Tokyo Metropolitan Art Museum Klimt Exhibition Vienna and Japan 1900

Tokyo Metropolitan Art Museum

Gustav Klimt: Vienna-Japan 1900
April 23 (Tuesday)-July 10 (Wed), 2019

Gustav Klimt (1862-1918) who represents Vienna in the late 19th century. The combination of colorful decoration and end-of-the-century sensuality is still overwhelmingly popular. This exhibition commemorates the 100th anniversary of his death, from the early naturalistic works to the representative works of the golden style after the formation of the separatists, the beautiful female figures and many landscape paintings, which is the largest in history in Japan Introduces more than 25 oil paintings. In addition to the reproduction of the mural paintings that decorate the separatist building in Vienna, the works of painters who worked in Vienna at the same time, and Japanese art objects influenced by Klimt, etc. please look at.

Highlight

1. The largest past Klimt exhibition
From the early naturalistic works to the masterpieces of the “Golden style” period, the images of sweet women and fresh landscapes, the Japanese art world is filled with more than 25 Klimt oil paintings, the largest ever in Japan. You
2. Three generations of women, first visit to Japan
The three generations of women performed by Klimt in the mature period (the collection of the National Museum of Modern Art, Rome) will be visiting Japan for the first time. Please take this opportunity to enjoy Klimt’s delicate techniques and decorative expressions using materials such as silver.
3. End of the Century Vienna and Japan
Following the European trend in the late 19th century, Japanese art gained popularity in Vienna, and its expressions and motifs were incorporated into the art. Along with the works of Klimt and contemporary artists influenced by Japanese art, the works of Japanese art that have influenced them will be displayed to clarify the connection between Vienna and Japan in art.

Main works

Gustav Klimt “Judit I”
1901 oil on canvas, 84 x 42 cm
Belvedere Palace Austrian Art Gallery © Belvedere, Vienna, Photo: Johannes Stoll
Gustav Klimt “The Three Generations of Women”
1905 oil on canvas, 171 x 171 cm
Roman National Museum of Modern Art
Su concessione del Ministero per i Beni e le Attività Culturali Roma, Galleria Nazionale d’Arte Moderna e Contemporanea.
Gustav Klimt “Commer Castle III on the Atter Lake III”
1909/10 oil on canvas, 110 x 110 cm
Belvedere Palace Austrian Art Gallery © Belvedere, Vienna, Photo: Johannes Stoll
Gustav Klimt “Portrait of Eugenia Primafez”
1913/14 oil on canvas, 140 x 85 cm
Toyota City Museum of Art

Exhibition basic information

Session April 23 (Tuesday)-July 10 (Wed), 2019
Venue Planning exhibition room
Closed day May 7 (Tue), 20 (Mon), 27 (Mon), June 3 (Mon), 17 (Mon), July 1 (Mon)
Opening time 9:30-17:30 (30 minutes before closing)
Open at night From 9:30 to 20:00 on Fridays (30 minutes before closing)
Fee for viewing Advance ticket | General 1,400 yen / Undergraduate and technical college student 1,100 yen / High school student 600 yen / 65 years old or older 800 yen
※ Details such as various tickets go to special WEB site
Tickets for the day | General 1,600 yen / 1,300 yen for university students and vocational school students / 800 high school students / 65 years old or more 1,000 yen
Group ticket | General 1,400 yen / Undergraduate and technical students 1,100 yen / High school students 600 yen / 65 years old or older 800 yen
※ Target of group discount is more than 20 people
※ Junior high school students and below are free * June 1 (Saturday)-June 14 (Fri) university students, vocational school students, high school students free
※ Person with disability certificate, love notebook, nursing notebook, mental patient health welfare notebook, A-bomb survivors health notebook and person (the one up to one person) are free
※ Please bring what you can prove
Sponsored Tokyo Metropolitan Art Museum (Tokyo Metropolitan Foundation for History and Culture), Asahi Shimbun, TBS, Belvedere Palace Austrian Art Museum
Sponsorship Austrian Embassy / Austrian Cultural Forum
Sponsorship Shop channel, Secom, Sompo Japan Nipponkoa, Dainippon Printing, Takenaka Corporation, Toyota Motor Corporation, Mitsubishi Corporation, Panasonic, Mizuho Bank
Cooperation All Nippon Airways
Special WEB site https: // klimt 2019.jp
Contact information TEL: 03-5777-8600 (Hello dial)

Article Provided by:Kokosil Ueno


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【Tokyo National Museum Heisei Building】 Special Exhibition “National Treasure Toji Temple-Kukai and Buddha Statue Mandala” Preview Report

Tokyo National Museum


In the Heisei-kan, a special exhibition “National Treasure Toji Temple-Kukai and Buddha Statue Manra” will be held from March 26 (Tuesday) to June 2 (Sun), 2019.

As we participated in the press conference held prior to the event, we will tell about the situation.


To-ji Temple (Koh Gokoku-ji Temple) was built along with West-ji Temple as a public temple for the protection of the Great Castle, along with Heian-Kei’s capital relocation. Kukai Kobo Daishi, who returned to learn the esoteric is a new Buddhism in Tang, look forward to Toji than Emperor Saga in 823 years, was the root dojo of Shingon esoteric Buddhism.

Kukai said, “Esotericism is so deep, it is difficult to describe in sentences. Instead, I draw a drawing and show it to something that I can not understand” (“Gyorai catalog”) , I emphasized it. From this point of view, there are still many excellent items in esoteric art.

In this exhibition, we introduce the full spectrum of cultural assets from Toji Temple, including many famous treasures related to Kukai.

On the next seven days, the way to go to school

Kukai says it is confidential to practice and practice in accordance with the scriptures. The most important of the various disciplines is the practice seven days after being held at Shingon-in, a secular shrine set up in the palace.

It is prayed for the health of the nation’s security and the emperor, and it has been held in Toji since the Meiji era.

It is not clear what kind of practice is being done, but for this exhibition, photography of the setting in the dojo during the ceremonies is permitted, and the situation is reproduced in the exhibition hall. This is a valuable opportunity to learn about the precious ceremonies!

Both worlds mandala

Mandala is a visual representation of the world view of Buddhist scriptures in a variety of ways. The “two world mandala”, which Kukai emphasized, is the “Jokura world mandala” that represents the world of the scriptures “Dai Nikkei” and “Kongo Shokai” and “ It refers to the Kongokai Mandara. Both world mandalas are also used in the 7 days later.

In this exhibition, we will replace and display 3 sets of both world mandalas (total 6) during the period.

It is here to be displayed from March 26 (Tuesday) to April 7 (Sunday). Kukai is the second transcript of the colored mandala (Nera Mandara) brought back from China and is designated as an Important Cultural Property.

Both worlds mandala picture (Komoto) The world of peace Heian era · Tianku 2 years (1191) Tojizo Publication period March 26-April 7

Mandala is a way of showing deep secular teachings to anyone. The layout map of Mandala is also on display, so please try to decipher the world centered on Dainichi.

Three-dimensional mandala

In the auditorium of To-ji Temple, 21 groups of Buddha statues are said to have three-dimensionally represented the world view of “Kongo Zong”, a fundamental scripture of esoteric religion. These three-dimensional mandala was designed by Kukai. Among these, the 15 exhibitions that will be the largest exhibition ever made are on display.

Kukai says, “The Buddha of Mandala is neatly arranged like a tree in the forest, with various colors of red and blue .” It is considered to be a word conscious of the Kongo world mandala. Like the words, it is a masterpiece that 15 Buddha statues line up in a large exhibition hall.

You can also admire the statues of the famous Buddha statues of Buddha Buddha No. 1 handsome.

Teijin Buddha statue Heian period · republic 6 years (839) Toji storehouse

 

VR work “Kukai form of prayer”

At the same time as the main exhibition, the VR work “Kukai prayer form” is being screened on the first floor of the Tokyo National Museum.

In addition to following the locus of action construction from the arrival of Kukai, you can enjoy the image that reproduces the Buddha image of 21 three-dimensional mandala by VR technology. The 7-meter high “Dainichi Nyorai” placed in the center of the three-dimensional mandala is projected in full size, and it is a powerful score. Please enjoy it together with this exhibition!

Screening guide
Place: Tokyo National Museum Toyokan B1F TNM & TOPPAN Museum Theater Period: March 27 (Wed)-June 30 (Sun), 2019
Screening date: Wednesday, Thursday, Friday (12:00, 13:00, 14:00, 15:00, 16:00)
Sat, Sun, Holiday, Holiday (11:00, 12:00, 13:00, 14:00, 15:00, 16:00)
※ During the Special Exhibition Period [3/26 (Tuesday)-6/2 (Sunday)] on Friday and Saturday will be screened at 17:00 and 18:00. ※ The required time is approximately 35 minutes, and the capacity is 90 people. 500 yen Junior high school student, primary schoolchild 300 yen preschooler, disabled person and one of their caregivers free ※ Special exhibition “National Treasure Touji-Kukai and Buddhism Mana” ticket presentation 100 yen discount ※ General culture exhibition day ticket (general 620 yen / university students ¥ 1000 and ¥ 1000 for general set / 800 yen for university students ※ Please purchase a ticket by the opening time (only for the day ticket).
Theater WEB site: http://www.toppan-vr.jp/mt/en/

 

Summary of the event

 

Exhibition name Special Exhibition “National Treasure Toji-Kukai and Buddha Statue Mandala”
Session March 26 (Tuesday)-June 2 (Sun) 2019
Venue Tokyo National Museum Heisei Building (Taito-ku Ueno Park 13-9)
Opening time 9: 30-17: 00 (30 minutes before closing)
※ But until Friday, Saturday during the show until 21:00
closing day Monday, May 7 (Tuesday)
※ But April 1 (Mon) [Open only at Toji Exhibition Hall], April 29 (Mon. / Congratulation), May 6 (Mon.)
inquiry 03-5777-8600 (Hello dial)
Viewing fee General 1600 yen (1400 yen / 1300 yen), university student 1200 yen (1000 yen / 900 yen), high school student 900 yen (700 yen / 600 yen)
※ Junior high school students and below free ※ Group fee of 20 or more in () ※ Person with a disability and one of its caregivers is free. It is necessary to present a handicapped person’s certificate etc. when entering the hall.
Official site https://toji2019.jp/en/index.html

Article courtesy : Kokosil Ueno


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Taito Ward Asakura Sculptural Museum
“Didly Picked Handsome ★ Ocimens”
Coverage Report

Taito Ward Asakura Engraving Museum

Asakura Sculptor’s Museum is located a 3-minute walk from Yanaka Ginza shopping district, leaving the atmosphere of the downtown area. The building which was the atelier and residence of the sculptor Fumio Asakura (1883-1964) is open to the public. Of course it is possible to appreciate the sculpture work by the hand of Asakura, but the building which Asakura himself designed was registered with the tangible cultural property of the country (2001), and the whole site is the country as “Former Asakura Fumio Garden”. Designated as a scenic spot in (2008). The Asakura Sculpture Museum, where you can enjoy works, buildings and gardens, has been attracting attention from overseas tourists in recent years.

This time, as it was interviewed at the Asakura Sculptor’s Hall at the exhibition held from August 8 (Fri) to June 5 (Wed), 2019, “The handsome guy selected by himself in the process of being selected ★ Oshimen” I will tell you.


Among the works held by the Asakura Sculptor’s Museum, the special feature in the permanent exhibition displays works that the staff members thought were handsome.

The front is a popular NO. 1 “pre-competition” from the staff. Small face, characterized by a firm and muscular body

Atelier which takes a big window and pours in natural light. Somewhat warm atmosphere while using concrete because curves are used a lot. It also seems that the shadows are soft. The ceiling height is 8.5m.

The work which made the police dog star number a model was chosen as a handsome. Not only the person but also the work modeled on the animal faithfully reproduces the real thing and sees the details. This is a sad but outrageous star.

Asakura’s masterpiece “Tombguard”. A work that captures the unspoiled appearance of a grave ward old man. The expression that life experience exudes is handsome

Continue from the atelier to the study.

About half of the huge books stored in built-in bookshelves are foreign books. Most of the foreign books were from Toru Iwamura, an assistant teacher at the time of Tokyo Art School (now Tokyo University of the Arts) in Asakura. After Iwamura’s death, Asakura put in debt and collected it all together so that his books would not dissipate. Asakura deeply respects Iwamura and learned a lot from him.

I found a handsome figure in the study. Futaba Statue

A bookend entitled “Two-handed cooperation”

It was made of concrete so far, but it will be wooden from the sitting room following the residence. Asakura with a good sense of beauty was good at harmonizing different elements. The atelier made of concrete and the wooden part made of Sukiya are adjacent without a sense of discomfort.

Many Chinese books are owned. Asakura prefers Chinese hobbies to life

It is a corridor garden that should be noted especially in the wooden part. All rooms are designed to have a view of the garden with plenty of water, and you can enjoy different views depending on where you look. Asakura, who is from Oita Prefecture, which is rich in water, seems to have put particular emphasis on this garden structure. Asakura will have lived a life that feels the change of the season with this residence.

It is said that Asakura has refrained from producing sculptures, as air conditioning is not effective and air conditioning is not effective because the atelier has a large ceiling and a large space. I was writing a manuscript in my room with a view of the garden in cold weather

Stairs leading to the second floor. It uses a lot of logs and bamboos, and has a distinctive design that combines roundness and straight lines

The boundary between the concrete architecture (right) and the wooden Sukiya (left) seen from the second floor. Different materials are admirably fused

On the third floor, we have a Japanese-style room to receive a guest called “For the Chaoyang”. It is a room where you can feel the commitment of Asakura using extravagant materials such as a ceiling lined with cedar bark of Kojiro cedar and a wall with a crushed agate.

There is no level difference between the floors, and the wall is rounded. The setting and taste of the sencha hobbies are a good summary of the whole. The table in the front is designed by Asakura and can be disassembled to the size of a closet

There is a garden on the roof of concrete architecture.

Asakura named this “Asakura sculpted 塾” and has received many disciples. As part of their education, they planted vegetables in the roof garden, and gave disciples the opportunity to touch the soil and observe the process of becoming vegetables from seeds. Asakura’s style is called naturalistic realism, but I was keen to observe the model in detail and faithfully reproduce it. In this way, there was a conviction that the technique was to touch the object with your own hands and be refined from where you feel.

Olive tree

Today, the roof garden is planted with agapanthus and roses, and it entertains visitors every season. In addition, vegetable garden is cultivated in part, and vegetables are cultivated.

Asakura, who loved Oriental Orchid, made a greenhouse on the second floor for the cultivation of orchids. Currently, cat sculptures are on display at the “Ranma”. Asakura loves cats and has left many works with cat motifs.


At the same time as this exhibition, “Taito Tosu” related project “Yohito Saito Photo Exhibition” is also held.

There are five works of Asakura Sculptural Museum, which photographer Yoto Saito took down for Taito Tosu, a cultural arts public relations magazine published by Taito Ward.


Asakura Sculptural Museum, including gardens and architecture, can all be said to have been created under the aesthetics of Asakura. Asakura’s commitment was felt in every corner, and the look was enough. The unique project exhibitions “Domestically selected handsome men” and “Taito Tosu” related projects “Yoshido Saito Photography Exhibition” will be held until June 5, 2019 (Wednesday). How about going by all means once at this opportunity?

Usage guide

 

Opening time 9:30 am-4:30 pm (up until 4 pm for admission)
closing day Mon / Thursday (the next weekday when overlapping with holidays)
New Year
We may close temporarily for display replacement etc.
Admission fee General 500 yen (300 yen)
Small, middle and high school students 250 yen (150 yen)
※ In () is group rate more than 20 people
※ Disability notebook presenter and the carer become free
※ Specific disease medical recipient certificate presenter and the carer become free
※ Admission fee for elementary and junior high school students and their leaders is free of charge every Saturday at Taito WardWe offer various services such as annual passports, so please use them.
location 〒 110-0001
7-18 Yanaka 7-10 Taito-ku
TEL: 03-3821-4549
Fax: 03-3621-5225
Official site http://www.taitocity.net/zaidan/english/asakura/

※ Please prepare socks when entering the hall


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Tokyo National Museum Special Exhibition “National Treasure Toji-Kukai and Buddha Mandala”

Tokyo National Museum

National Treasure Bhasamon Heavenly Statue China Tang Dynasty · 8th Century

In the Tokyo National Museum Heisei Building, the special exhibition “National Treasure Toji Temple-Kukai and Buddha Statue Manra” will be held from March 26 (Tuesday) to June 2 (Sun), 2019.


Toji Temple was created along with the Heiankyo capital move. Only Toji Temple and Nishiji Temple were allowed to build in the capital. After that, Toji is entrusted to Kukai (Kobo Daishi) who returned from Tang to study new secular Buddhism.

The Toji Temple, which became the root school of Shingon secular religion, contains many works of art related to religious religion, and has been kept until now.

In 2023, Shingonshu was opened to Rikkyo, and the 1200th anniversary will be reached. This exhibition presents the full spectrum of cultural assets from Toji Temple, including many famous treasures related to Kukai. The highest peaks of esoteric art, such as sculptures, paintings, writings, crafts, etc. meet in one hall.

Summary of the event

Exhibition name Special Exhibition "National Treasure Toji-Kukai and Buddha Statue Mandala"
Session March 26 (Tuesday)-June 2 (Sun) 2019

Venue Tokyo National Museum Heisei Building
(Taito Ward Ueno Park 13-9)

Opening time 9: 30-17: 00 (30 minutes before closing)
※ But until Friday, Saturday during the show until 21:00

closing day Monday, May 7 (Tuesday)
※ But April 1 (Mon) [Open only at Toji Exhibition Hall], April 29 (Mon. / Congratulation), May 6 (Mon.)

Viewing fee General 1600 yen (1400 yen / 1300 yen), university student 1200 yen (1000 yen / 900 yen), high school student 900 yen (700 yen / 600 yen)
※ free for junior high school students
※ ( ) is presale / group rate of 20 or more people
※ The disabled and one carer are free. It is necessary to present a handicapped person's certificate etc. when entering the hall.

TEL 03-5777-8600 (Hello dial)

Exhibition official site https://toji2019.jp/en/index.html

Article courtesy: Kokosil Ueno


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Tokyo National Museum “Making a Cherry Blossom at the Museum”

Tokyo National Museum


Tokyo National Museum (Tokyo, Ueno Park) will exhibit the famous items related to the cherry blossoms from March 12 (Tuesday) to April 7 (Sun), 2019, and will also hold various events at the annual spring event "Museum We carry out "Hamimi".

In the main building, we will display various works related to cherry blossoms, such as paintings depicting cherry blossoms such as the national treasure "Hanashita Yuen-Gaku-Butsu", crafts with cherry blossom motifs, and Buddha statues of cherry wood. The subject is marked with a cherry blossom mark. Find your favorite cherry blossoms in the exhibition room.

"Hananami in the museum" held summary

 

period March 12 (Tuesday) to April 7 (Sun), 2019
Opening time 9: 30-17: 00 ※ Friday, Saturday until 21:00 ※ Entering is 30 minutes before closing
closing day March 18 (Mon), April 1 (Mon)
Viewing fee General 620 yen (520 yen) / college student 410 yen (310 yen)

※ ( ) in the group rate of 20 people or more

※ High school students and under, and those under 18 years old and over 70 years old are free. Please show what you know of age when you enter.

※ Disabled person and one carer are free. Please present a disability certificate etc. upon admission.

※ Visitors (up to 2 companions per child) with children (under high school students and under 18 years of age) can view at group rates.

※ Special exhibition is extra charge.

 
Article courtesy : Kokosil Ueno


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【National Museum of Western Art】The 60th anniversary of the opening of the National Museum of Western Art, “Le Corbusier and the Age of Purism” Exhibition Report

National Museum of Western Art

During the period from Tuesday, February 19, 2019 to May 19, 2019, at the National Museum of Western Art, the 60th anniversary of the opening of the National Museum of Western Art, Le Corbusier and the Age of Purism will be held . Since the exhibition was held on February 18, I will tell you how it is.

The National Museum of Western Art, which was registered as a UNESCO World Heritage Site in 2016. This main building was designed by Le Corbusier who is known as the master of 20th century architecture.

Architecture, painting, sculpture, poetry …. Charles-Edouard Jeanure (the real name of Le Corbusier), an artist who had developed a variety of activities, is the end of 1918 after the conclusion of the First World War, the "Construction and Integration" corresponding to the progress of machine civilization I started the exercise of the artist Purismu . Giving great praise from the creation of Purrism and the exchange with the art world in Paris in the 1920s, Jeanuret is reborn as a flag hand of modern architecture "Le Corbusier".

This exhibition, which is held in commemoration of the 60th anniversary of the opening of the National Museum of Western Art, focused on young daily paintings in which Le Corbusier had been doing a new art movement in Paris, and his contemporary writer Picasso , About 100 works of art by Black, Leger and others, including a number of materials such as architectural models, publications and images. It is a very valuable opportunity to experience the spirit of Le Corbusie's era in the world in his building.

Exhibition landscape

Venue landscape. Overlooking the 19th century hall on the first floor from the second floor of the exhibition hall

The second floor exhibition room. The high ceiling and the low ceiling are combined, and the pillars line up rhythmically. Bright light arriving from the continuous window looks like a natural light

At the beginning there is a cover of the magazine "Esprit Nouveau" edited and published with his friend Ozanfan

Works of writers who had friends with Le Corbusier, such as scuba-cubist sculptors, line up deeply with the architectural space

It is one of the real thrills that you can enjoy the precise model of the architect designed by Le Corbusier. This is 1/30 model of "La Roche-Jeanulé House"

Paintings by Fernand Leger deeply friends with Le Corbusier through the Purism movement. Replacing what you see with simple surfaces and lines is a characteristic of Purismu paintings

The display composition is as follows.

Ⅰ The birth of Purismu
Ⅱ Confrontation with Cubism
Ⅲ Top and end of Purrism
Le Corbusier after Ⅳ purism

This exhibition will be held from the 19th century hall of the National Museum of Western Art, a space that became a corridor on the second floor. This is based on the concept "Leisure growing art museum" proposed by Le Corbusier, the building expands spirally out from the center.

Normally it is this space where the permanent exhibition is usually done, but the color of the wall is illuminated brighter than usual to hold the "Le Corbusier paintings to architecture – to the architecture – the era of Purrism", it has been born like a different space I was surprised.

"A space filled with light, this was the exhibition space originally intended by Le Corbusier, in which the painters of the era when he worked, the works of friends, and the appearance of le Corbusier's architecture talking I can feel it, I think that there is a big difference from the regular exhibition. "

That's why it was Hiroyuki Murakami, deputy director of the National Museum of Western Art.
In addition to watching pictures and sculptures, be sure to think about the relationship between the work and the architecture and see the corridor.

Exhibition work introduction

Charles-Edouard Jeanure (Le Corbusier) "A large still life exhibition at the independent exhibition" 1922 Stockholm Museum of Modern Art

Work that realized Purisumu's philosophy of "creating creative and universal art from ordinary reality subjects" in the most monumental way.

I think that it is very difficult to understand that guitar, bottle, carafe, etc on the table are perceived as perfect solid, and it is reconfiguring it as an orderly space · · ·, the important thing is "to write in real life It is not that " instead of " replacing objects with "simple lines and faces" . The stereoscopic effect felt from the Purisum paint painted in this way surely leads to Le Corbusier's architectural space.

It is interesting to compare with Ozan Fan 's "Still life with bottles" drawn in the same year (photo left). Ozanfan also composes the screen by combining the vertical line and the horizontal line again, but it gives a somewhat planar impression compared to the work of Jeanure (Le Corbusier). It seems that Jeanure 's work is more stereoscopic and three dimensional elements are strong.

Le Corbusier "Lunch by the lighthouse" 1928 Paris, Le Corbusier Foundation

Nature rich environment of Pique which had been vacation of summer every year since 1926. Based on the sketch during staying in the Piquet "lunch by the lighthouse", the still life on the table and the scenery of the bay with the lighthouse are tied in a way that is noticeable.

Round curve. Warm colors. It is quite different from Jeanure 's previous Purism painting. In the late 1920's, Le Corbusier aimed to pursue "geometric order" and added "landscape" and "person" as a new motif to his paintings with still life as the only subject. What he aimed for was "Harmony between man and nature." Along with the new theme, his style gradually changed.

But again, his belief that "geometric order is the essence of man and nature" seemed to have not shaken.

Le Corbusier "Savoie residence" 1928 – 31 years (Photo is 1/100 model Taisei Corporation)



1928 – Model of "Savoie residence", a mansion built in the suburbs of Paris in 1931. The Savoie House is filled with various ideas such as wide oblong windows and slopes, and it is called architecture which best describes the spirit of Purisumu. The exterior looks just like a Pyrism painting by Jeanure. His architectural image aiming for universality rooted in geometry is well expressed.

In 1928 when the design of Savoie residence began, it may have been a "turning point" for Le Corbusier. One thing was to introduce images of women and landscapes suppressed in the Purism time into paintings. Another thing is that paintings also came to sign "Le Corbusier", not real name "Jeanure". The Savoie residence is just a pioneer of modern architecture and it can be said that it was a monumental work for Le Corbusier.


"Through the design of the National Museum of Western Art, he hoped that this museum would be the base to spread the spirit of modern times.The" modern "he thinks is a clear, powerful, positive thing and that There is geometry at the root, please feel it in this space where his architecture and painting works reverberate. "

Mr. Murakami of the National Museum of Western Art, which was responsible for the exhibition commentary, said that way.

"Le Corbusier's origin" that you can enjoy in the world heritage building.
Why do not you visit us once.

Summary

Exhibition name Le Corbusier and the Age of Purism
Term February 19 (Tue) – May 19 (Sun) in 2019
9: 30 ~ 17: 30
Every Friday and Saturday: 9: 30-20: 00
※ Admission until 30 minutes before closing
closed day Monday (however, March 25, April 29, May 6 is open), May 7 (Tue)
Venue National Museum of Western Art
Admission fee The day: 1,600 yen in general, 1,200 yen for college students, 800 yen for high school students
Group: General 1,400 yen, college student 1,000 yen, high school student 600 yen
※ Group rates are 20 people or more.
※ Junior high school students and under are free.
※ Persons with physical disabilities and one attendant are free (Please show the handicapped person at the time of entry).
Official site https://lecorbusier2019.jp/en/

Article Provided by: Kokosil Ueno


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【Tokyo Metropolitan Art Museum】 Special Exhibition “Lineage of Eccentrics: The Miraculous World of Edo Painting” Report

Tokyo Metropolitan Art Museum
Soga Shōhaku "Yukiyama Dadoko Figure" The First Year of Meiwa (1764) Mie, Yongseongsa

"Lineage of Eccentrics: The Miraculous World of Edo Painting; will be held at the Tokyo Metropolitan Art Museum from February 9 (Sat) to April 7 (Sun) in 2019. Prior to the opening of the press, the press exhibition was held on February 8, so I will tell you the pattern.

Do you know the word "fantasy" in Japanese art?

1970 was published in the year, in the works "The Genealogy of Capriccio" of Japanese art historical treatise by Mr. Tsuji Nobuo, of the Edo era painter, Iwasa Matabei, Kano Sansetsu, Ito Jakuchu, Soga Shōhaku, Nagasawa Rosetsu, and Utagawa Kuniyoshi, of works and biography Through the keyword "fantasy" he discussed. Mr. Tsuji brought new perspectives such as eccentricity, grotesque, and fantasy to the world of Japanese art that was often talked about in schools and genres until then.

In this exhibition, in addition to the painters picked up in "The Illustrated Genealogy", he covered Hakuin Ekaku and Suzuki Kiitsu , a masterpiece of eight superstars of Japanese art world such as Ito Jakuchu who is explosively popular recently Gathered. Through the eyes of modern people, we will introduce the fantastic outlook of Edo Painting, its new attraction.

Exhibition landscape

Venue entrance. Creative Sennen figure drawn by Soga Hoshihaki invites you to a fantasy world
This exhibition is chaptered by each painter, and at the Jakuchu chapter decorating the top batter, a representative work "elephant and whale picture folding screen" (Shiga · MIHO MUSEUM of Kansei 9 (1797)) is displayed at the beginning. I am amazed by its bold exhibition composition
Soga Shōhaku is a painter who also became a creator of 'fantasy genealogy'. In "The Larvi figure" (Meiwa Yuan (1764) Mie and Asada Temple exhibition period: 2/9 – 3/10), it is stolen from its unrestrained writing brush
Age of activity of "fantasy painters" mentioned in this exhibition
Nagasawa Rosetsu filled with entertainer-like playfulness. This "Furious Tiger Diagram" is a work which I came to Japan from Etsuko & Joe · Price Collection in the USA
Iwasa Matabei "Toyokuni festival figure screen" (Aichi · Tokugawa Art Museum exhibition period: 2/9 ~ 2/24). It is also characterized that many folding screens and fusuma paintings are being exhibited, making full use of the space of the exhibition space.
Some of these works of "fantasy" …. From Kano Sansetsu "Musashi Sumo Picture Scroll" (Japan Sumo Association Sumo Museum). Are people going to fly so far (※ with screen change)
This time Hakuin Ekaku, which was newly added to the "fantasy genealogy", is characterized by its humorous and light style. The impressive contrast between intense red and black is "Imprint figure" (Oita · Masashiji) is the best known representative work of Hakuin Ekaku

At the beginning the composition of arranging "superstar" Ito Jakuchu of the Japanese art world is also bold, but Professor Yuji Yamashita, a professor of Meiji Gakuin University who supervised this exhibition,
"There is not only Jakuchu as a fantasy painter, I wanted to know about that."

Exhibition work introduction

Itaku Jakucho "Chicken rooster rogue" Personal collection

Works discovered during the research process of this exhibition. It is a valuable first public release work.

Anyway, Jakuchu is "chicken". Jokaku was reportedly keeping chickens in the garden and staring at its ecology, frequently picking up chickens on the subject. There seems to be no other similar case in the combination of chicken soup (Chopsticks), but surely these young leaves were planted in the Jakuchu garden.

"Asahi rooster chart" USA / Etsuko & Joe · price collection

Compared to the majestic style and the detailed drawing of the mastery in the "Asahi rooster chart" here, "Chicken rooster figure" is modestly somewhere, I get a pale white impression. From the typeface of the inscriptions, "Chiko rooster picture" seems to be regarded as a rare initial work of 30s.

Soga Shōhaku "Yukiyama Dadoko Figure" Meiwa Yuan (1764) Circa Circa Mie, Yongseongsa


It is a painting of a scene of "book life" that tells episodes of Buddha's life before.

From Buddha who turned Bodhisattva into the form of evil spirits, he tried to tell me "I will teach you the bottom two phrases of the scriptures if you eat yourself to me" and is about to throw himself from the tree .

The intense contrast of the blue, red and orange on the screen, and the contrast of the sacredness of Buddha and the vulgarity of demons is also interesting. Although Xiao Hui learned from the imagery and drew a lot of traditional events such as Chinese saints and hermits, it was known for its intriguing expressions filled with creativity and insanity.

Utagawa Kunihiro "Mikake Hakoha is a lone person" Hirokazu 4 (1847) Age Crop


At first glance it is a portrait depicting the upper body of a man, but when you look closely and see it … a fantastic painting called "Eh?"

This figure depicts Asamina Saburo Yoshihide, a samurai in the Kamakura period, visiting various foreign islands, whose face is made up of gathers of naked men. It may be said that it is just "Oriental Arcimboldo".

Although it is said that there were some "islander" in the islands that Asahina went through, is it that the men who are making him are the dwarfs? In the picture is added a word that he taught that "a lot of people got a precious person who knows who to talk about, but people can not be good people" , and as you can see the mystery It is a piece deepening.


Ashigaru Nagasawa "Dragon figure door" Shimane / Saiko-ji

Innovation, originality that also surpasses modern people. However, it is surprising that the "fantasy painters" introduced in this exhibition were not listed in the textbook as one person in 1970, but were only "other majority" painters.

The way to a new Japanese painting that "Hentai" and "Heterogeneous" painters have opened up.
Leave the textbooks and go out on a journey to meet them.
At that time you may like Japanese painting more than now.

Enriched original goods which treated characters of "fantasy" such as Jakuchu chicken and Deng Haki's demon

Summary

A session February 9 (Sat) – April 7 (Sun) of 2019
Venue Tokyo Metropolitan Art Museum Planning Exhibition Room
Opening hours 9: 30 ~ 17: 30 (entrance is until 30 minutes before closing)
Closed day Monday, February 12 (Tuesday)
* However, opening on February 11 (Monday · congratulation), April 1 (Monday)
inquiry ○ Official website
https://kisou2019.jp/english.html
○ Hello dial
03-5777-8600
Admission fee General 1,600 yen / college student / vocational college student 1,300 yen / high school student 800 yen / 65 years old and over 1,000 yen

※ Free for junior high school students and below
※ Person with handicapped person's notebook, love notebook, medical care notebook, mentally handicapped health welfare notebook, bomb survivor health notebook and those accompanying people (up to 1 person) are free
※ Please bring anything that can be proved

Article Provided by: Kokosil Ueno


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Edomachi-Taito Entertainment Festival Closing Event Report

Taito Ward Asakusa Public Hall

Since the opening in August 2018, "Edomachi-Taito Entertainment Festival" which has delivered a variety of entertainment and traditional culture, including traditional arts from the Edo period through various events. A closing event was held on Saturday, February 16, 2019.

The theme of the closing event – From Edo to Tokyo "The lively crowd of Edo living now" ~ . It was divided into the first part and the second part, and Taito Ward boasts a wide variety of performing arts that got together and was performed together. This time, I wrote about the first part so we will tell about it.

The bustle of Asakusa 6-ku

Before the opening of the first part, there was an announcement of the performers of the closing event at "Asakusa 6-ku" known as a sacred place for entertainment.

What appeared before the Asakusa entertainment hall was the 5th district of the Edo Fire Brigade Memorial Association, a general association formed to convey the tradition of "fire fighting" that was born as a fire brigade in the Edo period to future generations. Demonstrated powerful Edo's woodworking and clasping .

Wood carving
Wing swing

The next thing that appeared was a glittering Oiran (japanese old style courtesan). It is Mr. Kotaro Ryu who acts as a mass actor. From the Asakusa 6-ku street to the closing event venue · Asakusa public hall the procession of Oiran was entertained by many passers-by.

Closing event Part 1

Star's hand type honorific ceremony
Taito Ward, popular entertainment mecca, gave hands and signs from 1979 (Showa 54) as a "star" in front of the Asakusa public hall in order to honor the accomplishments of entertainers who contributed to the promotion of popular performing arts, It is set up in the "Plaza". This year, a honorary ceremony was held for six people with hand shapes installed.


Former Takarazuka boys top star and actress Amami Yuki "I am from Taito Ward, but it is a feeling of lack of ability to put a hand on this place that I have been familiar with since my childhood, my mother is also very pleased I was able to do filial piety.I would like to continue to do my best to make Taito Ward lively. "


Singer / Mr. Otsuki Miyako "I came to the singer for the first time in 55 years, but now I am happiest the most.We would like to select the hand of the star this time and I hope that you will have a wonderful Japanese popular song from tomorrow I think that you got a fight when delivering it, thanks to everyone who listens to the song. Thank you very much. "


Kabuki actor Nakamura Kankuro "I am very pleased to be able to enter among the great seniors who have left the hands of the star up to now. Among those seniors are two grandparents, my father and my aunt as well This Asakusa public hall is a New Year Asakusa Kabuki which is said to be a gateway for young Kabuki actors.I also appeared in this place for many years from the age of 18. From now on I would like to be a good actor to love and love people in Asakusa. "


Kankuro's younger brother Nakamura Shichinosuke "I have been indebted to this Asakusa public hall since I was 16. Although there are so many customers today, only about five customers in my first performance There was no one, I will beat up from the ground in this place, I am very pleased that you have chosen to be a star's hand like this. "


Although Azuma Takahiro of the talent was also elected, attendance to the festival ceremony did not come true, Tomohiro Higashi Tomohiro as a younger brother attended on behalf of Mr. Takahiro Mr. Tomohiro was read aloud. "My father, Azuma hachiro also leaves hand shapes 38 years ago from now, there is a memory that I felt even more greatly to my father who I respected as a junior high school student at that time, my father is 49 years old At the time I left his hands, I am also 49 years old, I was able to leave my hands in the same year, I will continue to devote myself to ashamed of this honor from now on. "


Unfortunately, Takagawa Yumi, an actress, was absent from the awards ceremony, and the managing director of the office that he belonged to was read by his comments. "We have selected it as a hand type at the end of Heisei and it is full of appreciation.The entertainment life has also entered in the 46th year, so we will continue to devote ourselves with new feelings encouraging you to choose this time."

Kabuki dance "Tongue-picking Sanjo"
Nakamura Kankuro is succeeding Nakamura Kanzaburo who is the founder of Edo Kabuki, Nakamura Kankuro performed Sanjo, and Shichinosuke was playing a thousand years. The venue was crowded with a comical movement of Sanjo.

Edo TaiKagura music
The origins of tTaikagura are the &quot Sangaku " transmitted to the shrine in the Heian era. It was developed as an acrobatics in the Edo period and gained popularity. Okinaya Wasuke and Okinaya Kohana will show off his umbrella, etc., and the crowd gets a lot of fun with skillful technique.

Rcitation “Thirteen nights”
A Story tellar Kumazawa Nansui that appeared on a dark stage. Moistly and sometimes intensely, She talked about Higuchi Ichiyo's "Thirteen nights ". Higuchi Ichiyo is a writer who is familiar with this place, such as writing masterpiece "Takekurabe " set in Ryusen, Taito-ku.

Historical narrative "Shinmon Tatsugoro "
From Edo to the Meiji / Taisho era, Historical narrative which was a representative of people's entertainment. Kanda Kurenai told the lifetime of Shinmon Tatsugoro who was active as a firefight in Edo in Edo. It was the first time she ever tells this story. The audience was fascinated by the delightful enthusiasm that was full of presence, and it was drawn into the world of the Historical narrative.

Kappore dance
"Kappore" is a dance spreading all over the country by the petitioner afterwards, based on "Sumiyoshi dance" dedicated to Sumiyoshi Shrine in Osaka in hopes of rich a good harvest and becoming called by this name in the Edo period. Sakura gawa iri hune shachu venue was excited with the dance that matched the "Kappore" calling by the company .


"Edomachi-Taito Entertainment Festival", which has grown up in Taito-ku with performing arts and traditional culture for about half a year, has closed the curtain here. Even in the closing event, we offered a wide variety of performances not caught in the genre to the audience, and it was a great success as a "festival where you can enjoy the power of the shoulder" that anyone can participate.


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Edomachi-Taito Entertainment Festival Young Comedy artist Takeshi acknowledged” Beat Takeshi Cup” Report

Asakusa Toyokan

At the Edomachi-Taito Entertainment Festival, January 28, "Takeshi acknowledged young artist" Beat Takeshi Cup comic dialogue Japan 1 "was held.The festival executive committee honorary adviser Beat Takeshi watched overwhelmingly watching, I will tell you the state of the competition.


The stage is the Asakusa Toyokan where former Asakusa French seat where Takeshi studied comedy. From the 31 groups of young comic men who entered from each entertainment production · comic book association · Toyo-kan etc. with less than 10 years of entertainment history, passed through the preliminary video examination by Edomachi-Taito Entertainment Festival Executive Committee including Takeshi Ten pairs participated in the final round.

The judges are 127 spectators and broadcast writer Fumio Takada and two of Knights of a comic combination. Mr. Kokuro Kuroku and Mr. Hirotsugu Hattori · Mr. Taito can act as an outsider. The pre-sold viewing tickets were sold out on the same day, and the appearance of this competition was live-distributed on YouTube.

Judge Fumio Takada
Mr. Kankuro Kudo, a watcher

As the arrival of the Takeshi's venue is delayed, the tournament starts with the progression of Mr. Aruto Mr. Al-Kitago belonging to TN Gon! The order to showcase the comic characters was decided by lot.

While lottery also showed excitement, Takeshi san went in and out! Although the venue has gotten much more enthusiastic, the face of the contestants has been tightened to the appearance of the big seniors, and the tension feeling has been spreading to the audience seemingly.

Beat Takeshi who plunges into the orderly lottery

Takeshi talked about the significance of this tournament being held at Asakusa Toyokan here.

Takeshi "There is an image called Kansai when it says" comedy "now, but I brought this Toyo-kan to the culture of the show business, which is originally born in the United States" to show off along the way between dancing " It was a theater in the Kanto region, which I regarded as a Kanto theater, and I hope everyone can fully enjoy Kanto's comedy at the convention and the best uki should have the prize. "

Following the result of the lottery, each group shows off the whole story at a comedian tournament with a relatively long 4 minutes.

Brat Peak (belonging to Production Human Resources)
Mr. Genjutsu (Asai Project Planning Affiliation)
Yamame (belongs to Grape Company)
The Perfect (belonging to Sun Music Productions)
A good seaweed (belonging to Sony Music Artists)
Mach speed Speedy ball (independent)
Key planning (belonging to Norrison)
Monrose (belonging to Sun Music Productions)
Yukari Tarumi (SMA NEET Project affiliation)
Oppacho stone (belonging to Kay dash stage)

We will recruit votes from the auditorium at the end of each group comic. In line with the opinion of the judges, the second and first winners will be chosen, but the opinion is consistent between the audience and the judges who said that Takeshi said that the top rank was chosen with a close range.

It is an announcement of the second-place victory group from Ms. Takada. As Ms. Takada widely spreads the paper on which the name of combi was written in front of Mike, there was a happening that the outcome was known to the contestant who was behind before the presentation …

Monroes who showed the story of "the director of the weak baseball club" was chosen as the second champion. A trophy was awarded to Monrose.

Monrose "It is an honor to receive the award at the first tournament, which is named after the great Takeshi, and I would like to continue doing my best in the future."

And finally it is the announcement of the winning group from Mr. Takeshi's mouth. The winner is …

Mach speed Speed ball ! I blew the venue with the story of removing the bicycle.

Two people who will explode joy.

Actually, Mach speed belonging to the office Kitano until last year Mach speed Speedy ball. At that time, when I greeted Takeshi, I was asked "Master of Manga?" And answered "I am a comic", I heard that he began to like comic books from his experience of being turned away.

Mach speed Speedy Ball "" So I can finally show a manga to Takeshi (who gave me the opportunity to start a comic), I am very honored to win the prize! "

In addition to the prize money of 300,000 yen, "Asakusa Toyokan one day elevator boy ticket" and "the Edomachi-Taito Entertainment Festival regular member right" were awarded as a prize to the winning Mach speed automobile. And it was announced that it will be elected to the entertainment new award of "Beat Takeshi Entertainment Award" simultaneous with the "Tokyo Sports Film Award" at a stylish surprise from Takeshi.

Takeshi was also very satisfied for the "Takeshi cup" which was very exciting. "I thought that it would be nice if a comic boom would come in the Kanto region and I was able to open this competition as a result of helping Hattori Taito chairman, so I got a good winner and I would like to continue from now on." I was told.

"Takeshi cup" who did not set a hedge between the audience and the judges and stood at the summit of the comic comedians who laughed everyone the most. Is not it a tournament realized only because it is Taito Ward, the birthplace of popular culture?

The Edomachi-Taito Entertainment Festival will deliver a variety of entertainment and art events in Taito Ward until the closing event on Saturday, February 16, 2019 (the Mach speed Speed Ball appears in Part 2). Please join us.

Official video is here (YouTube)

Edomachi-Taito Entertainment Festival Official Site is here


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The National Museum of Western Art Upon the 60th Anniversary of the NMWA Le Corbusier and the Age of Purism

National Museum of Western Art

 

「ヴォワザン計画」図面の前のル・コルビュジエ 1926年 ©FLC

 
The Main Building of the National Museum of Western Art, Tokyo was designed by Le Corbusier (1887-1965), one of the 20th century’s greatest architects. The building was inscribed on the UNESCO World Heritage List in 2016 as one of the selected works worldwide that comprise “The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement.” This exhibition, commemorating the NMWA’s 60th anniversary, focuses on the period when the young Swiss-born architect Charles-Édouard Jeanneret (Le Corbusier) settled in Paris, the capital of modern art, and promoted a movement called Purism. It considers his almost decade-long work in such diverse areas as painting, architecture, urban planning, publishing and interior design.
 
In late 1918, just after the end of World War I, Jeanneret and the painter Amédée Ozenfant began the Purism movement, which advocated an art of “construction and synthesis” that would correspond with the development of modern technology. Applying himself to painting as he also sought new forms of architecture, Jeanneret was greatly inspired in the 1920s by his interaction with the leading artists of the Parisian avant-garde, which encouraged his transformation into Le Corbusier, standard-bearer of modern architecture.
 
This exhibition presents approximately 100 artworks by Le Corbusier and his fellow artists, supplemented with such diverse materials as architectural models, publications and films. It will provide a unique opportunity to experience the spirit of the modern age that Le Corbusier sought to express, all set within a museum building of his own design.
 

Outline

Exhibition Le Corbusier and the Age of Purism

period Tuesday, 19 February – Sunday, 19 May 2019

Venue The National Museum of Western Art, Tokyo (Main Building)

Opening hours 9:30 am – 5:30 pm (9:30 am – 8:00 pm on Fridays and Saturdays)
Admission ends 30 minutes before closing time

Closed Mondays (Except 25 March, 29 April and 6 May), 7 May

Admission fees Group
Adults 1,400 yen/ University student 1,000 yen/ High school student 600 yen

General
Adults 1,600 yen/ University student 1,200 yen/ High school student 800 yen

* Junior high school and younger children admitted free of charge.
* Disabled visitors admitted free of charge with one attendant. Please present your disability identification upon arrival.
* During this exhibition, the Permanent Collection display will be held only in the New Wing. Please be aware that a ticket for this exhibition is required to view the Main Building galleries.

Inquiries 03-5777-8600 (Hello dial)

Exhibition website https://lecorbusier2019.jp/en/

 
Article Provided by: Kokosil Ueno


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