【Tokyo Metropolitan Art Museum】 Special Exhibition “Lineage of Eccentrics: The Miraculous World of Edo Painting” Report

Tokyo Metropolitan Art Museum
Soga Shōhaku "Yukiyama Dadoko Figure" The First Year of Meiwa (1764) Mie, Yongseongsa

"Lineage of Eccentrics: The Miraculous World of Edo Painting; will be held at the Tokyo Metropolitan Art Museum from February 9 (Sat) to April 7 (Sun) in 2019. Prior to the opening of the press, the press exhibition was held on February 8, so I will tell you the pattern.

Do you know the word "fantasy" in Japanese art?

1970 was published in the year, in the works "The Genealogy of Capriccio" of Japanese art historical treatise by Mr. Tsuji Nobuo, of the Edo era painter, Iwasa Matabei, Kano Sansetsu, Ito Jakuchu, Soga Shōhaku, Nagasawa Rosetsu, and Utagawa Kuniyoshi, of works and biography Through the keyword "fantasy" he discussed. Mr. Tsuji brought new perspectives such as eccentricity, grotesque, and fantasy to the world of Japanese art that was often talked about in schools and genres until then.

In this exhibition, in addition to the painters picked up in "The Illustrated Genealogy", he covered Hakuin Ekaku and Suzuki Kiitsu , a masterpiece of eight superstars of Japanese art world such as Ito Jakuchu who is explosively popular recently Gathered. Through the eyes of modern people, we will introduce the fantastic outlook of Edo Painting, its new attraction.

Exhibition landscape

Venue entrance. Creative Sennen figure drawn by Soga Hoshihaki invites you to a fantasy world
This exhibition is chaptered by each painter, and at the Jakuchu chapter decorating the top batter, a representative work "elephant and whale picture folding screen" (Shiga · MIHO MUSEUM of Kansei 9 (1797)) is displayed at the beginning. I am amazed by its bold exhibition composition
Soga Shōhaku is a painter who also became a creator of 'fantasy genealogy'. In "The Larvi figure" (Meiwa Yuan (1764) Mie and Asada Temple exhibition period: 2/9 – 3/10), it is stolen from its unrestrained writing brush
Age of activity of "fantasy painters" mentioned in this exhibition
Nagasawa Rosetsu filled with entertainer-like playfulness. This "Furious Tiger Diagram" is a work which I came to Japan from Etsuko & Joe · Price Collection in the USA
Iwasa Matabei "Toyokuni festival figure screen" (Aichi · Tokugawa Art Museum exhibition period: 2/9 ~ 2/24). It is also characterized that many folding screens and fusuma paintings are being exhibited, making full use of the space of the exhibition space.
Some of these works of "fantasy" …. From Kano Sansetsu "Musashi Sumo Picture Scroll" (Japan Sumo Association Sumo Museum). Are people going to fly so far (※ with screen change)
This time Hakuin Ekaku, which was newly added to the "fantasy genealogy", is characterized by its humorous and light style. The impressive contrast between intense red and black is "Imprint figure" (Oita · Masashiji) is the best known representative work of Hakuin Ekaku

At the beginning the composition of arranging "superstar" Ito Jakuchu of the Japanese art world is also bold, but Professor Yuji Yamashita, a professor of Meiji Gakuin University who supervised this exhibition,
"There is not only Jakuchu as a fantasy painter, I wanted to know about that."

Exhibition work introduction

Itaku Jakucho "Chicken rooster rogue" Personal collection

Works discovered during the research process of this exhibition. It is a valuable first public release work.

Anyway, Jakuchu is "chicken". Jokaku was reportedly keeping chickens in the garden and staring at its ecology, frequently picking up chickens on the subject. There seems to be no other similar case in the combination of chicken soup (Chopsticks), but surely these young leaves were planted in the Jakuchu garden.

"Asahi rooster chart" USA / Etsuko & Joe · price collection

Compared to the majestic style and the detailed drawing of the mastery in the "Asahi rooster chart" here, "Chicken rooster figure" is modestly somewhere, I get a pale white impression. From the typeface of the inscriptions, "Chiko rooster picture" seems to be regarded as a rare initial work of 30s.

Soga Shōhaku "Yukiyama Dadoko Figure" Meiwa Yuan (1764) Circa Circa Mie, Yongseongsa


It is a painting of a scene of "book life" that tells episodes of Buddha's life before.

From Buddha who turned Bodhisattva into the form of evil spirits, he tried to tell me "I will teach you the bottom two phrases of the scriptures if you eat yourself to me" and is about to throw himself from the tree .

The intense contrast of the blue, red and orange on the screen, and the contrast of the sacredness of Buddha and the vulgarity of demons is also interesting. Although Xiao Hui learned from the imagery and drew a lot of traditional events such as Chinese saints and hermits, it was known for its intriguing expressions filled with creativity and insanity.

Utagawa Kunihiro "Mikake Hakoha is a lone person" Hirokazu 4 (1847) Age Crop


At first glance it is a portrait depicting the upper body of a man, but when you look closely and see it … a fantastic painting called "Eh?"

This figure depicts Asamina Saburo Yoshihide, a samurai in the Kamakura period, visiting various foreign islands, whose face is made up of gathers of naked men. It may be said that it is just "Oriental Arcimboldo".

Although it is said that there were some "islander" in the islands that Asahina went through, is it that the men who are making him are the dwarfs? In the picture is added a word that he taught that "a lot of people got a precious person who knows who to talk about, but people can not be good people" , and as you can see the mystery It is a piece deepening.


Ashigaru Nagasawa "Dragon figure door" Shimane / Saiko-ji

Innovation, originality that also surpasses modern people. However, it is surprising that the "fantasy painters" introduced in this exhibition were not listed in the textbook as one person in 1970, but were only "other majority" painters.

The way to a new Japanese painting that "Hentai" and "Heterogeneous" painters have opened up.
Leave the textbooks and go out on a journey to meet them.
At that time you may like Japanese painting more than now.

Enriched original goods which treated characters of "fantasy" such as Jakuchu chicken and Deng Haki's demon

Summary

A session February 9 (Sat) – April 7 (Sun) of 2019
Venue Tokyo Metropolitan Art Museum Planning Exhibition Room
Opening hours 9: 30 ~ 17: 30 (entrance is until 30 minutes before closing)
Closed day Monday, February 12 (Tuesday)
* However, opening on February 11 (Monday · congratulation), April 1 (Monday)
inquiry ○ Official website
https://kisou2019.jp/english.html
○ Hello dial
03-5777-8600
Admission fee General 1,600 yen / college student / vocational college student 1,300 yen / high school student 800 yen / 65 years old and over 1,000 yen

※ Free for junior high school students and below
※ Person with handicapped person's notebook, love notebook, medical care notebook, mentally handicapped health welfare notebook, bomb survivor health notebook and those accompanying people (up to 1 person) are free
※ Please bring anything that can be proved

Article Provided by: Kokosil Ueno


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Edomachi-Taito Entertainment Festival Closing Event Report

Taito Ward Asakusa Public Hall

Since the opening in August 2018, "Edomachi-Taito Entertainment Festival" which has delivered a variety of entertainment and traditional culture, including traditional arts from the Edo period through various events. A closing event was held on Saturday, February 16, 2019.

The theme of the closing event – From Edo to Tokyo "The lively crowd of Edo living now" ~ . It was divided into the first part and the second part, and Taito Ward boasts a wide variety of performing arts that got together and was performed together. This time, I wrote about the first part so we will tell about it.

The bustle of Asakusa 6-ku

Before the opening of the first part, there was an announcement of the performers of the closing event at "Asakusa 6-ku" known as a sacred place for entertainment.

What appeared before the Asakusa entertainment hall was the 5th district of the Edo Fire Brigade Memorial Association, a general association formed to convey the tradition of "fire fighting" that was born as a fire brigade in the Edo period to future generations. Demonstrated powerful Edo's woodworking and clasping .

Wood carving
Wing swing

The next thing that appeared was a glittering Oiran (japanese old style courtesan). It is Mr. Kotaro Ryu who acts as a mass actor. From the Asakusa 6-ku street to the closing event venue · Asakusa public hall the procession of Oiran was entertained by many passers-by.

Closing event Part 1

Star's hand type honorific ceremony
Taito Ward, popular entertainment mecca, gave hands and signs from 1979 (Showa 54) as a "star" in front of the Asakusa public hall in order to honor the accomplishments of entertainers who contributed to the promotion of popular performing arts, It is set up in the "Plaza". This year, a honorary ceremony was held for six people with hand shapes installed.


Former Takarazuka boys top star and actress Amami Yuki "I am from Taito Ward, but it is a feeling of lack of ability to put a hand on this place that I have been familiar with since my childhood, my mother is also very pleased I was able to do filial piety.I would like to continue to do my best to make Taito Ward lively. "


Singer / Mr. Otsuki Miyako "I came to the singer for the first time in 55 years, but now I am happiest the most.We would like to select the hand of the star this time and I hope that you will have a wonderful Japanese popular song from tomorrow I think that you got a fight when delivering it, thanks to everyone who listens to the song. Thank you very much. "


Kabuki actor Nakamura Kankuro "I am very pleased to be able to enter among the great seniors who have left the hands of the star up to now. Among those seniors are two grandparents, my father and my aunt as well This Asakusa public hall is a New Year Asakusa Kabuki which is said to be a gateway for young Kabuki actors.I also appeared in this place for many years from the age of 18. From now on I would like to be a good actor to love and love people in Asakusa. "


Kankuro's younger brother Nakamura Shichinosuke "I have been indebted to this Asakusa public hall since I was 16. Although there are so many customers today, only about five customers in my first performance There was no one, I will beat up from the ground in this place, I am very pleased that you have chosen to be a star's hand like this. "


Although Azuma Takahiro of the talent was also elected, attendance to the festival ceremony did not come true, Tomohiro Higashi Tomohiro as a younger brother attended on behalf of Mr. Takahiro Mr. Tomohiro was read aloud. "My father, Azuma hachiro also leaves hand shapes 38 years ago from now, there is a memory that I felt even more greatly to my father who I respected as a junior high school student at that time, my father is 49 years old At the time I left his hands, I am also 49 years old, I was able to leave my hands in the same year, I will continue to devote myself to ashamed of this honor from now on. "


Unfortunately, Takagawa Yumi, an actress, was absent from the awards ceremony, and the managing director of the office that he belonged to was read by his comments. "We have selected it as a hand type at the end of Heisei and it is full of appreciation.The entertainment life has also entered in the 46th year, so we will continue to devote ourselves with new feelings encouraging you to choose this time."

Kabuki dance "Tongue-picking Sanjo"
Nakamura Kankuro is succeeding Nakamura Kanzaburo who is the founder of Edo Kabuki, Nakamura Kankuro performed Sanjo, and Shichinosuke was playing a thousand years. The venue was crowded with a comical movement of Sanjo.

Edo TaiKagura music
The origins of tTaikagura are the &quot Sangaku " transmitted to the shrine in the Heian era. It was developed as an acrobatics in the Edo period and gained popularity. Okinaya Wasuke and Okinaya Kohana will show off his umbrella, etc., and the crowd gets a lot of fun with skillful technique.

Rcitation “Thirteen nights”
A Story tellar Kumazawa Nansui that appeared on a dark stage. Moistly and sometimes intensely, She talked about Higuchi Ichiyo's "Thirteen nights ". Higuchi Ichiyo is a writer who is familiar with this place, such as writing masterpiece "Takekurabe " set in Ryusen, Taito-ku.

Historical narrative "Shinmon Tatsugoro "
From Edo to the Meiji / Taisho era, Historical narrative which was a representative of people's entertainment. Kanda Kurenai told the lifetime of Shinmon Tatsugoro who was active as a firefight in Edo in Edo. It was the first time she ever tells this story. The audience was fascinated by the delightful enthusiasm that was full of presence, and it was drawn into the world of the Historical narrative.

Kappore dance
"Kappore" is a dance spreading all over the country by the petitioner afterwards, based on "Sumiyoshi dance" dedicated to Sumiyoshi Shrine in Osaka in hopes of rich a good harvest and becoming called by this name in the Edo period. Sakura gawa iri hune shachu venue was excited with the dance that matched the "Kappore" calling by the company .


"Edomachi-Taito Entertainment Festival", which has grown up in Taito-ku with performing arts and traditional culture for about half a year, has closed the curtain here. Even in the closing event, we offered a wide variety of performances not caught in the genre to the audience, and it was a great success as a "festival where you can enjoy the power of the shoulder" that anyone can participate.


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Edomachi-Taito Entertainment Festival Young Comedy artist Takeshi acknowledged” Beat Takeshi Cup” Report

Asakusa Toyokan

At the Edomachi-Taito Entertainment Festival, January 28, "Takeshi acknowledged young artist" Beat Takeshi Cup comic dialogue Japan 1 "was held.The festival executive committee honorary adviser Beat Takeshi watched overwhelmingly watching, I will tell you the state of the competition.


The stage is the Asakusa Toyokan where former Asakusa French seat where Takeshi studied comedy. From the 31 groups of young comic men who entered from each entertainment production · comic book association · Toyo-kan etc. with less than 10 years of entertainment history, passed through the preliminary video examination by Edomachi-Taito Entertainment Festival Executive Committee including Takeshi Ten pairs participated in the final round.

The judges are 127 spectators and broadcast writer Fumio Takada and two of Knights of a comic combination. Mr. Kokuro Kuroku and Mr. Hirotsugu Hattori · Mr. Taito can act as an outsider. The pre-sold viewing tickets were sold out on the same day, and the appearance of this competition was live-distributed on YouTube.

Judge Fumio Takada
Mr. Kankuro Kudo, a watcher

As the arrival of the Takeshi's venue is delayed, the tournament starts with the progression of Mr. Aruto Mr. Al-Kitago belonging to TN Gon! The order to showcase the comic characters was decided by lot.

While lottery also showed excitement, Takeshi san went in and out! Although the venue has gotten much more enthusiastic, the face of the contestants has been tightened to the appearance of the big seniors, and the tension feeling has been spreading to the audience seemingly.

Beat Takeshi who plunges into the orderly lottery

Takeshi talked about the significance of this tournament being held at Asakusa Toyokan here.

Takeshi "There is an image called Kansai when it says" comedy "now, but I brought this Toyo-kan to the culture of the show business, which is originally born in the United States" to show off along the way between dancing " It was a theater in the Kanto region, which I regarded as a Kanto theater, and I hope everyone can fully enjoy Kanto's comedy at the convention and the best uki should have the prize. "

Following the result of the lottery, each group shows off the whole story at a comedian tournament with a relatively long 4 minutes.

Brat Peak (belonging to Production Human Resources)
Mr. Genjutsu (Asai Project Planning Affiliation)
Yamame (belongs to Grape Company)
The Perfect (belonging to Sun Music Productions)
A good seaweed (belonging to Sony Music Artists)
Mach speed Speedy ball (independent)
Key planning (belonging to Norrison)
Monrose (belonging to Sun Music Productions)
Yukari Tarumi (SMA NEET Project affiliation)
Oppacho stone (belonging to Kay dash stage)

We will recruit votes from the auditorium at the end of each group comic. In line with the opinion of the judges, the second and first winners will be chosen, but the opinion is consistent between the audience and the judges who said that Takeshi said that the top rank was chosen with a close range.

It is an announcement of the second-place victory group from Ms. Takada. As Ms. Takada widely spreads the paper on which the name of combi was written in front of Mike, there was a happening that the outcome was known to the contestant who was behind before the presentation …

Monroes who showed the story of "the director of the weak baseball club" was chosen as the second champion. A trophy was awarded to Monrose.

Monrose "It is an honor to receive the award at the first tournament, which is named after the great Takeshi, and I would like to continue doing my best in the future."

And finally it is the announcement of the winning group from Mr. Takeshi's mouth. The winner is …

Mach speed Speed ball ! I blew the venue with the story of removing the bicycle.

Two people who will explode joy.

Actually, Mach speed belonging to the office Kitano until last year Mach speed Speedy ball. At that time, when I greeted Takeshi, I was asked "Master of Manga?" And answered "I am a comic", I heard that he began to like comic books from his experience of being turned away.

Mach speed Speedy Ball "" So I can finally show a manga to Takeshi (who gave me the opportunity to start a comic), I am very honored to win the prize! "

In addition to the prize money of 300,000 yen, "Asakusa Toyokan one day elevator boy ticket" and "the Edomachi-Taito Entertainment Festival regular member right" were awarded as a prize to the winning Mach speed automobile. And it was announced that it will be elected to the entertainment new award of "Beat Takeshi Entertainment Award" simultaneous with the "Tokyo Sports Film Award" at a stylish surprise from Takeshi.

Takeshi was also very satisfied for the "Takeshi cup" which was very exciting. "I thought that it would be nice if a comic boom would come in the Kanto region and I was able to open this competition as a result of helping Hattori Taito chairman, so I got a good winner and I would like to continue from now on." I was told.

"Takeshi cup" who did not set a hedge between the audience and the judges and stood at the summit of the comic comedians who laughed everyone the most. Is not it a tournament realized only because it is Taito Ward, the birthplace of popular culture?

The Edomachi-Taito Entertainment Festival will deliver a variety of entertainment and art events in Taito Ward until the closing event on Saturday, February 16, 2019 (the Mach speed Speed Ball appears in Part 2). Please join us.

Official video is here (YouTube)

Edomachi-Taito Entertainment Festival Official Site is here


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The National Museum of Western Art Upon the 60th Anniversary of the NMWA Le Corbusier and the Age of Purism

National Museum of Western Art

 

「ヴォワザン計画」図面の前のル・コルビュジエ 1926年 ©FLC

 
The Main Building of the National Museum of Western Art, Tokyo was designed by Le Corbusier (1887-1965), one of the 20th century’s greatest architects. The building was inscribed on the UNESCO World Heritage List in 2016 as one of the selected works worldwide that comprise “The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement.” This exhibition, commemorating the NMWA’s 60th anniversary, focuses on the period when the young Swiss-born architect Charles-Édouard Jeanneret (Le Corbusier) settled in Paris, the capital of modern art, and promoted a movement called Purism. It considers his almost decade-long work in such diverse areas as painting, architecture, urban planning, publishing and interior design.
 
In late 1918, just after the end of World War I, Jeanneret and the painter Amédée Ozenfant began the Purism movement, which advocated an art of “construction and synthesis” that would correspond with the development of modern technology. Applying himself to painting as he also sought new forms of architecture, Jeanneret was greatly inspired in the 1920s by his interaction with the leading artists of the Parisian avant-garde, which encouraged his transformation into Le Corbusier, standard-bearer of modern architecture.
 
This exhibition presents approximately 100 artworks by Le Corbusier and his fellow artists, supplemented with such diverse materials as architectural models, publications and films. It will provide a unique opportunity to experience the spirit of the modern age that Le Corbusier sought to express, all set within a museum building of his own design.
 

Outline

Exhibition Le Corbusier and the Age of Purism

period Tuesday, 19 February – Sunday, 19 May 2019

Venue The National Museum of Western Art, Tokyo (Main Building)

Opening hours 9:30 am – 5:30 pm (9:30 am – 8:00 pm on Fridays and Saturdays)
Admission ends 30 minutes before closing time

Closed Mondays (Except 25 March, 29 April and 6 May), 7 May

Admission fees Group
Adults 1,400 yen/ University student 1,000 yen/ High school student 600 yen

General
Adults 1,600 yen/ University student 1,200 yen/ High school student 800 yen

* Junior high school and younger children admitted free of charge.
* Disabled visitors admitted free of charge with one attendant. Please present your disability identification upon arrival.
* During this exhibition, the Permanent Collection display will be held only in the New Wing. Please be aware that a ticket for this exhibition is required to view the Main Building galleries.

Inquiries 03-5777-8600 (Hello dial)

Exhibition website https://lecorbusier2019.jp/en/

 
Article Provided by: Kokosil Ueno


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Tokyo Metropolitan Art Museum  Special Exhibition  Lineage of Eccentrics: The Miraculous World of Edo Painting

Tokyo Metropolitan Art Museum
歌川国芳 《宮本武蔵の鯨退治》 大判錦絵三枚続 弘化4年(1847)頃 個人蔵

The Tokyo Metropolitan Art Museum will hold a special exhibition “Lineage of Eccentrics: The Miraculous World of Edo Painting” from February 9 (Sat) to April 7 (Sun) , 2019.

This exhibition, based on art historian Nobuo Tsuji’s 1970 book, Lineage of Eccentrics, will be the definitive examination of “eccentric paintings” of the Edo period. Appearing in one venue will be major works by eight artists—Iwasa Matabei, Kano Sansetsu, Ito Jakuchu, Soga Shōhaku, Nagasawa Rosetsu, and Utagawa Kuniyoshi, as well as Hakuin Ekaku and Suzuki Kiitsu. Numerous important cultural properties will be included. By showing the rich allure of Edo painting—a powerfully imaginative world, filled with bizarre imagery—the exhibition will evoke a “lineage of eccentrics” of new aspect, speaking to contemporary sensibilities.

Information

Exhibition name Special Exhibition “Lineage of Eccentrics: The Miraculous World of Edo Painting”

Period February 9 (Sat) – April 7 (Sun), 2019

Venue Exhibition Rooms, Tokyo Metropolitan Art Museum

Closed Mondays, February 12 (Open the Monday of February 11, April 1)

Hours 9:30 – 17:30 (Last admission 17:00)

Days of Extended Hours Fridays and March 23 (Sat), 30 (Sat), April 6 (Sat) 9:30 – 20:00 (Last admission 19:30)

Admission Tickets at the door |
General ¥1,600 / College students ¥1,300 / HS students ¥800 / Seniors 65+ ¥1,000
Group tickets |
General ¥1,400 / College students ¥1,100 / HS students ¥600 / Seniors 65+ ¥800
※Group rates – 20 or more people
※Admission free for visitors junior high school age or younger
※Admission free for visitors (and one accompanying person) with a Physical Disability Certificate, Intellectual Disability Certificate, Rehabilitation Certificate, Mental Disability Certificate or Atomic Bomb Survivor’s Certificate
※In each case, please show identification

Special Website https://kisou2019.jp

Telephone Inquiry 03-5777-8600 (Hello dial)

Article Provided by: Kokosil Ueno


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TOKYO NATIONAL MUSEUM SPECIAL EXHIBITION Unrivaled Calligraphy: Yan Zhenqing and His Legacy

Tokyo National Museum

The Tokyo National Museum Heisei Kan (Ueno Park) will hold a special exhibition,“Unrivaled Calligraphy: Yan Zhenqing and His Legacy” from January 16 (Wednesday) to February 24 (Sun) in 2019 .

During the Tang dynasty of China (618–907), three great calligraphers–Ouyang Xun, Yu Shinan, and Chu Suiliang–perfected the style known as “standard script.” While inheriting the tradition they established, Yan Zhenqing (709–785) succeeded in establishing his own style of calligraphy, which would have tremendous influence for ages to come. Bringing together exquisite works from collections in Japan and abroad, this exhibition will explore Yan Zhenqing and his work, its influence on future generations, and its reception in Japan.

General Information

Exhibition name Special exhibition “Unrivaled Calligraphy: Yan Zhenqing and His Legacy”
Period Wednesday, January 16 – Sunday, February 24, 2019
Hours 9:30 – 17:00, Fridays, Saturdays,until 21:00
(Last entry 30 minutes before closing)
Closed Mondays (Except for Monday, February 11) and Tuesday, February 12
Venue Heiseikan, Tokyo National Museum (Ueno Park)
Admission fee General 1,600 yen (1,300 yen), college students 1,200 yen (900 yen), high school students 900 yen (600 yen)

*Junior high school students and under: free
*Prices shown in parentheses indicate group (more than 20 persons) discount tickets.
*Persons with disabilities are admitted free with one accompanying person each (please present an ID at the ticket booth).
*Tickets to this exhibition include one admission to the regular exhibitions on the date of entry.

Official site https://ganshinkei.jp/english.html

Article Provided by: Kokosil Ueno


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Ichiyo Memorial Museum at Taito Ward Special Exhibition Shimotani Ryusenji Town Higuchi Ichiyo visiting report

Ichiyo Memorial Museum at Taito Ward

Ichiyo Memorial Museum at Taito Ward is located in a place where female writers, Ichiyo Higuchi in the Meiji era once opened roughs and sweets shops.

Ichiyo is said to have obtained the idea of masterpiece "Takekurabe" in about 10 months spent in this place.

Ichiyo moved to Shimotani Ryusenji Town 125 years ago.

In commemoration of this, at the Ichiyo Memorial Museum, during the period from Saturday, November 10, 2018 to January 27 (Sunday) 2019, the Moved to Shimotani Ryusenji Town 125 year anniversary special exhibition "Shimotani Ryusenji Town Higuchi Ichiyo " is held.


The exhibition room is divided into two, the first exhibition room introduces the life of Ichiyo before coming to Shimotani Ryusenji Town, and the life in this place.

First exhibition room

Shimotani Ryusenji Town

Ichiyo who lost his father at the age of 17 was responsible for the lives of her mother and sister as the main pillar of the family.

Although she was publishing a novel and getting drafts, her life was so hard to go on and moved to Shimotani Ryusenji Town to start a new business.

The fact that the borrowing letters and letters of exhibits were telling us that Ichiyo’s life at that time was strict. Also, as there are few pictures of the Shimotani Ryusenji Town at that time, you can see this area’s situation in paintings.

Children live in a neighbourhood and people who work in the Yoshiwara area came to the Ichiyo’s shop. Ichiyo observed people through such exchanges and later, The theme of her novel;Scoop up the little voices of people who live in one corner of societywas formed.

A model of a rough / sweet shop. There are grasses, soap and candles lined up at the store

Ichiyo’s masterpiece “Takekurabe” is a boy and girl’s pale love of the downtown, which is set in the vicinity of Shimotani Ryusenji Town, and Sensoku Inari Shrine and Ootori Shrine appeared in the work.

Between the reality and the ambition

With mother and sister. Ichiyo’s photo when she was 18 years old.

Ichiyo became good friends with a woman named Nonomiya Hisako when she lived in Shimotani Ryusenji Town. Autographed letters addressed to Ms. Nonomiya from Ichiyo are on display.

Letter addressed to Hisako Nonomiya, September 28, 1893 (1893)

Before she came to this place, she learned Japanese poetry and classical literature at a school named "Hagi no sha", where she also learned the essence of the litgraghy.

A replica of the desk which Ichiyo used until died is also exhibited. It is a gorgeous one with ivory settled, it seems to have been bought from her father.

She spend wealthy life in her childhood. The real thing of the desk is kept in the Modern Japanese Literature Museum in Meguro-ku.


In the 2nd exhibition room, from 7 factors we could understand how Ichiyo’s life in Shimotani Ryuzenji Town affected "Takekurabe".

Second exhibition room

At first, Ichiyo wanted to be a japanese poetly’s teacher, not to be a novelist.

"Ogi no sha" Meeting Photo Meiji 24 (1891) February

A lot of young ladies of the famous family passed through "Hagi no sha" where Ichiyo learned japanese poetly. Among them, it is thought that there was also a hard time for Ichiyo who had no title. One time she wore a cloth full of paches and visited "Hagi no sha".

A replica of the kimono is on exhibition. Ichiyo’sister, Kuni and this kimono with great difficulty so that it would not be able to see the patch if she wore a coat on it.

After living for about 10 months at Shimotani Ryusenji Town, Ichiba moved to to Hongou maruyama fukuyama Town.

And there, during 14 months untill she died, she wrote many works including "Takekurabe". This period is called "14 months of miracle".

Ichiyo came to Shimotani Ryusenji Town for business, but she gained inspiration that would be a source of later writing life from interaction with people she met here.

It would be clear how the life in here stimulated the creativity of Ichiyo by this special exhibition.


In the permanent exhibition, works after Ichiyo passed away were mainly introduced.

While Ichiyo alive, her works were published in a magazine, and no books such as novels were not sold.

This is the last book of Ichiyo and the only book published while she alive "Encyclopedia of Daily Usage 12th Edition Common Letters". An example sentence of a letter by Ichiyo.

Left · "Encyclopedia of Daily Usage 12th Edition" 1896 May 18, Hakubunsha Right · "Daily Encyclopedia 4th House Administration Guide" Meiji 28 (1895) August 20,Hakubunsha Mansion

Ichiyo’s younger sister Kuni was keen to preserve her work after the death of Ichiyo. Even she was evacuated with Ichoyo’s manuscripts under wartime.

It is largely owed to Kuni that we can now see Ichiyo’s manuscript etc in this way.

Kuni has contributed essays to the magazine "Women's World" as "a side of my older sister who did not have a wage."

"Women's World" Volume 6 No. 8 Meiji 44 (1911) July 1, Tokyo Jitsugyo no Nippon sha

It is very valuable material today to convey the figure of real Ichiyo seen from the close relatives.

"Nigorie" of the original one which was put into a stage by Mr. Yukio Ninagawa in 1984. A stage model handed down by Setsu Asakura herself who was in charge of the stage arts is displayed.

"Nigorie" stage model 1984 (Showa 59 years) Production: Setsu Asakura

In the special exhibition, life in Shimotani Ryusenji Town, the foundation of creation of Ichiyo "Takekurabe", has been comprehensively introduced, so I thought that after viewing I could understand the work even more.

"Ichiyo Takekurabe Monument" built in the Ichiyo memorial park opposite the memorial hall

Shimotani Ryusenji Town The 125th anniversary commemorative special exhibition "Shimotani Ryusenji Town (town of the stature) Higuchi Ichiyo" is held until January 27, 2019. When you come to the memorial hall, why not try walking around and thinking about the world of "Takekurabe"?

Outline of the exhibition

Exhibition name Moved to Shimotani Ryusenji Town 125 year anniversary special exhibition "Shimotani Ryusenji Town Higuchi Ichiyo "

Term November 10, 2018 (Sat) to January 27 (Sunday) 2019

Venue Taito Ward Monobye Memorial Hall (3-18-4, Longquan, Taito-ku)
1st and 2nd exhibition room

Opening hours 9: 00 ~ 16: 30 (Admission is until 16:00)

closing day Every Monday (when overlapping holidays, next weekday), New Year's holidays 12 / 29-1 / 3

Admission fee Individual / adult 300 yen, elementary and junior high / high school student 100 yen
Group / adult 200 yen, elementary and junior high / high school student 50 yen
* Groups of 20 or more
※ If you have a handicapped Person with Disabilities and Certificate of Medical Entitlement for Specific Disease, those who help you and those who assist you are free.
※ Entry fee for elementary and junior high school students and their guardians who live and stay in Taito Ward every Saturday is free.

TEL 03-3873-0004

Official website http://www.taitocity.net/zaidan/ichiyo/


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Wandering into the Rabbit Hole –Former Hakubutsukan-Dōbutsuen Station Press Tour Report

This building is standing side by side with the Tokyo National Museum, across from Ueno Park.

It used to be the Keisei Electric Railway Former Hakubutsukan-Dōbutsuen Station which has been used as the nearest station of the Tokyo Imperial Museum (now the Tokyo National Museum) and the Imperial Ueno Zoo.

Along with the decrease in users, it had been suspended business in 1997. In April 2018, as a building with a historically important landscape value, it was the first railway facility which is selected as Tokyo Metropolitan Selected History Building.

Renovation work was carried out on this machine, furthermore, Tokyo National University of the Arts, Department of Art Department manager, UENOYES * A comprehensive producer, Mr. Katsuhiko Hibino, designed the door.

* Art project with the theme of social inclusion. With the aim of new social participation of people from the beginning of culture, regardless of disability, with various people from races and countries, from children to adults, develop various programs throughout the year, from Ueno We are disseminating it to the world.

On November 23, 2018, a part of Keisei Electric Railway old museum zoo station building will be opened to the public. At the same time, within the station building, a limited-time installation work Wandering into the Rabbit Hole will be displayed as a Historical Cultural Resource Utilization Program that is part of the UENOYES project.

I participated in a press tour that was held prior to that, so I will tell you the situation.


Let’s open the new door and go inside.

Design of the door by Mr. Katsuhiko Hibino

When you open the door, there is a huge rabbit!

Because the ticket gate of the old museum zoo station is in the basement, this work have a motif of a rabbit who has habits of digging soil and creating a nest.

Station building ceiling
This station was loved by many people. Graffiti at the time of the active duty is left on the wall of the station building.
Old museum zoo station public release commemoration admission ticket
An announcer who brought the face of a rabbit invites us to the basement.
I have my tickets cut and I will get down to the basement.
In the basement is a book written about the "reproduction of what was lost". The viewer can also sit on the chair and repeat the page.
Unique display of animal skull reproduced with 3D printer. You can also touch here.
In the center is the actual skull of Huang Huang of the giant panda who died in 1997 when the station building stopped operating. Standing by is a doctorate in science at National Science Museum / Department of Animal Studies, Mr. Ken Mori of technical cooperation of this work.
Huang Huang's skull has replicas, so please do touch it.
A replica of the human skull displayed before the toilet display. It is somehow surreal.
As a hommage to many graffiti remaining in the station building, you can do graffiti with a pen in a glass door leading to the basement. It is planned to archive when graffiti becomes full.
Underground ticket gates, and stairs leading to home. I can not move forward from here, but I can surpass the figure at that time through the glass door.

The story that Ms.Shiratama Hitsujiya written down on Ueno's research was written by Ms. Akiko Sakata of art and was supported by the technical scientist of Mr. Kento Mori, a scientific museum · support researcher at the National Science Museum · Animal Research Division Exhibition.

Ms.Shiratama Hitsujiya director from the left, Mr. Kento Mori of technical cooperation, MS.Sakata Akiko of art.

Both Ms.Hitsujiya and Ms.Sakata say that this station building is a "space inspired by artists".

Mr. Mori says that he usually creates skeletal specimens by 3D scan and printer and has thought that it would be great if he chould show his works to the public. When Ms.Hitsujiya talkes about this project, he accepted immediately. It was in 1997 that the old museum zoo station stopped operating, but due to the idea of ​​Mr. Mori, the genuine exhibition of the skull of Huang Huan of the giant panda who died the same year came true.

In this way the installation work “Wandering into the Rabbit Hole” . There is a unique world view that draws in what you see from the moment you open the door.

You can actually touch the entrance rabbit or book, the skull replica, and you can do graffiti on the glass.

Even those who have never used the old museum zoo station, you will be able to enjoy the work with a thought on the history of the station building.

Since it will be a limited-time exhibition until February 24, 2019, how about going to the old museum zoo station on this occasion?

Publication and exhibition of Former Hakubutsukan-Dōbutsuen Station “Wandering into the Rabbit Hole” Summary

A session Every Friday, Saturday and Sunday from November 23, 2018 (Friday, congratulation) to February 24 (Sun) in 2019
※ 39 days in total excluding December 28 to 30

time 11: 00 ~ 16: 00
※ The final admission is until 15:30 (Capacity system · Replacement system when crowded)

place Former Hakubutsukan-Dōbutsuen Station
Admission fee free

Related events will also be held. Please check the official website for details.
 
This article provided by kokosil Ueno


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Munch: A Retrospective

Tokyo Metropolitan Art Museum
エドヴァルド・ムンク《叫び》1910年? テンペラ・油彩、厚紙 83.5×66cm

At the Tokyo Metropolitan Art Museum, Munch: A Retrospective will be held from Saturday, October 27, 2018 to Sunday, January 20, 2019.

Edvard Munch (1863-1944), a master of Western modern paintings depicting one of the best-known famous paintings in the world The Scream. This exhibition features beautiful landscape paintings depicting Norwegian nature, from works of many masterpieces such as love and despair, jealousy, loneliness expressed intensely by the inner face of human beings, to works of later years colored with bright colors , This is a great retrospective exhibition looking back over the past 60 years of painting while following the life of Munch.

Information

Exhibition name Munch: A Retrospective
Period October 27 (Sat), 2018 – January 20 (Sun), 2019

Closed Mondays, December 25, January 1, 15 (Open the Monday of November 26, December 10, 24, January 14)

Hours 9:30 – 17:30 (Last admission 17:00)

Days of Extended Hours Fridays, November 1, 3 9:30 – 20:00 (Last admission 19:30)

Venue Tokyo Metropolitan Art Museum Exhibition Rooms

Admission Tickets at the door |
General ¥1,600 / College students ¥1,300 / HS students ¥800 / Seniors 65+ ¥1,000

Group tickets |
General ¥1,400 / College students ¥1,100 / HS students ¥600 / Seniors 65+ ¥800
※Group rates – 20 or more people

※Admission free for visitors junior high school age or younger
※Admission free for visitors (and one accompanying person) with a Physical Disability Certificate, Intellectual Disability Certificate, Rehabilitation Certificate, Mental Disability Certificate or Atomic Bomb Survivor’s Certificate
※In each case, please show identification

Official site https://munch2018.jp/

Telephone Inquiry 03-5777-8600(Hello dial)

Read exhibition report
 
Article Provided by:Kokosil Ueno


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【Tokyo Metropolitan Art Museum】Munch: A Retrospective  Exhibition report

Tokyo Metropolitan Art Museum


At the Tokyo Metropolitan Art Museum, Munch: A Retrospective is being held from Saturday, October 27, 2018 to Sunday, January 20, 2019.

Since I participated in a press coverage held before the event, I will tell you how that situation is.


Speaking of Munch’s The Scream is one of the most famous painting in the world. Actually, The Scream is drawn in multiple stages, and 4 points are present besides prints.

The first visit to Japan this time is tempela / oil paintings collection of the Munch museum in Oslo, Norway, home of Munch. Because it uses delicate materials, it is not permanently displayed at the Munch Museum.

It is rare that this work is exhibited outside the Munch Museum, and this exhibition is a very valuable opportunity to see the real thing in Japan.

エドヴァルド・ムンク《叫び》1910年? テンペラ・油彩、厚紙

However, the charm of Munch is not only The Scream.

This exhibition will be a great retrospective exhibition of Munch that displays about 60 oil paintings and about 100 prints combined with Oslo City Munch Museum collection.

I will introduce some of them below.

The life of Munch seen in self-portrait

Munch is working on about 80 self-portrait in his life, and the expressions and backgrounds drawn are reading out his feeling of those days.

Work as a painter as he started out. His beautiful face expresses full of confidence.

エドヴァルド・ムンク《自画像》1882年 油彩、紙(厚紙に貼付)

Munch that was bothered by delusions caused by troubles with lovers, alcohol dependence, and wandering life at this time.

エドヴァルド・ムンク《地獄の自画像》1903年 油彩、カンヴァス

Munch's depression of the time seems to be projected on the background hell flames and surprising shadows.

One piece drawn in the year when it became turning point of Munch's life.

エドヴァルド・ムンク《青空を背にした自画像》1908年 油彩、カンヴァス

Munch hospitalized in Copenhagen's clinic for several months due to nerve weakness this year. After that he finally decided to finish the wandering in Europe for many years and return to his home country Norway the following year. Bright color makes us feel his peaceful life after that.

Rich internal portrayal

As a characteristic of Munch's work, there are in-depth internal depictions with bold strokes.

This work entitled Melancholy.

エドヴァルド・ムンク《メランコリー》1894年-96年 油彩、カンヴァス

It seems as if the depressed feeling of a person is not only in his face expression but also in the background.

This is produced using the same composition as The Scream.

エドヴァルド・ムンク《絶望》1894年 油彩、カンヴァス

The Scream and Despair are both backdrops to the sunset in Oslo's fjord, but in contrast to & The Scream seems to be mutually responsive to the background, on the other hand, the person of Despair is deeply in despair and isolated from the surroundings.

A dark indoor contrasting with the brightness outside the window that glimpses the background. The strong love destroyed the contours between the man and
the woman, and the two united.

エドヴァルド・ムンク《接吻》1897年 油彩、カンヴァス

Although Munch drew many works extruding negative emotions such as solitude, melancholy, jealousy, many works with the relationsip between men and women as a motif are also left.

Special commentary

At the exhibition there was a special commentary by Mr. Jon-Ave-Staihaug, who is the director of the exhibition and collection at the Oslo city munch art museum.

ヨン=オーヴェ・スタイハウグ氏(ムンク美術館 展覧会およびコレクション部長)

"120 years ago there were some people who said The scream were ridiculous, ugly, there was no class, but I think that it is very interesting now that his works attract a lot of people worldwide. I think that Munch is extremely radical and at the same time experimenting with The scream. To convey the emotions such as anxiety and despair based on his own experiences, materials that are not normally used ( Pastel, tempela, cardboard and pencil) is used to create it. "

"Though it is common to many works of Munch, it gives the impression that munch are confronted with those who are watching his works through the faces painted, and on the other hand, through the perspective method his works draw attention of the watcher. Munch dramatically expresses his emotions. "

He also suggest one of his favorites Munch’s work.

エドヴァルド・ムンク《赤い蔦》1898-1900年 油彩、カンヴァス

" Red ivy, which is displayed in the same room as The scream, is as strong as The scream, conveying intense emotions, a wonderful and powerful work. "


Munch: A Retrospective that consists only of Munch's works, is being held until January 20, 2019 at the Tokyo Metropolitan Art Museum.

Why do not you immerse yourself in the world of Munch.

※All Photographs ⓒMunchmuseet

Information

Exhibition name Munch: A Retrospective
Period October 27 (Sat), 2018 – January 20 (Sun), 2019

Closed Mondays, December 25, January 1, 15 (Open the Monday of November 26, December 10, 24, January 14)

Hours 9:30 – 17:30 (Last admission 17:00)

Days of Extended Hours Fridays, November 1, 3 9:30 – 20:00 (Last admission 19:30)

Venue Tokyo Metropolitan Art Museum Exhibition Rooms

Admission Tickets at the door |
General ¥1,600 / College students ¥1,300 / HS students ¥800 / Seniors 65+ ¥1,000

Group tickets |
General ¥1,400 / College students ¥1,100 / HS students ¥600 / Seniors 65+ ¥800
※Group rates – 20 or more people

※Admission free for visitors junior high school age or younger
※Admission free for visitors (and one accompanying person) with a Physical Disability Certificate, Intellectual Disability Certificate, Rehabilitation Certificate, Mental Disability Certificate or Atomic Bomb Survivor’s Certificate
※In each case, please show identification

Official site https://munch2018.jp/

Telephone Inquiry 03-5777-8600(Hello dial)

Article Provided by:Kokosil Ueno


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