We hold special art event expressing inclusiveness! “UENOYES2019“ FLOATING NOMAD ””

Takenodai Plaza of Ueno Onshi Park (Fountain plaza)


Ueno Incubation Committee and Public Interest Foundation Law Tokyo Metropolitan History Incubation Foundation Arts Council Tokyo is a theme of social inclusion in Ueno Park and its surrounding areas, which are the accumulation of Japan We have developed the “UENOYES” hatching arts business and are sending Ueno’s charm to the world.
On November 9th (⽇) and 10th (⽇) in 2019, we will welcome a fashion designer Kazuhiko Sora as a director under the general producer of Katsuhiko Sugano, special on the stage at Ueno Onshi Park Kashiwadai Square The art event “UENOYES2019“ FLOATINGNOMAD ”” will be held. The theme of “FLOATING NOMAD” is the open space of Ueno Onshi Park, where people from various countries and regions gathered from various countries and regions to feel as if they were moving. The idea is to become an inclusive art event that expresses diversity through gathering, expression and action, and forms a place for interaction and learning.

At this event, the “cardboard object site”, the landmark and workshop space of the venue, will be fashioned under the supervision and supervision of Satoshi Sugano and attended by the Tokyo Art School DOOR project. A mixed team of private school “coconogacco” will be produced and set up as a lieutenant.

In addition, Nara is the starting point for the Nobuyoshi Shinobu “Silk Road” photo exhibition, which traveled from Beijing to Urumqi, Persepolis, Palmyra to the Vatican (Rome), and the live streaming studio “DOMMUNE” was gathered as far as this space. We plan to develop content in line with themes, such as “DOMMUNE UENOYES”, which distributes special programs from Germany, and a photo exhibition by French photographer Charles Freget. In particular, the latest collection of Samurai Labels, which will be presented in a fashion show format using the fountain pond at the venue, is a unique content of the event and is one of the highlights.

Yoshikazu Yamagata

Yoshikazu Yamagata
1980, Tottori Prefecture. In 2005, graduated from Central Saint Martins Arts in England. During his time at school, he served as a design assistant for John Galliano. After returning to Japan, in 2007 he started the song “writtenafterwards”. In 2015, he was nominated for LVMH Prize for the first time at Kei Enomoto. It presides over “coconogacco” as an essential and fashion education venue and produces many creators.

【UENOYES2019 “FLOATING NOMAD”】

Main content artists

“writtenafterwards” fashion show 》* November 9 (Sat) 17: 00-
-Main content that embodies the theme “FLOATING NOMAD”-
The label “writtenafterwards”, which continues to announce the possibilities of fashion expression in various forms, holds the first fashion show in two years. The collection will be a collection of trilogy with the theme of “modern magic” that has been announced since last year. At the fountain in the foothills of Ueno Onshi Park, the venue, various costumes appear as if they were floating, and an inclusive fashion show embodies the theme.

Cardboard Object Site
―Katsuhiko Sugano supervised and supervised by the general producer.
Under the supervision and general supervision of Katsuhiko Kanno (UENOYES General Producer / Contemporary Artist), Tokyo Art School’s DOOR project (*) attended by a fashion private school “coconogacco” The hybrid team will produce an art monument that will become the landmark of the venue using corrugated cardboard, symbolizing the theme of the event “FLOATING NOMAD”. The completed site will be a workshop venue and a resting place (oasis) for visitors. * DOOR Project: Tokyo University of Arts Course Certification Program “Diversity on the Arts Project”

《Cardboard object site》 image

《”coconogacco” outdoor workshop 》
-Last year’s popular outdoor photo shoot-up version appeared-
Last year’s well-received outdoor photo-shooting party, which was well received last year, will be upgraded in collaboration with “coconogacco”. Models such as street performers (statues) dressed like outdoor sculptures can be sketched while receiving advice from “coconogacco” instructors and graduates of Tokyo Art School. Advance reservation is not required. Anyone can participate in the event.

Kinobu Shinobu “Silk Road” Photo Exhibition
―Special exhibition where the theme “FLOATING NOMAD” overlaps with the images of people who trade on the trade route−
The “Silk Road” by photographer Nobuno Shinozaki, published in 1980, is a Eurasian shore along the “silk road” that starts from Nara and travels from Beijing to Urumqi to Persepolis to Palmyra to Vatican (Rome). A large-scale project that captures the scenery, customs, and face of each region. The photo book compiled in all eight publications was reorganized last year as a volume of Louis Vuitton’s “Fashion Eye” collection. Carefully selected prints will be displayed at the “Gel” (pao / nomadic tent) set up for this event.

From Shinobu Shinobu “Silk Road”

DOMMUNE UENOYES
-“DOMMUNE” will be distributing live special programs of this event alone-
The live streaming studio “DOMMUNE” presided by Naohiro Ukawa (contemporary artist and video artist), who evolves as “SUPERDOMMUNE” with the redevelopment of Shibuto Ward, will appear at this event following the Setouchi International Art Festival. These gatherings are gathered for as long as possible, and current progressive content is disseminated every moment. “DOMMUNE UENOYES” will also be distributed on its own special program.

* Details on content and talk shows will be announced on the website.

Purpleroom Preparatory School
“Purpleroom” is an artist community led by artist Umezu Kaoru. Demonstrations and talk events will be held by artists gathering at the “Purpleroom Preparatory School”.

FLOATING NOMAD ANONYMOUS 》 ※Sunday, November 10 around 16:30
Hiroshi Suzuhiro (Saxophone player / composer), a former leader of classical chin-don punk performance group Chanchikitorunedo, who is currently active in the special big band of Tomohide Tomoyo, It will produce an anonymous and chaotic parade with a mix of images such as Goze-san, Samurai, Circus, Chindon, Samulnori, Eastern European brass music, Vulcan brass, and Central Asian sounds.

<< FLOATING NOMAD ANONYMOUS >> image

《” Charles Freje” Parade “Photo Exhibition ” 》
Photographer Charles Freget, whose theme was the “YÔKAÏNOSHIMA” exhibition (2016 / Ginza Maison Hermès Forum), which clearly captured the sights of Tatsumoto’s unique temporary gods and samurai. In this photo exhibition featuring elaborately decorated elephants, we will be exhibiting a new series unveiled in Japan, covering the Elephant Festival in Jaipur, North India.

Tsuno Saga Arashi and Gel of Beer
After graduating from Nursing Science, after working at a psychiatric hospital, he studied at Ryoka’s fashion private school “coconogacco”, and was selected as the fashion designer ITS finalist in Europe ’s best fashion competition ITS. I started working at “Beteru no Ie” (Urakawa-cho, Hokkaido), the research base. Display and report on the cutting edge of research on parties using cross-disciplinary thinking.
* Participant research: Research and practice focusing on assistance and acupuncture (acupuncture and acupuncture) based on the accumulated experience of the people involved in mental disorders such as schizophrenia.

Silk Road Warehouse
This year, “Silk Road Warehouse” was founded in “PAO COMPOUND” (Higashi-Nakano), a transmission base of Yumika hatchery produced by Takumi Annaka. It is the creation of a place where domestic and foreign famous Silk Road researchers can prevent the collection of collections and materials, which are the foundation of their achievements, and at the same time gather people who are widely involved in the Silk Road. In addition to displaying the Silk Road artifacts and visual materials on a special “Gel” (Tempo of Yumaki Pass) at this event, Takumi Annaka (Representative of Silk Road Warehouse), in front of Asian hatchery researchers There will also be talks by Kosaku Kosaku (visiting professor of Tokyo arts), and historian and art historian Toru Matsueda (professor of the Faculty of Expression in Wako).

Talk show
* Details will be posted on the website later.
* Numbered tickets may be distributed at the venue.
● “FLOATING NOMAD-Diversity of hatching from the sea road”
Yosuke Kaibe (National Museum of Science, Department of Natural History, Department of Natural History) × Katsuhiko Kanno (UENOYES General Producer / Contemporary Artist) × Yoshikazu Kaji (UENOYES2019 “FLOATING NOMAD” Director / Fashion Designer)

Message from Sugano Producer
We are all supposed to make the earth a family. “FLOATING NOMAD” is the one that allows each person to move forward without being restricted. Why don’t you join “UENOYES” and become “FLOATING NOMAD”?

【About the project “UENOYES”, a project for creating a social inclusion and artistic creation base】

―Developing a hatching art project based on the theme of social inclusion in Ueno Park and surrounding areas, and disseminating information to the world―

Concept
It is UENOYES that allows you to make sure that you can make sure that you have one of the many unique features. It doesn’t mean you won’t know what your cocoon is. It ’s not the same habits that people are alleged to be in the same habit, and that ’s not the case. It is UENOYES that accepts the fact that your niece is still in that niece. ~ Katsuhiko Kanno ~

General Producer: Katsuhiko Ogino
In 1958, Gifu City was born. Completed Tokyo University of the Arts in 1984. Won the 1982 Kakimoto Graphic Exhibition Award. 1995 46th Venice Biennale. 2015 Art Selection Award for Science Award (Art Promotion Department). Develop art activities that take advantage of locality. Currently, he is a professor at the Department of Advanced Art Expression in Tokyo.

International Department Director: Aomi Okabe
Born in Taito-ku, Tokyo, raised in Sakai. Art critic and curator. Lecturer and visiting professor at the National School of National Arts, Paris, and visiting researcher at the New York School of Arts. After serving as chief curator for the Mercian Karuizawa Museum of Art for 5 years and as a professor of Musashino Art for 12 years, he is now an artistic director at the exhibition section of the Kakimoto Kaika Kaikan exhibition in Paris.

【Overview】

name “UENOYES2019“ FLOATING NOMAD ””
URL https://uenoyes.ueno-bunka.jp/2019/
Drought Saturday, November 9, 2019, Sunday, November 10, 2019,11: 00〜18: 00
* The start time of the Isobe program is different.
Venue Ueno Onshi Park Tomonodai Square
* Participation is free.
* No prior application required.
* The Isobe program may be distributed as a numbered ticket.
* In the case of rainy weather and stormy weather, the event may be changed or moderate.
In addition, program contents may be changed for convenience.
Sponsor Ueno Incubation Plan Implementation Committee

Public Interest Foundation Hokuto Tokyo Metropolitan Incubation Foundation Arts Council Tokyo

Special cooperation Louis Vuitton Japan K.K.
Cooperation Rengo Corporation, Pioneer DJ Corporation

* This project is a project to form an international dispatch center for hatching arts.

Article Provided by:Kokosil Ueno


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【The Ueno Royal Museum】 “Vincent Van Gogh Exhibition” Preview Report

The Ueno Royal Museum
(Foreground) Vincent van Gogh 《Pine Trees at Sunset》 December 1889 Clerer-Muller Museum

From October 11, 2019 (Friday) to January 13, 2020 (Monday / holiday), the Van Gogh exhibition is held at the the Ueno Royal Museum. I participated in a media preview held prior to the event.

Two encounters that gave birth to Van Gogh

Venue scenery
(Foreground) Joseph Israels “Young woman sewing” circa 1880 The Hague Museum of Art
Introducing Van Gogh’s words along with his work
Vincent van Gogh 《Garden of Saint-Remy Sanctuary》 May 1889 Clerer-Müller Museum

The painter Vincent van Gogh (1853-90) , who established a strong style and lived intensely and densely .
Of the short life of 37 years, only 10 years lived as a painter. Why did Van Gogh get a unique expression in spite of his short art work?
This exhibition focuses on the relationship between the two encounters behind this, “The Hague” and “Impressionism” and Van Gogh, and approaches the secret of Van Gogh ’s unique creation.

In this exhibition, in addition to Van Gogh’s work, works of masters representing the Hague and Impressionists such as Maufé, Monet and Renoir will be exhibited. An easy-to-understand introduction to the process until Van Gogh arrives at his original style.

“Hague” naturalistic look

(Foreground) Alberto Nuheis 《In Drenthe’s House》 1894 The Hague Museum of Art
Vincent van Gogh 《Still Life with Vessel and Pear》 1885 Utrecht Museum of Art

In the first half of the exhibition, the works were introduced focusing on the “The Hague School” who led Van Gogh.
Many people may not be familiar with the Hague school, but the painters gathered in the seaside town of The Hague in the southwestern Netherlands, whose naturalistic landscapes and genre paintings are the forerunners of modern European paintings. The

Van Gogh, who loved Millet, sympathized with the Hague who described peaceful daily life on the stage of nature, and asked Maufe , the central figure, to teach and interact. It can be said that Van Gogh’s first step as a “peasant painter” began here.

Encounter with “Impressionism”

Claude Monet 《Eskis Monte Carlo from Roquebrune》 1884 Monaco Royal Palace Collection

In the exhibition hall, a number of delicious words left by Van Gogh are introduced.
There is a passage that says “Oh, Claude Monet has to draw a person like a landscape” . Van Gogh deeply respected Monet’s paintings and was fascinated by the dynamic colors of the Impressionists.
Until then, Van Gogh used to depict the daily life and inner side of the farmers in dark colors, but meeting the Impressionism in Paris will bring up bright colors and various brushstrokes to open up a unique style. is.

In the second half of the exhibition, the works of Impressionist masters will be introduced in comparison with Van Gogh’s paintings, and the trajectory of the painting will be traced.

About 40 Van Gogh works gather!

(Foreground) Vincent van Gogh 《Farmer’s Head》 1885 Scottish National Gallery
Incent van Gogh <Rose> May 1890 Washington National Gallery
Vincent van Gogh 《Hitosugi》 June 1889 Metropolitan Museum of Art

There are about 40 Van Gogh works on display at this exhibition. From the early stage to the late years, including the masterpiece “Hitosugi” and “Rose” , Van Gogh’s important works are gathered from 27 places in 10 countries around the world.

In the last exhibition room, “Hitosugi”, which can be said to be the white eyebrows of this exhibition, is displayed. Van Gogh was fascinated by the beautiful lines and balance of cypresses like the Egyptian obelisk” and the splendor of the green color. An ideal “beauty” glimpsed by Van Gogh ’s tired spirit. Please enjoy this work with its overwhelming texture at the venue.


Vincent van Gogh <Self-portrait of pipes and straw hats> September-October 1887 Van Gogh Museum (Fincent van Gogh Foundation)

Intense colors and undulating brushes, as symbolized by Cypress. Van Gogh, sometimes referred to as the “Flame Painter” because of his style, devoted himself to painting as if he burned himself.

This exhibition conveys the “passion” and presents the overall picture of his painting work. The Hague School and Impression School. Why don’t you go deeper into Van Gogh’s world through each work?

Also pay attention to the unique product sales corner! This is an original goods by popular illustrator Izumi Shiokawa
Van Gogh exhibition limited goods using Snoopy dressed as Van Gogh also appeared

Outline

Exhibition name
“Gogh Exhibition
Session From October 11, 2019 (Friday) to January 13, 2020 (Monday, National Holiday)
9:30 to 17:00 (Open until 20:00 on Fridays and Saturdays)
* Last admission 30 minutes before closing
closing day December 31 (Tue), January 1 (Wed)
Venue The Ueno Royal Museum (Ueno Park 1-2, Taito-ku, Tokyo)
Official site go-go-gogh.jp

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Tokyo National Museum Special Exhibition “People, God, Nature -An Ancient World Talked about the Masterpieces of The Earl Sarii Collection”!

Tokyo National Museum


In the 3rd room of the Tokyo National Museum Toyokan in Ueno, the special exhibition “People, God, Nature-The Art of Sarii Collection” will be held from Wednesday, November 6, 2019 to Sunday, February 9, 2020. An ancient world told by a masterpiece ”will be held.
The Toyokan of the Tokyo National Museum, renewed in 2013, displays art and cultural assets from all over Asia based on the concept of travel.
Going around the hall makes you feel like you’re on a “trip” across space and time around Asia.
This exhibition introduces 117 items selected from the masterpieces of the Earl Sani Collection, allowing you to view works from the ancient societies of the Mediterranean region, Asia, Africa, and Latin America at once. It will be a valuable opportunity.
Please travel to Toyokan where time and space have expanded.

■ Exhibition structure and main exhibits

 

◇ Chapter 1 People

In Chapter 1, we will focus on crafts related to kings and influential people who ruled ancient societies in various places.
The king statue, the gorgeous accessory, and the items specially made for funerals, all of which are precious materials processed with high technology.
If you compare the displayed works, you can see that each culture has different tastes and designs.
On the other hand, in the ancient hierarchical society, the rulers had to actively show their authority, and that every ancient society had a relationship with the dead and the afterlife under a unique view of death and life. You can see the behavior that is common to the ancient cultures.

 

★ Idealized Pharaoh

 

《Head of the King》 Sekihekigyoku Egypt 1473-1129 B ⓒ”The AI Thani Collection”

 

Jagged eyebrows representing the sun in the underworld

《Masked》 翡翠, Shellfish Guatemala 3-6th Century ⓒ“The Al Thani Collection”

 

★ Standing noble woman

《Character Image “Princess of Bactria” Electrum, stone, shellfish Central Asia c. 2300-1800 B. ⓒ“The Al Thani Collection”

 

◇ Chapter 2 God

People have performed rituals and prayed to please the gods.
Chapter 2 introduces works related to sacred rituals and gods and spirits created by ancient cultures in various regions.
It was not easy for ancient people to run a stable society.
A bit of bad weather leads to serious famines, and wars against conflicting cities and other ethnic groups occur frequently. It must have been extremely important.
This is the background behind the exhibition work of Chapter 2.
There were a variety of religions and beliefs in the ancient world, but every member of society was devoted to their survival and social stability, asking about their relationship with the gods.

 

★ Hello from the megalithic

《Relief》 Alabasta, Gold, Precious Stone, Bronze, etc. Southern Arabian Peninsula c. 100 ⓒ“The AI Thani Collection”

 

★ A goddess staring at the stars?

《Women’s statue “ Stargazer ”》 Marble, etc. Western Anatolia Peninsula Around 3300 to 2500 BC ⓒ“The Al Thani Collection”

 

★ Musicians looking into religious rituals

《Tambarine player image》 Alabasta, Carnelian, Cryolith Mesopotamia circa 2500 ⓒ”The Al Thani Collection”

 

◇ Chapter 3 Nature

How have people recognized the natural world?
In Chapter 3, we will focus on this theme and display crafts that mainly resemble animals.
The people of all ancient societies used nature and the power of gods by using animal-like vessels and accessories.
For example, wild animals with large horns such as goats are said to symbolize the strength of nature.
The sacred animal statue associated with the gods was believed to have sacred power.
When comparing the displayed works, various appearances and expressions of animals are cut out for each work.
The diverse works tell us that there were different natural environments in each place and that people’s interests differed depending on the culture.

 

★ I embody the strength of nature

《Ibex》 Bronze Southern Arabian Peninsula The second half of the first millennium B ⓒ”The Al Thani Collection”

★ Threatening on the battlefield!

 《Nose ornament》 Gold, lapis lazuli / soda stone, etc. Peru 2-4 centuries
ⓒ“The Al Thani Collection”

 

★ A little bit of a loose bear

《Bears》 Gold and Copper China 206 ~ 25 years later ⓒ“The Al Thani Collection”

[Summary]

■ Exhibition Name: Special Exhibition “People, God, Nature -An Ancient World Talked about the Masterpieces of The Earl Sani Collection”
Dates: November 6, 2019 (Wednesday) to February 9, 2020 (Sunday)
■ Venue: Tokyo National Museum, Toyokan, Room 3 (Tokyo / Ueno Park)
■ Opening hours: 9: 30 ~ 17: 00 Fridays and Saturdays until 21:00 * Last entry 30 minutes before closing ■ Closed days: Monday, December 26 (Thursday) to January 1, 2020 (Wednesday)・ Holiday), January 14 (Tue)
* However, it will be open on January 13 (Monday / Holiday) ■ Admission: General 620 yen (520 yen), University student 410 yen (310 yen)
* Free for high school students and younger, under 18 years old and over 70 years old.
Please show your age when you enter.
* () Is a group charge for 20 people or more.
* You can see the general cultural exhibition fee and the special exhibition ticket (limited to the day of viewing).
* A separate viewing fee is required for the special exhibition “World of Shosoin” (10 / 14-11 / 24) and the special exhibition “Izumo and Yamato” (2020/1 / 15-3 / 8).
■ Organizer: Tokyo National Museum, The Earl Sani Collection Foundation, NHK
Inquiries: 03-5777-8600 (Hello Dial)
■ Website: https://www.tnm.jp/

 

Article provided by Kokosil Ueno


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Tokyo Metropolitan Art Museum “Looking At The Children” -November 16, 2019 (Sat) -January 5, 2020 (Sun)

Tokyo Metropolitan Art Museum

From November 16, 2019 (Saturday) to January 5, 2020 (Sunday), the Ueno Artist Project 2019 “A Look for Children” will be held at the Tokyo Metropolitan Art Museum in Ueno .

The Tokyo Metropolitan Art Museum is called the “Hometown for Public Exhibitions” and is popular as a place for the presentation of works by many public organizations.
Since 2017, the “Ueno Artist Project Series” has been developed, which introduces contemporary artists who are active in public recruitment organizations by setting a theme every year.
This year, the third edition, will be held under the theme of “A look toward children”.
Children have captured the hearts of many writers as an attractive motif.
In childhood, everyone experiences, and artists create works with their own thoughts.
Various images of children are layered there, which leads to the “feelings for children” in the audience.
Please enjoy the diverse world of children expressed by 6 artists, from young to veteran.

Work introduction

■ Being loved

 

Kana Shinsei «Girls and the Universe» 2016 Collection of the artist Photo: Ichiro Otani
Ayako Okubo «Spin life» 2014 Collection of the artist

■ Growth and conflict

Tsubasa Shida «Many» 2018 Collection of the artist Photo: Ichiro Otani

Megumi Toyosawa «The Birthday» 2015 Collection of the artist Photo: Ichiro Otani

■ Life connection

Yasuhisa Yamamoto «Soft Prediction» 2015 Collection of the artist
Masanori Kihara «Shape of people’s shape-Return to the ground-» 2017 Collection of the artist

event information

○ Artist talk by exhibiting artists
The artist talks about the works exhibited in this exhibition.

Date: November 24, 2019 (Sunday) 14: 00-15: 30
Writer: Ayako Okubo, Megumi Toyosawa, Masanori Kihara
Venue: Tokyo Metropolitan Art Museum Gallery A and C


Date: December 1, 2019 (Sunday) 14: 00-15: 30
Writer: Kana Shinsei, Tsubasa Shida, Akihisa Yamamoto
Venue: Tokyo Metropolitan Art Museum Gallery A and C


* Participation is free.However, this exhibition ticket is required.
* Please gather at the venue directly.The artist may be changed for convenience.

○ Gallery talk by curator in charge (with sequential interpretation in English)
The curator in charge of this exhibition will introduce the highlights of the exhibition.

Date: December 8, 2019 (Sunday) 14: 00-15: 00
Lecturer: Tokyo Metropolitan Art Museum Curator
Venue: Tokyo Metropolitan Art Museum Gallery A and C

* Participation is free.However, this exhibition ticket is required.
* Please gather at the venue directly.


○ Gallery talk by the curator
The curator in charge of this exhibition will introduce the highlights of the exhibition.

Date: Friday, December 20, 2019 ①14: 00-14: 30, ②19: 00-19: 30
Lecturer: Tokyo Metropolitan Art Museum Curator
Venue: Tokyo Metropolitan Art Museum Gallery A and C

* Participation is free.However, this exhibition ticket is required.
* Please gather at the venue directly.


○ School program
Museum Start Aieno “Ueno Welcome Course”
* Advance application system

On weekdays during the “Children’s Eyes” exhibition, we will implement a program corresponding to the school curriculum.
We will have a meeting with the teachers in advance so that the children can independently appreciate.
On the day of the event, you will enjoy the exhibition works with curators and art communicators, and then make a museum book using special tools.

Duration: 1 hour 30 minutes to 2 hours
Target: Elementary, middle, high and special support schools (accepted from club activities and class units, including special support classes)
If you would like to participate, please apply from the application form on the “Museum Start Aieno” website.

■ Exhibition Outline

Exhibition name: Ueno Artist Project 2019 “A Look for Children”

Organizer: Tokyo Metropolitan Art Museum (Tokyo Metropolitan Foundation for History and Culture)

Dates: November 16, 2019 (Saturday) to January 5, 2020 (Sunday)

Closed days: November 18 (Mon), December 2 (Mon), 16 (Mon), 26 (Thu) -January 3, 2020 (Fri)

Opening time: 9: 30 ~ 17: 30 (Last entry 30 minutes before closing)

Open at night: Every Friday, November 30th (Sat), December 7th (Sat) 9: 30-20: 00 (Last entry 30 minutes before closing)

Venue: Tokyo Metropolitan Art Museum Gallery A and C

Admission fee: General 500 yen / Group (20 people or more) 400 yen / 65 years old and over 300 yen
* Free for students and younger
* Free for those with physical disability certificate, love certificate, nursing certificate, mental health care welfare certificate, and A-bomb victim health certificate (up to 1 person)
* Please bring something that you can prove.
* Free admission with a ticket (stub) available for the Courtauld Museum Exhibition
* November 16 (Sat), 17 (Sun), December 21 (Sat), and 22 (Sun) are parents who are accompanied by children under the age of 18 (Family Friendship Day) Residents (up to 2 people) are half the general fee (please bring proof)
* November 20 (Wednesday) and December 18 (Wednesday) are free of charge for those aged 65 and over due to Silver Day.
(Please bring something you can prove)
* Free for school elementary school students, elementary school, junior high school, and high school students who are equivalent to elementary school / junior high school students.

Article provided by: Kokosil Ueno


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Ueno Royal Museum of Art 50th Anniversary Commemorative Nagai GO Exhibition! September 14 (Sat)-29 (Sun) 2019

The Ueno Royal Museum

The Ueno Royal Museum will hold a 50-year “breakthrough” Nagai GO exhibition from September 14th (Sat) to September 29th (Sun), 2019.

■ Purpose and highlight

© 1967-2019 Go Nagai / Dynamic Production.
All rights reserved. [/caption]

A large exhibition to commemorate the breakthrough of the 50th year of painting by the manga genius Go Nagai!

The manga genius Go Nagai has a variety of genres such as “Harenchi Gakuen”, which has caused social phenomena, “Devilman” who leaves the name in the history of the manga world, and “Mazinger Z”, a monumental monument of the giant robot manga. Has been sent to the world.
The number of works that have been announced so far exceeds 350, and the infinite imagination is still unknown.
This exhibition, which will be held in commemoration of the 50th year of the painting industry, will display more than 600 valuable handwritten manga manuscripts and color illustrations, from debut to the latest.
Exhibits are introduced by genre: “Devil / Devil”, “Robot”, “Gag”, and “Charming Hero Heroine”.
In addition, you can see treasured materials that cannot be seen in the area, and areas that are based on the world view of “Mazinger Z” and “Devilman”.
In addition, new works including illustrations and works that have made the way to Go Nagai’s debut as comics.
It will be shown for the first time at this exhibition.
Please enjoy the imagination world created by Go Nagai.

* This exhibition will be held in Osaka last year from September 8th to 24th (Osaka Bunkakan / Tempozan) and Ishikawa exhibition from July 20th to August 25th this year (Ishikawa Prefectural History) The museum will visit the Tokyo exhibition.

■ Go Nagai Profile

Born September 6, 1945 in Wajima City, Ishikawa Prefecture.
From an early age, he became familiar with manga, movies, rakugo, and adventure novels, and made his debut in 1967 with “Memeshi Polykichi” after being assisted by Shotaro Ishinomori.
The following year, “Harenchi Gakuen” will be serialized and will soon become a big boom.
Since then, he has continued to present works in a wide range of genres.
Representative works include “Devilman”, “Mazinger Z”, “Violence Jack”, “Cutie Honey” and many others.
In 1980, he received the 4th Kodansha Manga Award (Shonen category) for “Dragon King”.
In 2009, the Nagai Go Memorial Hall opened in Wajima City, Ishikawa Prefecture.
In 2018, he received the 47th Japan Cartoonists Association Award / Minister of Education, Culture, Sports, Science and Technology Award.
In July 2019, he received the Order of Chevalier from the French government.
Currently, “Devilman Saga” is serialized in Big Comic (Shogakukan) magazine.

■ Overview

■ Exhibition Name: Nagai GO Exhibition 50 Years of Painting
Date: September 14 (Sat)-29 (Sun), 2019
■ Time: From 10:00 to 17:00 (Last entry 30 minutes before closing, open all day)
■ Venue: The Ueno Royal Museum
■ Organizer: Sankei Shimbun, Nagai GO Exhibition Executive Committee
■ Support: BANDAI SPIRITS, Bandai, Bandai Namco Entertainment,
Toei Animation, Nozaki Printing Paper, eBook Initiative Japan
■ Special cooperation: Dynamic production, Dynamic planning
■ Planning cooperation: Tezuka Productions
■ Admission fee: General / university students 1,600 yen (1,400 yen), high school / junior high school students 1,000 yen (800 yen), free for elementary school students and younger, parentheses are for groups of 20 or more, advance tickets, and advance tickets from June 9 Sold until September 13th, if you have a disability certificate, you and your attendant (up to 1 person) will be half the price of the day

■ Main ticket sales locations

■ Regular tickets:
Ticket Pia 0570-02-9999 (P code: 769-680)
Lawson Ticket 0570-000-777 (L code: 39503)
e +
* Link from official website
■ Limited design tickets:
Jungle, Volks, Animate, Toranoana, TOKYO ATOM stores

■ Inquiry, official homepage

■ Official website: http://www.nagai50ten.com
■ Official twitter: @ nagai50ten
■ Inquiry: Hello dial 03-5777-8600

Article provided by: Kokosil Ueno


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Tokyo National Museum Shoshoin’s World-The Beauty of the Imperial Family

Tokyo National Museum

Raden Shion Gojo Tang Dynasty / 8th Century Shosoin Treasure [October 14-November 4]

Tokyo National Museum Heiseikan will hold a special exhibition “The World of Shosoin-Beauty that the Imperial Family has Preserved” from October 14th (Monday / Holiday) to November 24th (Sunday) 2019 To do.

This exhibition commemorates the emperor’s imperiality and is a special exhibition focusing on the Asuka and Nara era’s internationally artistic culture centered on Shosoin treasure, representing 7th century art in Japan. The Horyu-ji Temple treasure and Shosoin treasure representing 8th century art will be released simultaneously.

Shosoin Shoin

■ Highlights

A masterpiece of treasures from Shosoin, such as Gosho-no-Sango-gogo, which has the highest beauty that carries the sound of the Silk Road that originated in ancient India and is the only one in the world that exists only in Shosoin. In addition to exhibiting, the works of the era and materials can be displayed by displaying works produced for the same purpose, such as “Lacquered jar” (Treasure of Shokura-in) and “Ryushu Water Bottle” (Treasure of Horyuji Temple). You can get a close look at the characteristics of each different beauty.

This is an exhibition that conveys Japanese culture to the world.
You can see the irreplaceable Japanese beauty that the imperial family protected and passed down, as well as the eternal beauty that will continue to be passed down in the future.

Raden Shion Gojo Tang Dynasty / 8th Century Shosoin Treasure [October 14-November 4]
Lacquered jar, Tang or Nara period, 8th century Shosoin treasure [late exhibition November 6-24]
National Treasure Dragon Head Bottle Asuka Era, 7th Century Tokyo National Museum
[Late exhibition November 6-24]
Important cultural property Asuka-Nara era, 7th-8th century Tokyo National Museum (Horyu-ji Temple treasure) [October 14-November 4]
Flat Heaven Back Angle Mirror Tang Dynasty / 8th Century Shosoin Treasure [Late Exhibition November 6-24]
In addition to the exhibited works that have already been announced, there are many treasures that have been carefully guarded and handed down at Shosoin. Etc., all 43 items have been decided.

■ Advance tickets are also on sale now!

・ First term + late ticket

This is a great value set ticket that can be entered once each in the first half (October 14th to November 4th) and the second half (November 6th to November 24th).
Price: General 2,800 yen (tax included) Sales period: July 19 (Friday)-September 19 (Thursday), 2019

・ “Imperial Commemoration 71st Shokurain Exhibition” + Special Commemorative Exhibition “The World of Shosoin” Set Ticket

“Imperial Commemorative 71st Shokurain Exhibition” (Nara National Museum): October 26th (Sat)-November 14th (Thursday), and each of the commemorative special exhibitions “The World of Shosoin” once each A set ticket that you can appreciate.
Price: Advance tickets 2,300 yen (tax included) Same day tickets 2,500 yen (tax included)
Sales period: Advance: July 19th (Friday)-October 13th (Sunday), 2019 / On the day: October 14th (Monday / holiday)-November 13th (Wednesday) 15:00

* The “Imperial Commemoration 71st Shokurain Exhibition” (Nara National Museum) is free to commemorate the throne on November 14 (Thursday).

・ Bibliography / voice guide set ticket

This is a great value ticket that includes the official catalog, audio guide, and admission ticket for this exhibition.
* Please exchange the official catalog at the special exhibition shop during the exhibition.
* Please exchange the audio guide at the venue audio guide reception during the exhibition.
* Narrator will be announced at a later date.
Price: General 4,500 yen (tax included) Sales period: July 19 (Friday) to October 13 (Sunday), 2019
* Each plan ticket is on sale at various play guides

[Exhibition Outline]

The Gothic Memorial Special Exhibition Shokurain’s World-The Beauty of the Imperial Family-

Dates: October 14, 2019 (Monday / Holiday)-November 24, Sunday
・ October 14 (Mon / holiday) to November 4 (Mon / holiday)
・ Late November 6 (Wed)-November 24 (Sun))
■ Venue: Tokyo National Museum Heiseikan (Ueno Park)
Closed day: Monday, Tuesday, November 5
* Open on October 14 (Mon./holiday) and November 4 (Mon./holiday)

Article provided by :Kokosil Ueno


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2nd Edomachi-Taito Entertainment Festival Geirakusai
~Summer Team~ Opening Event Coverage Report

Takenodai Plaza of Ueno Onshi Park (Fountain plaza)

Last year, the popular “Edomachi-Taito Entertainment Festival Geirakusai” was held again this year.
It is a cultural event full of emotion that allows young and old people to feel the various arts and art culture that have been protected and nurtured by their predecessors, such as smart, rich humanity, and enterprising spirit.

Honorary advisor is Beat Takeshi, the same as last time.

Starting from the opening event on August 18, the summer team will be held from August 18 to October 26, 2019, and the winter team will be held from January to February 15, 2020.
So, this time, we interviewed the opening event.

Mahha speed gousokkyu & Monrose

The event's frontier was Mach Speed's fast-paced ball that won the championship at the “Beat Takeshi Cup Mansai Nippon No. 1” held in January 2019. The short contest was performed for 10 seconds, 30 seconds and 1 minute. Tasteful tongues, fast-paced bokeh and tsukkomi with masochism about their name recognition at important points, and a talk invite a pleasant laugh from the venue.

Mahha speed gousokkyu

Next up is the runner-up Monrose, who competed with them in the Beat Takeshi Cup. Two contrasting men, who have a modern weakness and a full-blown heat, show off the teppanya “Director of Weak Baseball Club” and attract their own laughter.

Monrose

In this way, two young entertainers who got on the wave this year excited the venue, and the spark of “Edomachi-Taito Entertainment Festival Geirakusai ~ Summer Team ~” was started.

Shakuhachi performance (Mr. Kinohachi)

Kinohachi, who has inherited the shakuhachi school of “Kinko-ryu” that has continued since the Edo period, is from Negishi, Taito-ku. He started blowing shakuhachi instead of toys at the age of 4 and later studied under Takahisa Mitsuhashi.
After his solo debut in 2003, his talents have been demonstrated in composition activities such as stage, Kabuki, and movies, and it seems that his life work includes performing votive performances at temples and shrines throughout the country.
Looking abroad, he has been active in overseas performances such as London, Moscow, Ukraine, Kazakhstan, Crimea, New Zealand, Beijing and Shanghai, and is one of the Japanese culture senders.
This time, I will make it sound in my hometown Taito-ku.

Mr.Kinohachi (left), Mr.Jun Takeuchi (right)

With the violin performance of Jun Takeuchi-san, the venue will be surrounded by a godly and mysterious mood. Not only adults, but also the tone had the power to stop the feet of small children who were just eager. While respecting tradition and formality, it was such an attractive performance that does not forget modern playfulness.

Dance performance from New York (Global Art and Culture Exchange Mai)

“Global Art and Culture Exchange Mai” is centered on Miho Imoto, a stage actress who is also active in Broadway in the United States, and is also active in interactive workshops and international cultural exchanges through entertainment called dance. Is a performance group.

Global Art and Culture Exchange Mai

I am particularly good at theater dance, and this time I tried to incorporate sign language into the dance. After all, the main feature of this dance is the dance performance on the song of the rock band QUEEN, which is named after the movie “Bohemian Rhapsody”. Everyone is enthusiastic about a powerful and dynamic dance. Along with the tune, clapping also begins, and the venue is exciting.

Dance performance with sign language

ROLLY & Kaori Muraji (Talk show)

ROLLY, a musician who loves QUEEN, and Kaori Muraharu, a classical guitarist who is also active as a tourism ambassador, talked about the movies “Bohemian Rhapsody” and QUEEN.

Ms. Kaori Muraji (left), Mr. ROLLY (right)

The most impressive episode was when Brian May played the guitar using a coin instead of a pick when playing the guitar.
A number of songs were born from the combination of British picks and coins, which is a 1-yen coin in Japan.
Your QUEEN love talk will not end.
And this time, they also performed a session of the QUEEN medley of their selection.

"Bohemian Rhapsody" movie screening

Last year, the movie “Bohemian Rhapsody” was the biggest movement in the world, not just in Japan, and won the 91st Academy Awards in 4 categories.
This work was screened on a large outdoor screen set up in Ueno Onshi Park with the highest quality sound equipment.
Along with the screening, the eyes of many visitors gathered at the venue were poured onto the light projected from the truck loaded with screening equipment.

The sun set, and the heat should have only left the heat accumulated in the concrete ground, but as the scene progressed at the venue where the cheering screening was OK, the enthusiasm again filled with hot cheering and singing by QUEEN fans It was.
It looks more like a live venue than a movie theater.
Ueno on this day became hotter than usual.


The 2nd Edomachi-Taito Entertainment Festival Geirakusai, which started in this way, will be followed by a variety of cultural events such as movies, performing arts, and theater.
Why don't you visit the venue to see, listen to, laugh, and see the popular performing arts that have been nurtured in the region and the sophisticated styles and traditions that have been nurtured in the community, by inviting everyone around you? Uka.
For details, please visit the official website below.

Outline of Edomachi-Taito Entertainment Festival Geirakusai

Session August 18, 2019 (Sun)-February 15, 2020 (Sat)
Venue ○ Ueno area Takenodai Plaza of Ueno Onshi Park (Fountain plaza), Okachimachi south exit station square etc.
○ Yanaka District Disaster Prevention Plaza Hatsune Forest
○ Northern area Yamatanibori Square and others
○ Southern Area Kuramae Elementary School
○ Asakusa district Higashi Honganji Temple, Taito Ward Asakusa Public Hall etc.
Official website http://www.taitogeirakusai.com/

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Tokyo National Museum Held the 6th “Asia Journey Through the Museum”!

Tokyo National Museum

The 6th “Journey of Asia at the Museum” will be held at the Tokyo National Museum from Tuesday, September 10 to Monday, October 14, 2019.

“Museum in Asia” is the 6th annual event of the Tokyo National Museum this year.
Set in the “Toyokan” where oriental arts, crafts and archaeological artifacts gather, different themes are set up every year.

This year’s theme is “Love”.
Because love is a fundamental human emotion, its objects and forms of fellowship vary.
There must be individual answers about the relationship between love and sex and the difference between love and love.
This time, as the title of “Love Love Asia” *, we will introduce various works on the subject of love and explore how people in Asia have captured and expressed love more than ever before.

* It is officially written as “LOVE Love Asia” (“Love” is a heart symbol).

 

◇ Main works ◇

≪Dreamful wish in one arrow≫

 

 

[Toyokan 13 rooms]

● Nayaka Bee Carnell School, India, 18th Century

In fact, there is a rooster at the tip of the arrow that the man aimed at.
The idea of a man and a woman is drawn that if the rooster doesn’t ring, the morning won’t come, and then they can stay together forever.

* In India, various kinds of love have been expressed in the form of miniature drawings. Some of the works in this exhibition include sexual expression. Please note.

 

≪Embroidery instead of painting! Lucky gifts >>

[10 rooms in Toyokan]

● Flower and bird figure folding screen
Donation of the Kokura Collection Preservation Society

A screen with a congratulatory design that embodies a pair of birds and a plant of good luck.
It is the room of a newly married noble woman.

 

≪Beauty and brave couple, their fate and how≫

[Toyokan 13 rooms]

(Left) Wayan Kuri Arjuno Indonesia, Central Java 20th Century Donated by Ryo Matsumoto

(Right) Wayan Kuri Banuwati Indonesia, Central Java 20-21st century Donated by Ryo Matsumoto

Indonesian shadow doll Wayang Kuri.
The two images are the characters that appear in the epic “Mahabarata”.
Beauty Vanuwati who became wife of his nemesis while scolding brave Arjuno.
The two are finally united in the war, but Vanuwati is killed by the enemy attack.

 

≪ “Oshidori couple” is cute, Tang Sansai pillow≫

[Toyokan 5 rooms] Sansai Inukan Bunko Pillow

Donated by Mr. Matsushige Hirota, Tang Dynasty, 8th Century, China

A samurai, which is a symbol of marital harmony, has a very auspicious design on a lotus flower, meaning progeny prosperity.

 

≪Hidden meanings for close parents and children≫

[Toyokan 9 rooms] Shiratama waterfowl-shaped goblet
China Qing era, 19th century

Shiratama goko representing a family of waterfowls playing in a lotus pond.
Male and female waterbirds mean love, and chicks and lotus mean progeny.
Since lotus is the same sound as love, it is a motif that also symbolizes love.

 

≪Put your thoughts on the sound of a whistle≫

[Toyokan Room 8] Shunsuibuki Fan Fan (Shunsui Shozu Senmen)
Various fire brushes * Donated by Mr. Munehiro Hayashi, China, Qing Dynasty, 4883

* “Fire” is officially a single letter.

A man and woman enjoying a peaceful spring river. This is a scene in which Shoukou, loved by him, sings a song with the sound of a famous lyricist, Kyoki, from the Nanban period.
* Exhibition from Wednesday, September 18

 

≪Small but love to the back≫

[Toyokan 3 rooms] Silver decoration (Pin Yilan or Iraq Partia era, 2-3 centuries)

(The entire)

 

(Back part)

It is impressive that you can enjoy eating and drinking.
It can be thought of as a part of a funeral party.

 

◇ Related events ◇

* All participants are free of charge (however, those who are 18 years old or older but under 70 years of age except high school students need a viewing fee on that day)

<Special Tour “Travel for Love-Tour Associate Tohaku Researcher”> [Reception on the day]

Three researchers each day will guide you to the Toyokan trip for a total of 70 minutes with the keyword “love” for about 20 minutes each.

Special tour 2018

 

● September 10 (Tue) 14: 00-15: 10 “Love expressed in crafts”

Kenshi Inokuma (History of Crafts), Takuzo Onozuka (Early Middle East Archaeology), Keiko Mikasa (History of Oriental Ceramics)

● October 8 (Tue) 14: 00-15: 10 “Love expressed in painting”

Soichiro Katsuki (History of Oriental Art), Mizuki Uematsu (Oriental Painting), Satoshi Ichimoto (Oriental Archaeology)

Reception place: Toyokan 1st floor entrance (reception starts 30 minutes before each time)

* This is a tour of the exhibition room. Please participate in shoes that are easy to walk.

<Monthly Lecture “Expression of Love Seen in Asian Art”> [Reception on the day]

Through various works on the theme of love, from the Mediterranean world to East Asia, we will explore how the people of ancient and present East and West have tried to perceive and express love.

● September 28 (Sat) 13: 30-15: 00

Lecturer: Soichiro Katsuki (Oriental Art History)

Venue: Heiseikan Auditorium (scheduled to open 30 minutes before the start) Capacity: 380 people

 

<Guided tour by volunteers> [Registration on the day]

Guided tours of Toyokan highlights, sculptures, archeology, etc. will be held at the “Museum in Asia Special Edition”.

Sunday, September 15 11: 00-11: 40 Toyokan Tour (1)

September 20 (Friday) 11: 00-11: 30 Tree Tour (2)

September 21 (Sat) 14: 00-14: 40 Main Building Highlight Tour (2)

September 26 (Thu) 11: 00-11: 40 Toyokan Tour (1)

Sunday, September 29 14: 30-15: 00 Archaeological Guide @ Toyokan (1)

October 1 (Tue) 11: 00-11: 40 Strolling tour (2)

October 3 (Thu) 11: 00-11: 40 Toyokan Tour (1)

October 5 (Sat) 14: 00-14: 40 Main Building Highlight Tour (2)

15: 00-15: 30 Sculpture Guide @ Toyokan (1)

Sunday, October 6 14: 30-15: 00 Archeology Guide @ Toyokan (1)

Sunday, October 13 15: 00-15: 30 Sculpture Guide @ Toyokan (1)

Meeting place: (1) Toyokan 1st floor entrance

(2) Main building 1st floor entrance

 

<Young yoga experience in Tohaku> [Advance application system]

The popular yoga every year, this year too! This is an opportunity to experience yoga while being surrounded by Tohaku cultural assets.

● Relax Yoga in Hokkeikan with mat

September 27 (Fri) (1) 11: 00-11: 30, (2) 13: 30-14: 00, (3) 15: 00-15: 30

Lecturer: Miho Watanabe (Yoga Instructor)

Venue: 1st floor of Homokeikan (reception starts 30 minutes before each time)

Capacity: 20 people each time (in the case of many applicants, lottery)

How to apply: Please apply from the form on our website.

Application deadline: August 23rd (Friday)

* Because it is yoga using mats, please participate in easy-to-move clothes. (Please refrain from jeans and skirts)

* You can change rooms.

 

● Feel free to chair yoga in Toyokan

Feel free to chair yoga in Toyokan (Scene of 2018)

 

October 4 (Friday) (1) 11: 00-11: 30, (2) 13: 30-14: 00, (3) 15: 00-15: 30

Lecturer: Miho Watanabe (Yoga Instructor)

Venue: Toyokan 1st floor (scheduled to start 15 minutes before each time)

Capacity: 20 people each time (in the case of many applicants, lottery)

How to apply: Please apply from the form on our website.

Application deadline: August 30 (Friday)

* Please participate in easy-to-move clothing. (Please refrain from jeans and skirts)

* Since this is a program in the exhibition room, there is no room available for changing clothes.

 

[Asia’s Journey at the Museum Love Love Asia]

* It is officially written as “LOVE Love Asia” (“Love” is a heart symbol).

■ Date: September 10 (Tue)-October 14 (Mon / Holiday)
■ Venue: Tokyo National Museum Toyokan
■ Opening hours: 9: 30-17: 00

* Friday and Saturday until 21:00, September 20 (Friday) and 21 (Saturday) until 22:00

* Admission until 30 minutes before closing

■ Closed: Monday, September 17 (Tuesday), September 24 (Tuesday)

* Open on September 16 (Mon./holiday), September 23 (Mon./holiday), and October 14 (Mon./holiday)

■ Admission fee: General 620 yen (520 yen) / University student 410 yen (310 yen)

* You can see the general cultural exhibition fee and the special exhibition ticket (limited to the day of viewing).

* () Is a group fee for 20 people or more.

* Special exhibitions are charged separately.

* Free for high school students and younger, and those under 18 years of age and 70 years of age or older.

Please show your age when you enter.

* Free for disabled people and one caregiver.

Please present a handicapped person’s handbook when entering the building.

* On the Day of Respect (September 16 (Monday / Holiday)), the General Culture Exhibition is free to view.

Inquiries: 03-5777-8600 (Hello Dial)

■ Website: https://www.tnm.en/?lang=en/

Article provided by :Kokosil Ueno


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【The University Art Museum, Tokyo University of the Arts】 LEGENDARY KYOTO PAINTING FROM MARUYAMA OKYO TO THE MODERN ERA-Press report-

The University Art Museum, Tokyo University of the Arts

From Saturday, August 3, 2019, at the University of Tokyo Art Museum in Ueno, Tokyo,
“LEGENDARY KYOTO PAINTING FROM MARUYAMA OKYO TO THE MODERN ERA” is held.
(Until Sunday, September 29)

The other day, this exhibition’s news preview was held, and this time we will deliver the report.

 


About Okyo Maruyama

Maruyama Okyo was born in 1733 (Kyoho 18) as a peasant child in the vicinity of Kameoka, Kyoto (Aita Village, Tamba Kuwana-gun).
However, life is difficult because of the poor family environment, and he was said to have been sent to the ministry from an early age.

One of the company’s customers, Owariya Kanbei, was a toy dealer that handled floats, telescopes, peep glasses, and dolls.
With the opportunity to draw eyeglasses there, Orai studied under Yui Ishida, who was cultivating the flow of the Kano school, and learned the perspective method of Western painting through eyeglasses. I refined the technique of painting.

The name will be called “Orai” from 1766 (Maywa 3).
And while meeting Yuten, the master of Mitsui-ji Enman-in Temple, and receiving various orders, he produces a number of masterpieces and continues his career as a painter.

A sketch (drawn sketch), which is created during this period and reflects the raw life.
In the era when the basics of painting at that time were only Yamato or Chinese paintings, Orai’s live-action paintings were simple and easy to understand, and would spread the paintings as familiar to the common people.

Fascinated by such a friendly and free-spirited painting style that is not bound by old traditions, there are many introductory students from all over the country, and in the 1780s, a leading school called the Maruyama school was formed and it became a school that can organize workshops I will continue.

What are Maruyama and Shijo factions?

Along with the Maruyama school, there is the “Shijo school” in the school centered on Kureharu, who studied at Yosyo-an village and later studied under special circumstances.

The Shijo school is a painting school named after , Goshun and his disciples who lived around Shijo-dori in Kyoto.
Because the artistic style of Goshun is influenced by Okyo, the two schools of Maruyama and Shijo are called “Maruyama / Shijo” as the two major schools, and the mainstream of Kyoto since the early days. It has a great influence on modern Kyoto art and has been handed down to the present day.

The highlight of the exhibition

By following the genealogy from Okyo, Goshun to modern times, this exhibition approaches the full picture of the Maruyama and Shijo factions, and reveals part of the Kyoto picture platform, which is an important part of Japanese art history. There are roughly 4 chapters.
The number of exhibitions is about 100, including 8 important cultural properties and 2 important works of art, making it the largest exhibition ever.

The most noticeable thing is the three-dimensional display of Daijoji Rie, which is called the last masterpiece of Okyo Maruyama.

“Daijoji Lacquer painting” has a breathtaking scale. The light changes the density of the ink. Please see from various angles.

 

Maruyama Okyo “Pine and Peacock Diagram” Kansei 7th year Important Cultural Property Hyogo / Daijoji Collection Tokyo Exhibition only for the full year.

In addition, we will also introduce 32 paintings by painters who follow the “Maruyama / Shijo school” system, which is followed by Goshun, Syurei Yamamoto and Kameoka Kirei.

 

Goshun “Cultivation of Four Seasons”, Kansei 7th year (1795) Important cultural property

 

( Foreground ) Kirei Kameoka “Tairen Drawing” Late Edo Period Important Cultural Property Hyogo / Daijoji Collection ( Back ) Shurei Yamamoto “Shonen Gyoen” Late Edo period work Important cultural property Hyogo / Daoji Temple collection

One of the highlights is that only the first part of the Tokyo exhibition will have an important art piece “Eguchi Kimitzu” on display.

Maruyama Okyo’s “Eguchi Kimitzu” is one of the few beautiful Oijo pictures.
A special feature is that the renowned figure is drawn with a solid human body composition.
The way the hair falls off from the top of the hair is reproduced naturally.

Photo (left) Maruyama Okyo “Eguchi Kimizu”, Kansei 6th year (1794) Important Art Works Collection from the Shizukado Bunko Museum * Exhibited only in the first half of the Tokyo exhibition. 1875 (Meiji 8)

 

Only the Tokyo exhibition is also on display for the newly discovered work, “Fish Seafood”.

“Seafood” is on the left of the photo. A total of 28 painters, who occupy most of the Maruyama and Shijo factions, draw seafood on one screen. Although it is drawn by 28 people, at first glance it is interesting that it is harmonious as if one painter is drawing.
In the center of the photo, “Matsutora” is a work depicting a representative tiger from the Kishi group that steps on the Maruyama system.

(Right) Kansai Mori et al. “ Future of fish and shellfish ” Personal collection by Meiji 5-6 (1872-73) * Exhibited only during the Tokyo exhibition (Middle) Kishikoma “ Matsutora ” Kadoya Preservation Society Collection (Right) Bairei Kono, “Defeated Chart”, c. 1885, Tsuruga City Museum Collection

 

OTHER PRODUCT

Obun Kunii / Gyokusen Mochizuki “Flower / Beast / Beast Illustration”

A painting drawn by the Maruyama school’s fifth generation, Obun and Mochizuki school’s fourth generation, Gyokusen. The pale blue, dark blue, and greenish colors of the peacock feathers painted in glossy paint are vivid. I feel.

Obun Kunii / Gyokusen Mochizuki “Flower / Beast / Beast Illustration” Late Edo Period to Meiji Period Collection, Kyoto National Museum

Seihou Takeuchi “Spring Warm”
Rosetsu Nagasawa “Rose Butterfly Lion Figure”
Two painters who were influenced by Ojo, Tsubaki and Yukiyuki. Both dogs are unique and cute.

(Left) Atsushi Takeuchi “Harukan” (1930) by Aichi Prefectural Museum of Art (Kizo Sadazo Collection) Prefectural Art Museum (Kimura Jozo Collection)


Summary

The Maruyama / Shijo faction is vague in its definition of which is the Maruyama faction and which is the Shijo faction, and experts cannot judge.
There is no change in the Maruyama and Shijo faction, so there is no expression that makes Maruyama Okyo’s sketchy or strange, and it is gentle.
Therefore, it is important to appreciate the gentle changes and differences in the styles of each piece without thinking about difficult things.

The Maruyama-Shijo school has nurtured Kyoto’s unique culture against the Edo culture that evolved with rapid changes.
Why don’t you touch the works of Maruyama and Shijo at the University of Tokyo Art Museum?

 

Outline

Exhibition name LEGENDARY KYOTO PAINTING FROM MARUYAMA OKYO TO THE MODERN ERA
Session Previous period: August 3 (Sat)-September 1 (Sun), 2019 Late: September 3 (Tue)-September 29 (Sun), 2019 Large exhibition changes in the second half of the previous period!
* However, Daijoji Rie is displayed throughout the year
10:00 am-5:00 pm (Last entry 30 minutes before closing)
closing day Monday
* However, if Monday is a public holiday or a transfer holiday, it will be opened and closed the next day
Venue Tokyo University of the Arts Museum of Art (Ueno Park) Main Building Room 1, 2, 3, 4
Admission fee General 1,500 yen (1,200 yen) High school / university students 1,000 yen (700 yen)
* Free for junior high school students and younger
* ( ) Is a group fee for 20 or more people * One group leader per 20 group visitors is free
* Free for disabled people and one caregiver. Present a handicapped person’s handbook when entering the museum. Advantageous ticket information
* Please check the official website for details.
Official site https://okyokindai2019.exhibit.jp/

 

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【From 7.20 (Saturday) held at the Tokyo Metropolitan Art Museum】 Yasuko Iba Exhibition

Tokyo Metropolitan Art Museum


From July 20, 2019 (Saturday) at the Tokyo Metropolitan Art Museum in Ueno, the “Iba Yasuko Exhibition” will be held. [Until October 9 (Wed)]
The press preview of this exhibition was held the other day, so this time we will deliver the report.


About Iba Yasuko Exhibition

Yasuko Iba

Yasuko Iba is fascinated by the world with her own eyes and motifs as a painter, and continues to express the scenery of itself by drawing texture motifs and light that it would like to touch Yes.
The creative style is based on photographs taken by myself, and in the 2000s , the motif was mainly bedding and dishes.
Also in recent years, the style of production has not changed, but the distance to the motif that was approaching has gradually increased.
The interest in the landscape gradually increases, and by expanding the perspective to the surrounding space, the Iba work shows new developments.
At this exhibition, video works have been presented as prints and new attempts, including paintings drawn from photographs taken at the Tokyo Metropolitan Art Museum.

Since the solo exhibition in 2009, "Iba Yasuko-The Place of the Wonder of the Day-" (Kanagawa Prefectural Museum of Modern Art), the exhibition for the first time in a museum for the first time in 10 years "Aiko Iba Exhibition"
This exhibition brings to the core of unchanging interest along with the 10-year change of Iiwa Reiko, by displaying works in front of new development, focusing on recent works and new works.

Highlights of the exhibition

The highlight of the exhibition is three.

The first solo exhibition for the first time in 110 years at a museum in Tokyo

This is a large collection of works at major museums in Japan and abroad.
Its popularity is loved by many collectors as well as museums.
In this exhibition, we will display works from 2004, which will lead to recent works and new works, with the help of many holders who are carefully kept in private residences.
Usually, the collector's favorite work that can not be seen in the middle is a pleasure.

2 New exhibition center

The exhibition will be held for around three years from the spring of 2016, which was decided to be held, and will be exhibited focusing on new works such as paintings, prints and videos.
The paintings I drew from the photographs taken at the Tokyo Metropolitan Art Museum were reborn through the lenses and hands of Iba, and brought new life to the architecture of Kunio Maekawa who designed the museum.

First Challenge for 3 Video Works

With a focus on painting and broadening her production activities, Iba is challenging the first video work this time.
Developed from paintings that draw a quiet space filled with light, it is an image work that makes it possible to be aware of various things that exist between human eyes such as the atmosphere, light, and atmosphere, and objects of things to be seen.

Introduction of exhibited works

Untitled 2018-02 Oil on canvas, artist's collection (cooperation: MA2 Gallery)

This work is drawn from photographs taken at the Tokyo Metropolitan Art Museum.
Produced by putting a motif in an acrylic box.
The ambient light reflected from the transparent acrylic box and the light of the objects overlap in layers, creating a unique world.

Untitled 2006-07 Oil On Canvas Private Collection

The texture of the wrinkles that can be created after holding the cushion tight with both hands.
It seems that you can also feel the warmth of the people living there.
It is strange that when you look in front of the work, you will have the illusion that the work will come to light with light.

Untitled 2015-01 Oil on canvas artist collection (cooperation: MA2 Gallery)

The transparency of the glass, the gloss, and the shadows extending from the bowl are delicately expressed.
The pale cherry-colored background highlights the object.

depth # 2019 Video installation Random dot stereogram (crossed vision) / Random dot stereogram (Cross-eyed viewing)

One of Iniwa's new video works.
When using the left and right eye parallax to look at the screen using a three-dimensional object viewing method, an image appears.
It is interesting because the way people look at it also changes depending on the day.
Please take a look and feel with your eyes.


Summary

Yasuko Iba says, "I want to look at each work with eyes, feel even with the body, and have me wake up to my own past memories."

It senses the presence of invisible things from visible objects.
That is how I admire the Iniwa works.

Reiko Iiwa continues to challenge not only paintings but also new visual expressions such as images, while taking an object and a style that draws the light that it creates.
How about visiting this exhibition by all means?

Outline of the event

Exhibition name "Iba Yasuko Exhibition"
Session Saturday, July 20, 2019-Wednesday, October 9
Venue Tokyo Metropolitan Art Museum Gallery A, B, C
Closed day Monday, August 13 (Tuesday), September 17 (Tuesday), September 24 (Tuesday)
※ However, the room will be opened on August 12th (Mon. and holidays), September 16th (Mon. and holidays) and September 23rd (Mon. and holidays)
Opening time
9:30 to 17:30, 9:30 to 20:00 on Fridays (all are 30 minutes before closing)
※ However, July 26 (Fri), August 2 (Fri), 9 (Fri), 16 (Fri), 23 (Fri), and 30 (Fri): 9:30 to 21:00
Fee for viewing Tickets for the day | General 800 yen / undergraduate / vocational school student 400 yen / 65 years old or older 500 yen
Group ticket | General 600 yen
※ Target of group discount is more than 20 people
※ Free for students below high school
※ Person with disability certificate, love notebook, nursing notebook, mental patient health welfare notebook, A-bomb survivors health notebook and person (the one up to one person) are free
※ August 21 (Wed), September 18 (Wed) by "Silver Day", September 16 (Mon. / Congratulations) by "Senior Day"
※ August 17 (Sat), 18 (Sun), 18 (Saturday), September 21 (Sat), 22 (Sun) by "Family Contact Day", parents who accompany children under 18 (resident in Tokyo) , Up to 2 people, half of the general charge
※ Please bring what you can prove
※ October 1 (Tuesday) is free for everyone according to "Tomin's Day" [Summer Night Museum Discount]
From 17:00 to 21:00 on July 26 (Fri), August 2 (Fri), 9 (Fri), 16 (Fri), 23 (Fri), and 30 (Fri) 600 yen, free for college students / professional school students

[Mutual discount] Those who present a ticket for the following exhibition (sift accepted) at the entrance of the main exhibition hall will receive a discount on the day of the general day (each one per person, other discounts only) Can not be used with)

・ Special exhibition " Cartourde Museum Exhibition Fascinating Impressionism "
We discount 300 yen from general rate on the day. If you are presenting a ticket for the exhibition (snift accepted) at the ticket counter in our hall, you can get a discount of ¥ 100 on the day ticket for the “Cultordo Museum of Art Exhibition: Fascinating Impressionism”
・ Tokyo Metropolitan Gakugei Museum of Art " Interior decoration of 1933. Building materials and people for Asaka Palace House "
We discount 200 yen from general rate on the day. If you are presenting a ticket for the exhibition (snift accepted) at the ticket office next to the gate of the Tokyo Metropolitan Art Museum, the general price of “Building Materials and People Over Asaka Palace House in 1933” is ¥ 180. Tokyo Metropolitan Museum of Contemporary Art " Asobi Nojikan " Exhibition
We discount 200 yen from general rate on the day. If you are presenting a ticket for the exhibition (snift accepted) at the ticket counter of the Museum of Contemporary Art Tokyo, the general rate for the “Asobi no Jikan” exhibition is discounted by ¥ 120.

Family contact day
( https://www.tobikan.jp/en/guide/hospitality.html )

Silver day
( https://www.tobikan.jp/en/guide/hospitality.html )

Tokyo educational institution admission fee exemption application
( https://www.tobikan.jp/en/learn/exemption.html )

Daddy mommy day
( https://www.tobikan.jp/guide/nurseryservice.html )

Special WEB site https://www.tobikan.jp/en/exhibition/2019_yasukoiba.html

※ You can check other event information on the special website.

Article Provided by: Kokosil Ueno


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