[National Museum of Nature and Science] Special exhibition “Insect MANIAC” coverage report. Digging deep into the overwhelming diversity of insects from an insect enthusiast’s perspective!

National Museum of Nature and Science
“Insect MANIAC” venue view

Insects are the largest group of living organisms on Earth, accounting for more than half of all reported species. A special exhibition called “Insect MANIAC” has opened at the National Museum of Nature and Science, delving into this unknown world from a variety of unique perspectives. The exhibition will run until Monday, October 14, 2024 (national holiday).

entrance
Exhibition view
Exhibition view

There are approximately one million species of insects that have been named by humans. Although they are the wild animals that live closest to humans, only a handful of species are generally recognized. Furthermore, even for insects whose names are known to everyone, there are many cases where their ecology is shrouded in mystery, or where they hide interesting secrets that only researchers know.

This exhibition features a wide range of insects, from giant beetles over 10 cm long to tiny bees less than 1 mm long, and even spiders, centipedes, and other terrestrial arthropods that are also called “mushi” (insects). Five researchers from the National Museum of Nature and Science interweave precious specimens and the latest insect research to delve deeply into the overwhelming diversity of insects, one step beyond the knowledge you can get from books and illustrated guides.

Exhibition view of “Zone 1: Insects and Bugs”

Although it is a niche subject, the venue has set up an introductory section called “Zone 1: Insects and Bugs” where basic information such as the differences between insects and bugs and their characteristics is reviewed, so even those who are not familiar with insects need not worry.

The next section, “Zone 2: Diverse Insects,” is the main section of the exhibition. It is divided into five doors according to the researchers’ specialties. The “Dragonfly Door” introduces incomplete metamorphosis insects such as dragonflies, grasshoppers, and cicadas, the “Bee Door” introduces bees and flies with membranous wings, the “Butterfly Door” introduces butterflies and moths, the “Rhinoceros Beetle Door” introduces beetles such as rhinoceros beetles and stag beetles, and the “Spider Door” introduces the world of arthropods other than insects, such as spiders, centipedes, and scorpions. Each door deals with content related to three keywords: “The key to diversification,” “New common knowledge about insects,” and “Food, clothing, and shelter for insects.”

“Zone 2: Diverse Insects” exhibition view. The insect specimens displayed at each door are also a highlight.

Five giant models, each of which was carefully designed by researchers with great attention to detail, await visitors as landmarks in each area.

It’s a little different from a typical insect exhibition. For example, the model of the Ezo longhornet does not show a cool flight, but rather reproduces the indescribable appearance of the insect deforming its body to lay eggs. The surprise of “That’s what you’re paying attention to!?” is also one of the best parts of this exhibition.

A giant model of a giant wasp

As someone who is not very knowledgeable about insects, this exhibition was full of surprises.

For example, the societies formed by insects. The familiar ecology of hornets and honeybees, where worker bees and queen bees live in groups and divide up the tasks of labor and egg-laying, is rather rare in the Hymenoptera order, which has about 150,000 species, and there are overwhelmingly more solitary bees. This is a low level of knowledge in terms of mania, but I was shocked because I had the fixed idea that “bees are insects that live in groups.”

Exhibition on insect society

In addition to the “eusocial” ecology of bees, in which they live in groups, there are various other ecologies, such as “solitation,” in which bees basically live alone after the mother bee leaves after laying eggs, “subsociality,” in which the mother bee feeds the hatched larvae even after laying eggs, and “worker parasitism,” in which bees depend on other bees to build nests and gather food. For this reason, bees are said to be of great interest as research material for considering the evolution of sociality in insects.

The exhibit on gender diversity was packed with some pretty nerdy stuff, and one thing that caught my eye was a unique “ginandromorph” (hermaphrodite) specimen that has both male and female characteristics.

A specimen of a ginandromorph butterfly. The red-spotted pearl sphagnum hawkmoth at the bottom right has male and female characteristics diagonally across from each other.

Among many individuals of the same species, ginandromorphs can occasionally occur, and in the case of butterflies in particular, many examples have been found in which the butterfly is clearly divided into left and right wings along the center line. The exhibit also features an even rarer ginandromorph specimen in which the left forewing and right hindwing are male characteristics, and the right forewing and left hindwing are female characteristics. The symmetry of each butterfly is beautiful, and one cannot help but feel the mystery of life.

A specimen of a praying mantis that camouflages itself as a dead branch or fallen leaf. The violin mantis on the top right has a particularly unique form, and at first glance it doesn’t look like a living thing.
A specimen of the panda ant that lives in South America. The confusing thing is that it’s neither a panda nor an ant, but actually a bee.

At the venue, you can not only observe the complex, strange, and beautiful visuals of insects as they are, sometimes even under a microscope, but you can also enjoy elaborately presented specimens that are not just displayed in a monotonous manner.

Beetle and stag beetle specimens of various sizes

For example, different sized rhinoceros beetles and stag beetles are arranged in a gradational circle to create a stylish piece of art, or a single different species of butterfly is mixed in with a row of the same butterfly to create a spot the difference game. The arrangements are well-balanced to entertain visitors.

This is a quiz where you have to guess the species that is mixed in with the only other animal. It’s quite difficult.

The specimens of insects with “structural colors” such as the iridescent color of the Japanese jewel beetle, which are produced not by pigments but by the interaction of sunlight with fine structures, looked like an unusual jewelry box. The gemstone weevil, which lives around New Guinea and has structural colors on its body surface called phoronic crystals, was extremely beautiful, shining brilliantly in green, blue, and purple depending on the angle.

A specimen of the stone weevil

One of the attractions of this exhibition is that it allows visitors to experience the world of insects from various perspectives, not just by “seeing,” but also by “listening,” “touching,” and “smelling.”

In North America, there are two groups of cicadas, the 17th cicada, which emerges every 17 years, and the 13th cicada, which emerges every 13 years, known as “prime cicadas.” Both groups emerge in large numbers at the same time once every 221 years, which is a common multiple of 17 and 13 years, and as was reported in the news in Japan, 2024 was a lucky year.

Prime Number Seminar Exhibition

The venue is filled with the sounds of various insects, but one spot in particular that is worth paying attention to as an experiential exhibition that allows you to “listen” is the spot where you can experience the chorus of the Prime Number Seminars. The research team traveled to Chicago, Illinois for this exhibition. The recordings, which reached a maximum of 85-86 decibels (the same level of noise as inside a pachinko parlor), are presented along with a travelogue.

A spot to experience the Prime Number Seminar chorus

As an experiential “smelling” exhibit, there is a spot that sprays out the scent of eucalyptus tallow, which is found in the essential oils of eucalyptus, which is favored by ground wasps, and skatole, which is found in their droppings. Ground wasps live only in Central and South America, and have a unique habit in the world of males collecting the scent components of flowers in order to approach females. Their glossy beauty is also a highlight.

Exhibition of wasps

The “touch” experience exhibit allowed visitors to touch real galls, which are nests made by aphid larvae that parasitize plants and create abnormal developments in the plant to protect themselves from predators. Although none of the exhibits were flashy, they were sure to stimulate intellectual curiosity.

Gall-touching spots
Various gall specimens. The one in the petri dish is a gall from the Jumping Coal Wasp, known as the only “jumping gall” in the world, and the video shows the gall jumping around.

The remaining zone, “Zone 3: Insects and People,” serves as an epilogue, looking into the world of insects that surround us and are part of our everyday lives, and thinking about the future of insects and people.

Exhibition view of “Zone 3: Insects and People”

Depending on a person’s perspective, insects can be considered either pests or beneficial. The exhibit uses hornets as an example of a typical pest, explaining that while they pose a risk of stinging people, they also help to prevent damage caused by insects in farmland. By changing one’s perspective, the exhibit conveys that people’s lives are supported by an ecosystem made up of a diverse range of organisms.

A map of insects living in the city

At first glance, insects seem to live robustly even in cities where there is little natural environment left, and even inside homes, which can be a big deal for people who dislike insects. Interestingly, there is a hypothesis that even if people see the same insect, they feel more psychological disgust when they see it inside the house than outside. Furthermore, it is possible that the fact that urbanization has reduced the opportunities to see insects on a daily basis is the reason why people dislike insects as “mysterious things.”

Therefore, the caption of the epilogue also included an advice-like statement: “By learning about each individual bug and why you don’t like them, you may be able to ease your aversion to all bugs a little.”

Exhibits of insects whose populations are declining due to changes in the global environment, such as the endangered Ishigaki Niini

The exhibition made visitors think naturally about the tiny world of insects, most of which are unnoticed by humans, yet they are inseparable from our lives and are our closest neighbors.

Display of the Motonari small-winged long-horned beetle

In addition, this exhibition will also feature a specimen of the Motonarihimekobaenagakushi, a new species of insect discovered by Yoshiaki Yamane of the comedy duo “Ungirls” while recording a program called “Motonari.” in the mountains of Hiroshima in 2023.

Ungirls’ Yoshiaki Yamane (left) and Takashi Tanaka (right)

As a result of this discovery, Ungirls became the official supporters of this exhibition. Yamane, who appeared at the opening talk held prior to the opening, recalled that when the new species was discovered, Yoshihiro Senda, a researcher at the Hiwa Natural Science Museum who accompanied him, pointed out to him that “this is rare,” but Yamane didn’t take it seriously, thinking it was just flattery for television.

His partner, Takuji Tanaka, continued, “Yamane wanted to finish the location early, so instead of going deep into the mountain, he quickly scooped up some suitable soil near the entrance and found the new species. On the other hand, that was a place that the teacher would not look for.” He laughed and analyzed that the reason for the new species discovery was Yamane’s “sloppiness.”

It seems that new species of insects are surprisingly close to us, but we just don’t notice them. At the end of the exhibition, researchers are introduced to the perspectives, techniques, and tools they use to search for insects, so it might be interesting for students to try discovering a new species of insect as their summer vacation independent study project.

The special exhibition “Insect MANIAC” will be held until Monday, October 14th (national holiday).

Overview of the special exhibition “Insects MANIAC”

Dates July 13, 2024 (Sat) – October 14, 2024 (Monday/Holiday)
venue National Museum of Nature and Science (Ueno Park, Tokyo)
Opening hours 9:00-17:00 (Entry until 16:30)
*However, opening hours will be extended until 7:00 p.m. every Saturday and from August 11th (Sun) to 15th (Thu) (entrance until 6:30 p.m.)
closing day September 2nd (Monday), 9th (Monday), 17th (Tuesday), 24th (Tuesday), 30th (Monday)
Admission fee (tax included) Adults and university students: 2,100 yen; elementary, middle and high school students: 600 yen

*Free for preschool children.
* Free for those with a disability certificate and one caregiver.
*For further details, please check the official website.

Organizer National Museum of Nature and Science, Yomiuri Shimbun, Fuji Television Network
inquiry 050-5541-8600 (Hello Dial)
Exhibition official website https://www.konchuten.jp/
Supervisor Tatsuya Ide [General Supervisor, Wasps] / Researcher, Terrestrial Invertebrate Research Group, Animal Research Department, National Museum of Nature and Science Shuhei Nomura [Coleoptera] / Group Director, Terrestrial Invertebrate Research Group, Animal Research Department, National Museum of Nature and Science Takeshi Jinbo [Butterflies and Moths] / Principal Researcher, Terrestrial Invertebrate Research Group, Animal Research Department, National Museum of Nature and Science Takuya Kiyo [Odonata] / Principal Researcher, Terrestrial Invertebrate Research Group, Animal Research Department, National Museum of Nature and Science Kenichi Okumura [Arachnida] / Researcher, Terrestrial Invertebrate Research Group, Animal Research Department, National Museum of Nature and Science

*The contents of this article are current as of the date of coverage (July 12, 2024). For the latest information, please check the official exhibition website.


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Dinosaurs will have a night parade at the Tokyo National Museum this fall! Report on the “Dinosaur Night Parade” press conference

Tokyo National Museum

 

The Tokyo National Museum (hereafter referred to as “Tokyo National Museum”) is a temple of Japanese beauty, boasting a vast collection of approximately 120,000 items, including 89 national treasures, and the building itself is designated as an Important Cultural Property. Although the Tokyo National Museum usually has a solemn atmosphere , approximately 20 giant dinosaurs, including Tyrannosaurus and Giganotosaurus, will appear in the courtyard in front of the main building! The unexpected event “Dinosaur Night Parade” , in which the dinosaurs will make a night parade while letting out primitive roars, will be held for two days on Friday, September 27th and Saturday, September 28th, 2024.

I attended the press conference held prior to the event.


“Dinosaur Night Parade” is a night event organized by “DINO-A-LIVE,” an experiential dinosaur live show project featuring “DINO-TECHNE,” a dinosaur-shaped mechanical suit developed by ON-ART Co., Ltd.

■Introduction video for “DINO-A-LIVE”

“If dinosaurs were alive, if they were resurrected in the present day, how would we feel about them?” – “DINO-A-LIVE” was born from such a simple question. It is a project that started in 2011 to deliver a sense of wonder that can only be created by witnessing and experiencing “living beings” with your own eyes, not through words, information, or knowledge.

The main attraction, the self-walking dinosaur-shaped mechanical suit “DINO-TECHNE”, was developed by ON-ART using the technology it has cultivated in the production of special artworks and realistic balloons, in order to realize a realistic dinosaur live show unlike any other in the world. (Currently patented in 14 countries around the world)

ON-ART CEO and President Kaya Kanamaru

“Our dinosaurs are brought to life as if they were alive. We have created them as if we were putting our souls into them,” says Kaya Kanamaru, CEO of ON-ART.

The aim of the live show is to provide edutainment (a portmanteau of education and entertainment) that allows visitors to have fun while learning about the natural environment and the world of living creatures. Although no one has ever seen a real dinosaur, they have repeatedly improved the sculptures by incorporating the latest theories and opinions of experts, and are extremely particular about reproducing every aspect of the dinosaurs, including their skeletons, skin, and joint movements. In addition, they synthesize dozens of biological sounds for each species using sampled sounds such as the cries of living animals. They express the “dinosaur sounds” by synchronizing them in real time with the dinosaurs’ movements.

“DINO-A-LIVE” live show

The lively dinosaurs, so lifelike that it’s hard to believe they are being controlled by humans, stalk before your eyes, wagging their tails and screaming, sometimes even baring their fangs at the audience. The dynamic and lively “DINO-A-LIVE” has been so popular in recent years that it has successfully completed an arena tour in five major cities in Japan, and has also been in the spotlight overseas, having been invited to the Royal Opening Ceremony of the Royal Museum in Kuwait and to a popular Italian TV show.

“DINO-A-LIVE” live show
“DINO-A-LIVE” live show

Some may wonder, “Wouldn’t a dinosaur event be more appropriate to hold at the National Museum of Nature and Science next door?”

In fact, the Tokyo National Museum is holding an exhibition entitled “National Treasures 150 Years from Now” in 2022-23 to commemorate its 150th anniversary, and the dinosaurs from “DINO-A-LIVE” participated in the corporate section as candidates for national treasures 150 years from now. Through this connection, Kanamaru and his team were appointed as “Tokyo National Museum Ambassadors.” The ambassador project “Dinosaur Night Parade” was planned to spread the greatness of Japan’s manufacturing spirit and to raise interest in the Tokyo National Museum, which is a collection of the best of manufacturing culture.

Location of “Dinosaur Night Parade”

“The Great Dinosaur Night Parade” is inspired by the “Night Parade of One Hundred Demons,” a grand procession of monsters and demons that has been depicted in Japanese picture scrolls and letters since ancient times. This will be the project’s first outdoor event.

Kanemaru said, “The idea is to have the dinosaurs have a big parade every night in the courtyard in front of the main building,” and explained the concept as follows:

“There is a huge lily tree in the courtyard. It is a species that has survived since the age of the dinosaurs without changing its shape much. The tree speaks every night, inviting the dinosaurs to come. The idea is for all the guests to join in and let out a wild roar towards the future together with the dinosaurs! We hope to create a performance that combines the valuable art and culture created by humans with a primitive sensibility.”

Tyrannosaurus
Stegosaurus

The two-day performance will last about an hour each. The first 30 minutes will be spent playing various ethnic instruments, and the last 30 minutes will be a dinosaur parade. About 20 popular dinosaurs representing each era will gather, including 8-meter-long Tyrannosaurus and Giganotosaurus, as well as Triceratops, Stegosaurus, and Allosaurus.

In the second half of the press conference, a Tyrannosaurus and a Giganotosaurus burst in early, creating a frenzy in the venue! They paraded around the venue swinging their long tails, and sometimes even biting the reporters.

Dinosaurs burst into the press conference!
As flashes went off, he roared and stalked the venue as if he owned the place.
Just when I thought he was staring at me, appraising me, he suddenly closed the distance between us.

Not only was the design amazing, but the movements were so lifelike that when it opened its mouth wide in front of me, I felt a chill as I thought, “I’m going to be eaten!” Even though I knew it wasn’t real. This movement of the heart, which makes you aware of the primitive “will to live” from your senses rather than your head, may be the true joy of “DINO-A-LIVE.”

During the photo session, the dinosaurs continued to be out of control, even teasing Tokyo National Museum’s Deputy Director, Asami.

The Tokyo National Museum Ambassador Project “Dinosaur Night Parade,” where visitors can experience the fusion of the history of traditional craftsmanship and cutting-edge technology, will be held for two days on Friday, September 27th and Saturday, September 28th, 2024. Depending on the weather, the number of dinosaurs may be limited, the content of the event may be changed, or it may be canceled, so we can only hope that the weather will be good on the day.

Seats and ticket prices will be announced at a later date, so please check the special page for details.

 

Article provided by: Kokosil Ueno


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[National Museum of Western Art] “Naito Collection Manuscripts – A Microcosm of the Elegant Middle Ages” Coverage Report

National Museum of Western Art
View of the venue

The exhibition “Naito Collection: Manuscripts – A Microcosm of the Elegant Middle Ages,” which explores the charm of illuminated manuscripts that were popular in medieval Europe, is currently being held at the National Museum of Western Art. The exhibition will run until Sunday, August 25, 2024.

View of the venue
View of the venue
View of the venue

A manuscript is a book that was popular in Europe before the invention of printing technology in the 15th century . It was produced by hand copying text onto vellum, paper made from thin animal skins, and required an enormous amount of time and effort .

Manuscripts were often lavishly decorated and illustrated, and at times became extremely luxurious items; however, they were a major medium of communication for people at the time, and also played an important role in supporting the Christian faith.

The “Naito Collection” in the title of this exhibition refers to a collection centered on manuscript leaves (individual leaves separated from a book) collected by Hirofumi Naito, professor emeritus at the University of Tsukuba and Ibaraki Prefectural University of Health Sciences. It is one of the largest manuscript collections in a Japanese art museum, and was donated to the museum in 2015, with 26 more manuscript leaves added in 2020.

This large-scale exhibition, featuring approximately 150 items from the majority of the Naito Collection as well as items housed in university libraries around Japan, explores the role of each manuscript and the world of medieval illuminated art*, in which text and pictures are integrated.

(Note: The decoration of manuscripts is called “illuminated” due to its shining, extensive use of gold.)

The exhibition is divided into nine chapters based on the purpose of the parent manuscripts to which the leaves originally belonged: Chapter 1: The Bible, Chapter 2: Psalms, Chapter 3: Manuscripts for the Breviary, Chapter 4: Manuscripts for Mass, Chapter 5: Other manuscripts used by the clergy, Chapter 6: Books of Hours, Chapter 7: Calendars, Chapter 8: Canon Laws and Books of Oaths, and Chapter 9: Secular Manuscripts .

A typical example of manuscript decoration is the initial .

View of the venue. On the right is Simone Camaldoli’s “Liturgical Poetry Leaf”, Florence, Italy, around 1380, Naito Collection (Naganuma Fund), National Museum of Western Art

Initials were ornately decorated letters at the beginning of a sentence. They were not only pleasing to the eye, but also served to mark the beginning of important sections of the text or to separate clauses. What’s interesting is that the type of decoration could indicate the hierarchy of the initial, and therefore of the text.

For example, in the center left of the page of the “Liturgical Psalm Leaf” there is a large letter “B”, and in the upper part of the “B” there is a figure of God blessing, and in the lower part there is a figure of David, the traditional author of the “Psalm”, playing an instrument. In this way, a depiction of a story scene or person in the space inside the letter is called a “narrative initial”.

There are other types of initials, such as “champagne initials” with gold letters on a colored background and “filigree initials” with lines around the letters, but in terms of hierarchy, narrative initials are at the top. By showing the core text with the most prominent narrative initials, they visually assisted the reader in understanding the text.

The Liturgical Psalms are a compilation of the texts of the Psalms from the Old Testament, as well as hymns and prayers, for the Divine Office , a worship service held at set times eight times a day in monasteries and churches.

“Bible Leaf”, England, circa 1225-35, color, ink, gold on vellum, Naito Collection, National Museum of Western Art

The Naito Collection contains many leaves from Bible manuscripts produced in 13th century England and France, and the Bible Leaf showing the beginning of Genesis is a representative example of this.

Among the densely packed, detailed layout of a huge number of characters, the gold-bordered decoration that runs vertically across the page catches your eye, but you’ll be surprised to find out that it’s actually a giant “I” for the story. It’s a scale befitting the beginning of a grand story. In a small circle of just 2cm in size, it intricately depicts the story from God’s creation of all things to Cain’s murder of Abel.

View of the venue, Jacobus van Enkhuisen’s copyist/illustrator of the Zwolle Bible, “Leaf of the Zwolle Bible”, Zwolle, Northern Netherlands, House of the Brothers of the Common Life, Gregory (copyist)/probably Zwolle (illustration), 1474 (copyist)/1475-76 (illustration), Naito Collection (Naganuma Fund), National Museum of Western Art

Leaf of the Zwolle Bible, produced in the late 15th century in the town of Zwolle in the North Netherland (near present-day Netherlands), is a leaf that emphasizes the letter “D” including the initial of the story. I was captivated by its neat and tidy beauty.

Initially, monks and nuns were responsible for copying and illuminating the manuscripts, but gradually lay artisans began to join in. The refined typeface seen in this work, which looks almost impossible to have been handwritten, was created by the renowned calligrapher Jacobus van Enkhuisen, who is said to have spent 14 years copying the entire volume.

This harmonious layout is the result of juxtaposing three versions of the Psalms, each with a narrative initial depicting a scene from David’s life, such as David carrying the Ark of the Covenant to Jerusalem.

Giovanni di Antonio da Bologna, Illuminated “Liturgical Poetry Leaf”, Bologna, Italy, 1425-50, color, ink, gold/vellum, Naito Collection, National Museum of Western Art

In some cases, initials indicate for whom the manuscript was produced and the occasion for which it was used, for example, the initial “C” on the Liturgical Poems Leaf depicts a Franciscan friar singing in front of a lectern, indicating that the original manuscript was produced for the Franciscan Order.

Incidentally, border decorations that use plant motifs to fill the margins of the pages, as in this work, are common among manuscripts, but on closer inspection this work is quite unique in that, among the graceful, vividly colored flowers and plants, there is the head of a strange old man, perhaps a monk.

There were also other leaves at the venue with mischievous-looking decorations in the margins, perhaps as a sign of the artist’s playfulness, and it was fun to check out every page.

Leaf of the “Leonello d’Este Breviary” by Francesco da Codigoro and illuminated by Giorgio d’Alemagna, Ferrara, Italy, 1441-48, Naito Collection, National Museum of Western Art

The Breviary, which contains all the texts to be read during the Divine Office, was originally kept by the priest who conducted the service, but gradually became popular among ordinary believers as well.

Among them, the leaf of the “Breviary of Leonello d’Este”, commissioned by the Este family who ruled the Italian city of Ferrara in the 15th century, is a gorgeous example of the utmost luxury for secular believers. The frame decoration, with its gold studded and fine lines like threads, is reminiscent of the sparkle of lavish jewelry and is nothing short of magnificent.

The decoration was done by Giorgio D’Alemagna, one of Ferrara’s leading manuscript illuminators, and although the overall style is late Gothic, the Renaissance was already underway in Ferrara at the time, and the way the figures are depicted within the initials shows some Renaissance influence.

Because manuscript decorations have been preserved within books and have avoided scattering and damage compared to murals and tapestries, they can be considered valuable witnesses to medieval art. This work, too, is a good example of a period in which the essence of two aesthetic sensibilities at the time of the transition in fashion is sealed away.

Luçon Painter, Illuminated Leaf of the Book of Hours, Paris, France, c. 1405-10, color, ink, gold on animal skin, Naito Collection, National Museum of Western Art, Tokyo
View of the venue, Painter of the Prayer, Illumination “Prayer Book Leaf” Northern Netherlands, probably Leiden, circa 1500-30, Naito Collection, National Museum of Western Art

Of course, there are also many Zeroyo leaves that, rather than being decorated with initials, feature miniatures (illustrations) that are assigned their own independent space on the page.

The Prayer Book Leaf features an illustration of Christ surrounded by a trompe l’oeil-style decoration of flowers and insects scattered on a gold background (a type of optical illusion that was popular in Ghent and Bruges around 1500). The leaf was originally produced to be inserted into an existing manuscript to enhance its aesthetic value, but the owner added an embroidered border to it and used it in worship in the form of a small painting.

View of the venue, “Gabriel de Quero’s Noble Identification Card”, Granada, Spain, 1540, Naito Collection, National Museum of Western Art

The exhibition also included non-Christian “secular” manuscripts, such as encyclopedic works and identity cards. As a result of the research, the exhibition also featured parent manuscripts of the zero leaf, which were identified based on the content of the copied text, the typeface, and the style of decoration, as well as sister leaves that had been separated from the parent.

Illuminated manuscripts were sometimes used as status symbols for their owners, or were lavishly decorated to satisfy aesthetic tastes. Some collectors cut out only the decorative parts, and they were cherished as first-class works of art that went beyond the realm of books. Although many of them are small in size, they are infused with the same aesthetic sense as the Western paintings we usually see in museums, and are in no way less impressive. Why not visit this exhibition and reflect on the aesthetic sense of the people of the Middle Ages, who probably read books with a different sensibility than we do today?

Summary of “Naito Collection Manuscripts – A Microcosm of the Elegant Middle Ages”

Dates June 11, 2024 (Tuesday) – August 25, 2024 (Sunday)
venue National Museum of Western Art, Special Exhibition Room
Opening hours 9:30-17:30 (9:30-20:00 on Fridays and Saturdays)
*Last admission is 30 minutes before closing.
closing day Monday, July 16th (Tuesday)
However, the museum will be open on July 15th (Monday, national holiday), August 12th (Monday, holiday), and August 13th (Tuesday).
Admission fee Adults: 1,700 yen, university students: 1,300 yen, high school students: 1,000 yen

*Free for junior high school students and younger.
* Free for people with physical or mental disabilities and one accompanying person.
*For further details, please check the official exhibition page.

Organizer National Museum of Western Art, The Asahi Shimbun Company
inquiry 050-5541-8600 (Hello Dial)
Official exhibition page https://www.nmwa.go.jp/jp/exhibitions/2024manuscript.html

*The contents of this article are current as of the time of coverage. Please check the official exhibition website for the latest information.


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[National Museum of Western Art] Let’s all enjoy art! Chatting is OK! Free admission “Nigiyaka Saturday” will be held

National Museum of Western Art

The National Museum of Western Art will hold a "Livid Saturday" on Saturday, August 3rd, during which admission to the permanent and special exhibitions will be free, allowing everyone to enjoy the art in their own way, including chatting with others while viewing the works.

■ Purpose of the event
"I feel nervous because I have to be quiet in museums" "It's hard to go to an exhibition with small children"… We want even such customers to be able to enjoy appreciating the artworks at the museum without hesitation. With this in mind, we will be holding "Livid Saturday", a day where you can talk freely about the artworks, further expanding the circle of surprise and joy that comes from appreciating the artworks. On the day, we will also set up a kids' space and a nursing room, and have planned events so that people of all ages can enjoy appreciating the artworks. (There will be no restrictions on conversations between customers on normal opening days.)

Overview
Date: Saturday, August 3, 2024
Venue: National Museum of Western Art (permanent exhibition/special exhibition)
Opening hours: 9:30-20:00
Cost: Free (However, if you use the shop or CAFÉ Suiren, an additional fee will be charged.)
Website: https://www.nmwa.go.jp/jp/experience-learn/detail/event_74.html

[Permanent Exhibition Project]
The permanent exhibition, which displays works that you may have seen before in textbooks such as Monet's "Water Lilies," is holding a "Let's go find this work!" project. Each person will be given a postcard with a cut-out photo of a part of the work attached, allowing you to enjoy art appreciation like a game. You may make a new discovery by paying attention to the details of the work.

[Special Exhibition Planning]
The special exhibition "Naito Collection Manuscripts – A Microcosm of the Elegant Middle Ages" is currently being held. In addition to distributing pamphlets with questions and explanations of the works to help visitors enjoy them more, this year we will be offering a bingo game featuring some of the manuscripts. There are lots of interesting elements in the manuscripts. While appreciating the works, try to find pictures and initials and aim for bingo!

(Image: A pamphlet distributed to each person)
(Image: Bingo with one ticket handed out to each person)

All of these events are enjoyable not only for children, but for people of all ages, both first-time museum visitors and repeat visitors.

■About the National Museum of Western Art
The National Museum of Western Art was established in April 1959 (Showa 34) as an institution to make works of Western art available to the public, based on the Matsukata Collection (including masterpieces by Monet, Renoir, Rodin, etc.) donated and returned by the French government. The main building was designed by French architect Le Corbusier (1887-1965) and completed in March 1959 (Showa 34). It was registered as a World Heritage Site in 2016.

[Access] Please see our website for details.
https://www.nmwa.go.jp/jp/visit/map.html

(train)
1 minute walk from JR Ueno Station (Park Exit)
7 minutes walk from Keisei Ueno Station on the Keisei Electric Railway
8 minutes walk from Ueno Station on the Tokyo Metro Ginza Line or Hibiya Line

[Agency for Cultural Affairs] Press Release

Article provided by: Kokosil Ueno


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Exhibition Ambassador Yuriko Ishida also appears! [National Museum of Western Art] “Monet: Water Lilies” Press Conference Report

National Museum of Western Art

The National Museum of Western Art will hold the exhibition "Monet: Water Lilies" from Saturday, October 5, 2024 to Tuesday, February 11, 2025 (national holiday). This time, we will introduce the information about this exhibition announced at the press conference on Wednesday, June 12.

Purpose of the event

Claude Monet (1840-1926) was one of the most representative painters of the Impressionist movement.

Monet's final years were a time when he faced many difficulties, including the death of a beloved family member, his own eye disease, and World War I. However, even in these times, his greatest source of creativity was the water lily pond he created in the garden of his house at Giverny, where the surrounding trees, sky, and light were reflected in its surface.

The idea of a "large decorative painting" in which a huge canvas of this subject would cover the entire wall of a room would remain in Monet's mind until the very end. The focus of this exhibition is on the large-scale "Water Lilies" paintings that were created during this process of trial and error.

This time, about 50 pieces will be coming from the Musée Marmottan Monet in Paris, including many important works that will be shown in Japan for the first time. In addition, works from collections around Japan will also be added, making this a rare opportunity to see the largest collection of Water Lilies ever in Japan.

Highlights of the Exhibition

Claude Monet, Water Lilies, c. 1914-1917, oil on canvas, Musée Marmottan Monet, Paris © Musée Marmottan Monet

1. Monet's final challenge: the ultimate exhibition of Monet, focusing on his later works as a culmination of the "painter of light"

2. The Marmottan Monet Museum, which boasts one of the world's largest collections of Monet paintings, will bring about 50 carefully selected works, including seven works that will be shown in Japan for the first time! In addition, the museum will also have masterpieces from Japan, bringing together a full lineup of Monet masterpieces from Japan and abroad.

3. More than 20 works on Water Lilies, the most important theme of Monet's later years, will be on display

4. A truly immersive experience of being immersed in Monet's world, surrounded by over 2m of large-scale Water Lilies

Exhibited Works

We will introduce some of the works on display in this exhibition.

Claude Monet "Water Lilies, Twilight Effect"

1897 Oil on canvas Musée Marmottan Monet, Paris © Musée Marmottan Monet / Studio Christian Baraja SLB

Monet's early "Water Lilies."

It is believed that Monet first painted water lilies in 1897. This work is believed to be one of his earliest "Water Lilies" paintings. In contrast to his later series, this work focuses on the lily flowers themselves, depicted with delicate brushstrokes, rather than the effect of light that paints the water a pale pink.

Claude Monet "Water Lilies, Reflection in the Willows"

Circa 1916-1919 Oil on canvas Musée Marmottan Monet, Paris © Musée Marmottan Monet

Monet, on the verge of going blind, painted this work of thirst for light.

The forked trunk of a weeping willow forms a gentle S-shape in this enormous study, measuring two meters in length and width. The glittering sunlight filtering through the trees, expressed with sharp vertical strokes, seems to convey the artist's thirst for light, at a time when he was in the midst of the fear of going blind due to cataracts.

Claude Monet "Japanese Bridge"

Circa 1918-1924 Oil on canvas Musée Marmottan Monet, Paris © Musée Marmottan Monet

The color and abstraction brought about by an encounter with Ukiyo-e.

The motif of an arched bridge is said to have been inspired by the ukiyo-e prints of Katsushika Hokusai and Kitagawa Utamaro, which Monet collected. In the "Japanese Bridges" series, which he painted towards the end of his life, of which 24 pieces are known today, Monet boldly portrayed this motif with colors and brushstrokes that could almost be called abstract.

Exhibition ambassador Yuriko Ishida will be speaking!

Actor Yuriko Ishida, who has been appointed as the exhibition ambassador, appeared on stage at the press conference held at the Nippon Television Hall on Wednesday, June 12th.

Ishida, who appeared in a lustrous purple outfit reminiscent of Monet's water lilies, is the ambassador for the exhibition, the audio guide, and the theme song for the exhibition. The theme song, "My Monet," is Ishida's first new song in about two years, produced by Ohashi Trio under her artist name "lily."

When asked how she felt when she was appointed as the ambassador for this exhibition, Ishida

"It really felt like a dream come true. I had always dreamed of being an ambassador for a major art exhibition, and to be chosen for an exhibition of my favorite artist, Monet… I couldn't imagine a more wonderful and rewarding job."

He expressed his joy.
When asked about the theme song for this exhibition, for which he wrote the lyrics, Mr. Ishida said:

"I've been doing my music career really quietly. I wanted to remain unknown (laughs). But when I heard about this opportunity, I thought I might never get another chance like this, so I accepted."

", she confessed her thoughts with a bit of embarrassment.

After this, music producer Ohashi Trio gave a surprise comment, which made everyone emotional. We got a glimpse of Ishida's pure, genuine face, which has not changed even as she has gotten older.

When asked about his personal preferences when appreciating paintings, Mr. Ishida said,

"I want to see it based on my senses, without getting too much knowledge. Some people may think that prior knowledge of Monet's paintings is necessary, but I think each person's perspective and way of accepting things are infinitely different. I want people to simply immerse themselves in the art with a clear mind."

I was very impressed by the answer.

Including works from collections in Japan, "Monet: The Water Lilies" traces the rich development of Monet's art, which "transcended Impressionism."
We hope you will enjoy Monet's feast of light and water using your own sensibilities.
The event will begin on Saturday, October 5, 2024.

Event Outline

Dates Saturday, October 5, 2024 – Tuesday, February 11, 2025
venue National Museum of Western Art
Opening hours 9:30 – 17:30 (until 21:00 on Fridays and Saturdays) *Last admission 30 minutes before closing
closing day Mondays, October 15 (Tue), November 5 (Tue), December 28 (Sat) – January 1, 2025 (Wed, holiday), January 14 (Tue)
(However, the museum will be open on October 14th (Monday, holiday), November 4th (Monday, closed), January 13th, 2025 (Monday, holiday), February 10th (Monday), and February 11th (Tuesday, holiday))
Organizer National Museum of Western Art, Marmottan Monet Museum, Nippon Television Network Corporation, The Yomiuri Shimbun, BS Nippon Television
inquiry 050-5541-8600 (Hello Dial)
Exhibition website https://www.ntv.co.jp/monet2024/

Article provided by: Kokosil Ueno


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Outdoor jazz festival to be held in Ueno for the first time in two years! Okijin x Yosuke Onuma, GENTLE FOREST JAZZ BAND and more confirmed to perform!

Water Music Hall (Ueno Park Outdoor Stage)

Sponsored by the Taito Arts and Culture Foundation, a public interest incorporated foundation, “UENO JAZZ INN’24” will be held on Saturday, August 3rd at the Ueno Onshi Park Outdoor Stage (Water Music Hall).
Tickets will go on general sale at Confetti from 10:00 on Wednesday, June 5th.

General sales start at 10:00 on Wednesday, June 5th at Confetti
http://confetti-web.com/@/taitocity-uenojazz2024
Official website
https://www.taitogeibun.net/our_events/zaidan_event_2024/2024_uenojazz/


“UENO JAZZ INN’24” will be held on Saturday, August 3rd!
The outdoor jazz concert is coming back to Ueno for the first time in two years!

The venue will be filled with exciting performers, including a collaboration between the currently active and talented musicians Oki Jin and Onuma Yosuke, as well as the professional jazz band GENTLE FOREST JAZZ BAND!
Would you like to join us in making Ueno’s summer even more exciting? Please come along!
Tickets are now on sale!

For an introduction of each performer, please click here
https://www.taitogeibun.net/our_events/zaidan_event_2024/2024_uenojazz/

 

・Performance details
“UENO JAZZ INN’24”
Performance date: Saturday, August 3, 2024
Venue: Ueno Park Outdoor Stage (Water Music Hall)

■ Performers (in no particular order)
Oki Jin x Onuma Yosuke / Otsuki “KALTA” Hidenori Oki Jin (Flamenco guitar) / Onuma Yosuke (Jazz guitar) / Otsuki “KALTA” Hidenori (Drums)

GENTLE FOREST JAZZ BAND
Gentle Kubota (leader, conductor, trb) / Murakami Motoi (tp) / Matsuki Risaburo (tp) / Akatsuka Kenichi (tp) / Sase Yusuke (tp) / Harigae Keita (tb) / Otagaki “OTG” Masanobu (tb) / Takahashi Shintaro (tb) / Ishikawa Tomohisa (btb) / Tada Hirokiyo (as, cl) / Kanno Hiroshi (as, harmonica) / Ouchi Mitsuharu (ts, fl, picc) / Ueno Makoto (ts) / Kojima Yuki (bs) / Umihori Kota (pf) / Kaji Yuta (gt) / Fujino “Digi” Toshio (wb) / Matsushita Masanao (ds)
Gentle Forest Sisters: Yuhi Deguchi / Miho Kimura / Yuzuko Igami

Showa University of Music Lily Jazz Orchestra
2023 54th Yamano Big Band Jazz Contest 1st Place Grand Prize Winner

2023 41st Asakusa JAZZ Contest Grand Prix Session
YOKO SUZUKI QUINTET (Band Division Grand Prize Winner)
KALUAGE (Vocal Division Grand Prize Winner)

■ Performance Schedule
Saturday, August 3, 2024
Doors open at 16:30 / Show starts at 17:00 / Finishes at 20:00 (scheduled)

■Ticket prices: Advance tickets 3,000 yen, same-day tickets 3,500 yen (all unreserved seats, tax included)
Same-day tickets are available for a 500 yen discount if you show your student ID.
Children of elementary school age or younger are admitted free of charge.

 

From the press release of Long Run Planning Co., Ltd.

Article provided by: Kokosil Ueno


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This summer, enjoy the cool evening air at the museum. It’s happening again this year! [Summer Night Museum 2024]

 

Tokyo’s cultural facilities will be hosting the “Summer Night Museum” again this year!

From Thursday, July 18th to Friday, August 30th, 2024, we will be offering special benefits such as discounts on admission fees every Friday night*, and we look forward to welcoming you. Why not spend a cool and relaxing time on a hot summer night? *Tokyo Photographic Art Museum is also open on Thursdays.

Detailed information on “Summer Night Museum 2024”

◆Tokyo Metropolitan Art Museum (Ueno)

・”Listening to the Earth: Presence and Texture”
<Dates: July 20th (Sat) – October 9th (Wed) / Venue: Gallery A, B, C>
Nighttime opening dates during the Summer Night Museum period: July 26th, August 2nd, 9th, 16th, 23rd, and 30th

“De Chirico Exhibition”
<Dates: April 27th (Sat) – August 29th (Thu) / Venue: Special Exhibition Room>
Nighttime opening dates during the Summer Night Museum period: July 19th, 26th, August 2nd, 9th, 16th, 23rd

◆Tokyo Metropolitan Teien Art Museum (Meguro)

“140th Anniversary of the Birth of YUMEJI Exhibition: Taisho Romance and the New World”
<Dates: June 1st (Sat) – August 25th (Sun)>
Special night opening dates: July 19th, 26th, August 2nd, 9th, 16th, 23rd

Garden open to the public
Special nighttime opening dates: July 19th, 26th, August 2nd, 9th, 16th, 23rd, 30th

◆Tokyo Photographic Art Museum (Ebisu)

“Mitsuhiko Imamori: Japanese Villages”
<Dates: June 20th (Thursday) – September 29th (Sunday) / Venue: 2nd floor exhibition room>
Special night opening dates: July 18th, 19th, 25th, 26th, August 1st, 2nd, 8th, 9th, 15th, 16th, 22nd, 23rd, 29th, 30th

“TOP Collection: An ensemble of sights”
<Dates: July 18th (Thursday) – October 6th (Sunday) / Venue: 3rd floor exhibition room>
Special night opening dates: July 18th, 19th, 25th, 26th, August 1st, 2nd, 8th, 9th, 15th, 16th, 22nd, 23rd, 29th, 30th

“WONDER Mt.FUJI – Connecting the wonders and excitement of nature to the future”
<Dates: June 1st (Sat) – July 21st (Sun) / Venue: Exhibition Room on the 1st basement floor>
Special night opening dates: July 18th and 19th

“Iwai Toshio x Tokyo Photographic Art Museum: 100 Story House of Light and Movement – Connecting 19th Century Video Devices and Media Art”
<Dates: July 30th (Tuesday) to November 3rd (Sunday, National Holiday) / Venue: Exhibition Room on the 1st basement floor>
Special night opening dates: August 1st, 2nd, 8th, 9th, 15th, 16th, 22nd, 23rd, 29th, 30th

◆ Museum of Contemporary Art Tokyo (Kiyosumi Shirakawa)

・”Personal View of Contemporary Japanese Art: Ryutaro Takahashi Collection”
<Dates: August 3rd (Saturday) to November 10th (Sunday)>
Special night opening dates: August 9th, 16th, 23rd, and 30th

・”Yoshiaki Kaihatsu ART IS LIVE – Welcome to One-Man Democracy”
<Dates: August 3rd (Saturday) to November 10th (Sunday)>
Special night opening dates: August 9th, 16th, 23rd, and 30th

・”MOT Collection”
<Dates: August 3rd (Saturday) to November 10th (Sunday)>
Special night opening dates: August 9th, 16th, 23rd, and 30th

◆ Shibuya Park Street Gallery (Shibuya)

・”Daily updates”
<Dates: June 15th (Sat) – September 1st (Sun)>
Special night opening dates: July 19th, 26th, August 2nd, 9th, 16th, 23rd, 30th


Other Summer Museum Events

The Edo Tokyo Open Air Architectural Museum will be holding the event “Evening Cool Down at the Open Air Architectural Museum in the Downtown Area” (Dates: Saturday, August 3rd and Sunday, August 4th, 16:00-20:30 (opens at 9:30, admission until 20:00))
Official website ( https://www.tatemonoen.jp/)

A mystery-solving event will be held at national and metropolitan museums at the same time as “Summer Night Museum 2024” (Dates: Thursday, July 25th to Sunday, September 29th)
For details, please visit the Tokyo Metropolitan Foundation for History and Culture website ( https://www.rekibun.or.jp/ )
It is scheduled to be released in mid-July.


■For details on the dates and exhibitions, please click here■
This summer, enjoy the cool evening air at the museum. Summer Night Museum 2024 is happening again this year!

If there are any additional information or changes to the event or benefits, we will announce it on the Tokyo Metropolitan Foundation for History and Culture website ( https://www.rekibun.or.jp/nightmuseum2024/ ).


[Contact Information]
Tokyo Metropolitan Foundation for History and Culture, Arts Council Tokyo, Planning Department, Public Relations Division, Tel: 03-6256-9967

 

*Business content is subject to change.

 

[Tokyo Metropolitan Foundation for History and Culture] Press release

Article provided by: Kokosil Ueno


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Reprinted immediately after its release! A collection of art quotes that will soothe your soul, “What does it mean to be alive?”. We are giving away postcards to readers that will be sold exclusively at the original art exhibition (June 19-24)!

92-year-old Shuntaro Tanikawa has been asking himself throughout his life, "What does it mean to be alive?"
This collection of art quotes to soothe your soul is a book you'll want to give to yourself and your loved ones.
When you feel emotionally exhausted, when you want to reset your mind, when you want to relax, just open to your favorite page and you will find a world that reflects your heart, and your own story will unfold. You are sure to find something that will support you through the "words" and "pictures" of this book.
Tetsuko Kuroyanagi, who also sent a comment, gave the book high praise, saying, "No matter what mood I'm in, turning the pages soothes my heart."

This time, an exhibition of original artwork by the author, Yoshio Miyauchi, will be held at Matsuzakaya Ueno store (June 19th to 24th).
In addition, to commemorate the reprinting shortly after the book's release, we will be giving away limited edition postcards to readers only available at the original exhibition.

Please see here for the application guidelines for the giveaway.
Special website : https://special.kobunsha.com/ikiteru/

【notice】
Original Art Exhibition: Matsuzakaya Ueno Store, 6th floor event space, Wednesday, June 19th to Monday, June 24th, 2024
(Business hours: 10:00-18:30 (closing at 18:00 on the last day)
*A signing session with author Yoshio Miyauchi has also been scheduled! Details will be announced on Kobunsha Promotion Department X.

[Author Profile]

Shuntaro Tanikawa
Born in Tokyo in 1931. Poet.
He made his debut in 1952 with "Two Billion Light Years of Solitude."
He received the Japan Translation Cultural Award for "Mother Goose Songs."
Since then, he has won numerous awards.
In addition to writing poetry, she is active in a variety of fields, including translating "Peanuts," as well as writing picture books, children's stories, scripts, and lyrics.
His recent book is "Into the Void" (Shinchosha).

Yoshio Miyauchi
Born in Tokyo in 1964. Illustrator.
Graduated from Tama Art University, Faculty of Fine Arts, Department of Design, majoring in dyeing and weaving design.
Using transparent watercolor paints, she expresses and creates "a warm storybook world."
He has worked on corporate calendars for companies such as Pfizer Pharmaceuticals and Isetan, as well as animation for the songs on NHK Educational TV's "Inai Inai Baa!"
Creator of Panda Label's official character, "Rainbow Panda Runrun."

[Bibliographic information]
Author: Words by Shuntaro Tanikawa Illustrations by Yoshio Miyauchi
Price: 1,800 yen (1,636 yen + tax)
Format: B5 variant hard cover
Publisher: Kobunsha

[Kobunsha Inc.] Press release

Article provided by: Kokosil Ueno


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In conjunction with the closure of ABAB UENO, the “ABAB Closing Big Big Big Big Thanksgiving Art Festival” will be held from Wednesday, June 5th. Works by artists, mainly those who are residents of the Uenoshita Studio, will be on display.

Uenoshita Studio, which was established with the aim of supporting young artists, will close at the end of June 2024. This exhibition will be a presentation of the results of work produced at the Uenoshita Studio and an expression of gratitude to ABAB UENO.

The Chain Museum Co., Ltd. (hereinafter referred to as "The Chain Museum") will be holding the "ABAB Closing Thank You Art Festival" from Wednesday, June 5th at "ABAB UENO", which is operated by the art communication platform "ArtSticker".

Uenoshita Studio opened in September 2023 on the 6th floor of ABAB UENO, which is scheduled to close due to the aging of the building, as a studio where artists can create, store, and occasionally exhibit their works.
In conjunction with the closing of ABAB UENO on Sunday, June 30, 2024, we will be holding an art festival featuring artists involved in the Uenoshita Studio.

Participating artists (in alphabetical order, titles omitted)
Etsuko Ichihara, Embeli Lea, Risako Kokubun, Gunji, CON_, Aya Takahashi, Ari Tazaki, Ayane Nozaki, Kenji Hirazawa, Rintaro Fuse, Yoshimoto Masuda, Hibiki Yamada, Shu Yonezawa, Xihang Lu, Shiori Watanabe

・Comment from the organizer

Young artists face the triple whammy of "no place to create," "no place to show," and "no place to store." In September 2023, the Uenoshita Studio was opened on the sixth floor of ABAB UENO to solve these problems.
Two-thirds of the floor was used as a studio where artists could live and create, and the remaining third was set up as an exhibition space and a warehouse. The system works that the residents created in the studio can be exhibited in the exhibition space, and when the exhibition is over, they can store the works in the warehouse. As it is located a 15-minute walk from Tokyo University of the Arts, collaborations were also carried out with several laboratories at the university, and 35 artists have devoted themselves to creating and exhibiting their works over the past six months. Many of them are up-and-coming artists who are attracting a great deal of attention from the art world. It is worth noting that the works created here, using a variety of techniques, have gone on to be exhibited in large and small galleries, award winners' exhibitions, and museums.
The hustle and bustle of Ameyoko, its unique smells, and the all-encompassing character of the area provided each artist with tremendous inspiration and stimulation, giving them hints for their next productions.
This exhibition is a kind of final farewell to the residents, as an expression of gratitude to them at the closing ceremony.

Photo by Ryo Yoshiya

"ABAB Closing Great Thank You Arts Festival"

Dates
June 5th (Wed) – June 30th (Sun), 2024

time
12:00-18:00 (last entrance 17:30)
*The final day, Sunday, June 30th, is open from 12:00 to 16:00 (final entrance 15:30)

closing day
Monday – Wednesday
*Open on the first day, Wednesday June 5th

venue
Uenoshita Studio (ABAB UENO 6th floor)

address
6th floor, ABABUENO, 4-8-4 Ueno, Taito-ku, Tokyo 110-8541

Admission fee
500 yen

Participating artists (in alphabetical order, titles omitted)
Etsuko Ichihara, Embeli Lea, Risako Kokubun, Gunji, CON_, Aya Takahashi, Ari Tazaki, Ayane Nozaki, Kenji Hirazawa, Rintaro Fuse, Yoshimoto Masuda, Hibiki Yamada, Shu Yonezawa, Xihang Lu, Shiori Watanabe

Organizer
ArtSticker (run by The Chain Museum)

Exhibition URL
https://artsticker.page.link/uenoshita_grandfinale

・Concurrent Events

Additionally, the satellite venue, ABAB UENO, on the 5th floor, will host "Ddass Vol.1" by the artist project Man Monday.

ABAB UENO will be hosting the first project of Man Monday, "Ddass Vol.1", which aims to develop new forms of art by maintaining a pace and speed of presentations rooted in daily life and expression and by acquiring a new ecosystem, however small.
"Ddass" is an acronym for "Drawing duplication acquisition slow system," and is a project that focuses on the so-called "drawings" that artists draw during their creative process, thought experiments, or in random moments. Man Monday will turn these drawings into trading cards and sell them in vending machines at the venue during the event.
Currently, capsule toy vending machines are filling up vacant spaces in shopping complexes, and are also attracting attention as a business opportunity in the inbound tourist market.
Through "Ddass," Man Monday aims to provide clues and guidance to the increasingly complex world of contemporary art, and to attract new viewers through new distribution channels.

Drawing artists (in alphabetical order, titles omitted)
Kenta Ishige, Dan Isomura, Hayato Isozaki, Risa Komiya, Koichiro Tada, Datsuo, Namonaki Sanemasa, Marin Harada, Sae Fujita, We and everyone are alive, Taro Maruyama, Reina Sanpei, Eriko Mukae, Maho Motoyama, Yutaro Yamada, Yamada Yoshida

・Greetings from the organizer

Monday [Long-winded]
(adv.) (from Chinese) (manmande) A word used to describe something that is slow. Slowly. Leisurely.
(Source: The Selected Edition of the Japanese Language Dictionary)

With the recent development of social media and the expansion of the art market, artists have been given more opportunities to exhibit their work than ever before. The way in which new connections that did not exist before are being created, overtaking the conservative hierarchy of the industry, has captivated and engaged people without boundaries, which has led to a chain reaction that further strengthens this structure. However, gradually, this chain has taken an accelerating step, fueled by various intentions, desires, and emotions. At the end of this self-consuming chain, a violent wilderness has arisen in which each of these transforms the artwork into image data circulated on the web, words into weapons for confrontation and agitation, viewers into buyers and followers, and artists into devices for attracting public attention.

Monday is a project that aims to develop new forms of art by allowing artists living today to maintain a pace and speed of presentation rooted in their lives and expressions, and to acquire a new ecosphere, even if small, in other words, to re-cultivate the aforementioned wilderness into a more decent form. For example, in 19th century France, where the air was filled with the scent of war, Cezanne, who kept a certain distance from the radical Impressionists who were gaining fame using new chemical art materials at the time and continued his own explorations in the suburbs, was finally recognized in his later years and later called the "father of modern painting." It may take time, but we too will continue to experiment and reach our goal.

"Ddass Vol.1"

Dates
June 1st (Sat) – June 30th (Sun) 2024

time
10:30〜20:00

closing day
none

venue
ABAB UENO 5th floor

address
5F ABABUENO, 4-8-4 Ueno, Taito-ku, Tokyo 110-8541

Admission fee
free

Participating artists (in alphabetical order, titles omitted)
Kenta Ishige, Dan Isomura, Hayato Isozaki, Risa Komiya, Koichiro Tada, Datsuo, Namonaki Sanemasa, Marin Harada, Sae Fujita, We and everyone are alive, Taro Maruyama, Reina Sanpei, Eriko Mukae, Maho Motoyama, Yutaro Yamada, Yamada Yoshida

Organizer
FLOATING ALPS LLC.
Man Monday Writers: Kenta Ishige, Koichiro Tada, Yutaro Yamada

Exhibition URL
https://artsticker.page.link/Ddass_Vol1

・About ABAB UENO

This ladies' fashion building in Ueno, Tokyo is operated by AbuAbu Akafudado Co., Ltd. It houses over 40 shops selling a wide variety of clothing, shoes, miscellaneous goods, lingerie, cosmetics, and more, many of which offer trendy items at low prices. Founded in 1945, this department store has been operating in the Ueno area for 78 years.

・About ArtSticker

Operated by The Chain Museum Co., Ltd., this platform provides opportunities to encounter art and places to enjoy dialogue, and "connects a series of experiences" in art appreciation. It features a wide range of works from well-known artists to up-and-coming young artists. The genres of the works are also diverse, including installations, paintings, and performing arts.

▽ArtSticker Website
http://bit.ly/3ZeK8vS

▽ArtSticker download URL
≫ App Store: https://apps.apple.com/app/artsticker/id1446438049
≫ Google Play: https://play.google.com/store/apps/details?id=art.tcm.artsticker

·Company Profile

Company name: The Chain Museum Co., Ltd.
Location: 3rd floor, Daikanyama Art Village, 17-10 Sarugakucho, Shibuya-ku, Tokyo
Representative: Masamichi Toyama, Representative Director
▽The Chain Museum Co., Ltd. Official Website
https://tcm.art/

From the press release of The Chain Museum Co., Ltd.

Article provided by: Kokosil Ueno


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“Manga x Puzzle solving x Walking around the city” original experiential entertainment “Metro Time Gate” starts on Friday, May 31st!

You will become the main character and adventure through the city of Tokyo with original Tokyo Metro characters!

Tokyo Metro Co., Ltd. (hereinafter referred to as "Tokyo Metro"), in collaboration with Holiday Hack Inc. (hereinafter referred to as "Holiday Hack"), which develops the experiential service "Machi Hack!" centered on local content, will be holding a limited-time original experiential entertainment called "Metro Time Gate" from Friday, May 31st, 2024 to Saturday, August 31st, 2024, in which visitors will be able to become the protagonist of an original manga through a combination of "manga x puzzle solving x walking around the city."

This project is an entertainment project developed with Holiday Hack, which passed the final screening in our open innovation program "Tokyo Metro ACCELERATOR 2022". It will be held for a limited time as an experiential entertainment of "manga x puzzle solving x walking around town", where you can enjoy walking around the town along the Tokyo Metro line with original characters drawn by Tokyo Metro along the story of the manga .

Purchase a trial kit (manga + 24-hour Tokyo Metro ticket for Metro Time Gate) on the dedicated website, exchange (receive) the ticket and trial kit at a Tokyo Metro commuter pass counter, read the manga, and register a nickname on the site, and "you" will appear as the main character in the manga. Also, as you solve puzzles set in the real city based on the information obtained from the manga, a story will unfold in which "you" is the main character, linking the story with your experiences in the city.

"Metro Time Gate" also features original characters drawn by manga artist Kenichi Watanabe, such as Shimochi Maru, who pays homage to the Marunouchi Line. Please enjoy this new experiential entertainment in which "you" become the protagonist of the manga and solve various mysteries and problems while traveling around the city of Tokyo with the characters.

Tokyo Metro is promoting the "City Tourism" initiative, which aims to encourage people to walk around the city, experience the charms of the areas along the Tokyo Metro line, and fall in love with the city, leading to tourism within Tokyo. Please see the attached sheet for details.

・About the original experience-based entertainment "Metro Time Gate"

1. What is "Metro Time Gate"?
"Metro Time Gate" is a new experiential entertainment with the theme of "manga x solving puzzles x walking around town" developed by Tokyo Metro and Holiday Hack, where you can become the protagonist of an original manga. Purchase a ticket for the experience kit (manga + 24-hour Tokyo Metro ticket for "Metro Time Gate") on the dedicated online site, exchange (receive) the ticket and experience kit at a commuter pass sales counter, read the manga, and register a nickname on the site, and "you" will appear as the protagonist in the manga. Also, by solving puzzles set in the real city based on the information obtained from the manga, you will be able to complete your own manga that links the story and your experiences in the city.

The manga and original characters were drawn by Kenichi Watanabe, a manga artist known for his delicate yet powerful illustrations. The characters will call you by name, and you will be able to take commemorative photos with the characters at the places you visit, giving you the experience of becoming the protagonist of the manga.

・Story synopsis

One day, a boy suddenly discovered a mysterious hole – a mysterious "gate." Beyond the gate was a world that was identical to ours… a so-called parallel world. This was a world called "NEXT" where intelligent life forms similar to ours had built their culture.
And now, a voice calls out to "you." "Please… help me."
It was a call for help from Mal, a member of the elite NEXT Keepers who protect NEXT. This is the story of the NEXT Keepers and you fighting for the survival of the world.

<Main characters>
Shimochi Maru Nickname: Maru
A lively and bright character
Due to a major incident that occurred in NEXT in the past,
After losing his father, he vows to become the next keeper.
He is the grandson of Shimoji Ginzaburo, the commander-in-chief of Next Keeper.

Vice-President Miyako (nickname: Fuku)
The next goalkeeper is a young ace.
Although he is usually a joker, he is very smart.
He is in charge of the Next Keeper's staff.
Even the commander-in-chief, Ginsaburo, has a high opinion of Fuku.

2. How to participate
① Purchase a ticket for the experience kit (including a "Tokyo Metro 24-hour ticket" for use at the "Metro Time Gate") on the dedicated website.
② Exchange your ticket and experience kit at some Tokyo Metro commuter pass sales points
3. Read the comic included in the trial kit and register your name on the website.
*Free membership registration is required.
4. Use the information you have gained to explore various stations and solve the puzzles presented.
5. Decode all the codes and clear the game

3. Event period

 From Friday, May 31, 2024 to Saturday, August 31, 2024
 *Sales for the day of redemption will end at 8:00 p.m. on the day of redemption .

4. Sales period
From Friday, May 24, 2024 at 14:00 to Saturday, August 31, 2024 at 20:00
 *Sales for the day of redemption will end at 8:00 p.m. on the day of redemption .

5. How to purchase a trial kit
Metro Time Gate dedicated website sales (advance reservation required)
1. Access the dedicated website ( https://tokyometro.machihack.com/ ), select the exchange date, exchange location, and quantity, and pay with the specified payment method. Once payment is complete, a QR code that can be used for redemption will be issued.
② On the specified redemption date, present the QR code sent to you at the redemption location to receive your trial kit.
*A fee will be charged if you cancel after payment has been completed.
*The maximum number of items that can be purchased at one time is 10 sets.
*Please note that there is a limit to the number of tickets that can be sold per day.
*QR code is a registered trademark of DENSO WAVE Inc.

<Pick-up (exchange) locations and times for the experience kit>
Some Tokyo Metro commuter pass sales points (6 locations)
(Applicable commuter pass sales points) Ueno Station, Ginza Station, Shinjuku Station, Iidabashi Station, Toyosu Station, and Oji Station
(Business hours) 7:40-20:00
*A special booth will be set up for a limited time at the Shinjuku Station commuter pass sales counter.

6. Sales price
2,800 yen (tax included) (includes Tokyo Metro 24-hour ticket for use at the Metro Time Gate)
*The 24-hour special ticket is valid for only 24 hours from the time of use (passing through the ticket gate) until Saturday, August 31, 2024.
*Valid on all Tokyo Metro lines.
*We will not sell just the 24-hour ticket or just the kit excluding the 24-hour ticket.
*This product is not available for children.

7. Refunds
(1) If you have an unused experience kit (including a Tokyo Metro 24-hour ticket for the Metro Time Gate)
*Only valid and unused experience kits are eligible.
A. Refund locations: Tokyo Metro Passenger Information Centers
(Ueno Station, Ginza Station, Omotesando Station, Tokyo Station, Shinjuku Station, Ikebukuro Station)
B. Refund Time
a Tokyo Station 8:00-20:00
b Ueno Station, Ginza Station, Shinjuku Station 9:00am – 5:00pm
c Omotesando Station/Ikebukuro Station 9:00-16:00
(2) If you have a QR code
Please complete the procedure from your My Page on the purchasing site.

*In either case (1) or (2), a fee of 220 yen will be charged.

8. Contact Information
Tokyo Metro contact page : https://www.tokyometro.jp/support/index.html

9. Important Notices
– While participating in the event, please be mindful of your surroundings when walking on the platform or within the station.
・Please refrain from solving puzzles in places where it may cause inconvenience to other customers.
・Station staff, train crew, and commuter pass sales staff do not have any clues or answers to the mystery.
・Please use mobile phones with good manners.
・The temperature is expected to be extremely high during the event. Please be sure to drink plenty of water and take care to avoid heatstroke.
・To read the manga and enter your answers, you will need a device that can connect to the Internet, such as a smartphone or tablet. Please be careful not to run out of battery.
・This program will have the same content throughout the duration of the program. For the sake of those who will be enjoying the program, it is strictly prohibited to publish the puzzles, answers, and handouts on the Internet, such as on blogs or SNS, or to transfer or resell them.

10. Organizer
Tokyo Metro Co., Ltd.
Holiday Hack Co., Ltd.

From Tokyo Metro's press release

Article provided by: Kokosil Ueno


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