall opened in Wajima City, Ishikawa Prefecture.
In 2018, he received the 47th Japan Cartoonists Association Award / Minister of Education, Culture, Sports, Science and Technology Award.
In July 2019, he received the Order of Chevalier from the French government.
Currently, “Devilman Saga” is serialized in Big Comic (Shogakukan) magazine.

■ Overview

■ Exhibition Name: Nagai GO Exhibition 50 Years of Painting
Date: September 14 (Sat)-29 (Sun), 2019
■ Time: From 10:00 to 17:00 (Last entry 30 minutes before closing, open all day)
■ Venue: The Ueno Royal Museum
■ Organizer: Sankei Shimbun, Nagai GO Exhibition Executive Committee
■ Support: BANDAI SPIRITS, Bandai, Bandai Namco Entertainment,
Toei Animation, Nozaki Printing Paper, eBook Initiative Japan
■ Special cooperation: Dynamic production, Dynamic planning
■ Planning cooperation: Tezuka Productions
■ Admission fee: General / university students 1,600 yen (1,400 yen), high school / junior high school students 1,000 yen (800 yen), free for elementary school students and younger, parentheses are for groups of 20 or more, advance tickets, and advance tickets from June 9 Sold until September 13th, if you have a disability certificate, you and your attendant (up to 1 person) will be half the price of the day

■ Main ticket sales locations

■ Regular tickets:
Ticket Pia 0570-02-9999 (P code: 769-680)
Lawson Ticket 0570-000-777 (L code: 39503)
e +
* Link from official website
■ Limited design tickets:
Jungle, Volks, Animate, Toranoana, TOKYO ATOM stores

■ Inquiry, official homepage

■ Official website: http://www.nagai50ten.com
■ Official twitter: @ nagai50ten
■ Inquiry: Hello dial 03-5777-8600

Article provided by: Kokosil Ueno


See other exhibition information

Tokyo National Museum Shoshoin’s World-The Beauty of the Imperial Family

Tokyo National Museum

Raden Shion Gojo Tang Dynasty / 8th Century Shosoin Treasure [October 14-November 4]

Tokyo National Museum Heiseikan will hold a special exhibition “The World of Shosoin-Beauty that the Imperial Family has Preserved” from October 14th (Monday / Holiday) to November 24th (Sunday) 2019 To do.

This exhibition commemorates the emperor’s imperiality and is a special exhibition focusing on the Asuka and Nara era’s internationally artistic culture centered on Shosoin treasure, representing 7th century art in Japan. The Horyu-ji Temple treasure and Shosoin treasure representing 8th century art will be released simultaneously.

Shosoin Shoin

■ Highlights

A masterpiece of treasures from Shosoin, such as Gosho-no-Sango-gogo, which has the highest beauty that carries the sound of the Silk Road that originated in ancient India and is the only one in the world that exists only in Shosoin. In addition to exhibiting, the works of the era and materials can be displayed by displaying works produced for the same purpose, such as “Lacquered jar” (Treasure of Shokura-in) and “Ryushu Water Bottle” (Treasure of Horyuji Temple). You can get a close look at the characteristics of each different beauty.

This is an exhibition that conveys Japanese culture to the world.
You can see the irreplaceable Japanese beauty that the imperial family protected and passed down, as well as the eternal beauty that will continue to be passed down in the future.

Raden Shion Gojo Tang Dynasty / 8th Century Shosoin Treasure [October 14-November 4]
Lacquered jar, Tang or Nara period, 8th century Shosoin treasure [late exhibition November 6-24]
National Treasure Dragon Head Bottle Asuka Era, 7th Century Tokyo National Museum
[Late exhibition November 6-24]
Important cultural property Asuka-Nara era, 7th-8th century Tokyo National Museum (Horyu-ji Temple treasure) [October 14-November 4]
Flat Heaven Back Angle Mirror Tang Dynasty / 8th Century Shosoin Treasure [Late Exhibition November 6-24]
In addition to the exhibited works that have already been announced, there are many treasures that have been carefully guarded and handed down at Shosoin. Etc., all 43 items have been decided.

■ Advance tickets are also on sale now!

・ First term + late ticket

This is a great value set ticket that can be entered once each in the first half (October 14th to November 4th) and the second half (November 6th to November 24th).
Price: General 2,800 yen (tax included) Sales period: July 19 (Friday)-September 19 (Thursday), 2019

・ “Imperial Commemoration 71st Shokurain Exhibition” + Special Commemorative Exhibition “The World of Shosoin” Set Ticket

“Imperial Commemorative 71st Shokurain Exhibition” (Nara National Museum): October 26th (Sat)-November 14th (Thursday), and each of the commemorative special exhibitions “The World of Shosoin” once each A set ticket that you can appreciate.
Price: Advance tickets 2,300 yen (tax included) Same day tickets 2,500 yen (tax included)
Sales period: Advance: July 19th (Friday)-October 13th (Sunday), 2019 / On the day: October 14th (Monday / holiday)-November 13th (Wednesday) 15:00

* The “Imperial Commemoration 71st Shokurain Exhibition” (Nara National Museum) is free to commemorate the throne on November 14 (Thursday).

・ Bibliography / voice guide set ticket

This is a great value ticket that includes the official catalog, audio guide, and admission ticket for this exhibition.
* Please exchange the official catalog at the special exhibition shop during the exhibition.
* Please exchange the audio guide at the venue audio guide reception during the exhibition.
* Narrator will be announced at a later date.
Price: General 4,500 yen (tax included) Sales period: July 19 (Friday) to October 13 (Sunday), 2019
* Each plan ticket is on sale at various play guides

[Exhibition Outline]

The Gothic Memorial Special Exhibition Shokurain’s World-The Beauty of the Imperial Family-

Dates: October 14, 2019 (Monday / Holiday)-November 24, Sunday
・ October 14 (Mon / holiday) to November 4 (Mon / holiday)
・ Late November 6 (Wed)-November 24 (Sun))
■ Venue: Tokyo National Museum Heiseikan (Ueno Park)
Closed day: Monday, Tuesday, November 5
* Open on October 14 (Mon./holiday) and November 4 (Mon./holiday)

Article provided by :Kokosil Ueno


View other reports